The Easiest Way Part 17

_To the immediate left of the sliding-doors, which go into the sleeping-apartment, is a lady's small writing-desk, with a drawer on the right-hand side, in which is a pearl-handled 32-calibre revolver.

The front of the desk is open at rise. On top of the desk is a desk lamp and a large box of candy; inside the desk is writing material, &c. In pigeon-hole left there is a small photo and frame, which_ ANNIE _places on the table when she removes the breakfast set. In front of centre window in alcove is a small table on which is a parlour lamp, and some newspapers, including the "New York Sun." On the floor running between the desk and table is a large fur rug. In front of the table is a small gilt chair; in front of desk there is also a small gilt chair; there is a pianola piano, on top of which is a bundle of music-rolls. In place, ready to play, is a roll of a negro tune called "Bon-Bon Buddie, My Chocolate Drop." On top of the piano, in addition to the music-rolls, are a fancy lamp, a large basket of chrysanthemums, and two photos in frames, at the upper corner.

Standing on the floor is a large piano lamp. On the sofa are cushions, and thrown over its back is a lady's opera-coat. On the sofa are also a fan and some small dinner favours._

_On the dresser are a lady's silver toilet set, including powder boxes, rouge boxes, manicuring implements, and a small plush black cat that might have been a favour at some time. Two little dolls hang on the side of the gla.s.s of the dresser, which also might have been favours. These are used later in the action, and are necessary._

AT RISE. _When the curtain rises on this scene it is noticeable that the occupants of the room must have returned rather late at night, after having dined, not wisely, but too well. In the alcove is a man's dress-coat and vest thrown on the cushions in a most careless manner; a silk hat badly rumpled is near it. Over the top of sofa is an opera-cloak, and hung on the mirror is a huge hat, of the evening type, such as women would pay handsomely for. A pair of gloves is thrown on top of the pier-gla.s.s. The curtains in the bay-window are half drawn, and the light shades are half drawn down the windows, so that when the curtain goes up the place is in a rather dim light.

On the table are the remains of a breakfast, which is served in a box-like tray such as is used in hotels._ LAURA _is discovered sitting at right of table, her hair a bit untidy. She has on a very expensive negligee gown._ WILL, _in a business suit, is at the other side of the table, and both have evidently just about concluded their breakfast and are reading the newspapers while they sip their coffee._ LAURA _is intent in the scanning of her "Morning Telegraph," while_ WILL _is deep in the market reports of the "Journal of Commerce," and in each instance these things must be made apparent._ WILL _throws down the paper rather impatiently._

WILL. Have you seen the _Sun_, Laura?

LAURA. No.

WILL. Where is it?

LAURA. I don't know.

WILL. [_In a loud voice._] Annie, Annie! [_A pause._] Annie! [_In an undertone, half directed to_ LAURA.] Where the devil is that n.i.g.g.e.r?

LAURA. Why, I suppose she's at breakfast.

WILL. Well, she ought to be here.

LAURA. Did it ever occur to you that she has got to eat just the same as you have?

WILL. She's your servant, isn't she?

LAURA. My maid.

WILL. Well, what have you got her for,--to eat or to wait on you?

Annie!

LAURA. Don't be so cross. What do you want?

WILL. I want the _Sun_.

[BROCKTON _pours out one half gla.s.s of water from bottle._

LAURA. I will get it for you.

_Rather wearily she gets up and goes to the table, where there are other morning papers; she takes the "Sun," hands it to him, goes back to her seat, re-opens the "Morning Telegraph." There is a pause._ ANNIE _enters from the sleeping-room._

ANNIE. Do yuh want me, suh?

WILL. Yes, I did want you, but don't now. When I'm at home I have a man to look after me, and I get what I want.

LAURA. For heaven's sake, Will, have a little patience. If you like your man so well, you had better live at home, but don't come around here with a grouch and bulldoze everybody.

WILL. Don't think for a moment that there's much to come around here for. Annie, this room's stuffy.

ANNIE. Ya.s.suh.

WILL. Draw those portieres. Let those curtains up. [ANNIE _lets up curtain._] Let's have a little light. Take away these clothes and hide them. Don't you know that a man doesn't want to see the next morning anything to remind him of the night before. Make the place look a little respectable.

_In the meantime_ ANNIE _scurries around, picking up the coat and vest, opera-cloak, &c., as rapidly as possible, and throwing them over her arm without any idea of order. It is very apparent that she is rather fearful of the anger of_ WILL _while he is in this mood._

WILL. [_Looking at her._] Be careful. You're not taking the wash off the line.

ANNIE. Ya.s.suh. [_Exit in confusion._

LAURA. [_Laying down paper and looking at_ WILL.] Well, I must say you're rather amiable this morning.

WILL. I feel like h.e.l.l.

LAURA. Market unsatisfactory?

WILL. No; head too big. [_He lights a cigar; as he takes a puff he makes an awful face._] Tastes like punk. [_Puts cigar into cup._

LAURA. You drank a lot.

WILL. We'll have to cut out those parties. I can't do those things any more. I'm not as young as I was, and in the morning it makes me sick.

How do you feel?

LAURA. A little tired, that's all. [_Rises, and crosses to bureau._

WILL. You didn't touch anything?

LAURA. No.

WILL. I guess you're on the safe side. It was a great old party, though, wasn't it?

LAURA. Did you think so?

WILL. Oh, for that sort of a blow-out. Not too rough, but just a little easy. I like them at night and I hate them in the morning. [_He picks up the paper and commences to glance it over in a casual manner, not interrupting his conversation._] Were you bored?

LAURA. Yes; always at things like that.

WILL. Well, you don't have to go.

LAURA. You asked me.

WILL. Still, you could say no. [LAURA _picks up paper, puts it on table and crosses back to bureau._

LAURA. But you asked me.

WILL. What did you go for if you didn't want to?

LAURA. _You_ wanted me to.

WILL. I don't quite get you.