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"Oh, don't say that."
"Well, I ain't the only one. Everybody in town says they don't understand you, half the time."
Duncan left his counter and moved over to that at which Tracey was occupied. His face was entirely serious, his manner deeply sympathetic. "Tracey," he said, dropping a hand on the boy's shoulder, "do you know, nothing in life is harder to bear than not to be understood?"
Tracey wrestled with this for a moment, but it was beyond him.
"Then why the h.e.l.l don't you talk so's folks'll know what it's about?"
he demanded heatedly.
"Because... _Hm_." Duncan hesitated, with his enigmatic smile.
"Well, because the rules don't require it."
"What d'you mean by _that_?" Tracey exploded.
Nat couldn't explain, so he countered neatly. "This is one of your Angie... evenings, isn't it, Tracey?"
"Yep, but--"
"Well, you hurry along. I'll close up the shop."
Tracey had slammed on his hat and was struggling into his overcoat almost as soon as the words were out of Nat's mouth.
"Kin I?" he cried excitedly.
"Yes," said Nat, watching the boy turn up his collar and b.u.t.ton his overcoat to the throat, "I haven't got the heart to keep you."
"Ah, thanks, Mr. Duncan."
"But, Tracey..."
The boy paused at the door. "What?"
"Remember what I told you. Don't you make too much love. Let Angie do that."
"Gosh, that'll be the hardest rule of all for me!" A shadow clouded Tracey's honest eyes. "But I got to do it that way, anyway. I can't ask her to marry me yit. I can't afford to get married."
"It's a contrary world, Tracey, a contrary world!" sighed Nat in a tone of deepest melancholy.
"What makes you say that? You kin git married's soon's you want to."
"You think so, Tracey?"
"All you got to do's ask Josie--"
"I'm almost afraid you're right."
"Why? Don't you want to git married?"
"Well"--Nat smiled--"no. Don't believe I do. Not just now, at any rate."
"Well, you don't have to if you don't want to.... G'd-night."
"Yes, I do," Nat told Tracey's back. "The rules say so. If the girl asks me, I must."
He grimaced ruefully beneath his wisp of a moustache. "Anyhow, I've got a few months left...."
XVIII
A BARGAIN IS A BARGAIN
So the winter wore away.... And as spring drew nigh upon our valley, Duncan seemed to grow perturbed, even as he had been in the autumn before Betty went away. He was pondering another scheme for the betterment of the condition of those he cared for, and gave it ample consideration before he broached it to old Sam, after swearing him to secrecy.
He had to propose nothing more or less than an abandonment of the old Graham housekeeping quarters above the store and a removal of the _menage_ bodily to a vacant house on Beech Street, near the store, which could be rented, partly furnished, at a moderate rate.
To begin with (thus ran his argument) the store itself was growing too small for the volume of business it commanded. More room was needed, both for storage and laboratory purposes, to say nothing of accommodation for Sam's models and work-bench. The latter had already been moved upstairs for the winter, the shed in the backyard being too cold to work in; and the laboratory end of the business was growing at such a rate that it was crowding the prescription counter to the wall--so to speak. You see, there really wasn't a more clever a.n.a.lytical chemist in the northern part of the State than Sam Graham, and now that the drug-store was becoming an influence in the neighbourhood he was receiving commissions from physicians operating in districts as far as fifty miles away. So a room was needed for that branch of the business alone.
Moreover, a separate residence distinctly befitted the dignity of a man who was at once a prominent inventor and one of Radville's leading merchants (vide a "Personal" in the late issue of the Radville _Citizen_), to say nothing of the social position of his daughter--meaning Betty. And the house Duncan had his metaphorical eye upon was large enough to shelter Nat himself in addition to the Graham family. Thus they might pool their living expenses to the economical advantage of each.
Finally, it would be a great and glad surprise for Betty on her homecoming.
Graham fell in with the scheme without a murmur of dubiety or dissent.
Whatever Nat proposed in Sam's understanding was right and feasible; and even if it wasn't really so, Nat would make it so.... They engaged the house and moved. Miss Ann Sophronsiba Whitmarsh, a maiden lady of forty-five or thereabouts, popularly known as "Phrony," had been coming in by the day to "do for" old Sam in the rooms above the shop. She was engaged as resident housekeeper for the new establishment, and entered upon her duties with all the discreet joy of one whose maternal instincts have been suppressed throughout her life. She mothered Sam and she mothered Nat and she panted in expectation of the day when she would have Betty to mother. Incidentally, she was one of the best housekeepers in Radville, and cooperated with all her heart with Nat in the task of making a home out of the new house. They arranged and disarranged and rearranged and discarded old furniture and bought new with almost the abandon of a newly married couple fitting out their first home.... It was surprising what they managed to accomplish with it; when they were finished, there wasn't a prettier nor a more home-like residence in all Radville--and Phrony Whitmarsh was Nat's slave, even as Miss Carpenter had been. She gave him all the credit for everything praiseworthy about the place: and with some reason; for, as a matter of fact, he had spared himself not at all in the business of scheming and contriving to make the new home suitable for the reception of Betty Graham....
It's interesting when one has come to my time of life, to sit and speculate on the singular mental blindness of mortal man, such as that which kept Nat unaware of the real, rock-bottom reason why he was working so hard on the Beech Street house. I daresay the young idiot thought his motives as much selfish as anything else--told himself that he wanted a comfortable home--and this was his way of securing one--and all that rot. At all events, he told me as much, quite seriously-- seemed to believe it himself; and this, in spite of the fact that Miss Carpenter had done everything imaginable to make him comfortable....
Josie Lockwood came home again for the Easter holidays, but didn't return to finish her term in the New York school. Just why, we never discovered: the Lockwoods furnished us with no really satisfying explanation; they said that Josie didn't like New York, but I've always doubted that, especially since Josie married and insisted on moving straightway to that metropolis. I suspect she didn't get along with the cla.s.s of young women with whom she was thrown at school, and I'm pretty certain she was uneasy about Nat all the time she was so far away from him. Anyway, she elected to remain in Radville and keep the young man dancing attendance on her day in and out. Which he did, as in duty bound; he liked the game less and less all the time, but Kellogg held his promise....
It was during this period, between the Easter vacation and the end of the spring school term, that Roland Barnette's animosity toward Duncan became virulent. Looking back, I can recall the symptoms of his waxing hostility--as, for instance, the evening he spent in the _Citizen_ office, poring over back files of our exchanges. That seemed innocent enough at the time, a harmless freak on the part of the young man, and no one paid much attention to it; but it led to great things, in the end, and incidentally did Duncan a service which probably could have been accomplished through no other agency. This, however, is something that Roland doesn't realise to this day; and I'm inclined to doubt if you could ever make him understand it.
Josie, of course, was prompt to oust Angie Tuthill from her place in the choir. After that she sang with Nat on Friday nights as well as Wednesdays and twice per Sunday. Between whiles she was a pretty constant patron of the store. There was no longer the least doubt in the collective mind of the town as to the inclination of Josie's affections. Nat himself gave evidence of his appreciation of the gravity of the situation, managing by some admirable diplomacy to evade the issue until the very last moment. But with the three--Roland, Nat, and Josie--so involved, we sensed a storm below the horizon, and awaited its breaking, if not with avidity, at least with quickened apprehension.
The culmination came the day before Betty was to return--a day late in May, I remember, and a Friday at that.
It began along toward evening. Duncan, alone in the store, was busy behind the prescription counter. The day had been humid, warm and sultry, and the doors and windows were open. The air was bland and still, and sound travelled easily. He could hear the musical clanking of hammers in Badger's smithy, on the next block, the deep-throated _hoot-toot_ of the late afternoon train as it rushed down the valley, sounds of fierce altercation from the home of Pete Willing near by, a boy rattling a stick along palings down on Main Street.... But he did not hear anybody enter the store: absorbed with his task, he thought himself quite alone until a well-kenned voice reached his ear.
"Well!" it said, unctuous with appreciation of the sight of him.
"_Old_ Doctor Duncan!"
He let the pestle fall from his hand and jumped as if he had been stuck with a pin. His jaw dropped and his eyes bulged. "Great Scott!" he cried; and in a twinkling was round the counter, throwing himself into the arms of a man whom he hailed ecstatically: "Harry, by all that's wonderful!" He fairly danced with delight. "Henry Kellogg, Esquire!"
he cried, holding him at arms' length and looking him over. "What in thunderation are you doing here?"
Kellogg freed himself, only to seize both Nat's hands and squeeze them violently. "Wanted to see you," he replied, beaming. "On my way to Cincinnati on business--thought I'd drop off for a night and size you up. My, but it's good to get a look at you! How are you?"