The Foolish Lovers Part 6

For here, indeed, was entertainment for any man or woman or child. In this ancient market for the sale of discarded things, a lonely person could pa.s.s away the dull hours very agreeably. The auctioneers, wheedling and joking and bullying, could be trusted to amuse any reasonable man for a while, and when their entertainment was exhausted there were the stalls to visit and explore. He stood to listen to a loud-voiced man who was selling secondhand clothes, and then, turning away, found himself standing before a bookstall. Piles of books, of all sizes and shapes and colours, lay on a long shutter that rested on trestles; and in the shop, behind the trestles, were great stacks of books reaching to the ceiling. He fingered the books with the affection with which he had seen his Uncle Matthew finger those in the attic at home. Some of them had the dreary, dull look observable in books that have long pa.s.sed out of favour and have lain disregarded in some dark and dusty corner; and some, though they were old, looked bright and pleasant as if they were confident that the affection which had been theirs for years would be continued to them by new owners. He picked up old volumes and spent much time in contemplating the inscriptions inside them ... fading inscriptions in a thin, genteel handwriting that had the careful look of writing done by people who were anxious that the record should not offend a schoolmaster's eye ... and as he read these inscriptions, a queer dejection settled on him. These books, dusty and disregarded, he told himself, represented love and thought that had perished. Doubt and damp pessimism clutched hold of him. At the end of every brave adventure was Smithfield Market. He put down a book which contained an inscription to "Charles Dunwoody from his affectionate Mother," and looked about him. Everywhere, secondhand, rejected things were for sale: clothes, furniture, books, pictures ...

The market was a mortuary of ambition and hope, the burial ground of little enterprises, confidently begun and miserably ended. Here were the signs of disruption and dispersal, of things attempted but not achieved, of misfortune and failure, of things used and abandoned for more coveted things. John had imagined himself performing great feats to win the love and favour of some beautiful woman ... but now he saw his adventure in love ending in a loud-voiced auctioneer mouthing jokes over a ruined home. Behind these piles of books and pictures and clothes and furniture, one might see young couples bravely setting out on their little ships of love to seek their fortunes, light-heartedly facing perils and dangers because of the high hope in their hearts ...

and coming to wreck on a rough coast where their small cargoes were seized by creditors and brought to this place for sale, and they were left bare and hurt and discouraged...

"Oh, well!" said John, shrugging his shoulders and picking up a newer book.

That would not happen to him. If he failed in one enterprise he would start off on another. If he made a fortune and lost it, he would make another one. If the things he built were to be destroyed ... well, he would start building again....

But the mood of pessimism still held him and he could not bear to look at the books any longer. An unhappy ghost hid behind the covers of each one of them. He hurried out of the market into the street. The rain had ceased to fall, but the streets were wet and dirty, and the air struck at him coldly. He glanced at his watch, and saw that he could not now catch the train by which he had intended to return to Ballyards.

"I'll go and get my tea somewhere," he said, and then, "I don't think I'll come to Belfast again. I'm tired of the town!"

He turned into Royal Avenue and pa.s.sed across Castle Junction into Donegall Place where there was a shop in which new books were sold. The shop was closed now, but he was able to see books with handsome covers in the window and he stayed for a time reading the t.i.tles of them.

There was a bustle of people about him, of newspaper boys and flower girls, bedraggled and cheerless-looking, and of young men and women tempted to the Sat.u.r.day evening parade in the chief street of the city in spite of the rain. The sound of voices in argument and barter and bright talk mingled with laughter and the noise of the tram-cars and carts clattering over the stony street. John liked the sound of Belfast on a Sat.u.r.day night, the pleased sound of released people intent on enjoyment and with the knowledge that on the morrow there would still be freedom from labour, and as he stood in front of the bookshop, half intent on the books in the window and half intent on the crowd that moved about him, the gloom which had seized hold of him in Smithfield began to relax its grip: and when two girls, jostled against him by the disordered movement of the crowd on the pavement, smiled at him in apology, he smiled back at them.

He thrust himself through the crowd, breaking into a group of excited newspaper boys who were thrusting copies of the _Evening Telegraph_ and _Ireland's Sat.u.r.day Night_ at possible purchasers, and walked towards the City Hall, but, changing his mind unaccountably, he turned down Castle Lane and presently found himself by the Theatre Royal. He had never been to a theatre in his life, but Uncle Matthew and Uncle William, when they were young men, used frequently to come to Belfast from Ballyards to see a play, and they had told him of the great pleasure they had had at the "old Royal."

"I've a good mind to go there to-night," he said to himself, as he crossed the street to examine the playbills which were posted on the walls of the theatre. Mr. F.R. Benson's Shakespearean Company, he read on the bill by the stage-door, would perform _The Merchant of Venice_ that evening. The Company would remain in Belfast during the following week and would produce other plays by Shakespeare.

"I _will_ go," he said to himself. "I'll go somewhere now and have my tea, and then I'll hurry back!"

He remembered that he had seen a volume of Shakespeare's plays in the bookshop in Donegall Place and that Uncle Matthew had each of the plays in a separate volume in the attic at home. He had read _The Merchant of Venice_ a long time ago, but had only a vague recollection of it.

In one of the school-books, Portia's speech on mercy was printed, and he could say that piece off by heart. The Jew had snarled at Portia when she had said "Then must the Jew be merciful!" "On what compulsion must I?" he had demanded, and she had replied, "The quality of mercy is not strained...." The school-book did not print Portia's statement that the Jew must be merciful or the Jew's snarling demand, "On what compulsion must I?"; but Mr. Cairnduff had explained the story of the play to the cla.s.s and had told them of these two speeches, and John, interested by the story, had gone home and searched through the attic for the play, and there had read it through.

His mind went back to the bookshop. "It must be fine to work in a place like that, with all the books you can want to read all round you," he said to himself while he hurried through Corn Market on his way to a restaurant. He stopped for a moment or two, as an idea suddenly presented itself to him. "I know what I'll do," he said aloud. "I'll start a bookshop myself. _New_ books ... not old ones. That sort of life would suit me fine!"

V

He ate his meal in great haste, and then hurried back to the theatre where a queue of people had already formed outside the entrance to the pit. Soon after he joined the queue, the doors were opened, and in a little while he found himself sitting at the end of the second row. He had chosen this seat so that he might be able to hurry out of the theatre quickly, without disturbing anyone, if he should have to leave before the play was ended to catch the last train to Ballyards.

A boy about his own age was sitting next to him, and this boy asked John to let him have a look at his programme.

"Did you ever see this piece before?" John said to him, as he pa.s.sed the programme to him.

"I did not," he replied. "I'm not much of a one for plays. I generally go to the 'Lhambra on a Sat.u.r.day, but somehow I didn't go there the night!"

"That's a terrible place, that 'Lhambra," said John.

"What's terrible about it?" his neighbour replied.

"I don't know. I was never there. This is the first time I've ever been in a theatre. But I've heard fearful things about that place, about women coming out and dancing with hardly any clothes on, and then kicking up their legs and all. I have an uncle went there once, and when the woman began kicking up her legs and showing off her clothes, he got up and stood with his back to the stage 'til she was done, he was that disgusted."

John remembered how shocked Uncle William had been when he told that story of himself.

"Your uncle must be very easy shocked," said the boy. "I can look at women kicking up their legs, and I don't think nothing of it at all. I like a good song and dance myself. I don't like plays much. Gimme a woman that's nice-looking and can sing and dance a bit, and I wouldn't ask you for nothing nicer. Is there any dancin' in this bit, do you know?"

"I don't think so," said John. "I've never seen the piece before, but I've read it. I don't think there's any dancing in it!"

"And no comic songs?..."

"Sure, you'll see for yourself in a wee minute!"

John's neighbour considered. "I wonder would they give me my money back if I was to go to the pay-box and let on I was sick!"

"They'd never do that," said John. "They'd know rightly you weren't sick by the look of you!"

The boy returned the programme to John. "Well, I wish they'd hurry up and begin," he murmured.

The members of the orchestra came through a door beneath the stage and took their places, and the sound of fiddles being tuned was heard for a while. Then the leader of the orchestra came to his place, and after a pause, the music began.

"A fiddle's great value," John's neighbour whispered to him. "I'm a great hand at the Jew's harp myself!..."

The music ceased, the lights were lowered in the theatre and the footlights were raised, throwing a great soft yellow glow on the picture of the Lakes of Killarney which decorated the drop-curtain.

Then, the curtain was rolled up, and the performance began.

He had been interested by the play when he read it, but now he was enthralled by it. He wished that the boy sitting next to him would not keep on asking for the programme every time a fresh character appeared on the stage and would refrain from making comments on the play while it was being performed. "Them people wore quare clothes in them days!"

he had whispered to John soon after the play began, and when Shylock made his first entrance, he said, "Ah, for Jase' sake, look at the oul'

Sheeny!"

"Ssh!" said John. "Don't talk!..."

"Sure, why?..."

"Ah, shut up," said John.

He did not wish to talk during the intervals between the acts. He wished to sit still in his seat and perform the play over again in his mind. He tried to remember Ba.s.sanio's description of Portia:

_In Belmont is a lady richly left, And she is fair, and fairer than that word, Of wondrous virtues...._

He could not think of the words that came after that ... except one sentence:

_ ...And her sunny locks Hang on her temples like a golden fleece._

He repeated this sentence to himself many times, as if he were tasting each word with his tongue and with his mind, and once he said it aloud in a low voice.

"Eh?" said his neighbour.

"I was just reciting a piece from the play," he explained.

"What were you reciting?"

"Do you remember that piece: _and her sunny locks hang on her temples like a golden fleece?"_

"No!"

"In the first act? When the young fellow, Ba.s.sanio, was telling Antonio about his girl in Belmont?"

His neighbour turned to him eagerly. "I wonder did they just put that bit in about Belmont," he said. "There's a place near Belfast called Belmont ... just beyond the Hollywood Arches there! Do you know it?"