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The German Classics of the Nineteenth and Twentieth Centuries Volume Vi Part 10

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How thou wilt be beloved and accursed! How thou wilt aid in debauchery, pandering, lying, and murdering! How thou wilt restlessly roll along through clean and dirty hands for centuries, until finally, laden with tresspa.s.ses and weary with sin, thou wilt be gathered again unto thine own, in the bosom of an Abraham, who will melt thee down, purify thee, and form thee into a new and better being, perhaps an innocent little tea-spoon, with which my own great-great-grandson will mash his porridge."

I will narrate in detail my visit to "Dorothea" and "Caroline," the two princ.i.p.al Clausthaler mines, having found them very interesting.

Half an hour away from the town are situated two large dingy buildings.

Here the traveler is transferred to the care of the miners. These men wear dark and generally steel-blue colored jackets, of ample girth, descending to the hips, with pantaloons of a similar hue, a leather ap.r.o.n tied on behind, and a rimless green felt hat which resembles a decapitated nine-pin. In such a garb, with the exception of the "back-leather," the visitor is also clad, and a miner, his "leader,"

after lighting his mine-lamp, conducts him to a gloomy entrance resembling a chimney-hole, descends as far as the breast, gives him a few directions relative to grasping the ladder, and requests him to follow fearlessly. The affair is entirely devoid of danger, though it at first appears quite otherwise to those unacquainted with the mysteries of mining. Even the putting on of the dark convict-dress awakens very peculiar sensations. Then one must clamber down on all fours, the dark hole is so _very_ dark, and Lord only knows how long the ladder may be!



But we soon remark that this is not the only ladder descending into the black eternity, for there are many, of from fifteen to twenty rounds apiece, each standing upon a board capable of supporting a man, and from which a new hole leads in turn to a new ladder. I first entered the "Caroline," the dirtiest and most disagreeable Caroline with whom I ever had the pleasure of becoming acquainted. The rounds of the ladders were covered with wet mud. And from one ladder we descend to another with the guide ever in advance, continually a.s.suring us that there was no danger so long as we held firmly to the rounds and did not look at our feet, and that we must not for our lives tread on the side plank, where the buzzing barrel-rope runs, and where two weeks ago a careless man was knocked down, unfortunately breaking his neck by the fall. Far below is a confused rustling and humming, and we continually b.u.mp against beams and ropes which are in motion, winding up and raising barrels of broken ore or of water. Occasionally we pa.s.s galleries hewn in the rock, called "stulms," where the ore may be seen growing, and where some solitary miner sits the livelong day, wearily hammering pieces from the walls. I did not descend to those deepest depths where it is reported that the people on the other side of the world, in America, may be heard crying, "Hurrah for Lafayette!" Between ourselves, where I did go seemed to me deep enough in all conscience; there was an endless roaring and rattling, uncanny sounds of machinery, the rush of subterranean streams, sickening clouds of ore-dust continually rising, water dripping on all sides, and the miner's lamp gradually growing dimmer and dimmer. The effect was really benumbing, I breathed with difficulty, and had trouble in holding to the slippery rounds. It was not _fright_ which overpowered me, but, oddly enough, down there in the depths, I remembered that a year before, about the same time, I had been in a storm on the North Sea, and I now felt that it would be an agreeable change could I feel the rocking of the ship, hear the wind with its thunder-trumpet tones, while amid its lulls sounded the hearty cry of the sailors, and all above was freshly swept by G.o.d's own free air--yes, sir! Panting for air, I rapidly climbed several dozens of ladders, and my guide led me through a narrow and very long gallery toward the "Dorothea" mine. Here it was airier and fresher, and the ladders were cleaner, though at the same time longer and steeper, than in the "Caroline." I felt revived and more cheerful, particularly as I again observed traces of human beings.

Far below I saw wandering, wavering lights; miners with their lamps came upwards one by one with the greeting, "Good luck to you!" and, receiving the same salutation from us, went onwards and upwards. Something like a friendly and quiet, yet, at the same time, painful and enigmatical recollection flitted across my mind as I met the deep glances and earnest pale faces of these young and old men, mysteriously illuminated by their lanterns, and thought how they had worked all day in lonely and secret places in the mines, and how they now longed for the blessed light of day and for the glances of wives and children.

My guide himself was an absolutely honest, thoroughly loyal German specimen. With inward joy he pointed out to me the "place" where the Duke of Cambridge, when he visited the mines, dined with all his train, and where the long wooden table yet stands; with the accompanying great chair, made of ore, in which the Duke sat. "This is to remain as an eternal memorial," said the good miner, and he related with enthusiasm how many festivities had then taken place, how the entire "stulm" had been adorned with lamps, flowers, and decorations of leaves; how a miner boy had played on the cithern and sung; how the dear, delighted, fat Duke had drained many healths, and what a number of miners (himself especially) would cheerfully die for the dear, fat Duke, and for the whole house of Hanover. I am moved to my very heart when I see loyalty thus manifested in all its natural simplicity. It is such a beautiful sentiment, and such a purely _German_ sentiment! Other people may be wittier, more intelligent, and more agreeable, but none is so faithful as the real German race. Did I not know that fidelity is as old as the world, I would believe that a German heart had invented it. German fidelity is no modern "Yours very truly," or "I remain your humble servant." In your courts, ye German princes, ye should cause to be sung, and sung again, the old ballad of _The Trusty Eckhart and the Base Burgund_ who slew Eckhart's seven children, and still found him faithful. Ye have the truest people in the world, and ye err when ye deem that the old, intelligent, trusty hound has suddenly gone mad, and snaps at your sacred calves!

And, like German fidelity, the little mine-lamp has guided us quietly and securely, without much flickering or flaring, through the labyrinth of shafts and stulms. We ascend out of the gloomy mountain-night--sunlight flashes around--"Good luck to you!"

Most of the miners dwell in Clausthal, and in the adjoining small town of Zellerfeld. I visited several of these brave fellows, observed their little households, heard many of their songs, which they skilfully accompany with their favorite instrument, the cithern, and listened to old mining legends, and to their prayers which they are accustomed to offer daily in company ere they descend the gloomy shaft; and many a good prayer did I offer up with them! One old climber even thought that I ought to remain among them, and become a man of the mines; but as I took my leave notwithstanding, he gave me a message to his brother, who dwelt near Goslar, and many kisses for his darling niece.

Tranquil even to stagnation as the life of these people may appear, it is, nevertheless, a real and vivid life. That ancient trembling crone who sits behind the stove opposite the great clothes-press may have been there for a quarter of a century, and all her thinking and feeling is, beyond a doubt, intimately blended with every corner of the stove and the carvings of the press. And clothes-press and stove _live_--for a human being hath breathed into them a portion of her soul.

It was only in such deeply contemplative life as this, in such "direct relationship" between man and the things of the outer world, that the German fairy tale could originate, the peculiarity of which consists in the fact that in it not only animals and plants, but also objects apparently inanimate, speak and act. To thoughtful harmless people in the quiet homeliness of their lowly mountain cabins or forest huts, the inner life of these objects was gradually revealed; they acquired a necessary and consistent character, a sweet blending of fantastic humor and purely human sentiment, and thus we find in the fairy tale--as something marvelous and yet at the same time quite natural--the pin and the needle wandering forth from the tailor's home and losing their way in the dark; the straw and the coal seeking to cross the brook and coming to grief; the dust-pan and broom quarreling and fighting on the stairs. Thus the mirror, when interrogated, shows the image of the fairest lady, and even drops of blood begin to utter obscure and fearful words of the deepest compa.s.sion. And this is the reason why our life in childhood is so infinitely significant, for then all things are of the same importance, nothing escapes our attention, there is equality in every impression; while, when more advanced in years, we must act with design, busy ourselves more exclusively with particulars, carefully exchange the pure gold of observation for the paper currency of book definitions, and win in _breadth_ of life what we lost in depth.

_Now,_ we are grown-up, respectable people, we often inhabit new dwellings; the housemaid daily cleans them and changes at her will the position of the furniture, which interests us but little, as it is either new or may belong today to Jack, tomorrow to Isaac. Even our very clothes are strange to us; we hardly know how many b.u.t.tons there are on the coat we wear--for we change our garments as often as possible, and none of them remains deeply identified with our external or inner history. We can hardly remember how that brown vest once looked, which attracted so much laughter, and yet on the broad stripes of which the dear hand of the loved one so gently rested!

The old dame who sat behind the stove opposite the clothes-press wore a flowered dress of some old-fashioned material, which had been the bridal robe of her departed mother. Her great-grandson, a fair-haired boy, with flashing eyes, clad in a miner's dress, sat at her feet and counted the flowers on her dress. It may be that she has narrated to him many a story connected with that dress--many serious and pretty stories, which the boy will not readily forget, which will often recur to him when he, a grown-up man, works alone in the midnight galleries of the "Caroline,"

and which he in turn will narrate when the dear grandmother has long been dead, and he himself, a silver-haired, tranquil old man, sits amid the circle of _his_ grand-children behind the stove, opposite the great clothes-press.

I lodged that night too in The Crown, where the Court Councilor B----, of Gottingen, had arrived meanwhile, and I had the pleasure of paying my respects to the old gentleman. After writing my name in the book of arrivals, I turned over the leaves of the month of July and found therein, among others, the much loved name of Adalbert von Chamisso, the biographer of the immortal _Schlemihl_. The landlord remarked of Chamisso that the gentleman had arrived during one terrible storm and departed in another.

The next morning I had again to lighten my knapsack, and threw overboard an extra pair of boots; then I arose and went on to Goslar, where I arrived without knowing how. This much alone do I remember, that I sauntered up hill and down dale, gazing upon many a lovely meadow vale; silver waters rippled and murmured, sweet woodbirds sang, the bells of the flocks tinkled, the many shaded green trees were gilded by the sun, and, over all, the blue silk canopy of heaven was so transparent that one could look through the depths even to the Holy of Holies, where angels sit at the feet of G.o.d, studying thorough-ba.s.s in the features of the eternal countenance. But I was all the time lost in a dream of the previous night, which I could not banish from my thoughts. It was an echo of the old legend--how a knight descended into a deep fountain beneath which the fairest princess of the world lay buried in a deathlike magic slumber. I myself was the knight, and the dark mine of Clausthal was the fountain. Suddenly innumerable lights gleamed around me, watchful dwarfs leapt from every cranny in the rocks, grimacing angrily, cutting at me with their short swords, blowing shrilly on horns, which summoned more and ever more of their comrades, and frantically nodding their great heads. But as I hewed them down with my sword the blood flowed, and I for the first time remarked that they were not really dwarfs, but the red-blooming, long-bearded thistle-tops, which I had the day before hewed down on the highway with my stick. At last they all vanished, and I came to a splendid lighted hall, in the midst of which stood my heart's loved one, veiled in white, and immovable as a statue. I kissed her mouth, and then--O Heavens!--I felt the blessed breath of her soul and the sweet tremor of her lovely lips.

It seemed that I heard the divine command, "Let there be light!" and a dazzling flash of eternal light shot down, but at the same instant it was again night, and all ran chaotically together into a wild turbulent sea! A wild turbulent sea, indeed, over whose foaming waves the ghosts of the departed madly chased one another, their white shrouds floating in the wind, while behind all, goading them on with cracking whip, ran a many-colored harlequin--and I was the harlequin! Suddenly from the black waves the sea monsters raised their misshapen heads, s.n.a.t.c.hed at me with extended claws, and I awoke in terror.

Alas, how the finest fairy tales may be spoiled! The knight, in fact, when he has found the sleeping princess, ought to cut a piece from her priceless veil, and when, by his bravery, she has been awakened from her magic sleep and is again seated on her golden throne in her palace, the knight should approach her and say, "My fairest princess, dost thou not know me?" Then she will answer, "My bravest knight, I know thee not!"

And then he shows her the piece cut from her veil, exactly fitting the deficiency, and she knows that he is her deliverer, and both tenderly embrace, and the trumpets sound, and the marriage is celebrated. It is really a very peculiar misfortune that _my_ love-dreams so seldom have so fine a conclusion.

[Ill.u.s.tration: OLD IMPERIAL PALACE, GOSLAR]

The name of Goslar rings so pleasantly, and there are so many very ancient and imperial a.s.sociations connected therewith, that I had hoped to find an imposing and stately town. But it is always the same old story when we examine celebrities too closely. I found a nest of houses, drilled in every direction with narrow streets of labyrinthine crookedness, and amid which a miserable stream, probably the Gose, winds its sad and muddy way. The pavement of the town is as ragged as Berlin hexameters. Only the antiquities which are imbedded in the frame or mounting of the city--that is to say, its remnants of walls, towers, and battlements--give the place a piquant look. One of these towers, known as the "Zwinger," or donjonkeep, has walls of such extraordinary thickness that entire rooms are excavated therein. The open place before the town, where the world-renowned shooting matches are held, is a beautiful large plain surrounded by high mountains. The market is small, and in its midst is a spring fountain, the waters from which pours into a great metallic basin. When an alarm of fire is raised, they strike several times on this cup-formed basin, which gives out a very loud vibration.

Nothing is known of the origin of this work. Some say that the devil placed it once during the night on the spot where it stands. In those days people were as yet fools, nor was the devil any wiser, and they mutually exchanged gifts.

The town hall of Goslar is a whitewashed guard-room. The Guildhall, hard by, has a somewhat better appearance. In this building, equidistant from roof and ceiling, stands the statues of German emperors. Blackened with smoke and partly gilded, in one hand the sceptre, and in the other the globe, they look like roasted college beadles. One of the emperors holds a sword instead of a sceptre. I cannot imagine the reason of this variation from the established order, though it has doubtless some occult signification, as Germans have the remarkable peculiarity of meaning something in whatever they do.

In Gottschalk's _Handbook_ I had read much of the very ancient cathedral, and of the far-famed imperial throne at Goslar. But when I wished to see these curiosities, I was informed that the church had been torn down, and that the throne had been carried to Berlin. We live in deeply significant times, when millennial churches are destroyed and imperial thrones are tumbled into the lumber-room.

A few memorials of the late cathedral of happy memory are still preserved in the church of St. Stephen. These consist of stained gla.s.s pictures of great beauty, a few indifferent paintings, including a Lucas Cranach, a wooden Christ crucified, and a heathen altar of some unknown metal. The latter resembles a long square coffer, and is upheld by caryatides, which in a bowed position hold their hands above their heads in support, and are making the most hideous grimaces. But far more hideous is the adjacent large wooden crucifix of which I have just spoken. This head of Christ, with its real hair and thorns and blood-stained countenance, represents, in the most masterly manner, the death of a _man_--but not of a divinely-born Savior. Nothing but physical suffering is portrayed in this image--not the sublime poetry of pain.

Such a work would be more appropriately placed in a hall of anatomy than in a house of the Lord.

The sacristan's wife--an artistic expert--who led me about, showed me a special rarity. This was a many-cornered, well-planed blackboard covered with white numerals, which hung like a lamp in the middle of the building. Oh, how brilliantly does the spirit of invention manifest itself in the Protestant Church! For who would think it! The numbers on this board are those of the Psalms for the day, which are generally chalked on a common black tablet, and have a very sobering effect on an esthetic mind, but which, in the form above described, even ornament the church and fully make up for the want of pictures by Raphael. Such progress delights me infinitely, since I, as a Protestant and a Lutheran, am ever deeply chagrined when Catholic opponents ridicule the empty, G.o.d-forsaken appearance of Protestant churches.

The churchyard at Goslar did not appeal to me very strongly, but a certain very pretty blonde-ringleted head which peeped smilingly from a parterre window _did_. After dinner I again sought out this fascinating window, but, instead of a maiden, I beheld a gla.s.s containing white bellflowers. I clambered up, stole the flowers, put them quietly in my cap, and descended, unheeding the gaping mouths, petrified noses, and goggle eyes, with which the people in the street, and especially the old women, regarded this qualified theft. As I, an hour later, pa.s.sed by the same house, the beauty stood by the window, and, as she saw the flowers in my cap, she blushed like a ruby and started back. This time I had seen the beautiful face to better advantage; it was a sweet, transparent incarnation of summer-evening breeze, moonshine, nightingale notes, and rose perfume. Later, in the twilight hour, she was standing at the door.

I came--I drew near--she slowly retreated into the dark entry. I followed, and, seizing her hand, said, "I am a lover of beautiful flowers and of kisses, and when they are not given to me I steal them."

Here I quickly s.n.a.t.c.hed a kiss, and, as she was about to flee, whispered soothingly, "Tomorrow I leave this town, probably never to return." Then I perceived a faint pressure of the lovely lips and of the little hand and I--hurried smilingly away. Yes, I must smile when I reflect that unconsciously I uttered the magic formula by which our red-and blue-coated cavaliers more frequently win female hearts than by their mustachioed attractiveness--"Tomorrow I leave, probably never to return."

During the night which I pa.s.sed at Goslar, a remarkably curious occurrence befell me. Even now I cannot think of it without terror. I am not cowardly by nature and Heaven knows that I have never experienced any special anguish when, for example, a naked blade has sought to make acquaintance with my nose or when I have lost my way at night in a wood of ill repute, or when, at a concert, a yawning lieutenant has threatened to swallow me--but _ghosts_ I fear almost as much as the _Austrian Observer_[52]. What is fear? Does it originate in the brain or in the emotions? This was a point which I frequently disputed with Dr.

Saul Ascher, when we accidentally met in the Cafe Royal in Berlin, where for a long time I used to take dinner. The Doctor invariably maintained that we feared anything, because we recognized it as fearful, by a certain process of reasoning, for reason alone is an active power--the emotions are not. While I ate and drank my fill, the Doctor continued to demonstrate to me the advantages of reason. Toward the end of his demonstration, he was accustomed to look at his watch and remark conclusively, "Reason is the highest principle!" Reason! Never do I hear this word without recalling Dr. Saul Ascher, with his abstract legs, his tight-fitting transcendental-grey long coat, his forbidding icy face, which could have served as frontispiece for a textbook of geometry. This man, deep in the fifties, was a personified straight line. In his striving for the positive, the poor man had, by dint of philosophizing, eliminated all the splendid things from life, such as sunshine, religion, and flowers, so that there remained nothing for him but the cold positive grave. The Apollo Belvedere and Christianity were the two special objects of his malice, and he had even published a pamphlet against the latter, in which he had demonstrated its unreasonableness and untenableness. In addition to this, he has written a great number of books, in all of which _Reason_ shines forth in all its peculiar excellence, and as the poor Doctor meant what he said in all seriousness, he was, so far, deserving of respect. But the great joke consisted precisely in this, that the Doctor invariably cut such a seriously absurd figure when he could not comprehend what every child comprehends, simply because it is a child. I visited the Doctor of Reason several times in his own house, where I found him in company with very pretty girls; for Reason, it seems, does not prohibit the enjoyment of the things of this world. Once, however, when I called, his servant told me the "Herr Doctor" had just died. I experienced as much emotion on this occasion as if I had been told that the "Herr Doctor" had just moved.

To return to Goslar. "The highest principle is Reason," said I soothingly to myself, as I slid into bed. But it availed me nothing. I had just been reading in Varnhagen von Ense's _German Tales,_ which I had brought with me from Clausthal, that terrible story of the son who went about to murder his father and was warned in the night by the ghost of his mother. The wonderful truthfulness with which this story is depicted, caused, while reading it, a shudder of horror in all my veins.

Ghost-stories invariably thrill us with additional horror when read during a journey, and by night in a town, in a house, and in a room where we have never been before. We involuntarily reflect, "How many horrors may have been perpetrated on this very spot where I now lie!"

Meanwhile, the moon shone into my room in a doubtful, suspicious manner; all kinds of uncalled-for shapes quivered on the walls, and as I raised myself in bed and glanced fearfully toward them, I beheld--

There is nothing so uncanny as when a man accidentally sees his own face by moonlight in a mirror. At the same instant there struck a deep-booming, yawning bell, and that so slowly and wearily that after the twelfth stroke I firmly believed that twelve full hours must have pa.s.sed and that it would begin to strike twelve all over again. Between the last and next to the last tones, there struck in very abruptly, as if irritated and scolding, another bell, which was apparently out of patience with the slowness of its colleague. As the two iron tongues were silenced, and the stillness of death sank over the whole house, I suddenly seemed to hear, in the corridor before my chamber, something halting and shuffling along, like the unsteady steps of an old man. At last my door opened, and there entered slowly the late departed Dr. Saul Ascher. A cold fever ran through me. I trembled like an ivy leaf and scarcely dared to gaze upon the ghost. He appeared as usual, with the same transcendental-grey long coat, the same abstract legs, and the same mathematical face; only this latter was a little yellower than usual, the mouth, which formerly described two angles of 22-1/2 degrees, was pinched together, and the circles around the eyes had a somewhat greater radius. Tottering, and supporting himself as usual upon his Malacca cane, he approached me, and said in his usual drawling accent but in a friendly manner, "Do not be afraid, nor believe that I am a ghost. It is a deception of your imagination, if you believe that you see me as a ghost. What is a ghost? Define one. Deduce for me the conditions of the possibility of a ghost. What reasonable connection is there between such an apparition and reason? Reason, I say, _Reason!"_ Here the ghost proceeded to a.n.a.lyze reason, cited from Kant's _Critique of Pure Reason_, part II, section I, book 2, chap. 3, the distinction between phenomena and noumena, then went on to construct a hypothetical system of ghosts, piled one syllogism on another, and concluded with the logical proof that there are absolutely no ghosts. Meanwhile the cold sweat ran down my back, my teeth clattered like castanets, and from very agony of soul I nodded an unconditional a.s.sent to every a.s.sertion which the phantom doctor alleged against the absurdity of being afraid of ghosts, and which he demonstrated with such zeal that once, in a moment of distraction, instead of his gold watch he drew a handful of grave-worms from his vest-pocket, and remarking his error, replaced them with a ridiculous but terrified haste. "Reason is the highest--!" Here the clock struck _one_, but the ghost vanished.

The next morning I left Goslar and wandered along, partly at random, and partly with the intention of visiting the brother of the Clausthal miner. Again we had beautiful Sunday weather. I climbed hill and mountain, saw how the sun strove to drive away the mists, and wandered merrily through the quivering woods, while around my dreaming head rang the bell-flowers of Goslar. The mountains stood in their white night-robes, the fir-trees were shaking sleep out of their branching limbs, the fresh morning wind curled their drooping green locks, the birds were at morning prayers, the meadow-vale flashed like a golden surface sprinkled with diamonds, and the shepherd pa.s.sed over it with his bleating flock.

After much circuitous wandering I came to the dwelling of the brother of my Clausthal friend. Here I stayed all night and experienced the following beautiful poem--

Stands the but upon the mountain Where the ancient woodman dwells There the dark-green fir-trees rustle, Casts the moon its golden spells.

In the but there stands an arm-chair, Richly carved and cleverly; He who sits therein is happy, And that happy man am I.

On the footstool sits a maiden, On my lap her arms repose, With her eyes like blue stars beaming, And her mouth a new-born rose.

And the dear blue stars shine on me, Wide like heaven's great arch their gaze; And her little lily finger Archly on the rose she lays.

Nay, the mother cannot see us, For she spins the whole day long; And the father plays the cithern As he sings a good old song.

And the maiden softly whispers, Softly, that none may hear; Many a solemn little secret Hath she murmured in my ear.

"Since I lost my aunt who loved me, Now we never more repair To the shooting-lodge at Goslar, And it is so pleasant there!

"Here above it is so lonely, On the rocks where cold winds blow; And in winter we are always Deeply buried in the snow.

"And I'm such a timid creature, And I'm frightened like a child At the evil mountain spirits, Who by night are raging wild"

Silent falls the winsome maiden, Frightened by her own surmise, Little hands, so white and dimpled, Pressing on her sweet blue eyes.

Louder now the fir-trees rustle, Spinning-wheel more harshly drones; In their pauses sounds the cithern, And the old song's simple tones:

"Do not fear, my tender nursling, Aught of evil spirits' might; For good angels still are watching Round thy pathway day and night."

Now the fir-tree's dark-green fingers Tap upon the window low, And the moon, a yellow listener, Casts within her sweetest glow.

Father, mother, both are sleeping, Near at hand their rest they take; But we two, in pleasant gossip, Keep each other long awake.

"That thou prayest much too often, Seems unlikely, I declare; On thy lips there is a quiver Which was never born of prayer.

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The German Classics of the Nineteenth and Twentieth Centuries Volume Vi Part 10 summary

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