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The Free Lances Part 2

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He had no right to call the young lady to an account. During all his intercourse with Don Ignacio, he had seen the daughter scarce half a score times; then only while pa.s.sing out and in--to or from his lessons.

Now and then a few s.n.a.t.c.hes of conversation had occurred between them upon any chance theme--the weather, the study he was prosecuting (how he wished _she_ had been his teacher), and the peculiarities of the New Orleans life, to which they were both strangers. And only once had she appeared to take more than an ordinary interest in his speech. This, when he talked of Mexico, and having come from his own far land, "Irlandesa," with an enthusiastic desire to visit hers, telling her of his intention to do so. On this occasion he had ventured to speak of what he had heard about Mexican banditti; still more of the beauty of the Mexican ladies--naively adding that he would no doubt be in less danger of losing his life than his heart.

To this he thought she had listened, or seemed to listen, with more than ordinary attention, looking pensive as she made reply.

"Yes, Don Florencio! you will see much in Mexico likely to give you gratification. 'Tis true, indeed, that many of my countrywomen are fair--some very fair. Among them you will soon forget--"

Kearney's heart beat wildly, hoping he would hear the monosyllable "me."

But the word was not spoken. In its place the phrase "us poor exiles,"

with which somewhat commonplace remark the young Mexican concluded her speech.

And still there was something in what she had said, but more in her manner of saying it, which made pleasant impression upon him--something in her tone that touched a chord already making music in his heart. If it did not give him surety of her love, it, for the time, hindered him from despairing of it.

All this had occurred at an interview he had with her only the day before; and, since, sweet thoughts and hopes were his. But on the same morning they were shattered--crushed out by the spectacle he had witnessed, and the interpretation of those whispered words he had failed to hear. It had chased all hope out of his heart, and sent him in wild, aimless strides along the street, just in the right frame of mind for being caught by that call which had attracted his eyes on the poster--

"Volunteers for Texas." And just so had he been caught; and, as described, entered among the filibustering band to be chosen its chief.

To the young Irishman it was a day of strange experiences, varying as the changes of a kaleidoscope; more like a dream than reality; and after reflecting upon it all, he thus interrogated himself--

"Shall I see her again, or not? Why not? If she's lost, she cannot be worse lost by my having another interview with her. Nor could I feel worse than I do now. Ah! with this laurel fresh placed upon my brow!

What if I tell her of it--tell her I am about to enter her native land as an invader? If she care for her country, that would spite her; and if I find she cares not for me, her spite would give me pleasure."

It was not an amiable mood for a lover contemplating a visit to his sweetheart. Still, natural enough under the circ.u.mstances; and Florence Kearney, wavering no longer, turned his steps towards that part of the city where dwelt Don Ignacio Valverde.

CHAPTER FIVE.

A STUDIED INSULT.

In a small house of the third Munic.i.p.ality, in the street called Casa Calvo, dwelt Don Ignacio Valverde. It was a wooden structure--a frame dwelling--of French-Creole fashion, consisting of but a single story, with cas.e.m.e.nt windows that opened on a verandah, in the Southern States termed _piazza_; this being but little elevated above the level of the outside street. Besides Don Ignacio and his daughter, but one other individual occupied the house--their only servant, a young girl of Mexican nativity and mixed blood, half white, half Indian--in short, a _mestiza_. The straitened circ.u.mstances of the exile forbade a more expensive establishment. Still, the insignia within were not those of pinched poverty. The sitting-room, if small, was tastefully furnished, while, among other chattels speaking of refinement, were several volumes of books, a harp and a guitar, with accompaniment of sheets of music.

The strings of these instruments Luisa Valverde knew how to touch with the skill of a professional, both being common in her own country.

On that night, when the election of the filibustering officers was being held in Poydras Street, her father, alone with her in the same sitting-room, asked her to play the harp to the accompaniment of a song.

Seating herself to the instrument, she obeyed, singing one of those _romanzas_ in which the language of Cervantes is so rich. It was, in fact, the old song "El Travador," from which has been filched the music set to Mrs Norton's beautiful lay, "Love not." But on this night the spirit of the Mexican senorita was not with her song. Soon as it was finished, and her father had become otherwise engaged, she stepped out of the room, and, standing in the piazza, glanced through the trellised lattice-work that screened it from the street. She evidently expected some one to come that way. And as her father had invited Florence Kearney to supper, and she knew of it, it would look as if he were the expected one.

If so, she was disappointed for a time, though a visitor made his appearance. The door bell, pulled from the outside, soon after summoned Pepita, the Mexican servant, to the front, and presently a heavy footfall on the wooden steps of the porch, told of a man stepping upon the piazza.

Meanwhile the young lady had returned within the room; but the night being warm, the hinged cas.e.m.e.nt stood ajar, and she could see through it the man thus entering. An air of disappointment, almost chagrin, came over her countenance, as the moonlight disclosed to her view the dark visage of Carlos Santander.

"_Pasa V. adientro, Senor Don Carlos_," said her father also recognising their visitor through the cas.e.m.e.nt; and in a moment after the Creole stepped into the room, Pepita placing a chair for him.

"Though," continued Don Ignacio, "we did not expect to have the honour of your company this evening, you are always welcome."

Notwithstanding this polite speech, there was a certain constraint or hesitancy in the way it was spoken, that told of some insincerity. It was evident that on that night at least Don Carlos' host looked upon him in the light of an intruder. Evidence of the same was still more marked on the countenance, as in the behaviour of Don Ignacio's daughter.

Instead of a smile to greet the new-comer, something like a frown sat upon her beautiful brow, while every now and then a half-angry flash from her large liquid eyes, directed towards him, might have told him he was aught but welcome. Clearly it was not for him she had several times during the same night pa.s.sed out into the piazza and looked through its lattice-work.

In truth, both father and daughter seemed disturbed by Santander's presence, both expecting one whom, for different reasons, they did not desire him to meet. If the Creole noticed their repugnance, he betrayed no sign of it. Don Carlos Santander, besides being physically handsome, was a man of rare intellectual strength, with many accomplishments, among others the power of concealing his thoughts under a mask of imperturbable coolness. Still, on this night his demeanour was different from its wont. He looked flurried and excited, his eyes scintillating as with anger at some affront lately offered him, and the sting of which still rankled in his bosom. Don Ignacio noticed this, but said nothing. Indeed, he seemed to stand in awe of his guest, as though under some mysterious influence. So was he, and here it may as well be told. Santander, though by birth an American and a native of New Orleans, was of Mexican parentage, and still regarded himself as a citizen of the country of his ancestors. Only to his very intimates was it known that he held a very high place in the confidence of Mexico's Dictator. But Don Ignacio knew this, and rested certain hopes upon it.

More than once had Santander, for motives that will presently appear, hinted to him the possibility of a return to his own land, with restoration of the estates he had forfeited. And the exiled patriot, wearied with long waiting, was at length willing to lend an ear to conditions, which, in other days, he might have spurned as humiliating if not actually dishonourable.

It was to talk of these Santander had now presented himself; and his host suspecting it, gave the young lady a side look, as much as to say, "Leave the room, Luisita."

She was but too glad to obey. Just then she preferred a turn upon the piazza; and into this she silently glided, leaving her father alone with the guest who had so inopportunely intruded.

It is not necessary to repeat what pa.s.sed between the two men. Their business was to bring to a conclusion a compact they had already talked of, though only in general terms. It had reference to the rest.i.tution of Don Ignacio's confiscated estates, with, of course, also the ban of exile being removed from him. The price of all this, the hand of his daughter given to Carlos Santander. It was the Creole who proposed these terms, and insisted upon them, even to the humiliation of himself.

Madly in love with Luisa Valverde, he suspected that on her side there was no reciprocity of the pa.s.sion. But he would have her hand if he could not her heart.

On that night the bargain was not destined to reach a conclusion, their conference being interrupted by the tread of booted feet, just ascending the front steps, and crossing the floor of the piazza. This followed by an exchange of salutations, in which the voice of Luisa Valverde was heard mingling with that of a man.

Don Ignacio looked more troubled than surprised. He knew who was there.

But when the words spoken outside reached the ears of Carlos Santander, first, in openly exchanged salutations and then whispers seemingly secret and confidential, he could no longer keep his seat, but springing up, exclaimed--

"_Carrai_! It's that dog of an _Irlandes_!"

"Hish!" continued his host. "The Senor Florencio will hear you."

"I wish him to hear me. I repeat the expression, and plainly in his own native tongue. I call him a cur of an Irishman."

Outside was heard a short, sharp e.j.a.c.u.l.a.t.i.o.n, as of a man startled by some sudden surprise. It was followed by an appealing speech, this in the softer accents of a woman. Then the cas.e.m.e.nt was drawn abruptly open, showing two faces outside. One, that of Florence Kearney, set in an angry frown; the other, Luisa Valverde's, pale and appealing. An appeal idle and too late, as she herself saw. The air had become charged with the electricity of deadliest anger, and between the two men a collision was inevitable.

Without waiting for a word of invitation, Kearney stepped over the cas.e.m.e.nt sill, and presented himself inside the room. Don Ignacio and the Creole were by this also on their feet; and for a second or so the three formed a strange triangular _tableau_--the Mexican with fear on his face, that of Santander still wearing the expression of insult, as when he had exclaimed, "Cur of an Irishman!" Kearney confronting him with a look of indignant defiance.

There was an interval of silence, as that of calm preceding storm. It was broken by the guest latest arrived saying a few words to his host, but in calm, dignified tone; an apology for having unceremoniously entered the room.

"No need to apologise," promptly rejoined Don Ignacio. "You are here by my invitation, Senor Don Florencio, and my humble home is honoured by your presence."

The Hidalgo blood, pure in Valverde's veins, had boiled up at seeing a man insulted under his roof.

"Thanks," said the young Irishman.

"And now, sir," he continued, turning to Santander and regarding him with a look of recovered coolness, "having made my apology, I require _yours_."

"For what?" asked Santander, counterfeiting ignorance.

"For using language that belongs to the _bagnios_ of New Orleans, where, I doubt not, you spend most part of your time."

Then, suddenly changing tone and expression of face, he added--

"Cur of a Creole! you must take back your words!"

"Never! It's not my habit to take, but to give; and to you I give this!"

So saying, he stepped straight up to the Irishman, and spat in his face.

Kearney's heart was on fire. His hand was already on the b.u.t.t of his pistol; but, glancing behind, he saw that pale appealing face, and with an effort restrained himself, calmly saying to Santander--

"Calling yourself a gentleman, you will no doubt have a card and address. May I ask you to favour me with it, as to-morrow I shall have occasion to write to you? If a scoundrel such as you can boast of having a friend, you may as well give him notice he will be needed.

Your card, sir!"

"Take it!" hissed the Creole, flinging his card on the table. Then glaring around, as if his glance would annihilate all, he clutched hold of his hat, bowed haughtily to Don Ignacio, looked daggers at his daughter, and strode out into the street.

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The Free Lances Part 2 summary

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