The Essential Ellison Part 44

"Yes, they killed themselves," I answered wearily, staring at the flaming, burning sky from the Observatory catwalk. It always seemed to be night now. Always night-with light.

"But why? Why would they do it?"

I spoke to hear my thoughts. For I knew what was coming. "Because of what the creature said."

"What it said?"

"What it told us, and what it did not tell us."

"It spoke to you?"

"To some of us. To Leus and the nine and others. I heard it."

"But why didn't I hear it? I was right there!"

I shrugged. He had not heard, that was all.

"Well, what did it say? Tell me," he demanded.

I turned to him, and looked at him. Would it affect him? No, I rather thought not. And that was good. Good for him, and good for others like him. For without them, Man would cease to exist. I told him.

"The lemmings," I said. "You know the lemmings. For no reason, for some deep instinctual surging, they follow each other, and periodically throw themselves off the cliffs. They follow one another down to destruction. A racial trait. It was that way with the creature and his people. They came across the mega-galaxies to kill themselves here. To commit ma.s.s suicide in our solar system. To burn up in the atmosphere of Mars and Mercury and Venus and Earth, and to die, that's all. Just to die."

His face was stunned. I could see he comprehended that. But what did it matter? That was not what had made Leus and the nine kill themselves, that was not what filled me with such a feeling of frustration. The drive of one race was not the drive of another.

"But-but-I don't underst-"

I cut him off.

"That was what Ithk said."

"But why did they come here to die?" he asked, confused. "Why here and not some other solar system or galaxy?"

That was what Ithk had said. That was what we had wondered in our minds-d.a.m.n us for asking-and in its simple way, Ithk had answered.

"Because, " I explained slowly, softly, "this is the end of the Universe."

His face did not register comprehension. I could see it was a concept he could not grasp. That the solar system, Earth's system, the backyard of Earth to be precise, was the end of the Universe. Like the fiat world over which Columbus would have sailed, into nothingness. This was the end of it all. Out there, in the other direction, lay a known Universe, with an end to it...but they-Ithk's people-ruled it. It was theirs, and would always be theirs. For they had racial memory burnt into each embryo child born to their race, so they would never stagnate. After every lemming race, a new generation was born, that would live for thousands of years, and advance. They would go on till they came here to flame out in our atmosphere. But they would rule what they had while they had it.

So to us, to the driving, unquenchably curious, seeking and roaming Earthman, whose life was tied up with wanting to know, needing to know, there was nothing left. Ashes. The dust of our own system. And after that, nothing.

We were at a dead end. There could be no wandering among the stars. It was not that we couldn't go. We could. But we would be tolerated. It was their Universe, and this, our Earth, was the dead end.

Ithk had not known what it was doing when it said that to us. It had meant no evil, but it had doomed some of us. Those of us who dreamed. Those of us who wanted more than what Portales wanted. I turned away from him and looked up. The sky was burning. I held very tightly to the bottle of sleeping tablets in my pocket. So much light up there.

The Prowler in the City at the Edge of the World First there was the city, never night. Tin and reflective, walls of antiseptic metal like an immense autoclave. Pure and dust-free, so silent that even the whirling innards of its heart and mind were sheathed from notice. The city was self-contained, and footfalls echoed up and around-flat slapped notes of an exotic leather-footed instrument. Sounds that reverberated back to the maker like yodels thrown out across mountain valleys. Sounds made by humbled inhabitants whose lives were as ordered, as sanitary, as metallic as the city they had caused to hold them bosom-tight against the years. The city was a complex artery, the people were the blood that flowed icily through the artery. They were a gestalt with one another, forming a unified whole. It was a city shining in permanence, eternal in concept, flinging itself up in a formed and molded statement of exaltation; most modern of all modern structures, conceived as the pluperfect residence for the perfect people. The final end-result of all sociological blueprints aimed at Utopia. Living s.p.a.ce, it had been called, and so, doomed to live they were, in that Erewhon of graphed respectability and cleanliness.

Never night.

Never shadowed.

...a shadow.

A blot moving against the aluminum cleanliness. The movement of rags and bits of clinging earth from graves sealed ages before. A shape.

He touched a gunmetal-gray wall in pa.s.sing: the imprint of dusty fingers. A twisted shadow moving through antiseptically pure streets, and they become-with his pa.s.sing-black alleys from another time.

Vaguely, he knew what had happened. Not specifically, not with particulars, but he was strong, and he was able to get away without the eggsh.e.l.l-thin walls of his mind caving in. There was no place in this shining structure to secrete himself, a place to think, but he had to have time. He slowed his walk, seeing no one. Somehow-inexplicably-he felt...safe? Yes, safe. For the first time in a very long time.

A few minutes before he had been standing in the narrow pa.s.sageway outside No.13 Miller's Court. It had been 6: 15 in the morning. London had been quiet as he paused in the pa.s.sageway of M'Carthy's Rents, in that fetid, urine-redolent corridor where the wh.o.r.es of Spitalfields took their clients. A few minutes before, the foetus in its bath of formaldehyde tightly-stoppered in a gla.s.s bottle inside his Gladstone bag, he had paused to drink in the thick fog, before taking the circuitous route back to Toynbee Hall. That had been a few minutes before. Then, suddenly, he was in another place and it was no longer 6:15 of a chill November morning in 1888.

He had looked up as light flooded him in that other place. It had been soot silent in Spitalfields, but suddenly, without any sense of having moved or having been moved, he was flooded with light. And when he looked up he was in that other place. Paused now, only a few minutes after the transfer, he leaned against the bright wall of the city, and recalled the light. From a thousand mirrors. In the walls, in the ceiling. A bedroom with a girl in it. A lovely girl. Not like Black Mary Kelly or Dark Annie Chapman or Kate Eddowes or any of the other pathetic sc.u.m he had been forced to attend...

A lovely girl. Blonde, wholesome, until she had opened her robe and turned into the same sort of s.l.u.t he had been compelled to use in his work in Whitechapel...

A sybarite, a creature of pleasures, a Juliette she had said, before he used the big-bladed knife on her. He had found the knife under the pillow, on the bed to which she had led him-how shameful, unresisting had he been, all confused, clutching his black bag with all the tremors of a child, he who had been moved through the London night like oil, moved where he wished, accomplished his ends unchecked eight times, now led toward sin by another, merely another of the tarts, taking advantage of him while he tried to distinguish what had happened to him and where he was, how shameful-and he had used it on her.

That had only been minutes before, though he had worked very efficiently on her.

The knife had been rather unusual. The blade had seemed to be two wafer-thin sheets of metal with a pulsing, glowing something between. A kind of sparking, such as might be produced by a Van de Graaf generator. But that was patently ridiculous. It had no wires attached to it, no bus bars, nothing to produce even the crudest electrical discharge. He had thrust the knife into the Gladstone bag, where now it lay beside the scalpels and the spool of catgut and the racked vials in their leather cases, and the foetus in its bottle. Mary Jane Kelly's foetus.

He had worked efficiently, but swiftly, and had laid her out almost exactly in the same fashion as Kate Eddowes: the throat slashed completely through from ear-to-ear, the torso laid open down between the b.r.e.a.s.t.s to the v.a.g.i.n.a, the intestines pulled out and draped over the right shoulder, a piece of the intestines being detached and placed between the left arm and the body. The liver had been punctured with the point of the knife, with a vertical cut slitting the left lobe of the liver. (He had been surprised to find the liver showed none of the signs of cirrhosis so prevalent in these Spitalfields tarts, who drank incessantly to rid themselves of the burden of living the dreary lives they moved through grotesquely. In fact, this one seemed totally unlike the others, even if she had been more brazen in her s.e.xual overtures. And that knife under the bed pillow...) He had severed the vena cava leading to the heart. Then he had gone to work on the face.

He had thought of removing the left kidney again, as he had Kate Eddowes'. He smiled to himself as he conjured up the expression that must have been on the face of Mr. George Lusk, chairman of the Whitechapel Vigilance Committee, when he received the cardboard box in the mail. The box containing Miss Eddowes' kidney, and the letter, impiously misspelled: From h.e.l.l, Mr. Lusk, sir, I send you half the kidne I took from one woman, prasarved it for you, tother piece I fried and ate it; was very nice. I may send you the b.l.o.o.d.y knif that took it out if you only wate while longer. Catch me when you can, Mr. Lusk.

He had wanted to sign that one "Yours Truly, Jack the Ripper" or even Spring-Heeled Jack or maybe Leather Ap.r.o.n, whichever had tickled his fancy, but a sense of style had stopped him. To go too far was to defeat his own purposes. It may even have been too much to suggest to Mr. Lusk that he had eaten the kidney. How hideous. True, he had smelled it...

This blonde girl, this Juliette with the knife under her pillow. She was the ninth. He leaned against the smooth steel wall without break or seam, and he rubbed his eyes. When would he be able to stop? When would they realize, when would they get his message, a message so clear, written in blood, that only the blindness of their own cupidity forced them to misunderstand! Would he be compelled to decimate the endless regiments of Spitalfields s.l.u.ts to make them understood? Would he be forced to run the cobbles ankle-deep in black blood before they sensed what he was saying, and were impelled to make reforms?

But as he took his blood-soaked hands from his eyes, he realized what he must have sensed all along: he was no longer in Whitechapel. This was not Miller's Court, nor anywhere in Spitalfields. It might not even be London. But how could that be?

Had G.o.d taken him? Had he died, in a senseless instant between the anatomy lesson of Mary Jane Kelly (that filth, she had actually kissed him!) and the bedroom disembowelment of this Juliette? Had Heaven finally called him to his reward for the work he had done?

The Reverend Mr. Barnett would love to know about this. But then, he'd have loved to know about it all. But "Leather Ap.r.o.n" wasn't about to tell. Let the reforms come as the Reverend and his wife wished for them, and let them think their pamphleteering had done it, instead of the scalpels of Jack.

If he was dead, would his work be finished? He smiled to himself. If Heaven had taken him, then it must be that the work was finished. Successfully. But if that was so, then who was this Juliette who now lay spread out moist and cooling in the bedroom of a thousand mirrors? And in that instant he felt fear.

What if even G.o.d misinterpreted what he had done?

As the good folk of Queen Victoria's London had misinterpreted. As Sir Charles Warren had misinterpreted. What if G.o.d believed the superficial and ignored the real reason? But no! Ludicrous. If anyone would understand, it was the good G.o.d who had sent him the message that told him to set things a-right.

G.o.d loved him, as he loved G.o.d, and G.o.d would know.

But he felt fear, in that moment.

Because who was the girl he had just carved?

"She was my granddaughter, Juliette," said a voice immediately beside him.

His head refused to move, to turn that few inches to see who spoke. The Gladstone was beside him, resting on the smooth and reflective surface of the street. He could not get to a knife before he was taken. At last they had caught up with Jack. He began to shiver uncontrollably.

"No need to be afraid," the voice said. It was a warm and succoring voice. An older man. He shook as with an ague. But he turned to look. It was a kindly old man with a gentle smile. Who spoke again, without moving his lips. "No one can hurt you. How do you do?"

The man from 1888 sank slowly to his knees. "Forgive me, Dear G.o.d, I didn't know." The old man's laughter rose inside the head of the man on his knees. It rose like a beam of sunlight moving across a Whitechapel alleyway, from noon to one o'clock, rising and illuminating the gray bricks of soot-coated walls. It rose, and illuminated his mind.

"I'm not G.o.d. Marvelous idea, but no, I'm not G.o.d. Would you like to meet G.o.d? I'm sure we can find one of the artists who would mold one for you. Is it important? No, I can see it isn't. What a strange mind you have. You neither believe nor doubt. How can you contain both concepts at once...would you like me to straighten some of your brain-patterns? No. I see, you're afraid. Well, let it be for the nonce. We'll do it another time."

He grabbed the kneeling man and drew him erect.

"You're covered with blood. Have to get you cleaned up. There's an ablute near here. Incidentally, I was very impressed with the way you handled Juliette. You're the first, you know. No, how could you know? In any case, you are the first to deal her as good as she gave. You would have been amused at what she did to Caspar Hauser. Squeezed part of his brain and then sent him back, let him live out part of his life and then-the little twit-she made me bring him back a second time and used a knife on him. Same knife you took, I believe. Then sent him back to his own time. Marvelous mystery. In all the tapes on unsolved phenomena. But she was much sloppier than you. She had a great verve in her amus.e.m.e.nts, but very little eclat. Except with Judge Crater; there she was-" He paused, and laughed lightly. "I'm an old man and I ramble on like a muskrat. You want to get cleaned up and shown around, I know. And then we can talk.

"I just wanted you to know I was satisfied with the way you disposed of her. In a way, I'll miss the little twit. She was such a good f.u.c.k."

The old man picked up the Gladstone bag and, holding the man spattered with blood, he moved off down the clean and shimmering street. "You wanted her killed?" the man from 1888 asked, unbelieving.

The old man nodded, but his lips never moved. "Of course. Otherwise why bring her Jack the Ripper?"

Oh my dear G.o.d, he thought, I'm in h.e.l.l. And I'm entered as Jack.

"No, my boy, no no no. You're not in h.e.l.l at all. You're in the future. For you the future, for me the world of now. You came from 1888 and you're now in-" he stopped, silently speaking for an instant, as though computing apples in terms of dollars, then resumed "-3077. It's a fine world, tilled with happy times, and we're glad to have you with us. Come along now, and you'll wash. "

In the ablutatorium, the late Juliette's grandfather changed his head.

"I really despise it," he informed the man from 1888, grabbing fingerfuls of his cheeks and stretching the flabby skin like elastic. "But Juliette insisted. I was willing to humor her, if indeed that was what it took to get her to lie down. But what with toys from the past, and changing my head every time I wanted her to f.u.c.k me, it was trying; very trying."

He stepped into one of the many identically shaped booths set flush into the walls. The tambour door rolled down and there was a soft chukk sound, almost chitinous. The tambour door rolled up and the late Juliette's grandfather, now six years younger than the man from 1888, stepped out, stark naked and wearing a new head. "The body is fine, replaced last year," he said, examining the genitals and a mole on his right shoulder. The man from 1888 looked away. This was h.e.l.l and G.o.d hated him.

"Well, don't just stand there. Jack." Juliette's grandfather smiled. "Hit one of those booths and get your ablutions."

"That isn't my name," said the man from 1888 very softly, as though he had been whipped.

"It'll do, it'll do...now go get washed."

Jack approached one of the booths. It was a light green in color, but changed to mauve as he stopped in front of it. "Will it-"

"It will only clean you, what are you afraid of?"

"I don't want to be changed."

Juliette's grandfather did not laugh. "That's a mistake," he said cryptically. He made a peremptory motion with his hand and the man from 1888 entered the booth, which promptly revolved in its niche, sank into the floor and made a hearty zeeeezzzz sound. When it rose and revolved and opened, Jack stumbled out, looking terribly confused. His long sideburns had been neatly trimmed, his beard stubble had been removed, his hair was three shades lighter and was now parted on the left side, rather than in the middle. He still wore the same long dark coat trimmed with astrakhan, dark suit with white collar and black necktie (in which was fastened a horseshoe stickpin) but now the garments seemed new, unsoiled of course, possibly synthetics built to look like his former garments.

"Now!" Juliette's grandfather said. "Isn't that much better? A good cleansing always sets one's mind to rights." And he stepped into another booth from which he issued in a moment wearing a soft paper jumper that fitted from neck to feet without a break. He moved toward the door.

"Where are we going?" the man from 1888 asked the younger grandfather beside him. "I want you to meet someone," said Juliette's grandfather, and Jack realized that he was moving his lips now. He decided not to comment on it. There had to be a reason.

"I'll walk you there, if you promise not to make gurgling sounds at the city. It's a nice city, but I live here, and frankly, tourism is boring." Jack did not reply. Grandfather took it for acceptance of the terms.

They walked. Jack became overpowered by the sheer weight of the city. It was obviously extensive, ma.s.sive, and terribly clean. It was his dream for Whitechapel come true. He asked about slums, about doss houses. The grandfather shook his head. "Long gone."

So it had come to pa.s.s. The reforms for which he pledged his immortal soul, they had come to pa.s.s. He swung the Gladstone and walked jauntily. But after a few minutes his pace sagged once more: there was no one to be seen in the streets.

Just shining clean buildings and streets that ran off in aimless directions and came to unexpected stops as though the builders had decided people might vanish at one point and reappear someplace else, so why bother making a road from one point to the other.

The ground was metal, the sky seemed metallic, the buildings loomed on all sides, featureless explorations of planed s.p.a.ce by insensitive metal. The man from 1888 felt terribly alone, as though every act he had performed had led inevitably to his alienation from the very people he had sought to aid.

When he had come to Toynbee Hall, and the Reverend Mr. Barnett had opened his eyes to the slum horrors of Spitalfields, he had vowed to help in any way he could. It had seemed as simple as faith in the Lord what to do, after a few months in the sinkholes of Whitechapel. The s.l.u.ts, of what use were they? No more use than the disease germs that had infected these very same wh.o.r.es. So he had set forth as Jack, to perform the will of G.o.d and raise the poor dregs who inhabited the East End of London. That Lord Warren, the Metropolitan Police Commissioner, and his Queen, and all the rest thought him a mad doctor, or an amok butcher, or a beast in human form did not distress him. He knew he would remain anonymous through all time, but that the good works he had set in motion would proceed to their wonderful conclusion.

The destruction of the most hideous slum area the country had ever known, and the opening of Victorian eyes. But all the time had pa.s.sed, and now he was here, in a world where slums apparently did not exist, a sterile Utopia that was the personification of the Reverend Mr. Barnett's dreams-but it didn't seem...right.

This grandfather, with his young head.

Silence in the empty streets.

The girl, Juliette, and her strange hobby.

The lack of concern at her death.

The grandfather's expectation that he, Jack, would kill her. And now his friendliness.

Where were they going?

[Around them, the City. As they walked, the grandfather paid no attention, and Jack watched but did not understand. But this was what they saw as they walked: [Thirteen hundred beams of light, one foot wide and seven molecules thick, erupted from almost-invisible slits in the metal streets, fanned out and washed the surfaces of the buildings; they altered hue to a vague blue and washed down the surfaces of the buildings; they bent and covered all open surfaces, bent at right angles, then bent again, and again, like origami paper figures; they altered hue a second time, soft gold, and penetrated the surfaces of the buildings, expanding and contracting in solid waves, washing the inner surfaces; they withdrew rapidly into the sidewalks; the entire process had taken twelve seconds.

[Night fell over a sixteen block area of the City. It descended in a solid pillar and was quite sharp-edged, ending at the street corners. From within the area of darkness came the distinct sounds of crickets, marsh frogs belching, night birds, soft breezes in trees, and faint music of unidentifiable instruments.

[Panes of frosted light appeared suspended freely in the air, overhead. A wavery insubstantial quality began to a.s.sault the topmost levels of a great structure directly in front of the light-panes. As the panes moved slowly down through the air, the building became indistinct, turned into motes of light, and floated upward. As the panes reached the pavement, the building had been completely dematerialized. The panes shifted color to a deep orange, and began moving upward again. As they moved, a new structure began to form where the previous building had stood, drawing-it seemed-motes of light from the air and forming them into a cohesive whole that became, as the panes ceased their upward movement, a new building. The light-panes winked out of existence.

[The sound of a b.u.mblebee was heard for several seconds. Then it ceased.

[A crowd of people in rubber garments hurried out of a gray pulsing hole in the air, patted the pavement at their feet, then rushed off around a corner, from where emanated the sound of prolonged coughing. Then silence returned.

[A drop of water, thick as quicksilver, plummeted to the pavement, struck, bounded, rose several inches, then evaporated into a crimson smear in the shape of a whale's tooth, which settled to the pavement and lay still.

[Two blocks of buildings sank into the pavement and the metal covering was smooth and unbroken, save for a metal tree whose trunk was silver and slim, topped by a ball of foliage constructed of golden fibers that radiated brightly in a perfect circle. There was no sound.

[The late Juliette's grandfather and the man from 1888 continued walking.]

"Where are we going?"

"To van Cleef's. We don't usually walk; oh, sometimes; but it isn't as much pleasure as it used to be. I'm doing this primarily for you. Are you enjoying yourself?"

"It's...unusual."

"Not much like Spitalfields, is it? But I rather like it back there, at that time. I have the only Traveler, did you know? The only one ever made. Juliette's father constructed it, my son. I had to kill him to get it. He was thoroughly unreasonable about it, really. It was a casual thing for him. He was the last of the tinkerers, and "he might just as easily have given it to me. But I suppose he was being cranky. That was why I had you carve up my granddaughter. She would have gotten around to me almost any time now. Bored, just silly bored is what she was-".

The gardenia took shape in the air in front of them, and turned into the face of a woman with long white hair. "Hernon, we can't wait much longer!" She was annoyed.