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The Duel and Other Stories Part 27

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"What can I say to him? What?" thought Alexey Ivanovitch. "How can I judge him since I'm here myself?"

And clearing his throat without uttering a word, he went out slowly.

"'Call her not heavenly, and leave her on earth. . . .'"

The ba.s.s was singing in the hall. A little while after, Kryukov's racing droshky was b.u.mping along the dusty road.

NEIGHBOURS

PYOTR MIHALITCH IVASHIN was very much out of humour: his sister, a young girl, had gone away to live with Vla.s.sitch, a married man.

To shake off the despondency and depression which pursued him at home and in the fields, he called to his aid his sense of justice, his genuine and n.o.ble ideas--he had always defended free-love!

--but this was of no avail, and he always came back to the same conclusion as their foolish old nurse, that his sister had acted wrongly and that Vla.s.sitch had abducted his sister. And that was distressing.

His mother did not leave her room all day long; the old nurse kept sighing and speaking in whispers; his aunt had been on the point of taking her departure every day, and her trunks were continually being brought down to the hall and carried up again to her room.

In the house, in the yard, and in the garden it was as still as though there were some one dead in the house. His aunt, the servants, and even the peasants, so it seemed to Pyotr Mihalitch, looked at him enigmatically and with perplexity, as though they wanted to say "Your sister has been seduced; why are you doing nothing?" And he reproached himself for inactivity, though he did not know precisely what action he ought to have taken.

So pa.s.sed six days. On the seventh--it was Sunday afternoon--a messenger on horseback brought a letter. The address was in a familiar feminine handwriting: "Her Excy. Anna Nikolaevna Ivashin."

Pyotr Mihalitch fancied that there was something defiant, provocative, in the handwriting and in the abbreviation "Excy." And advanced ideas in women are obstinate, ruthless, cruel.

"She'd rather die than make any concession to her unhappy mother, or beg her forgiveness," thought Pyotr Mihalitch, as he went to his mother with the letter.

His mother was lying on her bed, dressed. Seeing her son, she rose impulsively, and straightening her grey hair, which had fallen from under her cap, asked quickly:

"What is it? What is it?"

"This has come . . ." said her son, giving her the letter.

Zina's name, and even the p.r.o.noun "she" was not uttered in the house. Zina was spoken of impersonally: "this has come," "Gone away," and so on. . . . The mother recognised her daughter's handwriting, and her face grew ugly and unpleasant, and her grey hair escaped again from her cap.

"No!" she said, with a motion of her hands, as though the letter scorched her fingers. "No, no, never! Nothing would induce me!"

The mother broke into hysterical sobs of grief and shame; she evidently longed to read the letter, but her pride prevented her.

Pyotr Mihalitch realised that he ought to open the letter himself and read it aloud, but he was overcome by anger such as he had never felt before; he ran out into the yard and shouted to the messenger:

"Say there will be no answer! There will be no answer! Tell them that, you beast!"

And he tore up the letter; then tears came into his eyes, and feeling that he was cruel, miserable, and to blame, he went out into the fields.

He was only twenty-seven, but he was already stout. He dressed like an old man in loose, roomy clothes, and suffered from asthma. He already seemed to be developing the characteristics of an elderly country bachelor. He never fell in love, never thought of marriage, and loved no one but his mother, his sister, his old nurse, and the gardener, Va.s.silitch. He was fond of good fare, of his nap after dinner, and of talking about politics and exalted subjects. He had in his day taken his degree at the university, but he now looked upon his studies as though in them he had discharged a duty inc.u.mbent upon young men between the ages of eighteen and twenty-five; at any rate, the ideas which now strayed every day through his mind had nothing in common with the university or the subjects he had studied there.

In the fields it was hot and still, as though rain were coming. It was steaming in the wood, and there was a heavy fragrant scent from the pines and rotting leaves. Pyotr Mihalitch stopped several times and wiped his wet brow. He looked at his winter corn and his spring oats, walked round the clover-field, and twice drove away a partridge with its chicks which had strayed in from the wood. And all the while he was thinking that this insufferable state of things could not go on for ever, and that he must end it one way or another. End it stupidly, madly, but he must end it.

"But how? What can I do?" he asked himself, and looked imploringly at the sky and at the trees, as though begging for their help.

But the sky and the trees were mute. His n.o.ble ideas were no help, and his common sense whispered that the agonising question could have no solution but a stupid one, and that to-day's scene with the messenger was not the last one of its kind. It was terrible to think what was in store for him!

As he returned home the sun was setting. By now it seemed to him that the problem was incapable of solution. He could not accept the accomplished fact, and he could not refuse to accept it, and there was no intermediate course. When, taking off his hat and fanning himself with his handkerchief, he was walking along the road, and had only another mile and a half to go before he would reach home, he heard bells behind him. It was a very choice and successful combination of bells, which gave a clear crystal note. No one had such bells on his horses but the police captain, Medovsky, formerly an officer in the hussars, a man in broken-down health, who had been a great rake and spendthrift, and was a distant relation of Pyotr Mihalitch. He was like one of the family at the Ivashins' and had a tender, fatherly affection for Zina, as well as a great admiration for her.

"I was coming to see you," he said, overtaking Pyotr Mihalitch.

"Get in; I'll give you a lift."

He was smiling and looked cheerful. Evidently he did not yet know that Zina had gone to live with Vla.s.sitch; perhaps he had been told of it already, but did not believe it. Pyotr Mihalitch felt in a difficult position.

"You are very welcome," he muttered, blushing till the tears came into his eyes, and not knowing how to lie or what to say. "I am delighted," he went on, trying to smile, "but . . . Zina is away and mother is ill."

"How annoying!" said the police captain, looking pensively at Pyotr Mihalitch. "And I was meaning to spend the evening with you. Where has Zinaida Mihalovna gone?"

"To the Sinitskys', and I believe she meant to go from there to the monastery. I don't quite know."

The police captain talked a little longer and then turned back.

Pyotr Mihalitch walked home, and thought with horror what the police captain's feelings would be when he learned the truth. And Pyotr Mihalitch imagined his feelings, and actually experiencing them himself, went into the house.

"Lord help us," he thought, "Lord help us!"

At evening tea the only one at the table was his aunt. As usual, her face wore the expression that seemed to say that though she was a weak, defenceless woman, she would allow no one to insult her.

Pyotr Mihalitch sat down at the other end of the table (he did not like his aunt) and began drinking tea in silence.

"Your mother has had no dinner again to-day," said his aunt. "You ought to do something about it, Petrusha. Starving oneself is no help in sorrow."

It struck Pyotr Mihalitch as absurd that his aunt should meddle in other people's business and should make her departure depend on Zina's having gone away. He was tempted to say something rude to her, but restrained himself. And as he restrained himself he felt the time had come for action, and that he could not bear it any longer. Either he must act at once or fall on the ground, and scream and bang his head upon the floor. He pictured Vla.s.sitch and Zina, both of them progressive and self-satisfied, kissing each other somewhere under a maple tree, and all the anger and bitterness that had been acc.u.mulating in him for the last seven days fastened upon Vla.s.sitch.

"One has seduced and abducted my sister," he thought, "another will come and murder my mother, a third will set fire to the house and sack the place. . . . And all this under the mask of friendship, lofty ideas, unhappiness!"

"No, it shall not be!" Pyotr Mihalitch cried suddenly, and he brought his fist down on the table.

He jumped up and ran out of the dining-room. In the stable the steward's horse was standing ready saddled. He got on it and galloped off to Vla.s.sitch.

There was a perfect tempest within him. He felt a longing to do something extraordinary, startling, even if he had to repent of it all his life afterwards. Should he call Vla.s.sitch a blackguard, slap him in the face, and then challenge him to a duel? But Vla.s.sitch was not one of those men who do fight duels; being called a blackguard and slapped in the face would only make him more unhappy, and would make him shrink into himself more than ever. These unhappy, defenceless people are the most insufferable, the most tiresome creatures in the world. They can do anything with impunity. When the luckless man responds to well-deserved reproach by looking at you with eyes full of deep and guilty feeling, and with a sickly smile bends his head submissively, even justice itself could not lift its hand against him.

"No matter. I'll horsewhip him before her eyes and tell him what I think of him," Pyotr Mihalitch decided.

He was riding through his wood and waste land, and he imagined Zina would try to justify her conduct by talking about the rights of women and individual freedom, and about there being no difference between legal marriage and free union. Like a woman, she would argue about what she did not understand. And very likely at the end she would ask, "How do you come in? What right have you to interfere?"

"No, I have no right," muttered Pyotr Mihalitch. "But so much the better. . . . The harsher I am, the less right I have to interfere, the better."

It was sultry. Clouds of gnats hung over the ground and in the waste places the peewits called plaintively. Everything betokened rain, but he could not see a cloud in the sky. Pyotr Mihalitch crossed the boundary of his estate and galloped over a smooth, level field.

He often went along this road and knew every bush, every hollow in it. What now in the far distance looked in the dusk like a dark cliff was a red church; he could picture it all down to the smallest detail, even the plaster on the gate and the calves that were always grazing in the church enclosure. Three-quarters of a mile to the right of the church there was a copse like a dark blur--it was Count Koltonovitch's. And beyond the church Vla.s.sitch's estate began.

From behind the church and the count's copse a huge black storm-cloud was rising, and there were ashes of white lightning.

"Here it is!" thought Pyotr Mihalitch. "Lord help us, Lord help us!"

The horse was soon tired after its quick gallop, and Pyotr Mihalitch was tired too. The storm-cloud looked at him angrily and seemed to advise him to go home. He felt a little scared.

"I will prove to them they are wrong," he tried to rea.s.sure himself.

"They will say that it is free-love, individual freedom; but freedom means self-control and not subjection to pa.s.sion. It's not liberty but license!"

He reached the count's big pond; it looked dark blue and frowning under the cloud, and a smell of damp and slime rose from it. Near the dam, two willows, one old and one young, drooped tenderly towards one another. Pyotr Mihalitch and Vla.s.sitch had been walking near this very spot only a fortnight before, humming a students' song:

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The Duel and Other Stories Part 27 summary

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