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The German Classics of the Nineteenth and Twentieth Centuries Volume Xix Part 51

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The stuff was rough and homely, but the coa.r.s.e shirt that showed at the neck and wrists was of a glistening white, that looked so strangely clean in the dirty blacksmith shop, that its color seemed, as it were, to stab through the darkness. But that was not the only bright spot about the child. His hands were small and slender and really quite delicate, and they had a clever way of touching any dirty object with the finger tips only, without getting soiled. But little Cain's head was the fairest of all, poised on his slender white neck, that showed above the soft, unstarched collar. The boy's face was of such a rare and almost unearthly beauty, that Katharine, who was a pious soul and none too clever, often and often stood near Cain, when he was not noticing her, and gazed at him, with folded hands and open mouthed astonishment. At such times a secret shudder would pa.s.s through her spirit, and strange thoughts through her old head. Supposing that the boy, Cain, was not really a human being, supposing that--an angel was dwelling under the smith's roof, and--

When such thoughts came to Katharine, who, unlike Stephen Fausch, was a Catholic, she would cross herself. Stephen Fausch was far from regarding his boy as an angel, but when the child was not looking at him, he too would secretly marvel at his face, every feature of which was like a work of art. His mouth had kept the same shape that it had had when he was a baby; it was like a delicate flower whose calyx is just opening. His chin and nose, his cheeks and brow were very clear-cut, while his eyes were large and of a dark steel gray color.

They had a strange radiance that was especially striking when the child looked up suddenly and raised his long lashes. His hair was bright golden, like his mother's, and Katharine let it grow long and hang over his shoulders. Therefore Fausch also, upon whom all beauty had its effect, often paused in his work and gloated over the child's loveliness, although he was short and abrupt with him, as with every one else, so that even their talk in the workshop was of a difficult and fragmentary sort. If the maid or any stranger came in, Fausch would speak to the boy in a harsher and more commanding tone, would push him roughly to one side and would call him by his name in a loud and purposely distinct tone. Thus he seemed to seize little Cain, as it were, in his two hands and hold him up to show him to people; "Look at him! I have branded him with the wrong and the shame that they have put upon me!" There was nothing mean or hateful in this action; he merely chose to show that he was man enough to conceal nothing of the disgrace that had been forced on him, and also to exact retribution, without asking whether others liked it or not.

The boy bore this frequent change in his father's bearing, to which he had soon become accustomed, with singular ease. He never cried, but looked at Stephen sometimes, when he bl.u.s.tered, with big astonished eyes, and sometimes he twitched crossly away from Stephen's grasp, when the smith started to push him aside.

Meanwhile the time came when little Cain Fausch must be sent to school.



Katharine took him to the village the first time he was to go. But the very next day he no longer needed her, and soon felt at home in Waltheim. Because he looked a little different from the others, a little _finer_, as it were, and wore his hair in long curls, the village children at first stared at him in astonishment; but since he was a lively little chap, he soon found playmates among them, and they grew accustomed to him, because he became used to them.

Now that the boy was but little with him, the smith seemed to neglect him and to forget him, as of old. Only some weeks later did chance call his attention to the fact that Cain had entered upon a new phase of his life. It was in the afternoon of one of those light days, when the sun seemed to spread its rays, like the glistening threads of a spider's web along the road, from one tract of woodland to the other. The southern wood cast a cool, clear shadow, and where this ended and the sun began to spin its golden web, the line was as sharp as if cut by a knife. Fausch, whose day's work was done, put his short pipe between his teeth, and wandered along the road toward Waltheim, through the sunshine, stretching out his bare, black arms before him, he bathed them in the light, and enjoyed seeing how every motion he made broke some of the golden threads. Just then he saw the little boy, Cain, coming out of the woods through the beautiful shadows. He was carrying a large hempen satchel which contained his school books, and came cheerfully forward, taking rather long, vigorous steps for the length of his legs. His long hair hung down over his shoulders, and his fair face was shining. But as he crossed the line from shade to sun, the light flashed upon his bare head, and for a moment his hair shimmered like gold.

Stephen Fausch paused, involuntarily, to watch the strange picture that the handsome child made, walking through the glorious sunlight.

Meanwhile the boy had seen his father. Pleasure took the place of the thoughtful expression that he had worn, and he called out gaily from some distance.

Fausch nodded, waited for him to approach, asked an idle question, whether he was coming from school, and then turned around, and the two walked home side by side. The smith did not change his sauntering gait.

Accordingly the boy too had to walk more slowly, and since his father did not speak, he fell, after a few attempts at conversation, to meditating as before. By and by, however, he looked up and asked suddenly: "Why have I such a name?"

"What name?" asked Stephen.

"They all laugh when they call me that. The children say my name is a disgrace." His eyes filled with tears, but he wiped them away secretly so that his father should not see him cry. Stephen laughed harshly. He did not answer. He stooped forward, and his rugged brow looked as if he meant to b.u.t.t into some obstacle; moreover he began to walk faster.

"The teacher calls me Fausch, just Fausch. He calls all the other boys by their first names," Cain began again.

"The teacher is a fool," said the smith. As he spoke, they had already reached home, and without pausing, he went at once into his workshop.

The child got no other answer.

But during the next few weeks, a curious wave from Waltheim reached the smithy. The village people grew quite disturbed over Stephen Fausch's whim, to make his boy bear the name of a sinner. They might have worked themselves into this state long ago, or even when the boy was christened, but at that time, the little commotion had quickly died away. They now actually saw among them the child whom the smith had branded with a mark, and he was a child upon whom the hardest and most commonplace among them could not look without a secret joy. Therefore they took him under their protection. The first who came to see Stephen Fausch was the teacher, an enlightened young man, and accordingly more officious. He greeted the smith a little condescendingly, a trifle masterfully. Then he blurted out at once the errand that had brought him. "You must change your boy's name, Fausch. He can't let every one call him by a shameful name like Cain. Give him your own name, Stephen, or some name or other, but--"

This long speech was cut short by a rough, short questioning "What?"

from Fausch. Then the smith left the room, in which the teacher had taken him by surprise, and shut the door with a bang. He was seen no more. So the teacher had to withdraw with nothing gained. After the teacher's failure, one and another tried to make Fausch change his mind, a good-natured old man who was a member of the school board, the village constable, whose opinion of himself was only equalled by his great stature, and finally a couple of sympathetic women. Fausch let them all chatter, gave them no answer, and only ran away, when they went a little too far. And so he stemmed the tide, that flowed around his house, like a rock against which the waves must part.

"What a bullheaded fellow he is," the Waltheimers would grumble. But finally this little commotion too subsided. The smith had his own way.

Weeks and month flew past; the years went more slowly, but still they went.

[Ill.u.s.tration: EVENING]

As the boy, Cain, grew older, he grew more lonely. His playmates became estranged from him. He was too different from the others, and so they did not a.s.sociate much with him, and then his name always aroused their scorn. At home he still had Katharine, the maid. She spoiled him when he was twelve years old, just as she had done when he was little. He had her to thank for his unusual, almost high-bred appearance and manners. But because he had no comrades, he began to love solitude, and soon liked to sit over the books that his teacher lent him, and would sit for hours in a forest clearing to dream and marvel; but music he prized more than anything else, and especially the sound of his own voice. His singing attracted so much attention at school, that the teacher let him sing in his little choir at church on Sundays, and Cain sang in the woods and at home, but he liked best to sing in his own little room near Katharine's, in which he had slept since he had grown bigger. It was now two years since he had given up wearing his hair hanging down on his shoulders, but it was still long and soft and blond, it glittered in the sunlight, and he wore it brushed back from his forehead. His brow was so white and clear that the light seemed always to shine upon it, and his face had lost none of its pure, n.o.ble lines. His figure, too, was unusually symmetrical, at once flexible and strong. Although he was dressed in the coa.r.s.e and unbecoming clothes of a villager, yet no stranger could pa.s.s him by without glancing a second time at such an uncommonly fine looking lad.

Stephen Fausch had allowed him to grow up in his home and had always behaved in the same way to him. Today indifferent, surly, speaking scornfully to him before others, tomorrow, if they were alone, talkative in his brief way, and casting stolen glances at his face and form, as if the boy's beauty were like meat and drink to him. Then came a day that altered their relations.

Chapter V

Fausch was sitting in his dark, dingy living room. It was already almost night. The smith had long ago left off working, and the table was already set for him and the boy. Fausch did not light the lamp. He liked to sit in the dark, which grew gradually deeper in the room, until his heavy form was no longer recognizable, but only a red point, the glow and the smoke of his pipe, and his heavy breathing betrayed his presence. Then Katharine opened the door. "The boy has not got home yet," said she. Her breath came short.

"He will soon come," answered Stephen.

But Cain did not come, although he ought to have been home from school hours ago.

Another hour pa.s.sed. Stephen Fausch's pipe went out. He was half dozing. Then Katharine came in again, for she could find no peace.

"He--some one ought to go and look for him," she said.

Stephen waked up. "Bring in the soup. If he does not come at the right time, he can go to bed hungry," he grumbled.

The old woman obeyed, and brought in the soup, but her hands and knees were trembling. She meant to hurry over to the village herself afterward, to see what had become of the boy.

Meanwhile the smith had lighted the lamp on the table. He sat down at his own place. The red light of the lamp shone on his black woolly head. Just then footsteps were heard on the outer stairs.

Katharine ran out to the landing. "Boy," she called out in the darkness.

"Yes!" came the answer. He was there. Slowly he came up the steps. His heavy shoes usually made no noise, for he stepped very lightly. They clattered now, as if he were stumbling. The maid lifted up the light.

"Jesus Christ!" she exclaimed.

The boy's face was as white as snow, his clothes were torn and in disorder, but even now they were noticeably clean.

"What has happened to you," asked the maid, quickly and anxiously.

Instead of answering, the boy asked whether his father was in the room.

"Yes, yes," she answered, and opened the door for him herself. With uncertain steps, as if feeling his way, the boy walked in. He was now thirteen years old, and both slender and strong.

"Well!" asked Stephen Fausch, taking a spoonful of soup.

Cain stepped forward into the ruddy light of the lamp. His pallor showed strikingly in the light; his eyes seemed to glow and looked very dark.

"We had a fight," he began in a breathless tone, as if he had but just shaken off a couple of his enemies. "And then I stayed in the woods a long time."

Katharine stood in the doorway, leaning forward to hear what would happen next. Fausch looked sharply at the boy. "Tell me about it," said he. As he spoke, it seemed as if Cain's appearance caught his eye more than ever.

"The other boys have been telling me why I am named Cain," he gasped out. He took hold of the back of a chair and looked Stephen in the face. It was not hard to see that something had stirred him to the depths. "They say it is because my mother was a bad woman," he went on.

"But--then--I--I cannot help what my mother did--"

"Eat your supper now," said Stephen Fausch.

Cain did not hear. "I thought it over a long time in the woods," he went on in short, broken phrases. "If I am such a shameful creature--I must have done something--but--I--"

Suddenly he was quite overcome. He threw himself down with his head and shoulders on the table and wept. He looked up once. "Why must I have that name, Father? Can't I have a name like other people's?"

Stephen had laid down his spoon. He made a grimace, as if he did not know what to say. Then he swore, and then he growled: "They had better leave you alone, the vermin."

Cain regained his self-control now. He dried his eyes. Then he stood up once more by the table, slender and pale. "Whether they are talking impudence to me or not," said he in a low tone, "it always seems to me as if they are pointing their fingers at me. It is like that wherever I go."

As he spoke, he looked about him, as if he saw scornful glances aimed at him.

"You mustn't trouble yourself about the others," said Stephen.

The boy could not at first think of any answer. As he stood there seeming so lost and confused, he had a look of helplessness that would have touched one's heart. Suddenly he begged, in a trembling voice: "Couldn't you give me another name?"

Fausch's brow still kept its obstinate look. But he said in an unaccustomed, almost friendly tone: "Sit down now and eat something.

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The German Classics of the Nineteenth and Twentieth Centuries Volume Xix Part 51 summary

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