The Elect Lady Part 1

The Elect Lady.

by George MacDonald.

CHAPTER I.

LANDLORD'S DAUGHTER AND TENANT'S SON.

In a kitchen of moderate size, flagged with slate, humble in its appointments, yet looking scarcely that of a farmhouse--for there were utensils about it indicating necessities more artificial than usually grow upon a farm--with the corner of a white deal table between them, sat two young people evidently different in rank, and meeting upon no level of friendship. The young woman held in her hand a paper, which seemed the subject of their conversation. She was about four- or five-and-twenty, well grown and not ungraceful, with dark hair, dark hazel eyes, and rather large, handsome features, full of intelligence, but a little hard, and not a little regnant--as such features must be, except after prolonged influence of a heart potent in self-subjugation.

As to her social expression, it was a mingling of the gentlewoman of education, and the farmer's daughter supreme over the household and its share in the labor of production.

As to the young man, it would have required a deeper-seeing eye than falls to the lot of most observers, not to take him for a weaker nature than the young woman; and the deference he showed her as the superior, would have enhanced the difficulty of a true judgment. He was tall and thin, but plainly in fine health; had a good forehead, and a clear hazel eye, not overlarge or prominent, but full of light; a firm mouth, with a curious smile; a sun-burned complexion; and a habit when perplexed of pinching his upper lip between his finger and thumb, which at the present moment he was unconsciously indulging. He was the son of a small farmer--in what part of Scotland is of little consequence--and his companion for the moment was the daughter of the laird.

"I have glanced over the poem," said the lady, "and it seems to me quite up to the average of what you see in print."

"Would that be reason for printing it, ma'am?" asked the man, with amused smile.

"It would be for the editor to determine," she answered, not perceiving the hinted objection.

"You will remember, ma'am, that I never suggested--indeed I never thought of such a thing!"

"I do not forget. It was your mother who drew my attention to the verses."

"I must speak to my mother!" he said, in a meditative way.

"You can not object to _my_ seeing your work! She does not show it to everybody. It is most creditable to you, such an employment of your leisure."

"The poem was never meant for any eyes but my own--except my brother's."

"What was the good of writing it, if no one was to see it?"

"The writing of it, ma'am."

"For the exercise, you mean?"

"No; I hardly mean that."

"I am afraid then I do not understand you."

"Do _you_ never write anything but what you publish?"

"Publish! _I_ never publish! What made you think of such a thing?"

"That you know so much about it, ma'am."

"I know people connected with the papers, and thought it might encourage you to see something in print. The newspapers publish so many poems now!"

"I wish it hadn't been just that one my mother gave you!"

"Why?"

"For one thing, it is not finished--as you will see when you read it more carefully."

"I did see a line I thought hardly rhythmical, but--"

"Excuse me, ma'am; the want of rhythm there was intentional."

"I am sorry for that. Intention is the worst possible excuse for wrong!

The accent should always be made to fall in the right place."

"Beyond a doubt--but might not the right place alter with the sense?"

"Never. The rule is strict"

"Is there no danger of making the verse monotonous?"

"Not that I know."

"I have an idea, ma'am, that our great poets owe much of their music to the liberties they take with the rhythm. They treat the rule as its masters, and break it when they see fit."

"You must be wrong there! But in any case you must not presume to take the liberties of a great poet."

"It is a poor reward for being a great poet to be allowed to take liberties. I should say that, doing their work to the best of their power, they were rewarded with the discovery of higher laws of verse.

Every one must walk by the light given him. By the rules which others have laid down he may learn to walk; but once his heart is awake to truth, and his ear to measure, melody and harmony, he must walk by the light, and the music G.o.d gives him."

"That is dangerous doctrine, Andrew!" said the lady, with a superior smile. "But," she continued, "I will mark what faults I see, and point them out to you."

"Thank you, ma'am, but please do not send the verses anywhere."

"I will not, except I find them worthy. You need not be afraid. For my father's sake I will have an eye to your reputation."

"I am obliged to you, ma'am," returned Andrew, but with his curious smile, hard to describe. It had in it a wonderful mixing of sweetness and humor, and a something that seemed to sit miles above his amus.e.m.e.nt.

A heavenly smile it was, knowing too much to be angry. It had in it neither offense nor scorn. In respect of his poetry he was shy like a girl, but he showed no rejection of the patronage forced upon him by the lady.

He rose and stood a moment.

"Well, Andrew, what is it?"

"When will you allow me to call for the verses?"

"In the course of a week or so. By that time I shall have made up my mind. If in doubt, I shall ask my father."

"I wouldn't like the laird to think I spend my time on poetry."

"You write poetry, Andrew! A man should not do what he would not have known."

"That is true, ma'am; I only feared an erroneous conclusion."