The Eagle's Shadow Part 6

The court at Selwoode lies in the angle of the building, the ground plan of which is L-shaped. Its two outer sides are formed by covered cloisters leading to the palm-garden, and by moonlight--the night bland and sweet with the odour of growing things, vocal with plashing fountains, spangled with fire-flies that flicker indolently among a glimmering concourse of nymphs and fauns eternally postured in flight or in pursuit--by moonlight, I say, the court at Selwoode is perhaps as satisfactory a spot for a _tete-a-tete_ as this transitory world affords.

Mr. Kennaston was in vein to-night; he scintillated; he was also a little nervous. This was probably owing to the fact that Margaret, leaning against the back of the stone bench on which they both sat, her chin propped by her hand, was gazing at him in that peculiar, intent fashion of hers which--as I think I have mentioned--caused you fatuously to believe she had forgotten there were any other trousered beings extant.

Mr. Kennaston, however, stuck to apt phrases and nice distinctions.

The moon found it edifying, but rather dull.

After a little Mr. Kennaston paused in his boyish, ebullient speech, and they sat in silence. The lisping of the fountains was very audible. In the heavens, the moon climbed a little further and registered a manifestly impossible hour on the sun-dial. It also brightened.

It was a companionable sort of a moon. It invited talk of a confidential nature.

"Bless my soul," it was signalling to any number of gentlemen at that moment, "there's only you and I and the girl here. Speak out, man!

She'll have you now, if she ever will. You'll never have a chance like this again, I can tell you. Come, now, my dear boy, I'm shining full in your face, and you've no idea how becoming it is. I'm not like that garish, blundering sun, who doesn't know any better than to let her see how red and fidgetty you get when you're excited; I'm an old hand at such matters. I've presided over these little affairs since Babylon was a paltry village. _I'll_ never tell. And--and if anything should happen, I'm always ready to go behind a cloud, you know. So, speak out!--speak out, man, if you've the heart of a mouse!"

Thus far the conscienceless spring moon.

Mr. Kennaston sighed. The moon took this as a promising sign and brightened over it perceptibly, and thereby afforded him an excellent gambit.

"Yes?" said Margaret. "What is it, beautiful?"

That, in privacy, was her fantastic name for him.

The poet laughed a little. "Beautiful child," said he--and that, under similar circ.u.mstances, was his perfectly reasonable name for her--"I have been discourteous. To be frank, I have been sulking as irrationally as a baby who clamours for the moon yonder."

"You aren't really anything but a baby, you know." Indeed, Margaret almost thought of him as such. He was so delightfully naf.

He bent toward her. A faint tremor woke in his speech. "And so," said he, softly, "I cry for the moon--the unattainable, exquisite moon. It is very ridiculous, is it not?"

But he did not look at the moon. He looked toward Margaret--past Margaret, toward the gleaming windows of Selwoode, where the Eagle brooded:

"Oh, I really can't say," Margaret cried, in haste. "She was kind to Endymion, you know. We will hope for the best. I think we'd better go into the house now."

"You bid me hope?" said he.

"Beautiful, if you really want the moon, I don't see the _least_ objection to your continuing to hope. They make so many little airships and things nowadays, you know, and you'll probably find it only green cheese, after all. What _is_ green cheese, I wonder?--it sounds horribly indigestible and unattractive, doesn't it?" Miss Hugonin babbled, in a tumult of fear and disappointment. He was about to spoil their friendship now; men were so utterly inconsiderate. "I'm a little cold," said she, mendaciously, "I really must go in."

He detained her. "Surely," he breathed, "you must know what I have so long wanted to tell you--"

"I haven't the _least_ idea," she protested, promptly. "You can tell me all about it in the morning. I have some accounts to cast up to-night. Besides, I'm not a good person to tell secrets to.

You--you'd much better not tell me. Oh, really, Mr. Kennaston," she cried, earnestly, "you'd much better not tell me!"

"Ah, Margaret, Margaret," he pleaded, "I am not adamant. I am only a man, with a man's heart that hungers for you, cries for you, clamours for you day by day! I love you, beautiful child--love you with a poet's love that is alien to these sordid days, with a love that is half worship. I love you as Leander loved his Hero, as Pyramus loved Thisbe. Ah, child, child, how beautiful you are! You are fairest of created women, child--fair as those long-dead queens for whose smiles old cities burned and kingdoms were lightly lost. I am mad for love of you! Ah, have pity upon me, Margaret, for I love you very tenderly!"

He delivered these observations with appropriate fervour.

"Mr. Kennaston," said she, "I am sorry. We got along so nicely before, and I was _so_ proud of your friendship. We've had such good times together, you and I, and I've liked your verses so, and I've liked you--Oh, please, _please_, let's keep on being just friends!" Margaret wailed, piteously.

"Friends!" he cried, and gave a bitter laugh. "I was never friends with you, Margaret. Why, even as I read my verses to you--those pallid, ineffectual verses that praised you timorously under varied names--even then there pulsed in my veins the riotous paean of love, the great mad song of love that shamed my paltry rhymes. I cannot be friends with you, child! I must have all or nothing. Bid me hope or go!"

Miss Hugonin meditated for a moment and did neither.

"Beautiful," she presently queried, "would you be very, very much shocked if I descended to slang?"

"I think," said he, with an uncertain smile, "that I could endure it."

"Why, then--cut it out, beautiful! Cut it out! I don't believe a word you've said, in the first place; and, anyhow, it annoys me to have you talk to me like that. I don't like it, and it simply makes me awfully, awfully tired."

With which characteristic speech, Miss Hugonin leaned back and sat up very rigidly and smiled at him like a cherub.

Kennaston groaned.

"It shall be as you will," he a.s.sured her, with a little quaver in his speech that was decidedly effective. "And in any event, I am not sorry that I have loved you, beautiful child. You have always been a power for good in my life. You have gladdened me with the vision of a beauty that is more than human, you have heartened me for this petty business of living, you have praised my verses, you have even accorded me certain pecuniary a.s.sistance as to their publication--though I must admit that to accept it of you was very distasteful to me. Ah!" Felix Kennaston cried, with a quick lift of speech, "impractical child that I am, I had not thought of that! My love had caused me to forget the great barrier that stands between us."

He gasped and took a short turn about the court.

"Pardon me, Miss Hugonin," he entreated, when his emotions were under a little better control, "for having spoken as I did. I had forgotten.

Think of me, if you will, as no better than the others--think of me as a mere fortune-hunter. My presumption will be justly punished."

"Oh, no, no, it isn't that," she cried; "it isn't that, is it?

You--you would care just as much about me if I were poor, wouldn't you, beautiful? I don't want you to care for me, of course," Margaret added, with haste. "I want to go on being friends. Oh, that money, that _nasty_ money!" she cried, in a sudden gust of petulance. "It makes me so distrustful, and I can't help it!"

He smiled at her wistfully. "My dear," said he, "are there no mirrors at Selwoode to remove your doubts?"

"I--yes, I do believe in you," she said, at length. "But I don't want to marry you. You see, I'm not a bit in love with you," Margaret explained, candidly.

Ensued a silence. Mr. Kennaston bowed his head.

"You bid me go?" said he.

"No--not exactly," said she.

He indicated a movement toward her.

"Now, you needn't attempt to take any liberties with me," Miss Hugonin announced, decisively, "because if you do I'll never speak to you again. You must let me go now. You--you must let me think."

Then Felix Kennaston acted very wisely. He rose and stood aside, with a little bow.

"I can wait, child," he said, sadly. "I have already waited a long time."

Miss Hugonin escaped into the house without further delay. It was very flattering, of course; he had spoken beautifully, she thought, and n.o.bly and poetically and considerately, and altogether there was absolutely no excuse for her being in a temper. Still, she was.

The moon, however, considered the affair as arranged.

For she had been no whit more resolute in her refusal, you see, than becomes any self-respecting maid. In fact, she had not refused him; and the experienced moon had seen the hopes of many a wooer thrive, chameleon-like, on answers far less encouraging than that which Margaret had given Felix Kennaston.

Margaret was very fond of him. All women like a man who can do a picturesque thing without bothering to consider whether or not he be making himself ridiculous; and more than once in thinking of him she had wondered if--perhaps--possibly--some day--? And always these vague flights of fancy had ended at this precise point--incinerated, if you will grant me the simile, by the sudden flaming of her cheeks.

The thing is common enough. You may remember that Romeo was not the only gentleman that Juliet noticed at her debut: there was the young Petruchio; and the son and heir of old Tiberio; and I do not question that she had a kind glance or so for County Paris. Beyond doubt, there were many with whom my lady had danced; with whom she had laughed a little; with whom she had exchanged a few perfectly affable words and looks--when of a sudden her heart speaks: "Who's he that would not dance? If he be married, my grave is like to prove my marriage-bed."

In any event, Paris and Petruchio and Tiberio's young hopeful can go hang; Romeo has come.