The Foolish Lovers Part 47

"Forgot all about it! Do you mean you didn't go to it?"

"I went all right, but I forgot to take my notice to the office!"

Hinde sat up and stared at him. "You _forgot_!..." He could not say any more.

John told him of the encounter with Eleanor.

"You mean to say you let your paper down for the sake of a girl," Hinde exclaimed incredulously.

"I'll go back now," John said, turning to leave the room.

"Go back _now_! What's the good of that? The paper's been put to bed half an hour and more ago. My G.o.d Almighty ... you let the paper down. For the sake of a girl!"

He seemed to have difficulty in expressing his thoughts, and he sat back and gaped at John as if he had just been informed that the Last Day had been officially announced.

"You needn't show your nose in _that_ office again," he said again. "I never heard of such a reason for letting a paper down! Good heavens, man, don't you realise what you've done? _You've let the paper down_!"

"I'm in love with this girl!..."

Hinde almost snarled at him. "Ach-h-h, _love_!" he shouted. "And you propose to be a journalist. Let your paper down. For a girl. You sloppy fellow!... My heavens above, I never heard of such a thing.

Letting your paper down!..."

He walked about the room, repeating many times that John had "let his paper down."

"And I recommended you to Clotworthy, too. I told him you had the stuff in you. I thought you had. I thought you could do a job decently, but by the Holy O, you're no good. You let your own feelings come between you and your work. Oh! Oh, oh! Oh, go to bed quick or I'll knock the head off you. I'll not be responsible for myself if you stand there any longer like a moonstruck fool!"

"If you talk to me like that," said John, "I'll hit you a welt on the jaw. I'm sorry I forgot about the paper, but sure what does it matter anyway?..."

"What does it matter!" Hinde almost shrieked at him. "Your paper will be the only paper in London which won't have a report of that concert in it to-morrow. That's what it matters? I'd be ashamed to let my paper down for any reason on earth. If my mother was dying, I wouldn't let her prevent me from doing my job!... If you can't understand that, John MacDermott, you needn't try to be a journalist. You haven't got it in you. Your paper's your father and your mother and your wife and your children! Oh, go to bed, out of my sight, or I'll forget myself!..."

John walked towards the door.

"I'd rather love a woman any day than a paper," he said.

"Well, go and love her then, and don't try to interfere with a paper again! Don't come down Fleet Street pretending you're a journalist!"

"Good-night!"

"Yah-h-h!" said Hinde.

THE FIFTH CHAPTER

I

It had been exceedingly difficult for John to explain his defection to Mr. Clotworthy and to Tarleton. The only mitigating feature of the business was that the matter to be reported was only a concert. Both Mr. Clotworthy and Tarleton trembled when they thought of the calamity that would have befallen the paper if the forgotten report had been of a murder! They hardly dared contemplate such a devastating prospect.

They invited John to think of another profession and wished him a very good morning. Tarleton quitted the room, leaving John alone with the editor, and as he went he showed such contempt towards him as is only shown towards the meanest of G.o.d's creatures.

"Well, where's your Ulster now?" said Mr. Clotworthy very sardonically when they were alone together.

"I know rightly I'm in the wrong from your point of view, Mr.

Clotworthy," John replied, "but I'd do the same thing again if twenty jobs depended on it. It's hard to make you understand, and mebbe I'm a fool to try, but there it is. The minute I clapped my eyes on her, I forgot everything but her. I'm sorry I've lost my post here, but I'd be sorrier to have lost her. That's all about it. You were very kind to give me the work, and I wish I hadn't let your paper down the way Hinde says I did, but it's no good me pretending about it. I'd do it again if the same thing happened another time. That's the beginning and end of it all. I'd rather be her husband than edit a dozen papers like yours.

I'd rather be her husband than be anything else in the world!"

"Well, good afternoon!" said Mr. Clotworthy.

"Good afternoon!" said John, turning away.

He moved towards the door of the room, feeling much less a.s.surance than he had felt when he came into it.

"If you care to send in some articles for page six," Mr. Clotworthy added, "I'd be glad to see them!"

"Thank you," said John.

"Not at all," the editor replied without glancing up.

He left the _Daily Sensation_ office, and walked towards Charing Cross. A queer depression had settled upon his spirits. Hinde had treated him as if he were mentally deficient, and he knew that Mr.

Clotworthy and Tarleton, particularly Tarleton, regarded him with coldness, but he was not deeply affected by their disapproval.

Nevertheless, depression possessed him. He felt that Eleanor would fail to keep her appointment. Quietly considered, there seemed to be no reason why she should keep it. She knew absolutely nothing of him except what he had told her while she leaned out of the window. How was she to know that he was speaking the truth? What right had he to expect her to pay any heed to him at all? Dreary, drizzling thoughts poured through his mind. He felt as certain that his novel would not be published as he felt that Eleanor would not be at the bookstall at Charing Cross station when he arrived there. The tragedy on which he was working had seemed to him to be a very marvellous play, but now he thought it was too poor to be worth finishing. He had been in London for what was quite a long time, but he had achieved nothing. He had not even written the music-hall sketch for the Creams. He had not earned a farthing during the time that he had been in London. All the exaltation which had filled him as he walked along the Bayswater Road on the previous night, with his mind full of Eleanor and love and starshine and moonlight and gleaming streets and trees hanging with mist and friendliness for all men, had gone clean out of him. Fleet Street was a dirty, ill-ventilated alley full of scuffling men and hara.s.sed women.

London itself was a great angry thing, a place of distrust and contention, where no one ever offered a friendly greeting to a stranger. He would go to Charing Cross station and he would stand patiently in front of the bookstall, but Eleanor would not come to meet him. He would stand there, dumb and uncomplaining, and no one of the hurrying crowd of people would turn to him and say, "You're in trouble.

I'm sorry!" They would neither know nor care. They would be too busy catching trains. He would stand there for an hour, for two hours ...

until his legs began to ache with the pain of standing in one place for a long time ... and then, when it was apparent that waiting was useless and he had, perhaps, aroused the suspicions of policemen and railway porters concerning his purpose in loitering thus so persistently in front of the bookstall, he would go home in his misery to a contemptuous Hinde!...

II

And while these bitter thoughts poured through his mind, he entered Charing Cross station, and there in front of the bookstall was Eleanor Moore. The bitter thoughts poured out of his mind in a rapid flood. He felt so certain that his novel would be published that he could almost see it stacked on the bookstall behind Eleanor. He would finish the tragedy that week and in a short while England would be acclaiming him as a great dramatist!... He hurried towards her and held out his hand, and she shyly took it.

"Have you been here long?" he anxiously asked.

"No," she answered, "I've only just come!"

"Let's go and have some tea," he went on.

"I've had mine, thanks!..."

"Well, have some more. I've not had any!..."

"I don't think I can, thanks. I've really come to say that I can't!..."

"There's a little place near here," he interrupted hurriedly, "where they give you lovely home-made bread. I found it one day when I was wandering about. We'll just go there and talk about whatever you want to say. Give me that umbrella of yours!" He took it from her hand as he spoke. "This is the way," he said, leading her from the station. As they crossed the road, he took hold of her arm. "These streets are terribly dangerous," he said. "You never know what minute you're going to be run over!"

He still held her arm when they were safely on the pavement, but she contrived to free herself without making a point of doing so.

He tried to bring her back to the mood in which they were when she leaned out of the window to listen to him ... "like Romeo and Juliet,"