The Faculty Club Part 23

"Chance for what?"

His mouth felt wet. Pink froth appeared at the corners.

". . . not . . . dying . . ."

His whole body started to shake. His lips were turning blue. His eyes were fading. They were distant, blind. I was losing him.

"Please, Arthur, I need your help."

He made wild, incoherent noises. His eyes rolled back in his head.

"Please. Tell me something. Anything."

His life was spilling out all over me. The desk was rapidly turning dark red in an expanding pool. I needed his help. Now.

"Arthur say, something."

Just hissing; twitching muscles.

I had a vivid memory. In the hallway. The day Bernini fired me. Peabody said something about a joke. Bernini was furious.

--Why don't you tell him the joke?

--Enough. Remember your deal.

That meant something to him. Something important.

"Arthur, listen to me. What was the joke? The one Bernini didn't want me to hear?" I shook him hard. "The joke, Arthur."

For a split second, his eyes seemed to focus. The memory pulled him back.

"The joke . . ." he whispered.

"Yes. YES. The joke. Tell me."

He started moaning. His eyes rolled back up--all I could see was white, the tiny delicate veins.

"What's the joke?" I shouted, cupping his face and pushing my nose into his.

He was moving his lips, just the last echoes of a memory. Mindless. Gone.

I pushed my ear right against his foaming mouth.

". . . if . . . you . . . want to . . . know . . . about the V and D . . ."

"YES? YES?".

". . . look . . . at . . . it . . . with . . . four . . . eyes . . ."

And then his stare went blank, and the gurgling stopped.

Arthur Peabody was dead.

I couldn't stop shaking. A man had just died right in front me. Someone who'd risked his life to help me. Whatever they were up to, Humpty had found the courage--at the very end of his life, in his own crazy way--to turn on them.

Except that now he was facedown in a pool of blood on his desk, and I didn't know anything--except a stupid childish riddle with no answer. What now?

I rendezvoused with Miles at a seedy motel on the outskirts of town, the one families never used on Parents Weekend. Miles had paid in cash and used a fake ID from the bowels of his wallet, a vestige from his college days. Lenny Wurzengord, it said. Miles had been so proud of it back then. He even wrote me a letter explaining his genius: no one would ever suspect it was a fake ID, because no one on earth would choose to be called Lenny Wurzengord.

I knocked on the door to room 18 and prayed Sarah would be in there. Seeing Humpty Dumpty had pulled back the last curtain between myself and death, which frankly had never seemed that scary to a young guy who lived in his parents' bas.e.m.e.nt. But now it wasn't a concept anymore. It was red and sticky and all over my hands. One more night sleeping in the Dead Man's room and I would've been the one gurgling and grabbing my throat.

Sarah was there, sitting at a small table, next to a stack of papers--Miles's first attempt at writing everything down for our protection. For a second she looked relieved to see me, like I was there to tell her it was all a joke. Then her eyes went wide. She stared at my arms, which were spattered with Humpty Dumpty's blood. She ran to me and turned my hands over and over, looking for a wound to fix. She asked me what was going on. I tried to explain, but everything came out jumbled. I kept apologizing. More than once she said, "But I don't know anything about this."

"I know, but we spent the last twelve hours together. We went out of town together. See how it looks? To them?" She shook her head again. "I'm sorry," I said, again and again.

"Listen to me," Miles said. His voice was sharp and it popped the bubble Sarah and I were in. "We don't have time for this."

I looked around the room.

"Where's Chance?" I asked.

Miles shook his head. "I don't know. His roommates haven't seen him."

That hung in the air for a moment.

A phrase popped into my head: no way out.

"Miles, they killed Peabody. I didn't get what we needed."

"Okay, focus," Miles said. "Think. What do we know? What do we a.s.sume?"

The words were magical--this was just a trial, a case we could break apart and a.n.a.lyze. For a moment, the image of Professor Peabody coughing up blood was gone.

I tried to lay it out, like a courtroom time line.

"We know there's a club. We know Bernini is in it. We a.s.sume Nigel, Daphne, and John have just been initiated. We know Humpty Dumpty"--Who? Sarah blurted--"was involved somehow, but he turned on them, and they killed him."

"Good," Miles said. "We know they're obsessed with immortality. We know they studied failed quests for it: Bimini, the alchemists, etcetera . . . What else?"

"We know Peabody wanted me to see that obituary. We know it had a picture of a man who supposedly knew the exact day he was going to die. We know I met that man at a V and D event. Let's suppose, then, that his death was merely a cover. He was old, and it had to appear like he died. But he wouldn't, really . . . He would keep on living, hidden somewhere . . ."

"So," Miles said, "we a.s.sume that they found a way, where so many others failed . . ."

"But how," I said. "Every quest they studied was a dead end . . ."

Miles nodded. "If we knew what they're doing, maybe we'd have some idea how to stop it . . ."

He was pacing around the room, rubbing his hands through his hair.

"What are the loose threads? We know what you saw in the tunnels--some kind of ritual--but we don't understand it. Nigel was there . . . and Bernini . . . and now we have this riddle . . . what was it?"

"If you want to know about the V and D, look at it with four eyes."

"Right. Right. What does that mean?"

"I have no idea."

"Four eyes. Four eyes."

"Gla.s.ses," Sarah offered. It was the first thing she'd said in a while. We both looked at her. "You know, four-eyes. That's what kids call someone with gla.s.ses."

"I don't know," Miles said.

Sarah shrugged. Then her eyes lit up.

"Maybe it's an optical illusion. You need some kind of special gla.s.ses to see it."

"Um, okay . . ." Miles said. "But see what? We don't have anything to look at with 'special gla.s.ses.'" He p.r.o.nounced "special gla.s.ses" with a healthy dose of sarcasm.

"How should I know?" Sarah shot back. "Maybe Jeremy knows. Did you see any kind of object or writing in that room? Something that might have an image in it, if you looked at it the right way? Through a prism or a special lens or something?"

"I'm not sure," I said. "It was dark."

I thought about it.

"Maybe four eyes means two people . . . Maybe it takes two sets of eyes to see it right . . ."

"See what right?" Miles said, throwing up his hands. "There is no it!"

"Maybe it's the letters themselves," Sarah said. "V and D. What if you look at them with two sets of eyes, one from the front and one from the back?"

Miles shook his head, annoyed.

"What's V and D backward?" Sarah asked.

She took the yellow pad from the table and wrote V&D on it. She tore off the page and held it up to the light.

V&D.

Miles squinted at it.

"That's it!" he cried.

We both looked at him. He shrugged. "Just kidding."

Sarah flipped him the bird.

"I think we might be on the wrong track," I said. " We're approaching this like scientists . . . visual tricks and all that. These are lawyers. They're logicians. Linguists. I think we're looking for a verbal puzzle."

"Okay," Miles said, rubbing his hands together. "Now we're getting somewhere."

I smiled at Sarah. She rolled her eyes.

"Maybe," I said slowly, "it's a pun. Not four eyes, four i's. The letter I."

"Ah," Miles said, pulling the pad toward him. "That gives us six letters to play with."

"Six?"

"V, d, and four i's," Miles replied, writing them out on the pad.

Viiiid "It's all so clear now," Sarah said.

"What can we spell with that?"

Miles started playing.

Vidi, he wrote.

"Latin," he said, "for 'I see.'"

"Not bad. But see what? Only two i's left over."

"Yeah," Miles said, tapping the pen on his mouth. "Not good."

He began writing below: Iv. Ivid. Divi.

"Come on. Look for words," he said.

"What about id?"

"In Latin: this, him, her, or it."

"That's helpful," I admitted.

"Maybe it's id in English," Sarah said. "The Freudian subconscious."

"Okay," I said. "But id what?"

Miles started writing.

Id vii. Id ivi.

He shook his head. "We don't have enough letters to spell anything useful."

"Maybe they're not letters," Sarah said.

We both looked at her. I slapped my forehead. "V, I, and D . . ."