The Glass Key Part 14

"Yes. Got an iron I can have? One that'll carry me over country roads tonight?"

Tommy said: "Jesus! Lucky for you you could pick your night. You might've had to go on a bad one. Well, I got a Buick that I don't care what happens to."

"Will it get me there?"

"It's just as likely to as anything else," Tommy said, "tonight."

"All right. Fill it up for me. What's the best road up Lazy Creek way on a night like this?"

"How far up?"

Ned Beaumont looked thoughtfully at the garageman then said: "Along about where it runs into the river."

Tommy nodded. "The Mathews place?" he asked.

Ned Beaumont did not say anything.

Tommy said: "It makes a difference which place you're going to."

"Yes? The Mathews place." Ned Beaumont frowned. "This is under the hat, Tommy."

"Did you come to me because you thought I'd talk or because you knew I wouldn't?" Tommy demanded argumentatively.

Ned Beaumont said: "I'm in a hurry."

"Then you take the New River Road as far as Barton's, take the dirt road over the bridge there-if you can make it at all-and then the first cross-road back east. That'll bring you in behind Mathews's place along about the top of the hill. If you can't make the dirt road in this weather you'll have to go on up the New River Road to where it crosses and then cut back along the old one."

"Thanks."

When Ned Beaumont was getting into the Buick Tommy said to him in a markedly casual tone: "There's an extra gun in the side-pocket."

Ned Beaumont stared at the lanky man. "Extra?" he asked blankly.

"Pleasant trip," Tommy said.

Ned Beaumont shut the door and drove away.

IV.

The clock in the dashboard said ten thirty-two. Ned Beaumont switched off the lights and got somewhat stiffly out of the Buick. Wind-driven rain hammered tree, bush, ground, man, car with incessant wet blows. Downhill, through rain and foliage, irregular small patches of yellow light glowed faintly. Ned Beaumont shivered, tried to draw his rain-coat closer around him, and began to stumble downhill through drenched underbrush towards the patches of light.

Wind and rain on his back pushed him downhill towards the patches. As he went downhill stiffness gradually left him so that, though he stumbled often and staggered, and was tripped by obstacles underfoot, he kept his feet under him and moved nimbly enough, if erratically, towards his goal.

Presently a path came under his feet. He turned into it, holding it partly by its sliminess under his feet, partly by the feel of the bushes whipping his face on either side, and not at all by sight. The path led him off to the left for a little distance, but then, swinging in a broad curve, brought him to the brink of a small gorge through which water rushed noisily and from there, in another curve, to the front door of the building where the yellow light glowed.

Ned Beaumont went straight up to the door and knocked.

The door was opened by a grey-haired bespectacled man. His face was mild and greyish and the eyes that peered anxiously through the pale-tortoise-sh.e.l.l-encircled lenses of his spectacles were grey. His brown suit was neat and of good quality, but not fashionably cut. One side of his rather high stiff white collar had been blistered in four places by drops of water. He stood aside holding the door open and said, "Come in, sir, come in out of the rain," in a friendly if not hearty voice. "A wretched night to be out in."

Ned Beaumont lowered his head no more than two inches in the beginning of a bow and stepped indoors. He was in a large room that occupied all the building's ground-floor. The spa.r.s.eness and simplicity of the room's furnishings gave it a primitive air that was pleasantly devoid of ostentation. It was a kitchen, a dining-room, and a living-room.

Opal Madvig rose from the footstool on which she had been sitting at one end of the fireplace and, holding herself tall and straight, stared with hostile bleak eyes at Ned Beaumont.

He took off his hat and began to unb.u.t.ton his rain-coat. The others recognized him then.

The man who had opened the door said, "Why, it's Beaumont!" in an incredulous voice and looked wide-eyed at Shad O'Rory.

Shad O'Rory was sitting in a wooden chair in the center of the room facing the fireplace. He smiled dreamily at Ned Beaumont, saying, in his musical faintly Irish baritone, "And so it is," and, "How are you, Ned?"

Jeff Gardner's apish face broadened in a grin that showed his beautiful false teeth and almost completely hid his little red eyes. "By Jesus, Rusty!" he said to the sullen rosy-cheeked boy who lounged on the bench beside him, "little Rubber Ball has come back to us. I told you he liked the way we bounced him around."

Rusty lowered at Ned Beaumont and growled something that did not carry across the room.

The thin girl in red sitting not far from Opal Madvig looked at Ned Beaumont with bright interested dark eyes.

Ned Beaumont took off his coat. His lean face, still bearing the marks of Jeff's and Rusty's fists, was tranquil except for the recklessness aglitter in his eyes. He put his coat and hat on a long unpainted chest that was against one wall near the door. He smiled politely at the man who had admitted him and said: "My car broke down as I was pa.s.sing. It's very kind of you to give me shelter, Mr. Mathews."

Mathews said, "Not at all-glad to," somewhat vaguely. Then his frightened eyes looked pleadingly at O'Rory again.

O'Rory stroked his smooth white hair with a slender pale hand and smiled pleasantly at Ned Beaumont, but did not say anything.

Ned Beaumont advanced to the fireplace. "'Lo, snip," he said to Opal Madvig.

She did not respond to his greeting. She stood there and looked at him with hostile bleak eyes.

He directed his smile at the thin girl in red. "This is Mrs. Mathews, isn't it?"

She said, "It is," in a soft, almost cooing, voice and held out her hand.

"Opal told me you were a schoolmate of hers," he said as he took her hand. He turned from her to face Rusty and Jeff. "'Lo, boys," he said carelessly. "I was hoping I'd see you some time soon."

Rusty said nothing.

Jeff's face became an ugly mask of grinning delight. "Me and you both," he said heartily, "now that my knuckles are all healed up again. What do you guess it is that makes me get such a h.e.l.l of a big kick out of slugging you?"

Shad O'Rory gently addressed the apish man without turning to look at him: "You talk too much with your mouth, Jeff. Maybe if you didn't you'd still have your own teeth."

Mrs. Mathews spoke to Opal in an undertone. Opal shook her head and sat down on the stool by the fire again.

Mathews, indicating a wooden chair at the other end of the fireplace, said nervously: "Sit down, Mr. Beaumont, and dry your feet and-and get warm."

"Thanks." Ned Beaumont pulled the chair out more directly in the fire's glow and sat down.

Shad O'Rory was lighting a cigarette. When he had finished he took it from between his lips and asked: "How are you feeling, Ned?"

"Pretty good, Shad."

"That's fine." O'Rory turned his head a little to speak to the two men on the bench: "You boys can go back to town tomorrow." He turned back to Ned Beaumont, explaining blandly: "We were playing safe as long as we didn't know for sure you weren't going to die, but we don't mind standing an a.s.sault-rap."

Ned Beaumont nodded. "The chances are I won't go to the trouble of appearing against you, anyhow, on that, but don't forget our friend Jeff's wanted for West's murder." His voice was light, but into his eyes, fixed on the log burning in the fireplace, came a brief evil glint. There was nothing in his eyes but mockery when he moved them to the left to focus on Mathews. "Though of course I might so I could make trouble for Mathews for helping you hide out."

Mathews said hastily: "I didn't, Mr. Beaumont. I didn't even know they were here until we came up today and I was as surprised as-" He broke off, his face panicky, and addressed Shad O'Rory, whining: "You know you are welcome. You know that, but the point I'm trying to make"-his face was illuminated by a sudden glad smile-"is that by helping you without knowing it I didn't do anything I could be held legally responsible for."

O'Rory said softly: "Yes, you helped me without knowing it." His notable clear blue-grey eyes looked without interest at the newspaper-publisher.

Mathews's smile lost its gladness, flickered out entirely. He fidgeted with fingers at his necktie and presently evaded O'Rory's gaze.

Mrs. Mathews spoke to Ned Beaumont, sweetly: "Everybody's been so dull this evening. It was simply ghastly until you came."

He looked at her curiously. Her dark eyes were bright, soft, inviting. Under his appraising look she lowered her head a little and pursed her lips a little, coquettishly. Her lips were thin, too dark with rouge, but beautiful in form. He smiled at her and, rising, went over to her.

Opal Madvig stared at the floor before her. Mathews, O'Rory, and the two men on the bench watched Ned Beaumont and Mathews's wife.

He asked, "What makes them so dull?" and sat down on the floor in front of her, cross-legged, not facing her directly, his back to the fire, leaning on a hand on the floor behind him, his face turned up to one side towards her.

"I'm sure I don't know," she said, pouting. "I thought it was going to be fun when Hal asked me if I wanted to come up here with him and Opal. And then, when we got here, we found these-" she paused a moment-said, "friends of Hal's," with poorly concealed dubiety-and went on: "here and everybody's been sitting around hinting at some secret they've all got between them that I don't know anything about and it's been unbearably stupid. Opal's been as bad as the rest. She-"

Her husband said, "Now, Eloise," in an ineffectually authoritative tone and, when she raised her eyes to meet his, got more embarra.s.sment than authority in his gaze.

"I don't care," she told him petulantly. "It's true and Opal is as bad as the rest of you. Why, you and she haven't even talked about whatever business it was you were coming up here to discuss in the first place. Don't think I'd've stayed here this long if it hadn't been for the storm. I wouldn't."

Opal Madvig's face had flushed, but she did not raise her eyes.

Eloise Mathews bent her head down towards Ned Beaumont again and the petulance in her face became playful. "That's what you've got to make up for," she a.s.sured him, "and that and not because you're beautiful is why I was so glad to see you."

He frowned at her in mock indignation.

She frowned at him. Her frown was genuine. "Did your car really break down?" she demanded, "or did you come here to see them on the same dull business that's making them so stupidly mysterious? You did. You're another one of them."

He laughed. He asked: "It wouldn't make any difference why I came if I changed my mind after seeing you, would it?"

"No-o-o"-she was suspicious-"but I'd have to be awfully sure you had changed it."

"And anyway," he promised lightly, "I won't be mysterious about anything. Haven't you really got an idea of what they're all eating their hearts out about?"

"Not the least," she replied spitefully, "except that I'm pretty sure it must be something very stupid and probably political."

He put his free hand up and patted one of hers. "Smart girl, right on both counts." He turned his head to look at O'Rory and Mathews. When his eyes came back to hers they were shiny with merriment. "Want me to tell you about it?"

"No."

"First," he said, "Opal thinks her father murdered Taylor Henry."

Opal Madvig made a horrible strangling noise in her throat and sprang up from the footstool. She put the back of one hand over her mouth. Her eyes were open so wide the whites showed all around the irises and they were gla.s.sy and dreadful.

Rusty lurched to his feet, his face florid with anger, but Jeff, leering, caught the boy's arm. "Let him alone," he rasped good-naturedly "He's all right." The boy stood straining against the apish man's grip on his arm, but did not try to free himself.

Eloise Mathews sat frozen in her chair, staring without comprehension at Opal.

Mathews was trembling, a shrunken grey-faced sick man whose lower lip and lower eyelids sagged.

Shad O'Rory was sitting forward in his chair, finely modeled long face pale and hard, eyes like blue-grey ice, hands gripping chair-arms, feet flat on the floor.

"Second," Ned Beaumont said, his poise nowise disturbed by the agitation of the others, "she-"

"Ned, don't!" Opal Madvig cried.

He screwed himself around on the floor then to look up at her.

She had taken her hand from her mouth. Her hands were knotted together against her chest. Her stricken eyes, her whole haggard face, begged mercy of him.

He studied her gravely awhile. Through window and wall came the sound of rain dashing against the building in wild gusts and between gusts the bustling of the near-by river. His eyes, studying her, were cool, deliberate. Presently he spoke to her in a voice kind enough but aloof: "Isn't that why you're here?"

"Please don't," she said hoa.r.s.ely.

He moved his lips in a thin smile that his eyes had nothing to do with and asked: "n.o.body's supposed to go around talking about it except you and your father's other enemies?"

She put her hands-fists-down at her sides, raised her face angrily, and said in a hard ringing voice: "He did murder Taylor."

Ned Beaumont leaned back against his hand again and looked up at Eloise Mathews. "That's what I was telling you," he drawled. "Thinking that, she went to your husband after she saw the junk he printed this morning. Of course he didn't think Paul had done any killing: he's just in a tough spot-with his mortgages held by the State Central, which is owned by Shad's candidate for the Senate-and he has to do what he's told. What she-"

Mathews interrupted him. The publisher's voice was thin and desperate. "Now you stop that, Beaumont. You-"

O'Rory interrupted Mathews. O'Rory's voice was quiet, musical. "Let him talk, Mathews," he said. "Let him say his say."

"Thanks, Shad," Ned Beaumont said carelessly, not looking around, and went on: "She went to your husband to have him confirm her suspicion, but he couldn't give her anything that would do that unless he lied to her. He doesn't know anything. He's simply throwing mud wherever Shad tells him to throw it. But here's what he can do and does. He can print in tomorrow's paper the story about her coming in and telling him she believes her father killed her lover. That'll be a lovely wallop. 'Opal Madvig Accuses Father of Murder; Boss's Daughter Says He Killed Senator's Son!' Can't you see that in black ink all across the front of the Observer?" Observer?"

Eloise Mathews, her eyes large, her face white, was listening breathlessly, bending forward, her face above his. Wind-flung rain beat walls and windows. Rusty filled and emptied his lungs with a long sighing breath.

Ned Beaumont put the tip of his tongue between smiling lips, withdrew it, and said: "That's why he brought her up here, to keep her under cover till the story breaks. Maybe he knew Shad and the boys were here, maybe not. It doesn't make any difference. He's getting her off where n.o.body can find out what she's done till the papers are out. I don't mean that he'd've brought her here, or would hold her here, against her will-that wouldn't be very bright of him the way things stack up now-but none of that's necessary. She's willing to go to any lengths to ruin her father."

Opal Madvig said, in a whisper, but distinctly: "He did kill him."

Ned Beaumont sat up straight and looked at her. He looked solemnly at her for a moment, then smiled, shook his head in a gesture of amused resignation, and leaned back on his elbows.

Eloise Mathews was staring with dark eyes wherein wonder was predominant at her husband. He had sat down. His head was bowed. His hands hid his face.

Shad O'Rory recrossed his legs and took out a cigarette. "Through?" he asked mildly.

Ned Beaumont's back was to O'Rory. He did not turn to reply: "You'd hardly believe how through I am." His voice was level, but his face was suddenly tired, spent.

O'Rory lit his cigarette. "Well," he said when he had done that, "what the h.e.l.l does it all amount to? It's our turn to hang a big one on you and we're doing it. The girl came in with the story on her own hook. She came here because she wanted to. So did you. She and you and anybody else can go wherever they want to go whenever they want to." he stood up. "Personally, I'm wanting to go to bed. Where do I sleep, Mathews?"

Eloise Mathews spoke, to her husband: "This is not true, Hal." It was not a question.

He was slow taking his hands from his face. He achieved dignity saying: "Darling, there is a dozen times enough evidence against Madvig to justify us in insisting that the police at least question him. That is all we have done."

"I did not mean that," his wife said.