The German Classics of the Nineteenth and Twentieth Centuries Volume V Part 25

Here was I imprisoned in a foreign land! The Lady fair undoubtedly was even now standing at her window and looking across the quiet garden toward the high-road, to see if I were not coming from the toll-house with my fiddle. The clouds were scudding across the sky; time was pa.s.sing--and I could not get away. Ah, but my heart was sore; I did not know what to do. And if the leaves rustled outside, or a rat gnawed behind the wainscot, I fancied I saw the old woman gliding in by a secret door and creeping softly through the room, with that long knife in hand.

As, given over to such fancies, I sat on the side of my bed, I heard, the first time for a long while, the music beneath my window. At the first tw.a.n.g of the guitar a ray of light darted into my soul. I opened the window, and called down softly, that I was awake. "Pst, pst!" was the answer from below. Without more ado, I thrust the note into my pocket, took my fiddle, got out of the window, and scrambled down the ruinous old wall, clinging to the vines growing from the crevices.

One or two crumbling stones gave way, and I began to slide faster and faster, until at last I came down upon my feet with such a sudden b.u.mp that my teeth rattled in my head.

Scarcely had I thus reached the garden when I felt myself embraced with such violence that I screamed aloud. My kind friend, however, clapped his hand on my mouth, and, taking my arm, led me through the shrubbery to the open lawn. Here, to my astonishment, I recognized the tall student, who had a guitar slung around his neck by a broad silk ribbon. I explained to him as quickly as possible that I wished to escape from the garden. He seemed perfectly aware of my wishes, and conducted me by various covert pathways to the lower door in the high garden wall. But when we reached it, it was fast locked! The student, however, seemed to be quite prepared for this; he produced a large key and cautiously unlocked it.

When we found ourselves in the forest, and I was about to inquire of him the best road to the nearest town, he suddenly fell upon one knee before me, raised a hand aloft, and began to curse and to swear in the most horrible manner. I could not imagine what he wanted; I could hear frequent repet.i.tions of "_Iddio_" and "_cuore_" and "_amore_" and "_furore_!" But when he began hobbling close up to me on both knees, I grew positively terrified, I perceived clearly that he had lost his wits, and I fled into the depths of the forest without looking back.

I heard the student behind me shouting like one possessed, and soon afterward a rough voice from the castle shouting in reply. I was sure they would pursue me. The road was entirely unknown to me; the night was dark; I should probably fall into their hands. Therefore I climbed up into a tall tree to await my opportunity to escape.

From here I could distinguish one voice after another calling in the castle. Several links appeared in the garden, and cast a weird lurid light over the old walls and down the mountain out into the black night. I commended my soul to the Almighty, for the confused uproar grew louder and nearer. At last the student, bearing aloft a torch, ran past my tree below me so fast that the skirt of his surtout flew out behind him in the wind. After this the tumult gradually retreated to the other side of the mountain; the voices sounded more and more distant, and at last the wind alone sighed through the silent forest.

I then descended from my tree and ran breathless down into the valley and out into the night.

CHAPTER VII

I hurried on for the rest of the night and the next day, for there was a din in my ears for a long time, as if all the people from the castle were after me, shouting, waving torches, and brandishing long knives.

On the way I learned that I was only five or six miles from Rome, whereat I could have jumped for joy. As a child at home I had heard wonderful stories of gorgeous Rome, and as I lay on my back in the gra.s.s on Sunday afternoons near the mill, and everything around was so quiet, I used to picture Rome out of the clouds sailing above me, with wondrous mountains and abysses, around the blue sea, with golden gates and lofty gleaming towers, where angels in shining robes were singing.

The night had come again, and the moon shone brilliantly, when at last I emerged from the forest upon a hilltop, and saw the city lying before me in the distance. The sea gleamed afar off, the heavens glittered with innumerable stars, and beneath them lay the Holy City, a long strip of mist, like a slumbering lion on the quiet earth, watched and guarded by mountains around like shadowy giants.

I soon reached an extensive, lonely heath, where all was gray and silent as the grave. Here and there a ruined wall was still standing, or some strangely-gnarled trunk of a tree; now and then night-birds whirred through the air, and my own shadow glided long and black in the solitude beside me. They say that a primeval city lies buried here, and that Frau Venus makes it her abode, and that sometimes the old pagans rise up from their graves and wander about the heath and mislead travelers. I cared nothing, however, for such tales, but walked on steadily, for the city arose before me more and more distinct and magnificent, and the high castles and gates and golden domes gleamed wondrously in the moonlight, as if angels in golden garments were actually standing on the roofs and singing in the quiet night.

At last I pa.s.sed some humble houses, and then through a gorgeous gate-way into the famous city of Rome. The moon shone bright as day among the palaces, but the streets were empty, except for some lazy fellow lying dead asleep on a marble step in the warm night air.

The fountains plashed in the silent squares, and from the gardens bordering the street the trees added their murmur, and filled the air with refreshing fragrance.

As I was sauntering on, not knowing--what with delight, moonlight, and fragrance--which way to turn, I heard a guitar touched in the depths of a garden. "Great heavens!" I thought, "the crazy student with his long surtout has been secretly following me all this time." But in a moment a lady in the garden began to sing deliciously. I stood spellbound; it was the voice of the Lady fair! and the selfsame Italian song which she often used to sing at her open window!

Then the dear old time recurred so vividly to my mind that I could have wept bitterly; I saw the quiet garden before the castle in the early dawn, and thought how happy I had been among the shrubbery before that stupid fly flew up my nose. I could restrain myself no longer, but clambered over the gilded ornaments surmounting the grated gate-way and leaped down into the garden whence the song proceeded. As I did so I perceived a slender white figure standing in the distance behind a poplar-tree, looking at me in amazement; but in an instant it had turned and fled through the dim garden toward the house so quickly that in the moonlight it seemed to glide. "It was she, herself!" I exclaimed, and my heart throbbed with delight; I recognized her on the instant by her pretty little fleet feet. It was unfortunate that in clambering over the gate I had slightly twisted my ankle, and had to limp along for a minute or two before I could run after her toward the house. In the meanwhile the doors and windows had been closed. I knocked modestly, listened, and then knocked again. I seemed to hear low laughter and whispering within the house, and once I was almost sure that a pair of bright eyes peeped between the jalousies in the moonlight. But finally all was silent.

"She does not know that it is I," I thought; I took out my fiddle, and promenaded to and fro on the path before the house and sang the song of the Lady fair and played over all my songs that I had been wont to play on lovely summer nights in the castle garden, or on the bench before the toll-house so that the sound should reach the castle windows. But it was all of no use; no one stirred in the entire house.

Then I put away my fiddle sadly, and seated myself upon the door-step, for I was very weary with my long march. The night was warm; the flower-beds before the house sent forth a delicious fragrance, and a fountain somewhere in the depths of the garden plashed continuously. I thought dreamily of azure flowers, of dim, green, lovely, lonely spots where brooks were rippling and gay birds singing, until at last I fell sound asleep.

When I awoke the fresh air of morning was playing over me; the birds were already awake and twittering in the trees around, as if they were making game of me. I started up and looked about; the fountain in the garden was still playing, but nothing was to be heard within the house. I peeped through the green blinds into one of the rooms, where I could see a sofa and a large round table covered with gray linen.

The chairs were all standing against the wall in perfect order; the blinds were down at all the windows, as if the house had been uninhabited for example, with many a loving thought of my fair, distant home.

Meanwhile, the painter had arranged near the window one of the frames upon which a large piece of paper was stretched. An old hovel was cleverly drawn in charcoal upon the paper, and within it sat the Blessed Virgin with a lovely, happy face, upon which there was withal a shade of melancholy. At her feet in a little nest of straw lay the Infant Jesus--very lovely, with large serious eyes. Without, upon the threshold of the open door were kneeling two shepherd lads with staff and wallet. "You see," said the painter, "I am going to put your head upon one of these shepherds, and so people will know your face and, please G.o.d, take pleasure in it long after we are both under the sod, and are ourselves kneeling happily before the Blessed Mother and her Son like those shepherd lads." Then he seized an old chair, the back of which came off in his hand as he lifted it. He soon fitted it into its place again, however, pushed it in front of the frame, and I had to sit down on it, and turn my face sideways to him. I sat thus for some minutes perfectly still, without stirring. After a while, however--I am sure I do not know why--I felt that I could endure it no longer; every part of me began to twitch, and besides, there hung directly in front of me a piece of broken looking-gla.s.s into which I could not help glancing perpetually, making all sorts of grimaces from sheer weariness. The painter, noticing this, burst into a laugh, and waved his hand to signify that I might leave my chair. My face upon the paper was already finished, and was so exactly like me that I was immensely pleased with it.

The young man went on painting in the cool morning, singing as he worked, and sometimes looking from the open window at the glorious landscape. I, in the meantime, spread myself another piece of bread and b.u.t.ter, and walked up and down the room, looking at the pictures leaning against the wall. Two of them pleased me especially. "Did you paint these, too?" I asked the painter. "Not exactly," he replied.

"They are by the famous masters Leonardo da Vinci and Guido Reni; but you know nothing about them." I was nettled by the conclusion of his remark. "Oh," I rejoined very composedly, "I know those two masters as well as I know myself." He opened his eyes at this. "How so?" he asked hastily. "Well," said I, "I traveled with them day and night, on horseback, on foot, and driving at a pace that made the wind whistle in my ears, and I lost them both at an inn, and then traveled post alone in their coach, which went b.u.mping on two wheels over the rocks, and--" "Oho! oho!" the painter interrupted me, staring at me as if he thought me mad. Then he suddenly burst into a fit of laughter. "Ah,"

he cried, "now I begin to understand. You traveled with two painters called Guido and Lionardo?" When I a.s.sented, he sprang up and looked me all over from head to foot. "I verily believe," he said "that actually--Can you play the violin?" I struck the pocket of my coat so that my fiddle gave forth a tone, and the painter went on: "There was a Countess here lately from Germany, who made inquiries in every nook and corner of Rome for those two painters and a young musician with a fiddle." "A young Countess from Germany!" I cried in an ecstasy. "Was the Porter with her?" "Ah, that I do not know," replied the painter.

"I saw her only once or twice at the house of one of her friends, who does not live in the city. Do you know this face?" he went on, suddenly lifting the covering from a large picture standing in a corner. In an instant I felt as we do when in a dark room the shutters are opened and the rising sun flashes in our eyes. It was--the lovely Lady fair! She was standing in the garden, in a black velvet gown, lifting her veil from her face with one hand, and looking abroad over a distant and beautiful landscape. The longer I looked the more vividly did it seem to be the castle garden, and the flowers and boughs waved in the wind, while in the depths of green I could see my little toll-house, and the high-road, and the Danube, and in the distance the blue mountains.

"'Tis she! 'tis she!" I exclaimed at last, and, seizing my hat, I ran out of the door and down the long staircase, while the astonished painter called after me to come back toward evening, and we might perhaps learn something more.

CHAPTER VIII

I ran in a great hurry through the city to present myself immediately at the house, in the garden of which the Lady fair had been singing yesterday evening. The streets were full of people; gentlemen and ladies were enjoying the sunshine and exchanging greetings, elegant coaches rolled past, and the bells in all the towers were summoning to ma.s.s, making wondrous melody in the air above the heads of the swarming crowd. I was intoxicated with delight, and with the hubbub, and ran on in my joy until at last I had no idea where I was. It was like enchantment; the quiet Square with the fountain, and the garden and the house, seemed the fabric of a dream, which had vanished in the clear light of day.

I could not make any inquiries, for I did not know the name of the Square. At last it began to be very sultry; the sun's rays darted down upon the pavement like burning arrows, people crept into their houses, the blinds everywhere were closed, and the street became once more silent and dead. I threw myself down in despair in front of a fine, large house with a balcony resting upon pillars and affording a deep shade, and surveyed, first the quiet city, which looked absolutely weird in its sudden noonday solitude, and anon the deep blue, perfectly cloudless sky, until, tired out, I fell asleep. I dreamed that I was lying in a lonely green meadow near my native village; a warm summer rain was falling and glittering in the sun, which was just setting behind the mountains, and whenever the raindrops fell upon the gra.s.s they turned into beautiful, bright flowers, so that I was soon covered with them.

What was my astonishment when I awoke to find a quant.i.ty of beautiful, fresh flowers lying upon me and beside me! I sprang up, but could see nothing unusual, except that in the house above me there was a window filled with fragrant shrubs and flowers, behind which a parrot talked and screamed incessantly. I picked up the scattered flowers, tied them together, and stuck the nosegay in my b.u.t.ton-hole. Then I began to discourse with the parrot; it amused me to see him get up and down in his gilded cage with all sorts of odd twists and turns of his head, and always stepping awkwardly over his own toes. But before I was aware of it he was scolding me for a _furfante_! Even though it were only a senseless bird, it irritated me. I scolded him back; we both got angry; the more I scolded in German, the more he abused me in Italian.

Suddenly I heard some one laughing behind me. I turned quickly, and perceived the painter of the morning. "What nonsense are you at now!"

he said. "I have been waiting for you for half an hour. The air has grown cooler: we will go to a garden in the suburbs where you will find several fellow-countrymen, and perhaps learn something further of the German Countess."

I was charmed with this proposal, and we set out immediately, the parrot screaming out abuse of me as I left him.

After we had walked for a long while outside of the city, ascending by a narrow, stony pathway an eminence dotted with villas and vineyards, we reached a small garden very high up, where several young men and maidens were sitting in the open air about a round table. As soon as we made our appearance they all signed to us to keep silence, and pointed toward the other end of the garden, where in a large, vine-wreathed arbor two beautiful ladies were sitting opposite each other at a table. One was singing, while the other accompanied her on the guitar. Between them stood a pleasant-looking gentleman, who occasionally beat time with a small baton. The setting sun shone through the vine-leaves, upon the fruits and flasks of wine with which the table was provided, and upon the plump, white shoulders of the lady with the guitar. The other one grimaced so that she looked convulsed, but she sang in Italian in so extremely artistic a manner that the sinews in her neck stood out like cords.

Just as she was executing a long cadenza with her eyes turned up to the skies, while the gentleman beside her held his baton suspended in the air waiting the moment when she would fall into the beat again, the garden gate was flung open, and a girl looking very much heated, and a young man with a pale, delicate face, entered, quarreling violently. The conductor, startled, stood with raised baton like a petrified conjurer, although the singer had some time before snapped short her long trill and had arisen angrily from the table. All the others turned upon the new arrivals in a rage. "You savage," some one at the round table called out, "you have interrupted the most perfect tableau of the description which the late Hoffmann gives on page 347 of the _Ladies' Annual_ for 1816 of the finest of Hummel's pictures exhibited in the autumn of 1814 at the Berlin Art-Exposition!" But it did no good. "What do I care," the young man retorted, "for your tableau of tableaux! My picture any one may have; my sweetheart I choose to keep for myself. Oh, you faithless, false-hearted girl!" he went on to his poor companion, "you fine critic to whom a painter is nothing but a tradesman, and a poet only a money-maker; you care for nothing save flirtation! May you fall to the lot, not of an honest artist, but of an old Duke with a diamond-mine and beplastered with gold and silver foil! Out with the cursed note that you tried to hide from me! What have you been scribbling? From whom did it come, or to whom is it going?"

But the girl resisted him steadfastly, and the more the other young men present tried to soothe and pacify the angry lover, the more he scolded and threatened; particularly as the girl herself did not restrain her little tongue, until at last she extricated herself, weeping aloud, from the confused coil, and unexpectedly threw herself into my arms for protection. I immediately a.s.sumed the correct att.i.tude; but since the rest paid no attention to us, she suddenly composed her face and whispered hastily in my ear, "You odious Receiver! it is all on your account. There, stuff the wretched note into your pocket; you will find out from it where we live. When you approach the gate, at the appointed hour, turn into the lonely street on the right hand."

I was too much amazed to utter a word, for, now that I looked closely, I recognized her at once; actually it was the pert lady's-maid of the Castle who had brought me the flask of wine on that lovely Sunday afternoon. She never looked as pretty as now, when, heated by her quarrel, she leaned against my shoulder, and her black curls hung down over my arm. "But, dear ma'amselle," I said in astonishment, "how do you come--" "For heaven's sake, hush!--be quiet!" she replied, and in an instant, before I could fairly collect myself, she had left me and had fled across the garden.

Meanwhile, the others had almost entirely forgotten the original cause of the turmoil, and now took a pleasing interest in proving to the young man that he was intoxicated--a great disgrace for an honorable painter. The stout, smiling gentleman from the arbor, who was--as I afterward learned--a great connoisseur and patron of Art, and who was always ready to lend his aid for the love of Science, had thrown aside his baton, and showed his broad face, fairly shining with good humor, in the midst of the thickest confusion, zealously striving to restore peace and order, but regretting between-whiles the loss of the long cadenza, and of the beautiful tableau which he had taken such pains to arrange.

In my heart all was as serenely bright as on that blissful Sunday when I had played on my fiddle far into the night at the open window where stood the flask of wine. Since the rumpus showed no signs of abating, I hastily pulled out my violin, and without more ado played an Italian dance, popular among the mountains, which I had learned at the old castle in the forest.

All turned their heads to listen. "Bravo! Bravissimo! A delicious idea!" cried the merry connoisseur of Art, running from one to another to arrange a rustic _divertiss.e.m.e.nt_, as he called it. He made a beginning himself by leading out the lady who had played the guitar in the arbor. Thereupon he began to dance with extraordinary artistic skill, and describe all sorts of letters on the gra.s.s with the points of his toes, really trilling with his feet, and now and then jumping pretty high in the air. But he soon had enough of it, for he was rather corpulent. His jumps grew fewer and clumsier, until at last he withdrew from the circle, puffing violently, and mopping the moisture from his forehead with a snowy pocket-handkerchief. Meanwhile, the young man, who had regained his composure, brought from the inn some castanets, and before I was aware all were dancing merrily beneath the trees. The sun had set, but the crimson sky in the west cast bright reflections among the shadows, and upon the old walls and the half-buried columns covered with ivy in the depths of the garden, while below the vineyards we could see the Eternal City bathed in the evening glow. The dance in the still, clear air was charming, and my heart within me laughed to see how the slender girls and the lady's-maid glided among the trees with arms upraised like heathen wood-nymphs, and kept time to the music with their castanets. At last I could no longer restrain myself; I joined their ranks, and danced away merrily, still fiddling all the time.

I had been hopping about thus for some minutes, not noticing that the others were beginning to be tired and were dropping out of the dance, when I felt some one twitch me by the coat-tail. It was the lady's-maid. "Don't be a fool," she said under her breath; "you are jumping about like a kid! Read your note, and come soon; the beautiful young Countess awaits you." She slipped out of the garden in the twilight and vanished among the vineyards.

My heart beat fast; I longed to follow her. Fortunately, a waiter was just lighting the lantern over the garden gate. I took out my note, which contained a somewhat rudely penciled plan of the gate and the streets leading to it, just as I had been directed by the lady's-maid, and in addition the words "Eleven o'clock, at the little door."

Two long hours to wait! Nevertheless I should have set out immediately, for I could not stay still, had not the painter, who had brought me hither, rushed up. "Did you speak to the girl?" he asked.

"I cannot see her now. It was the German Countess's maid." "Hush, hush!" I replied; "the Countess is still in Rome." "So much the better," said the painter; "come then and drink her health." And in spite of all I could say he forced me to return to the garden with him.

It looked quite deserted. The merry company had departed, and were sauntering toward Rome, each lad with his la.s.s upon his arm. We could hear them talking and laughing among the vineyards in the quiet evening, until at last their voices died away in the valley below, lost in the rustling of the trees and the murmur of the stream. I stayed with my painter and Herr Eckbrecht, which was the name of the other young painter who had been quarreling with the maid. The moon shone brilliantly through the tall, dark evergreens; a candle on the table before us flickered in the breeze and gleamed over the wine spilled copiously around it. I had to sit down with my companions, and my painter chatted with me about my native village, my travels, and my plans for the future. Herr Eckbrecht had seated upon his knee the pretty girl who had brought us our wine, and was teaching her the accompaniment of a song on the guitar. Her slender fingers soon picked out the correct chords, and they sang together an Italian song; first he sang a verse, and then the girl sang the next; it sounded deliciously, in the clear, bright evening. When the girl was called away, Herr Eckbrecht, taking no further notice of us, leaned back on his bench with his feet on a low stool and played and sang many an exquisite song. The stars glittered; the landscape turned to silver in the moonlight; I thought of the Lady fair, and of my far-off home, and quite forgot the painter at my side. Herr Eckbrecht had occasionally to tune his instrument; whereat he grew downright angry, and at last he screwed a string so tight that it broke, whereupon he tossed aside the guitar and sprang to his feet, noticing for the first time that my painter had laid his head on his arm upon the table and was fast asleep. He hastily wrapped around him a white cloak which hung on a bough near by, then suddenly paused, glanced keenly at my painter, and then at me several times, then seated himself on the table directly in front of me, cleared his throat, settled his cravat, and instantly began to hold forth to me. "Beloved hearer and fellow-countryman,"

he said, "since the bottles are nearly empty, and morality is indisputably the first duty of a citizen when the virtues are on the wane, I feel myself moved, out of sympathy for a fellow-countryman, to present for your consideration a few moral axioms. It might be supposed," he went on, "that you are a mere youth, whereas your coat has evidently seen its best years; it might be supposed that you had leaped about like a satyr; nay, some might maintain that you are a vagabond, because you are out here in the country and play the fiddle; but I am influenced by no such superficial considerations; I form my judgment on your delicately chiseled nose; I take you for a strolling genius." His ambiguous phrases irritated me; I was about to retort sharply. But he gave me no chance to speak. "Observe," he said, "how you are puffed up by a modic.u.m of praise. Retire within yourself and ponder upon your perilous vocation. We geniuses--for I am one too--care as little for the world as it cares for us; without any ado, in the seven-league boots which we bring into the world with us, we stride on directly into eternity. A most lamentable, inconvenient straddling position this--one leg in the future, where nothing is to be discerned but the rosy morn and the faces of future children, the other leg still in the middle of Rome, in the Piazza del Popolo, where the entire present century would fain seize the opportunity to advance, and clings to the boot tight enough to pull the leg off! And then all this restlessness, wine-bibbing, and hunger solely for an immortal eternity! And look you at my comrade there on the bench, another genius; his time hangs heavy on his hands here and now, what under heaven is he to do in eternity? Yes, my highly-esteemed comrade, you and I and the sun rose early together this morning, and have pondered and painted all day long, and it was all beautiful--and now the drowsy night pa.s.ses its furred sleeve over the world and wipes out all the colors." He kept on talking for a long while, his hair all disheveled with dancing and drinking, and his face looking deadly pale in the moonlight.

But I was seized with a horror of him and of his wild talk, and when he turned and addressed the sleeping painter I took advantage of the opportunity and slipped round the table, without being perceived by him, and out of the garden. Thence, alone and glad at heart, I descended through the vine-trellises into the wide moonlit valley.

The clocks in the city were striking ten. Behind me, in the quiet night, I still heard an occasional note of the guitar, and at times the voices of the two painters, going home at last, were audible. I ran on as quickly as possible, that they might not overtake me.

At the city-gate I turned into the street on the right hand, and hurried on with a throbbing heart among the silent houses and gardens.

To my amazement, I suddenly found myself in the very Square with the fountain, for which, by daylight, I had vainly searched. There stood the solitary summer-house again in the glorious moonlight, and again the Lady fair was singing the same Italian song as on the evening before. In an ecstasy I tried first the low door, then the house door, and at last the big garden gate, but all were locked. Then first it occurred to me that eleven had not yet struck. I was irritated by the slow flight of time, but good manners forbade my climbing over the garden gate as I had done yesterday. Therefore I paced the lonely Square to and fro for a while, and at last again seated myself upon the basin of the fountain and resigned myself to meditation and calm expectancy.

The stars twinkled in the skies; the Square was quiet and deserted; I listened with delight to the song of the Lady fair, as it mingled with the ripple of the fountain. All at once I perceived a white figure approach from the opposite side of the Square and go directly toward the little garden door. I peered eagerly through the dazzling moonlight--it was the queer painter in his white cloak. He drew forth a key quickly, unlocked the door, and, before I knew it, was within the garden.