The Fountainhead Part 31

"Only in thinking how little we know about ourselves. Some day you'll know the truth about yourself too, Peter, and it will be worse for you than for most of us. But you don't have to think about it. It won't come for a long time."

"You did want me, Dominique?"

"I thought I could never want anything and you suited that so well."

"I don't know what you mean. I don't know what you ever think you're saying. I know that I'll always love you. And I won't let you disappear again. Now that you're back ..."

"Now that I'm back, Peter, I don't want to see you again. Oh, I'll have to see you when we run into each other, as we will, but don't call on me. Don't come to see me. I'm not trying to offend you, Peter. It's not that. You've done nothing to make me angry. It's something in myself that I don't want to face again. I'm sorry to choose you as the example. But you suit so well. You-Peter, you're everything I despise in the world and I don't want to remember how much I despise it. If I let myself remember-I'll return to it. This is not an insult to you, Peter. Try to understand that. You're not the worst of the world. You're its best. That's what's frightening. If I ever come back to you-don't let me come. I'm saying this now because I can, but if I come back to you, you won't be able to stop me, and now is the only time when I can warn you."

"I don't know," he said in cold fury, his lips stiff, "what you're talking about."

"Don't try to know. It doesn't matter. Let's just stay away from each other. Shall we?"

"I'll never give you up."

She shrugged. "All right, Peter. This is the only time I've ever been kind to you. Or to anyone."

VI

ROGER ENRIGHT HAD STARTED LIFE AS A COAL MINER IN PENNSYLVANIA. On his way to the millions he now owned, no one had ever helped him. "That," he explained, "is why no one has ever stood in my way." A great many things and people had stood in his way, however; but he had never noticed them. Many incidents of his long career were not admired; none was whispered about. His career had been glaring and public like a billboard. He made a poor subject for blackmailers or debunking biographers. Among the wealthy he was disliked for having become wealthy so crudely.

He hated bankers, labor unions, women, evangelists and the stock exchange. He had never bought a share of stock nor sold a share in any of his enterprises, and he owned his fortune singlehanded, as simply as if he carried all his cash in his pocket. Beside his oil business he owned a publishing house, a restaurant, a radio shop, a garage, a plant manufacturing electric refrigerators. Before each new venture he studied the field for a long time, then proceeded to act as if he had never heard of it, upsetting all precedent. Some of his ventures were successful, others failed. He continued running them all with ferocious energy. He worked twelve hours a day.

When he decided to erect a building, he spent six months looking for an architect. Then he hired Roark at the end of their first interview, which lasted half an hour. Later, when the drawings were made, he gave orders to proceed with construction at once. When Roark began to speak about the drawings, Enright interrupted him: "Don't explain. It's no use explaining abstract ideals to me. I've never had any ideals. People say I'm completely immoral. I go only by what I like. But I do know what I like."

Roark never mentioned the attempt he had made to reach Enright, nor his interview with the bored secretary. Enright learned of it somehow. Within five minutes the secretary was discharged, and within ten minutes he was walking out of the office, as ordered, in the middle of a busy day, a letter left half typed in his machine.

Roark reopened his office, the same big room on the top of an old building. He enlarged it by the addition of an adjoining room-for the draftsmen he hired in order to keep up with the planned lightning schedule of construction. The draftsmen were young and without much experience. He had never heard of them before and he did not ask for letters of recommendation. He chose them from among many applicants, merely by glancing at their drawings for a few minutes.

In the crowded tension of the days that followed he never spoke to them, except of their work. They felt, entering the office in the morning, that they had no private lives, no significance and no reality save the overwhelming reality of the broad sheets of paper on their tables. The place seemed cold and soulless like a factory, until they looked at him; then they thought that it was not a factory, but a furnace fed on their bodies, his own first.

There were times when he remained in the office all night. They found him still working when they returned in the morning. He did not seem tired. Once he stayed there for two days and two nights in succession. On the afternoon of the third day he fell asleep, half lying across his table. He awakened in a few hours, made no comment and walked from one table to another, to see what had been done. He made corrections, his words sounding as if nothing had interrupted a thought begun some hours ago.

"You're unbearable when you're working, Howard," Austen h.e.l.ler told him one evening, even though he had not spoken of his work at all.

"Why?" he asked astonished.

"It's uncomfortable to be in the same room with you. Tension is contagious, you know."

"What tension? I feel completely natural only when I'm working."

"That's it. You're completely natural only when you're one inch from bursting into pieces. What in h.e.l.l are you really made of, Howard? After all, it's only a building. It's not the combination of holy sacrament, Indian torture and s.e.xual ecstasy that you seem to make of it."

"Isn't it?"

He did not think of Dominique often, but when he did, the thought was not a sudden recollection, it was the acknowledgment of a continuous presence that needed no acknowledgment. He wanted her. He knew where to find her. He waited. It amused him to wait, because he knew that the waiting was unbearable to her. He knew that his absence bound her to him in a manner more complete and humiliating than his presence could enforce. He was giving her time to attempt an escape, in order to let her know her own helplessness when he chose to see her again. She would know that the attempt itself had been of his choice, that it had been only another form of mastery. Then she would be ready either to kill him or to come to him of her own will. The two acts would be equal in her mind. He wanted her brought to this. He waited.

The construction of the Enright House was about to begin, when Roark was summoned to the office of Joel Sutton. Joel Sutton, a successful businessman, was planning the erection of a huge office building. Joel Sutton had based his success on the faculty of understanding nothing about people. He loved everybody. His love admitted no distinctions. It was a great leveler; it could hold no peaks and no hollows, as the surface of a bowl of mola.s.ses could not hold them.

Joel Sutton met Roark at a dinner given by Enright. Joel Sutton liked Roark. He admired Roark. He saw no difference between Roark and anyone else. When Roark came to his office, Joel Sutton declared: "Now I'm not sure, I'm not sure, I'm not sure at all, but I thought that I might consider you for that little building I have in mind. Your Enright House is sort of ... peculiar, but it's attractive, all buildings are attractive, love buildings, don't you?-and Rog Enright is a very smart man, an exceedingly smart man, he coins money where n.o.body else'd think it grew. I'll take a tip from Rog Enright any time, what's good enough for Rog Enright is good enough for me."

Roark waited for weeks after that first interview. Joel Sutton never made up his mind in a hurry.

On an evening in December Austen h.e.l.ler called on Roark without warning and declared that he must accompany him next Friday to a formal party given by Mrs. Ralston Holcombe.

"h.e.l.l, no, Austen," said Roark.

"Listen, Howard, just exactly why not? Oh, I know, you hate that sort of thing, but that's not a good reason. On the other hand, I can give you many excellent ones for going. The place is a kind of house of a.s.signation for architects and, of course, you'd sell anything there is to you for a building-oh, I know, for your your kind of a building, but still you'd sell the soul you haven't got, so can't you stand a few hours of boredom for the sake of future possibilities?" kind of a building, but still you'd sell the soul you haven't got, so can't you stand a few hours of boredom for the sake of future possibilities?"

"Certainly. Only I don't believe that this sort of thing ever leads to any possibilities."

"Will you go this time?"

"Why particularly this time?"

"Well, in the first place, that infernal pest Kiki Holcombe demands it. She spent two hours yesterday demanding it and made me miss a luncheon date. It spoils her reputation to have a building like the Enright House going up in town and not be able to display its architect in her salon. It's a hobby. She collects architects. She insisted that I must bring you and I promised I would."

"What for?"

"Specifically, she's going to have Joel Sutton there next Friday. Try, if it kills you, to be nice to him. He's practically decided to give you that building, from what I hear. A little personal contact might be all that's needed to set it. He's got a lot of others after him. They'll all be there. I want you there. I want you to get that building. I don't want to hear anything about granite quarries for the next ten years. I don't like granite quarries."

Roark sat on a table, his hands clasping the table's edge to keep himself still. He was exhausted after fourteen hours spent in his office, he thought he should be exhausted, but he could not feel it. He made his shoulders sag in an effort to achieve a relaxation that would not come; his arms were tense, drawn, and one elbow shuddered in a thin, continuous quiver. His long legs were spread apart, one bent and still, with the knee resting on the table, the other hanging down straight from the hip over the table's edge, swinging impatiently. It was so difficult these days to force himself to rest.

His new home was one large room in a small, modern apartment house on a quiet street. He had chosen the house because it had no cornices over the windows and no paneling on the walls inside. His room contained a few pieces of simple furniture; it looked clean, vast and empty; one expected to hear echoes from its corners.

"Why not go, just once?" said h.e.l.ler. "It won't be too awful. It might even amuse you. You'll see a lot of your old friends there. John Erik Snyte, Peter Keating, Guy Francon and his daughter-you should meet his daughter. Have you ever read her stuff?"

"I'll go," said Roark abruptly.

"You're unpredictable enough even to be sensible at times. I'll call for you at eight-thirty Friday. Black tie. Do you own a tux, by the way?"

"Enright made me get one."

"Enright is a very sensible man."

When h.e.l.ler left, Roark remained sitting on the table for a long time. He had decided to go to the party, because he knew that it would be the last of all places where Dominique could wish to meet him again.

"There is nothing as useless, my dear Kiki," said Ellsworth Toohey, "as a rich woman who makes herself a profession of entertaining. But then, all useless things have charm. Like aristocracy, for instance, the most useless conception of all."

Kiki Holcombe wrinkled her nose in a cute little pout of reproach, but she liked the comparison to aristocracy. Three crystal chandeliers blazed over her Florentine ballroom, and when she looked up at Toohey the lights stood reflected in her eyes, making them a moist collection of sparks between heavy, beaded lashes.

"You say disgusting things, Ellsworth. I don't know why I keep on inviting you."

"That is precisely why, my dear. I think I shall be invited here as often as I wish."

"What can a mere woman do against that?"

"Never start an argument with Mr. Toohey," said Mrs. Gillespie, a tall woman wearing a necklace of large diamonds, the size of the teeth she bared when she smiled. "It's no use. We're beaten in advance."

"Argument, Mrs. Gillespie," he said, "is one of the things that has neither use nor charm. Leave it to the men of brains. Brains, of course, are a dangerous confession of weakness. It had been said that men develop brains when they have failed in everything else."

"Now you don't mean that at all," said Mrs. Gillespie, while her smile accepted it as a pleasant truth. She took possession of him triumphantly and led him away as a prize stolen from Mrs. Holcombe who had turned aside for a moment to greet new guests. "But you men of intellect are such children. You're so sensitive. One must pamper you."

"I wouldn't do that, Mrs. Gillespie. We'll take advantage of it. And to display one's brains is so vulgar. It's even more vulgar than to display one's wealth."

"Oh dear, you would get that in, wouldn't you? Now of course I've heard that you're some sort of a radical, but I won't take it seriously. Not one bit. How do you like that?"

"I like it very much," said Toohey.

"You can't kid me. You can't make me think that you're one of the dangerous kind. The dangerous kind are all dirty and use bad grammar. And you have such a beautiful voice!"

"Whatever made you think that I aspired to be dangerous, Mrs. Gillespie? I'm merely-well, shall we say? that mildest of all things, a conscience. Your own conscience, conveniently personified in the body of another person and attending to your concern for the less fortunate of this world, thus leaving you free not to attend to it."

"Well, what a quaint idea! I don't know whether it's horrible or very wise indeed."

"Both, Mrs. Gillespie. As all wisdom."

Kiki Holcombe surveyed her ballroom with satisfaction. She looked up at the twilight of the ceiling, left untouched above the chandeliers, and she noted how far it was above the guests, how dominant and undisturbed. The huge crowd of guests did not dwarf her hall; it stood over them like a square box of s.p.a.ce, grotesquely out of scale; and it was this wasted expanse of air imprisoned above them that gave the occasion an aspect of regal luxury; it was like the lid of a jewel case, unnecessarily large over a flat bottom holding a single small gem.

The guests moved in two broad, changing currents that drew them all, sooner or later, toward two whirlpools; at the center of one stood Ellsworth Toohey, of the other-Peter Keating. Evening clothes were not becoming to Ellsworth Toohey; the rectangle of white shirt front prolonged his face, stretching him out into two dimensions; the wings of his tie made his thin neck look like that of a plucked chicken, pale, bluish and ready to be twisted by a single movement of some strong fist. But he wore his clothes better than any man present. He wore them with the careless impertinence of utter ease in the unbecoming, and the very grotesqueness of his appearance became a declaration of his superiority, superiority great enough to warrant disregard of so much ungainliness.

He was saying to a somber young female who wore gla.s.ses and a lowcut evening gown: "My dear, you will never be more than a dilettante of the intellect, unless you submerge yourself in some cause greater than yourself."

He was saying to an obese gentleman with a face turning purple in the heat of an argument: "But, my friend, I might not like it either. I merely said that such happens to be the inevitable course of history. And who are you or I to oppose the course of history?"

He was saying to an unhappy young architect: "No, my boy, what I have against you is not the bad building you designed, but the bad taste you exhibited in whining about my criticism of it. You should be careful. Someone might say that you can neither dish it out nor take it."

He was saying to a millionaire's widow: "Yes, I do think it would be a good idea if you made a contribution to the Workshop of Social Study. It would be a way of taking part in the great human stream of cultural achievement, without upsetting your routine or your digestion."

Those around him were saying: "Isn't he witty? And such courage!"

Peter Keating smiled radiantly. He felt the attention and admiration flowing toward him from every part of the ballroom. He looked at the people, all these trim, perfumed, silk-rustling people lacquered with light, dripping with light, as they had all been dripping with shower water a few hours ago, getting ready to come here and stand in homage before a man named Peter Keating. There were moments when he forgot that he was Peter Keating and he glanced at a mirror, at his own figure, he wanted to join in the general admiration for it.

Once the current left him face to face with Ellsworth Toohey. Keating smiled like a boy emerging from a stream on a summer day, glowing, invigorated, restless with energy. Toohey stood looking at him; Toohey's hands had slipped negligently into his trouser pockets, making his jacket flare out over his thin hips; he seemed to teeter faintly on his small feet; his eyes were attentive in enigmatic appraisal.

"Now this, Ellsworth ... this ... isn't it a wonderful evening?" said Keating, like a child to a mother who would understand, and a little like a drunk.

"Being happy, Peter? You're quite the sensation tonight. Little Peter seems to have crossed the line into a big celebrity. It happens like this, one can never tell exactly when or why ... There's someone here, though, who seems to be ignoring you quite flagrantly, doesn't she?"

Keating winced. He wondered when and how Toohey had had the time to notice that.

"Oh, well," said Toohey, "the exception proves the rule. Regrettable, however. I've always had the absurd idea that it would take a most unusual man to attract Dominique Francon. So of course I thought of you. Just an idle thought. Still, you know, the man who'll get her will have something you won't be able to match. He'll beat you there."

"No one's got her," snapped Keating.

"No, undoubtedly not. Not yet. That's rather astonishing. Oh, I suppose it will take an extraordinary kind of man."

"Look here, what in h.e.l.l are you doing? You don't like Dominique Francon. Do you?"

"I never said I did."

A little later Keating heard Toohey saying solemnly in the midst of some earnest discussion: "Happiness? But that is so middle-cla.s.s. What is happiness? There are so many things in life so much more important than happiness."

Keating made his way slowly toward Dominique. She stood leaning back, as if the air were a support solid enough for her thin, naked shoulder blades. Her evening gown was the color of gla.s.s. He had the feeling that he should be able to see the wall behind her, through her body. She seemed too fragile to exist; and that very fragility spoke of some frightening strength which held her anch.o.r.ed to existence with a body insufficient for reality.

When he approached, she made no effort to ignore him; she turned to him, she answered; but the monotonous precision of her answers stopped him, made him helpless, made him leave her in a few moments.

When Roark and h.e.l.ler entered, Kiki Holcombe met them at the door. h.e.l.ler presented Roark to her, and she spoke as she always did, her voice like a shrill rocket sweeping all opposition aside by sheer speed.

"Oh, Mr. Roark, I've been so eager to meet you! We've all heard so much about you! Now I must warn you that my husband doesn't approve of you-oh, purely on artistic grounds, you understand-but don't let that worry you, you have an ally in this household, an enthusiastic ally!"

"It's very kind, Mrs. Holcombe," said Roark. "And perhaps unnecessary."

"Oh, I adore adore your Enright House! of course, I can't say that it represents my own esthetic convictions, but people of culture must keep their minds open to anything, I mean, to include any viewpoint in creative art, we must be broad-minded above all, don't you think so?" your Enright House! of course, I can't say that it represents my own esthetic convictions, but people of culture must keep their minds open to anything, I mean, to include any viewpoint in creative art, we must be broad-minded above all, don't you think so?"

"I don't know," said Roark. "I've never been broad-minded."

She was certain that he intended no insolence; it was not in his voice nor his manner; but insolence had been her first impression of him. He wore evening clothes and they looked well on his tall, thin figure, but somehow it seemed that he did not belong in them; the orange hair looked preposterous with formal dress; besides, she did not like his face; that face suited a work gang or an army, it had no place in her drawing room. She said: "We've all been so interested in your work. Your first building?"

"My fifth."

"Oh, indeed? Of course. How interesting."

She clasped her hands, and turned to greet a new arrival. h.e.l.ler said: "Whom do you want to meet first? ... There's Dominique Francon looking at us. Come on."

Roark turned; he saw Dominique standing alone across the room. There was no expression on her face, not even an effort to avoid expression; it was strange to see a human face presenting a bone structure and an arrangement of muscles, but no meaning, a face as a simple anatomical feature, like a shoulder or an arm, not a mirror of sensate perception any longer. She looked at them as they approached. Her feet stood posed oddly, two small triangles pointed straight and parallel, as if there were no floor around her but the few square inches under her soles and she were safe so long as she did not move or look down. He felt a violent pleasure, because she seemed too fragile to stand the brutality of what he was doing; and because she stood it so well.

"Miss Francon, may I present Howard Roark?" said h.e.l.ler.

He had not raised his voice to p.r.o.nounce the name; he wondered why it had sounded so stressed; then he thought that the silence had caught the name and held it still; but there had been no silence: Roark's face was politely blank and Dominique was saying correctly: "How do you do, Mr. Roark."

Roark bowed: "How do you do, Miss Francon."