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The Empire Of Glass Part 1

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THE EMPIRE OF GLa.s.s.

by ANDY LANE.

PROLOGUE.

July 1587

One month.



Mary Harries gazed out across the sparkling blue ocean at the departing ship. From her position on the cliff she was looking down upon its deck - freshly scrubbed and glistening in the hot summer sunlight. Its sails were swollen with the breeze, and it listed slightly to one side as it began its long tack out of the harbour and its longer journey home. Gulls swooped low around its bows and, higher in the sky, the black squiggles of larger birds were wheeling and soaring. She couldn't tell what sort of birds they were, but there was a lot about New Albion that she couldn't recognize.

Turning her attention back to the ship, she could see sailors scurry across the rigging like spiders on a cobweb. One of them turned around and gazed back toward the coast, shielding his eyes with his hand. His chest was bare, and he wore a bandana around his head. Seeing her, he waved in big, sweeping gestures. She waved too, choking back a sob. It was Jim: even at that distance she recognised his sun-bleached hair, drawn back in a tarred pig-tail and bouncing against his back as his powerful arms moved. Those arms, which had pulled her close and held her, tight. Those arms, in whose embrace she had slept on many a night. Those powerful, tender arms.

One month.

She blinked, and the ship was blotted out by tears as if by a sudden squall. They spilled, hot and salty, down her cheeks and across her lips, and it was like tasting the salt on Jim's skin again as her mouth explored his body. A sudden sob made her shoulders convulse. Grief and loss twisted her stomach, and she hugged herself despite the heat that made her dress stick to her body, wishing that her arms were Jim's arms and her tears were his lips. But it would never be so again.

One month.

That's how long she and Jim had been given together. That was how long it had been since the ship docked and the colonists had emerged, blinking and unsteady, into the heavy heat and the ever-present humidity. The voyage from England had taken three months, and of the seven score and ten colonists who had started the journey, the inspirational words of Sir Walter Ralegh still ringing in their ears, almost two score were now held in the bosom of Jesus. The rest had followed Governor White onto the soil of New Albion. While he sketched the strange new plants and the strange, rust-skinned primitives, they had built their cabins and planted their crops. The sailors - who, on the ship, had laughed at them and called them 'puke-stockings' - watched at first, amused, but after a few days some had joined in, lending their expertise and their strength. Mary had been cooking one night when Jim had walked over and told her that she was beautiful. He had a sailor's directness and a sailor's weatherbeaten face, but he had the eyes of an angel, and n.o.body had ever told her that before.

She had been happy, for a while. So happy that she hadn't minded rising at dawn and working until long after the sun had set, trying to put the colony on a firm footing. Then the fever came, and the crops showed no sign of growing, and some of the sheep that they had brought with them from England sickened and died, and Governor White had decided to return to England when the ship left and ask advice. And the perfect idyll of hard days working and long nights spent in Jim's arms were at an end.

The ship was smaller now, and Mary's eyes were half-blinded by the sparkle of the sun on the water, but she could still see Jim's arm waving. It would be six months at least before Governor White returned, and it might not even be on the same ship. Perhaps the colony would survive, or Good Queen Bess might decide that it was not worth sustaining. Wherever she ended up, Mary knew that it would not be with Jim.

A movement in the sky caught Mary's attention. Glancing up, she noticed that the large birds were swooping lower, almost as if they had been waiting for the ship to leave. She dismissed the notion as fanciful: even in the New World, birds were just birds. Casting one last glance at the departing ship - just a piece of flotsam, dark against the blue of the waves - she turned away toward the trees that hid the settlement. No doubt there would be half a hundred things to do when she got back. There always were. Governor White's daughter was almost seven months with child now, her belly stretched like the canvas of the ship's sails, and she was almost unable to work. That meant more for the rest of the women to do. More to do and nothing to show for it, not even a pair of strong arms in the night.

The birds were plunging down behind the treeline now, and it occurred to Mary that they were larger than any birds that she had ever seen before. Their bodies looked more like the sh.e.l.ls of crabs, and their wings were the red of fresh blood. Perhaps the tears gumming her eyelashes together were magnifying things, or perhaps her grief at losing Jim was unhinging her reason, but surely no bird that ever flew looked like that that.

Mary began to move faster through the underbrush towards the trees, and the path that led to the settlement. Bushes whipped at her legs, scratching her as she broke into a stumbling run.

Someone in the settlement had started to scream like a pig about to be slaughtered, and behind the screams Mary could hear the flapping of huge wings. What was happening? What in G.o.d's good name was happening?

She was barely ten feet from the trees when the demon settled to the ground in front of her, furling its wings across its hard, red back. Eyes on the end of stalks, like those of a snail, regarded her curiously.

And as its claws reached out for her, she screamed. And screamed.

And for all the years following that moment, after everything that was done to her, in her head she still screamed.

August, 1592.

Matt Jobswortham pulled back on the horse's reins, slowing his dray down by just a jot. The streets of Deptford were crowded with people going about their business - some in fine clothes, some in sailors' garb, some in rags - and he didn't want any of them going under his wheels. The barrels of cider on the back of the dray were so heavy that the wheels were already cutting great ruts in the road. They would cut through a limb with equal ease and what would happen to him then, eh? He'd be finished for sure, banged up in prison for months until someone bothered to determine whether or not there was a case to answer.

He glanced around, impressed as ever with the bustle of the place.

Deptford was near London, and the houses reflected that proximity. Why, some of them were three storeys or more! All these people, living above each other in small rooms, day in and day out. It wasn't natural. He liked coming to London, but he wouldn't like to live there. Give him his farmhouse any day.

It was a hot day, and he could smell something thick and cloying on the back of the wind, like an animal that had been dead for weeks. It was the river of course. He'd crossed it a good half hour before, but he could still smell it. Raw with sewage it was, raw and stinking, like a festering wound running through the centre of the city. He didn't know how people here could stand it.

Matt had been on the road since dawn, bringing the barrels up from Suss.e.x. He'd been dreaming of the cider: imagining the sharp, bitter taste of it as it cut through the dirt in his mouth and the sewer smell at the back of his throat. Surely the landlord of the inn couldn't begrudge him a drop, not after he'd come all this way. It was a long way back, after all. Just a flagon, that's all he asked.

"Mary! Mary Harries!"

Preoccupied with thoughts of drink, he jumped when the voice cut across the rumble of the wheels. It was a cultured voice, foil of surprise, and he looked around for its owner. The man wasn't hard to find: he was ten yards or so ahead of the dray, young and fine-featured, and he wore a black velvet jacket slashed to show a red silk lining. He was of the n.o.bility, that much was certain, and yet he was standing outside a Deptford drinking house with a flagon in his hand. "Mary!" he called again. "I thought you were dead dead!"

Matt followed the young man's gaze. He was calling to a woman wearing plain black clothes on the same side of the road but nearer to the dray. She gazed at the man with a puzzled expression on her face, as if she recognized him from somewhere, but wasn't sure where.

The young man started to run toward her. "I thought you all all died at Roanoake," he cried, "and I was the only one left. What happened?" died at Roanoake," he cried, "and I was the only one left. What happened?"

A spasm of alarm crossed the woman's face. She took a step backward, one hand raised to her head. "Mary!" the man called. "It is is you." you."

She turned and ran stiff-legged out into the road, oblivious of the traffic. Her odd gait took her straight in front of Matt's dray. He cried out incoherently but she didn't seem to hear him. He caught one last glimpse of her face - calm and expressionless - before she fell beneath the horse's hooves. By a miracle, the horse managed to step over her as she tried to get to her feet. Matt heaved desperately on the reins to pull the horse in, but the momentum of the heavy barrels pushed the dray forward, carrying the horse with it. Matt glanced down as he pa.s.sed the woman's body. She looked up at him, and there was nothing in her eyes at all: no concern, no fear, nothing.

And then a sound cut through the air, stopping conversations and making heads turn. It sounded like a sapling, bent to breaking point, suddenly snapping. It was a wet, final sound, and it occurred just as the dray's front right wheel pa.s.sed over the woman's leg.

The young man stopped, his face ashen with horror. Matt hauled on the reins, trying urgently to stop the dray before its second set of wheels compounded the damage. He kept waiting for her to scream, but there was nothing but silence from beneath the dray.

Everything seemed to have stopped in the street: faces were frozen, voices stilled. Time itself had paused.

The horse neighed loudly, jerking back onto its hind legs as the reins bit home. The dray lurched to a halt. Matt quickly scrambled down to the rutted, dusty road, dreading what he would find, but the sight that met his eyes was so bizarre, so unbelievable, that he just stared uncomprehendingly for a moment, unable to take it in and make sense of it.

The woman was getting to her feet. She frowned slightly, as one might when bothered by a mosquito. Her left leg was crushed to half its width beneath the knee, and her calf slanted at a crazy angle to her thigh. Shards of bone projected from the wound, startlingly white against the red-raw flesh. She started to walk, lurching wildly like an upside-down pendulum, and she was across the road and into a side alley before anybody could think to stop her.

CHAPTER ONE.

The first thing that Vicki saw when she walked into the TARDIS's control room was Steven Taylor's hand hovering over the central, mushroom-shaped console.

"Don't touch those controls!" she snapped, her voice echoing around the room.

Steven's shoulders hunched defensively, and he glanced towards her. Gradually the echoes of her voice faded away, leaving only the deep hum that meant the TARDIS was still in flight.

"Why not?" he asked truculently, brows heavy, jaw thrust forward.

"I'm a qualified s.p.a.ce pilot, aren't I? These switches and levers may look complicated, but I'm sure I can figure them out. And the Doctor's been gone for hours. He may never come back. We need to be able to fly this thing." His fingers closed around a large red switch on one facet of the control console. His fingers caressed it hesitantly. It was obvious to Vicki that he hadn't got a clue what he was doing, but didn't want to admit it. "This thing must make us materialize," he added. "Once we've landed, we can take a look around, find out where we are." He sounded as if he was trying to convince himself as much as her.

"I think that's the door control," she said quietly.

He hesitated, his indecisive frown quickly replaced by one of exasperation. "Look, if you've got any better ideas, let me know: Otherwise, trust me for once."

"Why can't we just wait?" she said, already knowing the answer.

Because Steven was incapable of waiting for anything, that was why. Because he'd spent so long impotently pacing around his prison cell on Mecha.n.u.s before the Doctor had rescued him that his patience had been used up. Not that he would ever admit it, of course. Not even to himself. It was odd, Vicki thought as she gazed at Steven's older yet somehow more innocent face, that her time spent stranded had been perhaps the most idyllic of her life.

She'd only had Bennett and Sandy the Sand Monster for company on Dido, but she'd been content. Now, although she was learning so much by travelling with the Doctor, that contentment had been lost. Every moment of her life, every person that she met, demanded something of her.

"We can't just wait," Steven explained, breaking her chain of introspection, "because the Doctor might be in trouble. The way he just... just vanished, right in front of us..." He hesitated, and rubbed a hand across his face. He was tired. Tired and scared, Vicki realized. He'd been alone for so long that he found the prospect of taking responsibility terrifying. 'It was like the Doc had been kidnapped.'

"But we haven't explored the TARDIS completely yet," she said, trying to inject a note of calmness into her voice. Getting angry with Steven didn't work - he just grew more stubborn and defensive. "The Doctor could still be here."

"Where?" Steven challenged, hand still on the switch. The door control switch, Vicki reminded herself. She didn't know what would happen if he pulled it while the TARDIS was in flight, but she suspected the results wouldn't be pleasant. "We've checked the bedrooms, the food machine alcove, the lounge -"

"What about the locked doors?" she interrupted. "The Doctor won't tell us what's behind them. There might be more rooms, rooms that the Doctor didn't want us to see."

Steven slammed his fist against the console. "Look, we have to do something! And I still think that if we can just materialize somewhere, we can find a trail, or a clue,"

"And what are you young people doing to my TARDIS?" a peremptory voice demanded from the other side of the console.

Steven and Vicki whirled around and gaped at the blurred, fractured bubble of darkness that had appeared - apparently inside the wall - and at the elderly figure within it. "Doctor!" they cried together.

He appeared to be sitting in a triangular framework, and he was frowning at them. Standing, not without some effort, he walked forward. Behind him, both the frame and the dark bubble were pulled apart into a coruscating web of lines which retreated into the far distance until they were lost from sight, leaving only the solid walls of the TARDIS behind the old man's figure.

"Doctor, we were -" Vicki began.

"Where have you been?" Steven demanded.

The Doctor fixed the s.p.a.ce pilot with an imperious gaze. "Never mind where I've been," he snapped, "you were about to meddle with the ship's controls, weren't you?"

"No!" Steven protested. "I... I was just trying to -"

"Steven was trying to help," Vicki said calmingly. "You vanished without telling us where you were going. We were worried about you: we thought... Oh, I don't know what we thought. What happened?"

The Doctor's stern expression softened, as she had known it would. The one thing he couldn't resist was wide-eyed concern.

"My dear child," he said, "of course you were worried, and I have no right to scold you, hmm? If you must know, I've been... " He frowned. "Well, that's most extraordinary. I can't remember where where I've been. The memory has gone. All I can remember is a dandy and a clown. A dandy and a clown." Ignoring the puzzled looks that Vicki and Steven exchanged, he raised a hand to caress his lapel, and appeared surprised to find that he was holding a small white envelope. "Hmm. Perhaps this will tell us something." I've been. The memory has gone. All I can remember is a dandy and a clown. A dandy and a clown." Ignoring the puzzled looks that Vicki and Steven exchanged, he raised a hand to caress his lapel, and appeared surprised to find that he was holding a small white envelope. "Hmm. Perhaps this will tell us something."

As Vicki and Steven watched, he opened the envelope and took out a slip of cardboard. He peered at it for a few moments, then took his pince-nez out of his waistcoat pocket and slipped them on.

"Most extraordinary," he repeated, and proffered the card to Steven, who took it warily. Vicki had to pull his arm down to see.

The card was small and white. On it, in very small letters, were the words: INVITATION.

Formal dress required.

R.S.V.P.

"An invitation to what?" Steven asked.

"An invitation to a mystery," the Doctor replied, frowning and looking away.

Vicki took the card from Steven. "Who gave it to you?" she asked the Doctor.

"I don't... I don't remember," the old man admitted.

"It's a trap," Steven said firmly. Vicki watched with some amus.e.m.e.nt as he narrowed his eyes, squared his shoulders and generally tried to look heroic.

"Don't be stupid, Steven," she said, and placed the card carefully upon the top of the translucent cylinder in the centre of the control console. "How can it be a trap if it doesn't even tell us where to go?"

With a low hum, the collection of fragile objects in the centre of the translucent column, the things that had always reminded Vicki of a cross between a child's mobile and a b.u.t.terfly collection, began to revolve around their central axis. The column itself began to rise and fall rhythmically, whilst lights flashed on the console and the deep vibration of the TARDIS in flight slowly spiralled down towards the grinding, clashing noise of landing.

"Well," the Doctor said, "it would appear that someone someone knows where we are going." knows where we are going."

There was a rat on the stairs again.

Carlo Zeno came face to face with it as he rounded the corner. He was standing on the tiny landing that lay between his own rooms on the second floor and his tenant's rooms on the third. The rat was seven steps higher than he was, on a level with his face.

Bright afternoon sunlight streamed through the holes in the rotted window shutters, illuminating it: fat and fearless, its black hair matted and its tail coiled like a pink worm. Zeno could even see the avaricious, calculating gleam in its eye.

"Back to the Devil, you garbage-eating fiend," he snarled, and started up the stairs towards it, stamping his boots on the wood.

The rat watched for a moment, then calmly turned and scuttled towards a hole in the plaster-covered laths of the wall. As Zeno advanced past the stair, he thought he saw its whiskers twitching in the darkness. G.o.d and the Doge alone knew how many rats infested his house. Hundreds perhaps. The scrabbling of their claws kept him awake at night as they ran across the floor, scuttled behind the walls and scrabbled between the joists of the ceiling.

Rats were the bane of Venice. Rats and Turks.

The door to the top floor of the house was closed, and Carlo pounded on it. "I've come for the rent!" he shouted, but there was no sound from within. Perhaps his tenant had gone out for a walk, or to buy some food, although Carlo hadn't heard him on the stairs.

Perhaps he was asleep. Grimani the barkeeper said that the man drank until he could hardly stand up some nights, and the widow Carpaccio across the alley said she often saw his lamp shining until sunrise. Carlo hadn't asked what the widow Carpaccio was doing awake at that time: it was well known in the district of San Polo that she entertained gentlemen in order to pay her bills.

Carlo, on the other hand, was forced to depend on those temporary visitors to Venice who wanted more freedom than that offered by a hotel.

"The rent!" he shouted again, slamming the heel of his hand against the wood. "Do you hear, you lazy slugabed?"

The door was suddenly pulled open. The room was dark, and smelled of sour wine, old fruit and unwashed bedding. The scant light from the window down on the landing barely illuminated the sullen figure of Carlo's tenant. His shirt was undone, and his breeches were creased as if he had been sleeping in them.

"You fat oaf," he said in his haughty Florentine accent. "Unless you've come to tell me that the Doge has finally granted me an audience, or that the lagoon is flooding, I'll have your tongue for a garter."

Carlo stared blankly at his tenant's plump, bearded face for a few moments. He could barely stop himself from picking the man up and throwing him bodily down the stairs. What incredible arrogance! He'd been occupying Carlo's top floor and the roof platform for two weeks now, and Carlo had yet to receive a pleasant word from him. Or any money.

"You think you frighten me with your talk of the Doge?" Carlo snapped. "If you think I'm going to waive the rent you owe me just to curry favour then your brain is addled and your wits have run away."

"You'll get your money when I've got mine," the man said, running a hand through his tousled hair. "The Doge will reward me well for what I can give him."

"If I could spend your promises then I'd be eating peac.o.c.k tonight.

If I don't get the money owing to me by sundown, I'll throw you and your belongings into the ca.n.a.l!"

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The Empire Of Glass Part 1 summary

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