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"It opens into a little recess only a foot deep," said Peter, going on with the lamp to the second store-room. "No one could possibly hide there. Now after we have finished on this side, there is only the wood-room left; that is off by itself in a wing."

The Englishman had accompanied his host. But having a strong bent towards thoroughness, he was not satisfied, and he quietly returned alone and opened that masked door. There, flattened against the wall, not clearly visible in the semi-darkness, was the outline of a woman's figure. His exclamation brought back the others with the lamp. It was Carmela.

She stood perfectly still for an instant or two, so motionless, and with such bright eyes staring at them, that she looked like a wax figure.

Then she sprang from her hiding-place and made a swift rush down the corridor towards the outer door. They caught her. She fought and struggled dreadfully, still without a sound. So frantic were her writhings that her ap.r.o.n and cap were torn away, and the braids of her hair fell down and finally fell off, leaving only, to Peter's astonishment, a few locks of thin white hair in their place. It took the four men to hold her, for she threw herself from side to side like a wild-cat; she even dragged the four as far as the anteroom nearest the drawing-room in her desperate efforts to reach that outer door. But here, as she felt herself at last over-powered, a terrible shriek burst from her, her face became distorted, her eyes rolled up, and froth appeared on her lips.

The shriek, an unmistakably feminine one, had brought the doctor and two ladies from the drawing-room.

"A fit!" exclaimed the doctor as soon as he saw the froth. "Here, get open that tight dress." He unb.u.t.toned a few b.u.t.tons of the black bodice, and tore off the rest. "Gracious! corsets like steel." He took out his knife, and hastily cutting the cashmere across the shoulders, he got his hand in and severed the corset strings. "Now, ladies, just help me to get her out of this harness."

And with trembling fingers Lady Kay and Miss Senter gave their aid, and after a moment the whole edifice--for it was an edifice--sank to the floor. What was left was an old, old woman, small and withered, her feeble chest rising and falling in convulsions under her coa.r.s.e chemise, and the rest of her little person scantily covered with a patched, poverty-stricken under-skirt.

"Oh, _poor_ creature!" said Lady Kay, the tears filling her eyes as all the ribs of the meagre, wasted body showed in the straining, spasmodic effort of the lungs to get breath.

"Bring something to cover her, Barly," said Peter.

And Miss Senter, forgetting her fears, ran to her room, and brought back the first thing she could find--a large white shawl.

"All right now; she's coming to," said the doctor.

The convulsions gradually ceased, and Carmela's eyes opened. She looked at them all in silence as she sat, m.u.f.fled in the shawl, where they had placed her. Finally she spoke. "The Consul is too late," she said, with mock respect. "The Consuless also. Did they admire the dancing of the clown? A fine fellow that clown! You need not hold me," she added to the two men from outside, who were acting as guards. "I have nothing more to do. My son is safe, and that was all I cared for. They will never find him; he is far from here now. He is very clever, and he has, besides, to help him, all the money which the Consuless so kindly provided for him by keeping it in a secret drawer, whose 'secret' every Italian not an idiot knows. But the Consuless has always had a singular self-conceit.

I had only to mention that extra man with the musicians--poor little Tonio the tailor it was--and she swallowed him down whole. I could have got away myself if I had cared to. But I waited, in order to keep back the alarm as long as possible; I waited. Oh yes, I helped all the ladies to put on their cloaks; I helped this English ladyship to put on hers last of all, as she knows. When their Excellencies went down to the water-story, I then tried to go; but I found that they could still see the staircase, so I came back. What matters it? They may do with me what they please. For myself I care not. My son is safe." On her old cheeks, under the falling white hair, were still the faint pink tinges of rouge, and from beneath the wretched petticoat came the two young-looking high-heeled shoes. She folded her thin hands on her lap, and refused to say more.

a.s.sunta and Beppa were found in the wood-room, gagged and bound like the others, but not hurt. And in the morning the Consul's gondola was discovered floating out with the tide, and within it Andrea in the same helpless state. The man, who was an ex-convict, a burglar, suspected of worse crimes, after committing the murder at the cafe, had fled to the palace. Here he and his intrepid little mother had invented and carried out the whole scheme in the one hour which had followed the distribution of the presents from the tree, before the dancing began. Carmela had even left the house to obtain a clown's costume from a dealer in masquerade dresses who lived near by. And she had herself opened for her son's use the disused door which led to the spiral steps.

That son was never caught. His mother, who had worked for him indefatigably through her whole life--worked so hard that her hands were worn almost to claws--who had supported him and supplied him, who had made herself young and active like a girl, though she was seventy-four, in order to be able to send him money--his mother, who had allowed herself nothing in the world but the few smart clothes necessary for her disguise, who was absolutely honest, but who had stolen for him three thousand francs from the secret drawer, and had stood by and aided him when he beat, stabbed, and gagged her fellow-servants--this mother was not arrested. She should have been, of course. But somehow, very strangely, she escaped from the palace before morning.

Poor old Giorgio was never able to work again. But as Peter pensioned him handsomely, he led an easy life, while Ercole became a magnate among gondoliers.

It was not until three years afterwards, in Rochester, New York, that Peter, surrounded by Z. Pelham's entire collection (which he had purchased, though thinking it hideous, at large prices), confessed to his sister that he had connived at Carmela's escape. "Somehow I couldn't stand it, Barly. That thin white hair and those poor old arms of hers, and that wretched, wasted, gasping little chest--in prison!"

IN VENICE

"Yes, we came over again in February, and have been here in Venice since the last of March. For some reasons I was sorry to come back--one _is_ so much more comfortable at home! What I have suffered in these wretchedly cold houses over here words, Mr. Blake, can never express.

For in England, you know, they consider fifty-eight Fahrenheit quite warm enough for their drawing-rooms, while here in Italy--well, one never _is_ so cold, I think, as in a warm climate. Yes, we should have been more comfortable, as far as _that_ goes, in my own house in New York, reading all those delightful books on Art in a properly warmed atmosphere (and I must say a properly warmed spirit too), and looking at photographs of the pictures (you can have them as large as you like, you know), instead of freezing our feet over the originals, which half the time the eyes of a lynx could not see. But it is not always winter, of course. And then I have lived over here so long that I have, it seems, acquired foreign ways that are very unpopular at home. You may smile, and it _is_ too ridiculous; but it is so. For instance, last summer we went to Carley Ledge (you know Carley; pretty little place), and we found out afterwards that the people came near mobbing us! Not exactly that, of course, but they took the most violent dislike to us; and why?

It is too comical. Because we had innocently treated Carley as we treat a pretty village over here. One lady said, and, I am told, with indignation, that we had been stopping, 'more than once, right in the main street, and standing there, in that _public_ place, to look at a cloud pa.s.sing over the mountain!' And another reported that she had herself discovered us 'sitting on the _gra.s.s_, no farther away from the main street than the open s.p.a.ce in front of Deacon Seymour's, just as though it was out in the country!' That 'out in the country' is rather good, isn't it? Always that poor little main street!"

"Still, I think, on the whole, that the cold houses are worse than the village comments," replied Mrs. Marcy's visitor. "A New-Yorker I know, a confirmed European too, always goes home to spend the three months of winter. When he comes back in the spring his English friends say, 'I hear you have had so many degrees of frost over there--fancy!'--meaning, perhaps, zero or under. To which he a.s.sents, but always inflexibly goes back. They look upon him as a kind of Esquimau. But how does Miss Marcy like exile?"

"Oh, Claudia is very fond of Italy. You have not seen her, by-the-way, since she was a child, and she is now twenty. Do you find her altered?"

"Greatly."

"At home she was never thought pretty--when she was younger, I mean. She was thought too--too--vigorous is perhaps the best word; she had not that graceful slenderness one expects to see in a young girl. But over here, I notice, the opinion seems to be different," continued the lady, half questioningly. "And, of course, too, she has improved."

"My dear Miss Sophy--improved? Miss Marcy is a wonderfully beautiful woman."

"Yes, yes, I know; Mr. Lenox thinks so too, I believe," answered Mrs.

Marcy, half pleased, half irritated. "It seems she is a Venetian--that is, of the sixteenth century; and dressed in dark-green velvet, with those great puffed Venetian sleeves coming down over her knuckles, a gold chain, and her hair closely braided, she would be, they tell me, a perfect Bonifazio. In fact, Mr. Lenox is painting her as one. Only he has to imagine the dress."

Mrs. Marcy was a widow, and fifty-five. It had pleased her to hear again the old "Miss Sophy" of their youth from Rodney Blake; but as she had been one of those tall, slender, faintly lined girls who are called lilies, and who are a.s.sociated with pale blues and lavender, she naturally found it difficult to realize a beauty, even if it was that of a niece, so unlike her own. Mrs. Marcy was now less than slender; the blue eyes which had once mildly lighted her countenance were faded. But she still remained lily-like and willowy, and her attire adapted itself to that style; there was a gleam of the lavender still--she wore long shawls and scarfs.

In the easy-chair opposite, Rodney Blake leaned back. He was fifty-six, long and thin, with a permanent expression on his face of half-weary, half-amused cynicism, which, however, seemed to concern itself more with life in general than with people in particular, and thus prevented personal applications. He was well-to-do, well dressed. There was a generally received legend that he was rather brilliant. This was the more remarkable because he seldom said much. But perhaps that was the reason. Miss Marcy had entered as her aunt finished her sentence.

"The sitting is over, then," said the elder lady. "Has Mr. Lenox gone?"

"Not yet," answered the niece, giving her hand to Mr. Blake as he rose to greet her.

She was, as he had said, a beautiful woman. Yet at home there were still those who would have dissented from this opinion, as, secretly, her aunt dissented. She was of about medium height, with the form of a Juno. She had a rich complexion, slowly moving eyes of deep brown, and very thick, curling, low-growing hair of a bright gold color, which showed a warmer reddish tinge in the light. She was the personification of healthy life and vigor, but not of the nervous or active sort; of the reflective.

Wherever the sun touched her it struck a color: whether the red of cheek or lip, or the beautiful tint of her forehead and throat, which was not fair but clear; whether the brown of her eyes, or the gold of eyebrows, eyelashes, and the heavy, low-coiled hair. Her features were fairly regular, but not of the pointed type; they were short rather than long, clearly, almost boldly, outlined. Her forehead was low; her mouth not small, the lips beautifully cut. She was attired in black velvet--she affected rich materials--and as she talked she twisted and untwisted a string of large pearls which hung loosely round her throat and down upon the velvet of her dress.

"Mr. Lenox does not have to imagine much, after all," observed Mr. Blake in his slow way to Mrs. Marcy. "In velvet, with those pearls, she does very well as it is."

"They are only Roman beads," said Claudia. "I don't know what you mean, of course."

"I had been telling Mr. Blake that they say that if you had a green velvet, with those big sleeves, you know, and your hair braided close to the head, to make it look too small in comparison with the shoulders, it would be a Bonifazio," explained the aunt.

"Your pearls are not so effective as they might be, Miss Marcy,"

continued the visitor, scanning her as she took a seat.

"I do not wear them in this way, but so." She unfastened the clasp, and rewound the long string in three close rows, one above the other, round her throat, above the high-coming black of her dress.

"That is better," said her critic.

"It feels like a piece of armor, so I unloosen it as soon as I can," she answered.

Here the artist came in, hat in hand. "I am on my way home," he said.

"Good-morning, Mr. Blake. I have only stopped to ask about our expedition this afternoon, Mrs. Marcy."

"Oh, I suppose we shall go," answered that lady, "the day is so fine.

How are they at home this morning, Mr. Lenox?"

"Elizabeth is quite well, thanks; Theocritus as usual. Shall I order gondolas, then?"

"If you will be so good; at four. Mr. Blake will, I hope, go with us."

And then Mr. Lenox bowed, and withdrew.

"Does the--the idyllic personage accompany us?" asked the gentleman in the easy-chair.

"It is only a child appended to the name," said Claudia, laughing. "For some reason Mrs. Lenox always p.r.o.nounces it in full; she could just as well call him Theo."

"It is her nephew, and she is devoted to him," explained Mrs. Marcy. "He is nearly ten years old, but does not look more than five. His health is extremely delicate, and he is at times rather--rather babyish."

"Peevish, isn't it?" said Claudia. She had taken up two long black needles entangled in a ma.s.s of crimson worsted, and, disengaging them, was beginning to knit another row on an unfinished stripe. Her beautifully moulded hands, full and white, with one antique gem on each, contrasted with the tint of the wool. The thin fingers of Mrs. Marcy were decked with fine diamonds, and diamonds alone; in spite of the "foreign ways" of which that lady had accused herself, she remained sufficiently American for that. She could buy diamonds, and Claudia an antique ring or two; both aunt and niece enjoyed inherited incomes, that of Claudia being comfortable, that of Mrs. Marcy large.

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The Front Yard Part 32 summary

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