The Dynasts: An Epic-Drama of the War with Napoleon Part 127

When they are got together again and have marched out, there goes by on his horse a strange scarred old man with a foxy look, a swollen neck and head and a hunched figure. He is KUTUZOF, surrounded by his lieutenants. Away in the distance by other streets and bridges with other divisions pa.s.s in like manner GENERALS BENNIGSEN, BARCLAY DE TOLLY, DOKHTOROF, the mortally wounded BAGRATION in a carriage, and other generals, all in melancholy procession one way, like autumnal birds of pa.s.sage. Then the rear-guard pa.s.ses under MILORADOVITCH.

Next comes a procession of another kind.

A long string of carts with wounded men is seen, which trails out of the city behind the army. Their clothing is soiled with dried blood, and the bandages that enwrap them are caked with it.

The greater part of this migrant mult.i.tude takes the high road to Vladimir.

SCENE VII

THE SAME. OUTSIDE THE CITY

[A hill forms the foreground, called the Hill of Salutation, near the Smolensk road.

Herefrom the city appears as a splendid panorama, with its river, its gardens, and its curiously grotesque architecture of domes and spires. It is the peac.o.c.k of cities to Western eyes, its roofs twinkling in the rays of the September sun, amid which the ancient citadel of the Tsars--the Kremlin--forms a centre-piece.

There enter on the hill at a gallop NAPOLEON, MURAT, EUGENE, NEY, DARU, and the rest of the Imperial staff. The French advance- guard is drawn up in order of battle at the foot of the hill, and the long columns of the Grand Army stretch far in the rear. The Emperor and his marshals halt, and gaze at Moscow.]

NAPOLEON

Ha! There she is at last. And it was time.

[He looks round upon his army, its numbers attenuated to one-fourth of those who crossed the Niemen so joyfully.]

Yes: it was time.... NOW what says Alexander!

DARU

This is a foil to Salamanca, sire!

DAVOUT

What scores of bulbous church-tops gild the sky!

Souls must be rotten in this region, sire, To need so much repairing!

NAPOLEON

Ay--no doubt....

Prithee march briskly on, to check disorder, [to Murat].

Hold word with the authorities forthwith, [to Durasnel].

Tell them that they may swiftly swage their fears, Safe in the mercy I by rule extend To vanquished ones. I wait the city keys, And will receive the Governor's submission With courtesy due. Eugene will guard the gate To Petersburg there leftward. You, Davout, The gate to Smolensk in the centre here Which we shall enter by.

VOICES OF ADVANCE-GUARD

Moscow! Moscow!

This, this is Moscow city. Rest at last!

[The words are caught up in the rear by veterans who have entered every capital in Europe except London, and are echoed from rank to rank. There is a far-extended clapping of hands, like the babble of waves, and companies of foot run in disorder towards high ground to behold the spectacle, waving their shakos on their bayonets.

The army now marches on, and NAPOLEON and his suite disappear citywards from the Hill of Salutation.

The day wanes ere the host has pa.s.sed and dusk begins to prevail, when tidings reach the rear-guard that cause dismay. They have been sent back lip by lip from the front.]

SPIRIT IRONIC

An anticlimax to Napoleon's dream!

SPIRIT OF RUMOUR

They say no governor attends with keys To offer his submission gracefully.

The streets are solitudes, the houses sealed, And stagnant silence reigns, save where intrudes The rumbling of their own artillery wheels, And their own soldiers' measured tramp along.

"Moscow deserted? What a monstrous thing!"-- He shrugs his shoulders soon, contemptuously; "This, then is how Muscovy fights!" cries he.

Meanwhile Murat has reached the Kremlin gates, And finds them closed against him. Battered these, The fort reverberates vacant as the streets But for some grinning wretches gaoled there.

Enchantment seems to sway from quay to keep, And lock commotion in a century's sleep.

[NAPOLEON, reappearing in front of the city, follows MURAT, and is again lost to view. He has entered the Kremlin. An interval.

Something becomes visible on the summit of the Ivan Tower.]

CHORUS OF RUMOURS [aerial music]

Mark you thereon a small lone figure gazing Upon his hard-gained goal? It is He!

The startled crows, their broad black pinions raising, Forsake their haunts, and wheel disquietedly.

[The scene slowly darkens. Midnight hangs over the city. In blackness to the north of where the Kremlin stands appears what at first seems a lurid, malignant star. It waxes larger. Almost simultaneously a north-east wind rises, and the light glows and sinks with the gusts, proclaiming a fire, which soon grows large enough to irradiate the fronts of adjacent buildings, and to show that it is creeping on towards the Kremlin itself, the walls of that fortress which face the flames emerging from their previous shade.

The fire can be seen breaking out also in numerous other quarters.

All the conflagrations increase, and become, as those at first detached group themselves together, one huge furnace, whence streamers of flame reach up to the sky, brighten the landscape far around, and show the houses as if it were day. The blaze gains the Kremlin, and licks its walls, but does not kindle it.

Explosions and hissings are constantly audible, amid which can be fancied cries and yells of people caught in the combustion. Large pieces of canvas aflare sail away on the gale like balloons.

c.o.c.ks crow, thinking it sunrise, ere they are burnt to death.]

SCENE VIII

THE SAME. THE INTERIOR OF THE KREMLIN

[A chamber containing a bed on which NAPOLEON has been lying. It is not yet daybreak, and the flapping light of the conflagration without shines in at the narrow windows.

NAPOLEON is discovered dressed, but in disorder and unshaven. He is walking up and down the room in agitation. There are present CAULAINCOURT, BESSIERES, and many of the marshals of his guard, who stand in silent perplexity.]