The Fat and the Thin Part 3

"Ah, Mademoiselle Saget is an early riser," exclaimed Claude, who had just raised his head. And, turning to his companion, he added: "I once had an aunt living in that house. It's a regular hive of t.i.ttle-tattle!

Ah, the Mehudins are stirring now, I see. There's a light on the second floor."

Florent would have liked to question his companion, but the latter's long discoloured overcoat give him a disquieting appearance. So without a word Florent followed him, whilst he went on talking about the Mehudins. These Mehudins were fish-girls, it seemed; the older one was a magnificent creature, while the younger one, who sold fresh-water fish, reminded Claude of one of Murillo's virgins, whenever he saw her standing with her fair face amidst her carps and eels.

From this Claude went on to remark with asperity that Murillo painted like an ignoramus. But all at once he stopped short in the middle of the street.

"Come!" he exclaimed, "tell me where it is that you want to go."

"I don't want to go anywhere just at present," replied Florent in confusion. "Let's go wherever you like."

Just as they were leaving the Rue Pirouette, some one called to Claude from a wine shop at the corner of the street. The young man went in, dragging Florent with him. The shutters had been taken down on one side only, and the gas was still burning in the sleepy atmosphere of the shop. A forgotten napkin and some cards that had been used in the previous evening's play were still lying on the tables; and the fresh breeze that streamed in through the open doorway freshened the close, warm vinous air. The landlord, Monsieur Lebigre, was serving his customers. He wore a sleeved waistcoat, and his fat regular features, fringed by an untidy beard, were still pale with sleep. Standing in front of the counter, groups of men, with heavy, tired eyes, were drinking, coughing, and spitting, whilst trying to rouse themselves by the aid of white wine and brandy. Amongst them Florent recognised Lacaille, whose sack now overflowed with various sorts of vegetables.

He was taking his third dram with a friend, who was telling him a long story about the purchase of a hamper of potatoes.[*] When he had emptied his gla.s.s, he went to chat with Monsieur Lebigre in a little glazed compartment at the end of the room, where the gas had not yet been lighted.

[*] At the Paris central markets potatoes are sold by the hamper, not by the sack as in England.--Translator.

"What will you take?" Claude asked of Florent.

He had on entering grasped the hand of the person who had called out to him. This was a market porter,[*] a well-built young man of two and twenty at the most. His cheeks and chin were clean-shaven, but he wore a small moustache, and looked a sprightly, strapping fellow with his broad-brimmed hat covered with chalk, and his wool-worked neck-piece, the straps falling from which tightened his short blue blouse. Claude, who called him Alexandre, patted his arms, and asked him when they were going to Charentonneau again. Then they talked about a grand excursion they had made together in a boat on the Marne, when they had eaten a rabbit for supper in the evening.

[*] _Fort_ is the French term, literally "a strong man," as every market porter needs to be.--Translator.

"Well, what will you take?" Claude again asked Florent.

The latter looked at the counter in great embarra.s.sment. At one end of it some stoneware pots, encircled with bra.s.s bands and containing punch and hot wine, were standing over the short blue flames of a gas stove.

Florent at last confessed that a gla.s.s of something warm would be welcome. Monsieur Lebigre thereupon served them with three gla.s.ses of punch. In a basket near the pots were some smoking hot rolls which had only just arrived. However, as neither of the others took one, Florent likewise refrained, and drank his punch. He felt it slipping down into his empty stomach, like a steam of molten lead. It was Alexandre who paid for the "shout."

"He's a fine fellow, that Alexandre!" said Claude, when he and Florent found themselves alone again on the footway of the Rue Rambuteau. "He's a very amusing companion to take into the country. He's fond of showing his strength. And then he's so magnificently built! I have seen him stripped. Ah, if I could only get him to pose for me in the nude out in the open air! Well, we'll go and take a turn through the markets now, if you like."

Florent followed, yielding entirely to his new friend's guidance. A bright glow at the far end of the Rue Rambuteau announced the break of day. The far-spreading voice of the markets was become more sonorous, and every now and then the peals of a bell ringing in some distant pavilion mingled with the swelling, rising clamour. Claude and Florent entered one of the covered streets between the fish and poultry pavilions. Florent raised his eyes and looked at the lofty vault overhead, the inner timbers of which glistened amidst a black lacework of iron supports. As he turned into the great central thoroughfare he pictured himself in some strange town, with its various districts and suburbs, promenades and streets, squares and cross-roads, all suddenly placed under shelter on a rainy day by the whim of some gigantic power.

The deep gloom brooding in the hollows of the roofs multiplied, as it were, the forest of pillars, and infinitely increased the number of the delicate ribs, railed galleries, and transparent shutters. And over the phantom city and far away into the depths of the shade, a teeming, flowering vegetation of luxuriant metal-work, with spindle-shaped stems and twining knotted branches, covered the vast expanse as with the foliage of some ancient forest. Several departments of the markets still slumbered behind their closed iron gates. The b.u.t.ter and poultry pavilions displayed rows of little trellised stalls and long alleys, which lines of gas lights showed to be deserted. The fish market, however, had just been opened, and women were flitting to and fro amongst the white slabs littered with shadowy hampers and cloths. Among the vegetables and fruit and flowers the noise and bustle were gradually increasing. The whole place was by degree waking up, from the popular quarter where the cabbages are piled at four o'clock in the morning, to the lazy and wealthy district which only hangs up its pullets and pheasants when the hands of the clock point to eight.

The great covered alleys were now teeming with life. All along the footways on both sides of the road there were still many market gardeners, with other small growers from the environs of Paris, who displayed baskets containing their "gatherings" of the previous evening--bundles of vegetables and cl.u.s.ters of fruit. Whilst the crowd incessantly paced hither and thither, vehicles barred the road; and Florent, in order to pa.s.s them, had to press against some dingy sacks, like coal-sacks in appearance, and so numerous and heavy that the axle-trees of the vans bent beneath them. They were quite damp, and exhaled a fresh odour of seaweed. From a rent low down in the side of one of them a black stream of big mussels was trickling.

Florent and Claude had now to pause at every step. The fish was arriving and one after another the drays of the railway companies drove up laden with wooden cages full of the hampers and baskets that had come by train from the sea coast. And to get out of the way of the fish drays, which became more and more numerous and disquieting, the artist and Florent rushed amongst the wheels of the drays laden with b.u.t.ter and eggs and cheese, huge yellow vehicles bearing coloured lanterns, and drawn by four horses. The market porters carried the cases of eggs, and baskets of cheese and b.u.t.ter, into the auction pavilion, where clerks were making entries in note books by the light of the gas.

Claude was quite charmed with all this uproar, and forgot everything to gaze at some effect of light, some group of blouses, or the picturesque unloading of a cart. At last they extricated themselves from the crowd, and as they continued on their way along the main artery they presently found themselves amidst an exquisite perfume which seemed to be following them. They were in the cut-flower market. All over the footways, to the right and left, women were seated in front of large rectangular baskets full of bunches of roses, violets, dahlias, and marguerites. At times the clumps darkened and looked like splotches of blood, at others they brightened into silvery greys of the softest tones. A lighted candle, standing near one basket, set amidst the general blackness quite a melody of colour--the bright variegations of marguerites, the blood-red crimson of dahlias, the bluey purple of violets, and the warm flesh tints of roses. And nothing could have been sweeter or more suggestive of springtide than this soft breath of perfume encountered on the footway, on emerging from the sharp odours of the fish market and the pestilential smell of the b.u.t.ter and the cheese.

Claude and Florent turned round and strolled about, loitering among the flowers. They halted with some curiosity before several women who were selling bunches of fern and bundles of vine-leaves, neatly tied up in packets of five and twenty. Then they turned down another covered alley, which was almost deserted, and where their footsteps echoed as though they had been walking through a church. Here they found a little cart, scarcely larger than a wheelbarrow, to which was harnessed a diminutive donkey, who, no doubt, felt bored, for at sight of them he began braying with such prolonged and sonorous force that the vast roofing of the markets fairly trembled. Then the horses began to neigh in reply, there was a sound of pawing and tramping, a distant uproar, which swelled, rolled along, then died away.

Meantime, in the Rue Berger in front of them, Claude and Florent perceived a number of bare, frontless, salesmen's shops, where, by the light of flaring gas jets, they could distinguish piles of hampers and fruit, enclosed by three dirty walls which were covered with addition sums in pencil. And the two wanderers were still standing there, contemplating this scene, when they noticed a well-dressed woman huddled up in a cab which looked quite lost and forlorn in the block of carts as it stealthily made its way onwards.

"There's Cinderella coming back without her slippers," remarked Claude with a smile.

They began chatting together as they went back towards the markets.

Claude whistled as he strolled along with his hands in his pockets, and expatiated on his love for this mountain of food which rises every morning in the very centre of Paris. He prowled about the footways night after night, dreaming of colossal still-life subjects, paintings of an extraordinary character. He had even started on one, having his friend Marjolin and that jade Cadine to pose for him; but it was hard work to paint those confounded vegetables and fruit and fish and meat--they were all so beautiful! Florent listened to the artist's enthusiastic talk with a void and hunger-aching stomach. It did not seem to occur to Claude that all those things were intended to be eaten. Their charm for him lay in their colour. Suddenly, however, he ceased speaking and, with a gesture that was habitual to him, tightened the long red sash which he wore under his green-stained coat.

And then with a sly expression he resumed:

"Besides, I breakfast here, through my eyes, at any rate, and that's better than getting nothing at all. Sometimes, when I've forgotten to dine on the previous day, I treat myself to a perfect fit of indigestion in the morning by watching the carts arrive here laden with all sorts of good things. On such mornings as those I love my vegetables more than ever. Ah! the exasperating part, the rank injustice of it all, is that those rascally Philistines really eat these things!"

Then he went on to tell Florent of a supper to which a friend had treated him at Baratte's on a day of affluence. They had partaken of oysters, fish, and game. But Baratte's had sadly fallen, and all the carnival life of the old Marche des Innocents was now buried. In place thereof they had those huge central markets, that colossus of ironwork, that new and wonderful town. Fools might say what they liked; it was the embodiment of the spirit of the times. Florent, however, could not at first make out whether he was condemning the picturesqueness of Baratte's or its good cheer.

But Claude next began to inveigh against romanticism. He preferred his piles of vegetables, he said, to the rags of the middle ages; and he ended by reproaching himself with guilty weakness in making an etching of the Rue Pirouette. All those grimy old places ought to be levelled to the ground, he declared, and modern houses ought to be built in their stead.

"There!" he exclaimed, coming to a halt, "look at the corner of the footway yonder! Isn't that a picture readymade, ever so much more human and natural than all their confounded consumptive daubs?"

Along the covered way women were now selling hot soup and coffee. At one corner of the foot-pavement a large circle of customers cl.u.s.tered round a vendor of cabbage soup. The bright tin caldron, full of broth, was steaming over a little low stove, through the holes of which came the pale glow of the embers. From a napkin-lined basket the woman took some thin slices of bread and dropped them into yellow cups; then with a ladle she filled the cups with liquor. Around her were saleswomen neatly dressed, market gardeners in blouses, porters with coats soiled by the loads they had carried, poor ragged vagabonds--in fact, all the early hungry ones of the markets, eating, and scalding their mouths, and drawing back their chins to avoid soiling them with the drippings from their spoons. The delighted artist blinked, and sought a point of view so as to get a good ensemble of the picture. That cabbage soup, however, exhaled a very strong odour. Florent, for his part, turned his head away, distressed by the sight of the full cups which the customers emptied in silence, glancing around them the while like suspicious animals. As the woman began serving a fresh customer, Claude himself was affected by the odorous steam of the soup, which was wafted full in his face.

He again tightened his sash, half amused and half annoyed. Then resuming his walk, and alluding to the punch paid for by Alexandre, he said to Florent in a low voice:

"It's very odd, but have you ever noticed that although a man can always find somebody to treat him to something to drink, he can never find a soul who will stand him anything to eat?"

The dawn was now rising. The houses on the Boulevard de Sebastopol at the end of the Rue de la Cossonnerie were still black; but above the sharp line of their slate roofs a patch of pale blue sky, circ.u.mscribed by the arch-pieces of the covered way, showed like a gleaming half-moon.

Claude, who had been bending over some grated openings on a level with the ground, through which a glimpse could be obtained of deep cellars where gas lights glimmered, now glanced up into the air between the lofty pillars, as though scanning the dark roofs which fringed the clear sky. Then he halted again, with his eyes fixed on one of the light iron ladders which connect the superposed market roofs and give access from one to the other. Florent asked him what he was seeking there.

"I'm looking for that scamp of a Marjolin," replied the artist. "He's sure to be in some guttering up there, unless, indeed, he's been spending the night in the poultry cellars. I want him to give me a sitting."

Then he went on to relate how a market saleswoman had found his friend Marjolin one morning in a pile of cabbages, and how Marjolin had grown up in all liberty on the surrounding footways. When an attempt had been made to send him to school he had fallen ill, and it had been necessary to bring him back to the markets. He knew every nook and corner of them, and loved them with a filial affection, leading the agile life of a squirrel in that forest of ironwork. He and Cadine, the hussy whom Mother Chantemesse had picked up one night in the old Market of the Innocents, made a pretty couple--he, a splendid foolish fellow, as glowing as a Rubens, with a ruddy down on his skin which attracted the sunlight; and she, slight and sly, with a comical phiz under her tangle of black curly hair.

Whilst talking Claude quickened his steps, and soon brought his companion back to Saint Eustache again. Florent, whose legs were once more giving way, dropped upon a bench near the omnibus office. The morning air was freshening. At the far end of the Rue Rambuteau rosy gleams were streaking the milky sky, which higher up was slashed by broad grey rifts. Such was the sweet balsamic scent of this dawn, that Florent for a moment fancied himself in the open country, on the brow of a hill. But behind the bench Claude pointed out to him the many aromatic herbs and bulbs on sale. All along the footway skirting the tripe market there were, so to say, fields of thyme and lavender, garlic and shallots; and round the young plane-trees on the pavement the vendors had twined long branches of laurel, forming trophies of greenery. The strong scent of the laurel leaves prevailed over every other odour.

At present the luminous dial of Saint Eustache was paling as a night-light does when surprised by the dawn. The gas jets in the wine shops in the neighbouring streets went out one by one, like stars extinguished by the brightness. And Florent gazed at the vast markets now gradually emerging from the gloom, from the dreamland in which he had beheld them, stretching out their ranges of open palaces.

Greenish-grey in hue, they looked more solid now, and even more colossal with their prodigious masting of columns upholding an endless expanse of roofs. They rose up in geometrically shaped ma.s.ses; and when all the inner lights had been extinguished and the square uniform buildings were steeped in the rising dawn, they seemed typical of some gigantic modern machine, some engine, some caldron for the supply of a whole people, some colossal belly, bolted and riveted, built up of wood and gla.s.s and iron, and endowed with all the elegance and power of some mechanical motive appliance working there with flaring furnaces, and wild, bewildering revolutions of wheels.

Claude, however, had enthusiastically sprung on to the bench, and stood upon it. He compelled his companion to admire the effect of the dawn rising over the vegetables. There was a perfect sea of these extending between the two cl.u.s.ters of pavilions from Saint Eustache to the Rue des Halles. And in the two open s.p.a.ces at either end the flood of greenery rose to even greater height, and quite submerged the pavements. The dawn appeared slowly, softly grey in hue, and spreading a light water-colour tint over everything. These surging piles akin to hurrying waves, this river of verdure rushing along the roadway like an autumn torrent, a.s.sumed delicate shadowy tints--tender violet, blush-rose, and greeny yellow, all the soft, light hues which at sunrise make the sky look like a canopy of shot silk. And by degrees, as the fires of dawn rose higher and higher at the far end of the Rue Rambuteau, the ma.s.s of vegetation grew brighter and brighter, emerging more and more distinctly from the bluey gloom that clung to the ground. Salad herbs, cabbage-lettuce, endive, and succory, with rich soil still clinging to their roots, exposed their swelling hearts; bundles of spinach, bundles of sorrel, cl.u.s.ters of artichokes, piles of peas and beans, mounds of cos-lettuce, tied round with straws, sounded every note in the whole gamut of greenery, from the sheeny lacquer-like green of the pods to the deep-toned green of the foliage; a continuous gamut with ascending and descending scales which died away in the variegated tones of the heads of celery and bundles of leeks. But the highest and most sonorous notes still came from the patches of bright carrots and snowy turnips, strewn in prodigious quant.i.ties all along the markets and lighting them up with the medley of their two colours.

At the crossway in the Rue des Halles cabbages were piled up in mountains; there were white ones, hard and compact as metal b.a.l.l.s, curly savoys, whose great leaves made them look like basins of green bronze, and red cabbages, which the dawn seemed to transform into superb ma.s.ses of bloom with the hue of wine-lees, splotched with dark purple and carmine. At the other side of the markets, at the crossway near Saint Eustache, the end of the Rue Rambuteau was blocked by a barricade of orange-hued pumpkins, sprawling with swelling bellies in two superposed rows. And here and there gleamed the glistening ruddy brown of a hamper of onions, the blood-red crimson of a heap of tomatoes, the quiet yellow of a display of marrows, and the sombre violet of the fruit of the eggplant; while numerous fat black radishes still left patches of gloom amidst the quivering brilliance of the general awakening.

Claude clapped his hands at the sight. He declared that those "blackguard vegetables" were wild, mad, sublime! He stoutly maintained that they were not yet dead, but, gathered in the previous evening, waited for the morning sun to bid him good-bye from the flag-stones of the market. He could observe their vitality, he declared, see their leaves stir and open as though their roots were yet firmly and warmly embedded in well-manured soil. And here, in the markets, he added, he heard the death-rattle of all the kitchen gardens of the environs of Paris.

A crowd of white caps, loose black jackets, and blue blouses was swarming in the narrow paths between the various piles. The big baskets of the market porters pa.s.sed along slowly, above the heads of the throng. Retail dealers, costermongers, and greengrocers were making their purchases in haste. Corporals and nuns cl.u.s.tered round the mountains of cabbages, and college cooks prowled about inquisitively, on the look-out for good bargains. The unloading was still going on; heavy tumbrels, discharging their contents as though these were so many paving-stones, added more and more waves to the sea of greenery which was now beating against the opposite footways. And from the far end of the Rue du Pont Neuf fresh rows of carts were still and ever arriving.

"What a fine sight it is!" exclaimed Claude in an ecstasy of enthusiasm.

Florent was suffering keenly. He fancied that all this was some supernatural temptation, and, unwilling to look at the markets any longer, turned towards Saint Eustache, a side view of which he obtained from the spot where he now stood. With its roses, and broad arched windows, its bell-turret, and roofs of slate, it looked as though painted in sepia against the blue of the sky. He fixed his eyes at last on the sombre depths of the Rue Montorgueil, where fragments of gaudy sign boards showed conspicuously, and on the corner of the Rue Montmartre, where there were balconies gleaming with letters of gold.

And when he again glanced at the cross-roads, his gaze was solicited by other sign boards, on which such inscriptions as "Druggist and Chemist,"

"Flour and Grain" appeared in big red and black capital letters upon faded backgrounds. Near these corners, houses with narrow windows were now awakening, setting amidst the newness and airiness of the Rue du Pont Neuf a few of the yellow ancient facades of olden Paris. Standing at the empty windows of the great drapery shop at the corner of the Rue Rambuteau a number of spruce-looking counter-jumpers in their shirt sleeves, with snowy-white wristbands and tight-fitting pantaloons, were "dressing" their goods. Farther away, in the windows of the severe looking, barrack-like Guillot establishment, biscuits in gilt wrappers and fancy cakes on gla.s.s stands were tastefully set out. All the shops were now open; and workmen in white blouses, with tools under their arms, were hurrying along the road.

Claude had not yet got down from the bench. He was standing on tiptoe in order to see the farther down the streets. Suddenly, in the midst of the crowd which he overlooked, he caught sight of a fair head with long wavy locks, followed by a little black one covered with curly tumbled hair.

"Hallo, Marjolin! Hallo, Cadine!" he shouted; and then, as his voice was drowned by the general uproar, he jumped to the ground and started off.

But all at once, recollecting that he had left Florent behind him, he hastily came back. "I live at the end of the Impa.s.se des Bourdonnais,"

he said rapidly. "My name's written in chalk on the door, Claude Lantier. Come and see the etching of the Rue Pirouette."

Then he vanished. He was quite ignorant of Florent's name, and, after favouring him with his views on art, parted from him as he had met him, at the roadside.

Florent was now alone, and at first this pleased him. Ever since Madame Francoise had picked him up in the Avenue de Neuilly he had been coming and going in a state of pain fraught somnolence which had quite prevented him from forming any definite ideas of his surroundings. Now at last he was at liberty to do what he liked, and he tried to shake himself free from that intolerable vision of teeming food by which he was pursued. But his head still felt empty and dizzy, and all that he could find within him was a kind of vague fear. The day was now growing quite bright, and he could be distinctly seen. He looked down at his wretched shabby coat and trousers. He b.u.t.toned the first, dusted the latter, and strove to make a bit of a toilet, fearing lest those black rags of his should proclaim aloud whence he had come. He was seated in the middle of the bench, by the side of some wandering vagabonds who had settled themselves there while waiting for the sunrise. The neighbourhood of the markets is a favourite spot with vagrants in the small hours of the morning. However, two constables, still in night uniform, with cloaks and _kepis_, paced up and down the footway side by side, their hands resting behind their backs; and every time they pa.s.sed the bench they glanced at the game which they scented there. Florent felt sure that they recognised him, and were consulting together about arresting him. At this thought his anguish of mind became extreme. He felt a wild desire to get up and run away; but he did not dare to do so, and was quite at a loss as to how he might take himself off. The repeated glances of the constables, their cold, deliberate scrutiny caused him the keenest torture. At length he rose from the bench, making a great effort to restrain himself from rushing off as quickly as his long legs could carry him; and succeeded in walking quietly away, though his shoulders quivered in the fear he felt of suddenly feeling the rough hands of the constables clutching at his collar from behind.