The Essays of Arthur Schopenhauer; Counsels and Maxims Part 1

Counsels and Maxims.

by Arthur Schopenhauer.

INTRODUCTION.

If my object in these pages were to present a complete scheme of counsels and maxims for the guidance of life, I should have to repeat the numerous rules--some of them excellent--which have been drawn up by thinkers of all ages, from Theognis and Solomon[1] down to La Rochefoucauld; and, in so doing, I should inevitably entail upon the reader a vast amount of well-worn commonplace. But the fact is that in this work I make still less claim to exhaust my subject than in any other of my writings.

[Footnote 1: I refer to the proverbs and maxims ascribed, in the Old Testament, to the king of that name.]

An author who makes no claims to completeness must also, in a great measure, abandon any attempt at systematic arrangement. For his double loss in this respect, the reader may console himself by reflecting that a complete and systematic treatment of such a subject as the guidance of life could hardly fail to be a very wearisome business.

I have simply put down those of my thoughts which appear to be worth communicating--thoughts which, as far as I know, have not been uttered, or, at any rate, not just in the same form, by any one else; so that my remarks may be taken as a supplement to what has been already achieved in the immense field.

However, by way of introducing some sort of order into the great variety of matters upon which advice will be given in the following pages, I shall distribute what I have to say under the following heads: (1) general rules; (2) our relation to ourselves; (3) our relation to others; and finally, (4) rules which concern our manner of life and our worldly circ.u.mstances. I shall conclude with some remarks on the changes which the various periods of life produce in us.

CHAPTER I.

GENERAL RULES.--SECTION 1.

The first and foremost rule for the wise conduct of life seems to me to be contained in a view to which Aristotle parenthetically refers in the _Nichomachean Ethics_:[1] [Greek: o phronimoz to alupon dioke e ou to aedu] or, as it may be rendered, _not pleasure, but freedom from pain, is what the wise man will aim at_.

[Footnote 1: vii. (12) 12.]

The truth of this remark turns upon the negative character of happiness,--the fact that pleasure is only the negation of pain, and that pain is the positive element in life. Though I have given a detailed proof of this proposition in my chief work,[1] I may supply one more ill.u.s.tration of it here, drawn from a circ.u.mstance of daily occurrence. Suppose that, with the exception of some sore or painful spot, we are physically in a sound and healthy condition: the sore of this one spot, will completely absorb our attention, causing us to lose the sense of general well-being, and destroying all our comfort in life. In the same way, when all our affairs but one turn out as we wish, the single instance in which our aims are frustrated is a constant trouble to us, even though it be something quite trivial. We think a great deal about it, and very little about those other and more important matters in which we have been successful. In both these cases what has met with resistance is _the will_; in the one case, as it is objectified in the organism, in the other, as it presents itself in the struggle of life; and in both, it is plain that the satisfaction of the will consists in nothing else than that it meets with no resistance. It is, therefore, a satisfaction which is not directly felt; at most, we can become conscious of it only when we reflect upon our condition. But that which checks or arrests the will is something positive; it proclaims its own presence. All pleasure consists in merely removing this check--in other words, in freeing us from its action; and hence pleasure is a state which can never last very long.

[Footnote 1: _Welt als Wille und Vorstellung_. Vol. I., p. 58.]

This is the true basis of the above excellent rule quoted from Aristotle, which bids us direct our aim, not toward securing what is pleasurable and agreeable in life, but toward avoiding, as far as possible, its innumerable evils. If this were not the right course to take, that saying of Voltaire's, _Happiness is but a dream and sorrow is real_, would be as false as it is, in fact, true. A man who desires to make up the book of his life and determine where the balance of happiness lies, must put down in his accounts, not the pleasures which he has enjoyed, but the evils which he has escaped. That is the true method of eudaemonology; for all eudaemonology must begin by recognizing that its very name is a euphemism, and that _to live happily_ only means _to live less unhappily_--to live a tolerable life. There is no doubt that life is given us, not to be enjoyed, but to be overcome--to be got over. There are numerous expressions ill.u.s.trating this--such as _degere vitam, vita defungi_; or in Italian, _si scampa cosi_; or in German, _man muss suchen durchzukommen; er wird schon durch die Welt kommen_, and so on. In old age it is indeed a consolation to think that the work of life is over and done with. The happiest lot is not to have experienced the keenest delights or the greatest pleasures, but to have brought life to a close without any very great pain, bodily or mental. To measure the happiness of a life by its delights or pleasures, is to apply a false standard. For pleasures are and remain something negative; that they produce happiness is a delusion, cherished by envy to its own punishment. Pain is felt to be something positive, and hence its absence is the true standard of happiness. And if, over and above freedom from pain, there is also an absence of boredom, the essential conditions of earthly happiness are attained; for all else is chimerical.

It follows from this that a man should never try to purchase pleasure at the cost of pain, or even at the risk of incurring it; to do so is to pay what is positive and real, for what is negative and illusory; while there is a net profit in sacrificing pleasure for the sake of avoiding pain. In either case it is a matter of indifference whether the pain follows the pleasure or precedes it. While it is a complete inversion of the natural order to try and turn this scene of misery into a garden of pleasure, to aim at joy and pleasure rather than at the greatest possible freedom from pain--and yet how many do it!--there is some wisdom in taking a gloomy view, in looking upon the world as a kind of h.e.l.l, and in confining one's efforts to securing a little room that shall not be exposed to the fire. The fool rushes after the pleasures of life and finds himself their dupe; the wise man avoids its evils; and even if, notwithstanding his precautions, he falls into misfortunes, that is the fault of fate, not of his own folly. As far as he is successful in his endeavors, he cannot be said to have lived a life of illusion; for the evils which he shuns are very real. Even if he goes too far out of his way to avoid evils, and makes an unnecessary sacrifice of pleasure, he is, in reality, not the worse off for that; for all pleasures are chimerical, and to mourn for having lost any of them is a frivolous, and even ridiculous proceeding.

The failure to recognize this truth--a failure promoted by optimistic ideas--is the source of much unhappiness. In moments free from pain, our restless wishes present, as it were in a mirror, the image of a happiness that has no counterpart in reality, seducing us to follow it; in doing so we bring pain upon ourselves, and that is something undeniably real. Afterwards, we come to look with regret upon that lost state of painlessness; it is a paradise which we have gambled away; it is no longer with us, and we long in vain to undo what has been done.

One might well fancy that these visions of wishes fulfilled were the work of some evil spirit, conjured up in order to entice us away from that painless state which forms our highest happiness.

A careless youth may think that the world is meant to be enjoyed, as though it were the abode of some real or positive happiness, which only those fail to attain who are not clever enough to overcome the difficulties that lie in the way. This false notion takes a stronger hold on him when he comes to read poetry and romance, and to be deceived by outward show--the hypocrisy that characterizes the world from beginning to end; on which I shall have something to say presently. The result is that his life is the more or less deliberate pursuit of positive happiness; and happiness he takes to be equivalent to a series of definite pleasures. In seeking for these pleasures he encounters danger--a fact which should not be forgotten. He hunts for game that does not exist; and so he ends by suffering some very real and positive misfortune--pain, distress, sickness, loss, care, poverty, shame, and all the thousand ills of life. Too late he discovers the trick that has been played upon him.

But if the rule I have mentioned is observed, and a plan of life is adopted which proceeds by avoiding pain--in other words, by taking measures of precaution against want, sickness, and distress in all its forms, the aim is a real one, and something may be achieved which will be great in proportion as the plan is not disturbed by striving after the chimera of positive happiness. This agrees with the opinion expressed by Goethe in the _Elective Affinities_, and there put into the mouth of Mittler--the man who is always trying to make other people happy: _To desire to get rid of an evil is a definite object, but to desire a better fortune than one has is blind folly_. The same truth is contained in that fine French proverb: _le mieux est l'ennemi du bien_--leave well alone. And, as I have remarked in my chief work,[1] this is the leading thought underlying the philosophical system of the Cynics. For what was it led the Cynics to repudiate pleasure in every form, if it was not the fact that pain is, in a greater or less degree, always bound up with pleasure? To go out of the way of pain seemed to them so much easier than to secure pleasure.

Deeply impressed as they were by the negative nature of pleasure and the positive nature of pain, they consistently devoted all their efforts to the avoidance of pain. The first step to that end was, in their opinion, a complete and deliberate repudiation of pleasure, as something which served only to entrap the victim in order that he might be delivered over to pain.

[Footnote 1: _Welt als Wille und Vorstellung_, vol. ii., ch. 16.]

We are all born, as Schiller says, in Arcadia. In other words, we come into the world full of claims to happiness and pleasure, and we cherish the fond hope of making them good. But, as a rule, Fate soon teaches us, in a rough and ready way that we really possess nothing at all, but that everything in the world is at its command, in virtue of an una.s.sailable right, not only to all we have or acquire, to wife or child, but even to our very limbs, our arms, legs, _eyes_ and ears, nay, even to the nose in the middle of our face. And in any case, after some little time, we learn by experience that happiness and pleasure are a _fata morgana_, which, visible from afar, vanish as we approach; that, on the other hand, suffering and pain are a reality, which makes its presence felt without any intermediary, and for its effect, stands in no need of illusion or the play of false hope.

If the teaching of experience bears fruit in us, we soon give up the pursuit of pleasure and happiness, and think much more about making ourselves secure against the attacks of pain and suffering. We see that the best the world has to offer is an existence free from pain--a quiet, tolerable life; and we confine our claims to this, as to something we can more surely hope to achieve. For the safest way of not being very miserable is not to expect to be very happy. Merck, the friend of Goethe's youth, was conscious of this truth when he wrote: _It is the wretched way people have of setting up a claim to happiness_--_and, that to, in a measure corresponding with their desires_--_that ruins everything in this world. A man will make progress if he can get rid of this claim,[1] and desire nothing but what he sees before him_. Accordingly it is advisable to put very moderate limits upon our expectations of pleasure, possessions, rank, honor and so on; because it is just this striving and struggling to be happy, to dazzle the world, to lead a life full of pleasure, which entail great misfortune. It is prudent and wise, I say, to reduce one's claims, if only for the reason that it is extremely easy to be very unhappy; while to be very happy is not indeed difficult, but quite impossible. With justice sings the poet of life's wisdom:

_Auream quisquis mediocritatem Diligit, tutus caret obsoleti Sordibus tecti, caret invidenda Sobrius aula.

Savius ventis agitatur ingens Pinus: et celsae graviori casu Decidunt turres; feriuntque summos Fulgura monies.[2]_

--the golden mean is best--to live free from the squalor of a mean abode, and yet not be a mark for envy. It is the tall pine which is cruelly shaken by the wind, the highest summits that are struck in the storm, and the lofty towers that fall so heavily.

[Footnote 1: Letters to and from Merck.]

[Footnote 2: Horace. Odes II. x.]

He who has taken to heart the teaching of my philosophy--who knows, therefore, that our whole existence is something which had better not have been, and that to disown and disclaim it is the highest wisdom--he will have no great expectations from anything or any condition in life: he will spend pa.s.sion upon nothing in the world, nor lament over-much if he fails in any of his undertakings. He will feel the deep truth of what Plato[1] says: [Greek: oute ti ton anthropinon haxion on megalaes spondaes]--nothing in human affairs is worth any great anxiety; or, as the Persian poet has it,

_Though from thy grasp all worldly things should flee, Grieve not for them, for they are nothing worth: And though a world in thy possession be, Joy not, for worthless are the things of earth.

Since to that better world 'tis given to thee To pa.s.s, speed on, for this is nothing worth._[2]

[Footnote 1: _Republic_, x. 604.]

[Footnote 2: _Translator's Note_. From the Anvar-i Suhaili--_The Lights of Canopus_--being the Persian version of the _Table of Bidpai_. Translated by E.B. Eastwick, ch. iii. Story vi., p. 289.]

The chief obstacle to our arriving at these salutary views is that hypocrisy of the world to which I have already alluded--an hypocrisy which should be early revealed to the young. Most of the glories of the world are mere outward show, like the scenes on a stage: there is nothing real about them. Ships festooned and hung with pennants, firing of cannon, illuminations, beating of drums and blowing of trumpets, shouting and applauding--these are all the outward sign, the pretence and suggestion,--as it were the hieroglyphic,--of _joy_: but just there, joy is, as a rule, not to be found; it is the only guest who has declined to be present at the festival. Where this guest may really be found, he comes generally without invitation; he is not formerly announced, but slips in quietly by himself _sans facon_; often making his appearance under the most unimportant and trivial circ.u.mstances, and in the commonest company--anywhere, in short, but where the society is brilliant and distinguished. Joy is like the gold in the Australian mines--found only now and then, as it were, by the caprice of chance, and according to no rule or law; oftenest in very little grains, and very seldom in heaps. All that outward show which I have described, is only an attempt to make people believe that it is really joy which has come to the festival; and to produce this impression upon the spectators is, in fact, the whole object of it.

With _mourning_ it is just the same. That long funeral procession, moving up so slowly; how melancholy it looks! what an endless row of carriages! But look into them--they are all empty; the coachmen of the whole town are the sole escort the dead man has to his grave. Eloquent picture of the friendship and esteem of the world! This is the falsehood, the hollowness, the hypocrisy of human affairs!

Take another example--a roomful of guests in full dress, being received with great ceremony. You could almost believe that this is a n.o.ble and distinguished company; but, as a matter of fact, it is compulsion, pain and boredom who are the real guests. For where many are invited, it is a rabble--even if they all wear stars. Really good society is everywhere of necessity very small. In brilliant festivals and noisy entertainments, there is always, at bottom, a sense of emptiness prevalent. A false tone is there: such gatherings are in strange contrast with the misery and barrenness of our existence. The contrast brings the true condition into greater relief. Still, these gatherings are effective from the outside; and that is just their purpose. Chamfort[1] makes the excellent remark that _society_--_les cercles, les salons, ce qu'on appelle le monde_--is like a miserable play, or a bad opera, without any interest in itself, but supported for a time by mechanical aid, costumes and scenery.

[Footnote 1: _Translator's Note_. Nicholas "Chamfort" (1741-94), a French miscellaneous writer, whose brilliant conversation, power of sarcasm, and epigrammic force, coupled with an extraordinary career, render him one of the most interesting and remarkable men of his time. Schopenhauer undoubtedly owed much to this writer, to whom he constantly refers.]

And so, too, with academies and chairs of philosophy. You have a kind of sign-board hung out to show the apparent abode of _wisdom_: but wisdom is another guest who declines the invitation; she is to be found elsewhere. The chiming of bells, ecclesiastical millinery, att.i.tudes of devotion, insane antics--these are the pretence, the false show of _piety_. And so on. Everything in the world is like a hollow nut; there is little kernel anywhere, and when it does exist, it is still more rare to find it in the sh.e.l.l. You may look for it elsewhere, and find it, as a rule, only by chance.

SECTION 2. To estimate a man's condition in regard to happiness, it is necessary to ask, not what things please him, but what things trouble him; and the more trivial these things are in themselves, the happier the man will be. To be irritated by trifles, a man must be well off; for in misfortunes trifles are unfelt.

SECTION 3. Care should be taken not to build the happiness of life upon a _broad foundation_--not to require a great many things in order to be happy. For happiness on such a foundation is the most easily undermined; it offers many more opportunities for accidents; and accidents are always happening. The architecture of happiness follows a plan in this respect just the opposite of that adopted in every other case, where the broadest foundation offers the greatest security. Accordingly, to reduce your claims to the lowest possible degree, in comparison with your means,--of whatever kind these may be--is the surest way of avoiding extreme misfortune.

To make extensive preparations for life--no matter what form they may take--is one of the greatest and commonest of follies. Such preparations presuppose, in the first place, a long life, the full and complete term of years appointed to man--and how few reach it! and even if it be reached, it is still too short for all the plans that have been made; for to carry them out requites more time than was thought necessary at the beginning. And then how many mischances and obstacles stand in the way! how seldom the goal is ever reached in human affairs!

And lastly, even though the goal should be reached, the changes which Time works in us have been left out of the reckoning: we forget that the capacity whether for achievement or for enjoyment does not last a whole lifetime. So we often toil for things which are no longer suited to us when we attain them; and again, the years we spend in preparing for some work, unconsciously rob us of the power for carrying it out.

How often it happens that a man is unable to enjoy the wealth which he acquired at so much trouble and risk, and that the fruits of his labor are reserved for others; or that he is incapable of filling the position which he has won after so many years of toil and struggle.

Fortune has come too late for him; or, contrarily, he has come too late for fortune,--when, for instance, he wants to achieve great things, say, in art or literature: the popular taste has changed, it may be; a new generation has grown up, which takes no interest in his work; others have gone a shorter way and got the start of him. These are the facts of life which Horace must have had in view, when he lamented the uselessness of all advice:--

_quid eternis minorem Consiliis animum fatigas?_[1]

[Footnote 1: Odes II. xi.]

The cause of this commonest of all follies is that optical illusion of the mind from which everyone suffers, making life, at its beginning, seem of long duration; and at its end, when one looks back over the course of it, how short a time it seems! There is some advantage in the illusion; but for it, no great work would ever be done.

Our life is like a journey on which, as we advance, the landscape takes a different view from that which it presented at first, and changes again, as we come nearer. This is just what happens--especially with our wishes. We often find something else, nay, something better than what we are looking for; and what we look for, we often find on a very different path from that on which we began a vain search. Instead of finding, as we expected, pleasure, happiness, joy, we get experience, insight, knowledge--a real and permanent blessing, instead of a fleeting and illusory one.

This is the thought that runs through _Wilkelm Meister_, like the ba.s.s in a piece of music. In this work of Goethe's, we have a novel of the _intellectual_ kind, and, therefore, superior to all others, even to Sir Walter Scott's, which are, one and all, _ethical_; in other words, they treat of human nature only from the side of the will. So, too, in the _Zauberflote_--that grotesque, but still significant, and even hieroglyphic--the same thought is symbolized, but in great, coa.r.s.e lines, much in the way in which scenery is painted. Here the symbol would be complete if Tamino were in the end to be cured of his desire to possess Tainina, and received, in her stead, initiation into the mysteries of the Temple of Wisdom. It is quite right for Papageno, his necessary contrast, to succeed in getting his Papagena.