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The Florentine Painters of the Renaissance Part 10

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592. Adoration of Magi (earliest extant work).

626. Portrait of Young Man.

915. Mars and Venus.

1033. _Tondo_: Adoration of Magi. E.

1034. Nativity. 1501.

MR. J. P. HESELTINE. Madonna and infant John (in small part).

MR. LUDWIG MOND. Scenes from Life of S. Zan.o.bi (two panels). L.

Milan.

AMBROSIANA, 145. _Tondo_: Madonna and Angels.

POLDI-PEZZOLI, 156. Madonna.

Paris.

1297. Fresco: Giovanna Tornabuoni with Venus and the Graces. 1486.

1298. Fresco: Lorenzo Tornabuoni introduced into the Circle of the Sciences. 1486.

Rome.

VATICAN, SIXTINE CHAPEL. Frescoes: Moses and the Daughters of Jethro; Destruction of the Children of Korah; Christ tempted on Roof of Temple. 1481-2. Among the single figures of Popes: Most of Stephen and Marcellinus, and heads of Cornelius, Lucius, and Sixtus II, and probably Euaristus. 1481-2.

St. Petersburg.

HERMITAGE, 3. Adoration of Magi. Probably 1482.

FRANCEs...o...b..TTICINI.

1446-1498. Pupil of Neri di Bicci; influenced by Castagno; worked under and was formed by Cosimo Rosselli and Verrocchio; influenced later by Amico di Sandro.

Bergamo.

MORELLI, 33. Tobias and the Angel.

Berlin.

70A. Crucifixion and Saints, 1475.

72. Coronation of the Virgin. E.

Boston (U. S. A.).

MRS. J. L. GARDNER. Madonna in Landscape.

Chicago (U. S. A.).

MR. MARTIN RYERSON. _Tondo_: Adoration of Magi.

Cleveland (U. S. A.).

HOLDEN COLLECTION, 3. Madonna adoring Child (?).

13. Madonna.

Empoli.

OPERA DEL DUOMO, 25. Annunciation. Towards 1473.

Tabernacle for Sacrament, with St. Andrew and Baptist; _Predelle_: Last Supper; Martyrdom of two Saints. 1484-1491.

Tabernacle for sculptured St. Sebastian with two Angels and Donors; _Predelle_: Story of St. Sebastian. Towards 1473.

Florence.

ACADEMY, 30. St. Vincent Ferrer.

59. St. Augustine.

60. St. Monica.

84. Tobias and the three Archangels.

154. Tobias and the Angel, with youthful Donor.

Martyrdom of St. Andrew.

PITTI, 347. Madonna, infant John, and Angels worshipping Child.

UFFIZI, 3437. Madonna.

S. APPOLONIA. Deposition with Magdalen and SS. Sebastian and Bernard.

DUCA DI BRINDISI. Two _Ca.s.sone_-panels: Story of Virginia.

MARCHESE PIO STROZZI. Madonna with SS. Antony Abbot and Donato.

S. SPIRITO, R. TRANSEPT. Altarpiece with _Predelle_: St. Monica and Nuns. 1483.

BROZZI (NEAR FLORENCE). S. ANDREA, R. WALL. Madonna and Saints.

1480. (The Fresco above, with G.o.d, the Father, is school work.) Gottingen.

UNIVERSITY GALLERY, 236. Madonna and infant John.

London.

227. St. Jerome with other Saints and Donors.

1126. a.s.sumption of Virgin. Before 1475.

EARL OF ASHBURNHAM. Madonna adoring Child.

MR. ROBERT BENSON. _Tondo_: Madonna in Landscape.

Madonna with four rose-crowned Angels and two Cherubim.

MR. C. BRINSLEY MARLAY. Madonna adoring Child.

MR. CHARLES BUTLER. Bishop enthroned, with four Female Saints.

Modena.

449. Madonna and Angels adoring Child.

Montefortino (near Amandola, Abruzzi).

MUNICIPIO. Madonna adoring Child.

Palermo.

BARON CHIARAMONTE BORDONARO. SS. Nicholas and Roch.

Panzano (near Greve).

S. MARIA, THIRD ALTAR L. Angels and Saints around old Picture.

Parcieux (near Trevoux).

LA GRANGE BLANCHE, M. HENRI CHALANDON. Nativity.

Paris.

1482. Madonna in Glory, and Saints.

MME. EDOUARD ANDRe. Madonna and four Saints; A Version of Fra Filippo's Uffizi Madonna; _Pieta_ with SS. Nicholas, James, Dominic, and Louis.

COMTESSE ARCONATI-VISCONTI. _Tondo_: Madonna adoring Child.

M. HENRI HEUGEL. Madonna adoring Child.

Prato.

Madonna and four Saints.

Richmond (Surrey).

SIR FREDERICK COOK, MUSEUM. Bust of Young Man.

Scotland.

GOSFORD HOUSE. EARL OF WEMYSS. Profile of Youth.

Stockholm.

ROYAL PALACE. Bust of Youth.

Turin.

119. Coronation of Virgin.

Wigan.

HAIGH HALL, EARL CRAWFORD. Madonna, enthroned with St. Francis, Donor, Tobias, and Angel.

BRONZINO (Angelo Allori).

1502(?)-1572. Pupil of Pontormo; influenced by Michelangelo.

Bergamo.

MORELLI, 65. Portrait of Alessandro de' Medici.

Berlin.

338. Portrait of Youth.

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The Florentine Painters of the Renaissance Part 10 summary

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