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The German Classics of the Nineteenth and Twentieth Centuries Volume Xii Part 58

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That was the first long separation, for almost twelve hours. Poor Effi! How was she to pa.s.s the evening? To go to bed early would be inadvisable, for she would wake up and not be able to go to sleep again, and would listen for every sound. No, it would be best to wait till she was very tired and then enjoy a sound sleep. She wrote a letter to her mother and then went to see Mrs. Kruse, whose condition aroused her sympathy. This poor woman had the habit of sitting till late at night with the black chicken in her lap. The friendliness the visit was meant to show was by no means returned by Mrs. Kruse, who sat in her overheated room quietly brooding away the time. So when Effi perceived that her coming was felt as a disturbance rather than a pleasure she went away, staying merely long enough to ask whether there was anything the invalid would like to have. But all offers of a.s.sistance were declined.

Meanwhile it had become evening and the lamp was already burning. Effi walked over to the window of her room and looked out at the grove, whose trees were covered with glistening snow. She was completely absorbed in the picture and took no notice of what was going on behind her in the room. When she turned around she observed that Frederick had quietly put the coffee tray on the table before the sofa and set a place for her. "Why, yes, supper. I must sit down, I suppose." But she could not make herself eat. So she got up from the table and reread the letter she had written to her mother. If she had had a feeling of loneliness before, it was doubly intense now. What would she not have given if the two sandy-haired Jahnkes had just stepped in, or even Hulda? The latter, to be sure, was always so sentimental and as a usual thing occupied solely with her own triumphs. But doubtful and insecure as these triumphs were, nevertheless Effi would be very happy to be told about them at this moment. Finally she opened the grand piano to play some music, but she could not play. "No, this will make me hopelessly melancholy; I will read, rather." She looked for a book, and the first to fall into her hands was a thick red tourist's handbook, an old edition, perhaps from the days when Innstetten was a lieutenant. "Yes, I will read in this book; there is nothing more quieting than books like this. Only the maps should always be avoided.

But I shall guard against this source of sand in the eyes, which I hate."

She opened the book at random at page 153. In the adjoining room she heard the tick-tock of the clock, and out of doors Rollo, who at nightfall had left his place in the shed, as was his custom every evening, and had stretched himself out on the large woven mat just outside the bedroom door. The consciousness that he was near at hand decreased Effi's feeling that she was forsaken. In fact, it almost put her in a cheerful mood, and so she began, without further delay, to read. On the page lying open before her there was something about the "Hermitage," the well country-seat of the Margrave in the neighborhood of Beireuth. It attracted her attention. Beireuth, Richard Wagner. So she read: "Among the pictures in the 'Hermitage' let us mention one more, which not because of its beauty, but because of its age and the person it represents, may well claim our interest. It is a woman's portrait, which has grown dark with age. The head is small, the face has harsh, rather uncanny features, and she wears a ruff which seems to support her head. Some think it is an old margravine from the end of the 15th century, others are of the opinion that it is the Countess of Orlamunde. All are agreed that it is the picture of the Lady who since that time has achieved a certain notoriety in the history of the Hohenzollern dynasty under the name of the 'Lady in white.'"

"That was a lucky accident!" said Effi, as she shoved the book aside.



"I seek to quiet my nerves, and the first thing I run into is the story of the 'Lady in white,' of whom I have been afraid as long as I can remember. But inasmuch as I already have a creepy feeling I might as well finish the story."

She opened the book again and read further: "This old portrait itself, the original of which plays such a role in Hohenzollern history, has likewise a significance as a picture in the special history of the Hermitage. No doubt, one circ.u.mstance that has something to do with this is the fact that the picture hangs on a papered door, which is invisible to the stranger and behind which there is a stairway leading down into the cellar. It is said that when Napoleon spent the night here the 'Lady in white' stepped out of the frame and walked up to his bed. The Emperor, starting with fright, the story continues, called for his adjutant, and to the end of his life always spoke with exasperation of this 'cursed palace.'"

"I must give up trying to calm myself by reading," said Effi. "If I read further, I shall certainly come to a vaulted cellar that the devil once rode out of on a wine cask. There are several of these in Germany, I believe, and in a tourist's handbook all such things have to be collected; that goes without saying. So I will close my eyes, rather, and recall my wedding-eve celebration as well as I can,--how the twins could not get any farther because of their tears, and how, when everybody looked at everybody else with embarra.s.sment, Cousin von Briest declared that such tears opened the gate to Paradise. He was truly charming and always in such exuberant spirits. And look at me now! Here, of all places! Oh, I am not at all suited to be a grand Lady. Now mama, she would have fitted this position, she would have sounded the key-note, as behooves the wife of a district councillor, and Sidonie Grasenabb would have been all homage toward her and would not have been greatly disturbed about her belief or unbelief. But I--I am a child and shall probably remain one, too. I once heard that it is a good fortune. But I don't know whether that is true. Obviously a wife ought always to adapt herself to the position in which she is placed."

At this moment Frederick came to clear off the table.

"How late is it, Frederick?"

"It is going on nine, your Ladyship."

"Well, that is worth listening to. Send Johanna to me."

"Your Ladyship sent for me."

"Yes, Johanna; I want to go to bed. It is still early, to be sure, but I am so alone. Please go out first and post this letter, and when you come back it will surely be time. And even if it isn't."

Effi took the lamp and walked over to her bedroom. Just as she had expected, there lay Rollo on the rush mat. When he saw her coming he arose to make room for her to pa.s.s, and rubbed his ear against her hand. Then he lay down again.

Meanwhile Johanna had gone over to the office to post the letter. Over there she had been in no particular hurry; on the contrary, she had preferred to carry on a conversation with Mrs. Paaschen, the wife of the janitor of the building. About the young wife, of course.

"What kind of a woman is she anyhow?" asked Mrs. Paaschen.

"She is very young."

"Well, that is no misfortune, but rather the opposite. Young wives, and that is just the good thing about them, never do anything but stand before the mirror and pull at themselves and put on some ornament. They don't see much or hear much and have not yet formed the habit of counting the stubs of candles in the kitchen, and they don't begrudge a maid a kiss if she gets one, simply because she herself no longer gets any."

"Yes," said Johanna, "that was the way with my former madame, and wholly without occasion. But there is nothing of that kind about our mistress."

"Is he very affectionate?"

"Oh very. That you can easily imagine."

"But the fact that he leaves her thus alone--"

"Yes, dear Mrs. Paaschen, but you must not forget--the Prince. After all, you know, he is a district councillor, and perhaps he wants to rise still higher."

"Certainly he wants to, and he will, too. It's in him. Paaschen always says so and he knows."

This walk over to the office had consumed perhaps a quarter of an hour, and when Johanna returned, Effi was already sitting before the pier-gla.s.s, waiting.

"You were gone a long time, Johanna."

"Yes, your Ladyship--I beg your Ladyship's pardon--I met Mrs. Paaschen over there and was delayed a bit. It is so quiet here. One is always glad to meet a person with whom one can speak a word. Christel is a very good person, but she doesn't talk, and Frederick is such a sleepy-head. Besides, he is so cautious and never comes right out with what he has to say. True, one must be able to hold one's tongue when necessary, and Mrs. Paaschen, who is so inquisitive, is really not at all according to my taste. Yet one likes to see and hear something once in a while."

Effi sighed. "Yes, Johanna, it is better so."

"Your Ladyship has such beautiful hair, so long, and soft as silk."

"Yes, it is very soft. But that is not a good thing, Johanna. As the hair is, so is the character."

"Certainly, your Ladyship. And a soft character is better than a hard one. I have soft hair, too."

"Yes, Johanna. And you have blonde hair, too. That the men like best."

"Oh, there is a great difference, your Ladyship. There are many who prefer black."

"To be sure," laughed Effi, "that has been my experience, too. But it must be because of something else entirely. Now, those who are blonde always have a white complexion. You have, too, Johanna, and I would wager my last pfennig that you have a good deal of attention paid to you. I am still very young, but I know that much. Besides, I have a girl friend, who was also so blonde, a regular flaxen blonde, even blonder than you, and she was a preacher's daughter."

"Oh, yes."

"I beg you, Johanna, what do you mean by 'oh yes?' It sounds very sarcastic and strange, and you have nothing against preachers'

daughters, have you?--She was a very pretty girl, as even our officers thought, without exception, for we had officers, red hussars, too. At the same time she knew very well how to dress herself. A black velvet bodice and a flower, a rose or sometimes heliotrope, and if she had not had such large protruding eyes--Oh you ought to have seen them, Johanna, at least this large--" Effi laughingly pulled down her right eye-lid--"she would have been simply a beauty. Her name was Hulda, Hulda Niemeyer, and we were not even so very intimate. But if I had her here now, and she were sitting there, yonder in the corner of the little sofa, I would chat with her till midnight, or even longer.

I am so homesick"--in saying this she drew Johanna's head close to her breast--"I am so much afraid."

"Oh, that will soon be overcome, your Ladyship, we were all that way."

"You were all that way? What does that mean, Johanna?"

"If your Ladyship is really so much afraid, why, I can make a bed for myself here. I can take the straw mattress and turn down a chair, so that I have something to lean my head against, and then I can sleep here till morning, or till his Lordship comes home."

"He doesn't intend to disturb me. He promised me that specially."

"Or I can merely sit down in the corner of the sofa."

"Yes, that might do perhaps. No, it will not, either. His Lordship must not know that I am afraid, he would not like it. He always wants me to be brave and determined, as he is. And I can't be. I was always somewhat easily influenced.--But, of course, I see plainly, I must conquer myself and subject myself to his will in such particulars, as well as in general. And then I have Rollo, you know. He is lying just outside the threshold."

Johanna nodded at each statement and finally lit the candle on Effi's bedroom stand. Then she took the lamp. "Does your Ladyship wish anything more?"

"No, Johanna. The shutters are closed tight, are they not?"

"Merely drawn to, your Ladyship. Otherwise it would be so dark and stuffy."

"Very well."

Johanna withdrew, and Effi went to bed and wrapped herself up in the covers.

She left the candle burning, because she was determined not to go to sleep at once. On the contrary, she planned to recapitulate her wedding tour, as she had her wedding-eve celebration a short time before, and let everything pa.s.s before her mind's eye in review. But it turned out otherwise than she had expected, for when she had reached Verona and was looking for the house of Juliet Capulet, her eyes fell shut. The stub of candle in the little silver holder gradually burned down, flickered once or twice, and went out.

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The German Classics of the Nineteenth and Twentieth Centuries Volume Xii Part 58 summary

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