The Fourth Estate Volume I Part 15

Marcones closed the file with his gun on his shoulder. The first of the line was Don Segis, who lived in a little two-windowed house, close to the Augustine convent; then came Don Juan "the Salt," then the coadjutor, and finally Senor Anselmo, pulling out the enormous shining key with which he beat time when he conducted the orchestra, and opened the apartment where he slept.

The mayor remained with his aide-de-camp. He said something, but his aide-de-camp did not hear him. They directed their steps toward home, which was not far off. But before arriving there, Don Roque, who puffed and blew like a whale, and whose walk was unmistakably like the gait of that creature, suddenly stopped and gave a long discourse in a loud voice, of which Marcones caught nothing but the word "robbers" repeated several times. The official, alarmed, looked all round to see if he could see anybody while loading his gun, but he saw nothing to give him reason to suppose that the villains were at hand. Don Roque made another remark, if such a term can be applied to a series of strange, intermittent sounds, both horrible and depressing, but Marcones managed to gather that his chief wished a hunt made in search of the criminals of Las Acenas. Marcones thought that the force was hardly equal to the undertaking; but discipline forbade objections. Moreover, he nourished the hope that few murderers cared about taking the fresh air at such an hour. So, after a careful examination of their weapons, they took their dangerous course through all the streets and alleys of the town.

One is in honor bound to state that Don Roque walked in front as the leader of the valorous enterprise, with his revolver in his left hand, and his sword-stick in his right, leaving his n.o.ble breast a mark for the enemy's bullet. Marcones, weighed down by the weight of his gun and his eighty-two years of age, walked six steps behind.

It was a moonlight night, but great black clouds occasionally darkened the sky, and the light of the petroleum lamps burning at the corners of the streets was not sufficient to banish the gloom in them.

Sarrio had five chief streets, known respectively as Rua Nueva, which runs to the harbor; the Calles of Carborana, of San Florencio, of La Herreria, and of Atras. These streets, long and narrow, run parallel to each other. The buildings are generally low and poor. Other smaller streets cross and communicate with the princ.i.p.al ones, and lead to branch roads where the s.p.a.cious residences of the West Indians are built, and which const.i.tute what may be termed the suburb of Sarrio.

As the party was pa.s.sing through the Calle de Atras, near to that of Santa Brigida, they heard cries and lamentations, which obliged them to halt.

"What's that, Marcones?" asked the mayor.

The old official shrugged his shoulders philosophically:

"Nothing, senor; it is at Patina Santa's."

"How dare they commit these enormities? Let us go there. Let us proceed."

"Let us proceed," was a phrase both used and abused by Don Roque, as it conveyed his sense of the decision, rapidity, and energy of his authority to remedy all grievances. Patina Santa was the great high priest of one of the two temples of pleasure existing in Sarrio, but the sordid, wretched appearance of these temples was quite unlike the ancient famous ones of Greece.

"What scandal is this?" cried Don Roque in his stentorian voice as he approached the miserable dwelling.

Three or four lads in the street flew away like birds at the sight of the dignitary, but the doves remained.

Two of them stood at the door and two more were at the windows. Those at the door wished to withdraw at the sight of the mayor, but he caught hold of them.

"What is this scandal--eh?" he repeated.

The girls began to explain the cause of the commotion, but hardly had they uttered a word than Don Roque interrupted them, vociferating:

"To prison with you!"

"Senor, I--"

"To the prison--ah! To the prison, away with you all! Be off, everybody!

Where is the ruffian Patina?"

Merciful heavens, what a commotion then ensued!

The girls at the windows had nothing for it but to come downstairs, and Patina came with them, for Don Roque brooked no delay. Cries and lamentations filled the air, while the strident voice of the mayor cried out incessantly:

"To the prison--ah! To the prison--ah!"

The unhappy creatures called on G.o.d and the Virgin; but the mayor, with his infuriated face and flaming eyes, raised his voice still higher as he deafened himself with his cry:

"To the prison--ah! To the prison--ah!"

There was no help for it.

The watchman, who had approached at the sound of the first ah's, led them off to the town prison, in attendance on his worthy chief, while the neighbors watched the scene from behind their window-panes in mingled compa.s.sion and derision.

Don Roque exercised his authority by locking the door of the dovecot himself, and handed the key over to Marcones, and with the usual "Proceed," they continued their perilous course. The mayor and his aide-de-camp had not gone very far when, in one of the narrowest and dirtiest streets, they espied a man's figure cautiously approaching a door, which he tried to open.

"Stop!" whispered Don Roque in the ear of his subordinate. "There is one of the thieves."

The official only caught the last word, but it was enough to make him drop his gun.

"Don't tremble, Marcones, for there is only one," said the mayor, seizing him by the arm.

If the venerable Marcones had been at that moment in full possession of his faculties of observation, he might have detected a decided tendency to a convulsive movement in the hand of his chief. The thief, hearing the steps of the patrol, suddenly turned his head and stood motionless, with his hand still on the door-handle. Don Roque and his companion also stood motionless, and the moon appearing from under a cloud shed its light upon the direful scene.

"Hsh! hsh! friend," said the magistrate at the end of some time, without advancing a step.

The robber heard this exclamation of authority, and took flight at one and the same moment.

"At him, Marcones! Fire!" cried Don Roque, courageously running in pursuit of the criminal.

Marcones wished to follow his chief's injunction, but fear made him helpless.

The trigger fell without emitting a spark. Then, with martial prompt.i.tude, he cast aside the weapon, which was useless, drew his sword and made valiant efforts to keep pace with the mayor, who, with intrepid courage, was at least twenty paces in advance, in pursuit of the robber.

The fellow now disappeared round the corner of a street.

But on their arrival there the pursuers saw him attempting to gain the next.

"Boom!"

Don Roque fired his revolver, crying at the same time:

"Take that, thief!"

He again disappeared, and again they caught sight of him in the Calle de la Misericordia.

Boom! Another shot from Don Roque.

"Take that, thief!" But the villain, doubtless as a last resource, and to prevent any watchman stopping him, began also to cry:

"Thieves! Thieves!"

Then the sharp, long whistles of the watchmen were heard, followed by another and another.

The street of San Florencio was well lighted, and the criminal was clearly visible, trying to get quickly under the shadow of the houses.

Boom! Boom!

"Take that, thief!"