The Dresden Files Series Part I Part 17

The man's reaction would have had me rolling in laughter on any other day. He jerked, slammed his head against the bottom of the bed, yelped, drew himself back from the bed, turned to look at me, and all but leapt back over the bed in surprise when he saw me. I revised my opinion of his looks-his mouth was too pinched, his eyes too small and too close together, giving him the intent, predatory look of a ferret.

I narrowed my eyes and stalked toward him one slow pace at a time. "Just couldn't stay away, could you?"

"No!" he said. "Oh, G.o.d! You don't understand. I'm a photographer. See? See?" He fumbled with the case at his side and produced a camera from it. "Taking pictures. For the papers. That's what I'm doing here, just trying to get a good look around."

"Save it," I told him. "We both know you aren't here to take pictures. You were looking for this." And I pulled the film canister out of my pocket, held it up, and showed it to him.

His babbling stopped, and he stood stock-still, staring at me. Then at the canister. He licked his lips and started trying to say something.

"Who are you?" I asked. I kept my voice gruff, demanding. I tried to think of what Murphy would sound like, if I was downtown with her right now, waiting for her to ask me questions.

"Uh, Wise. Donny Wise." He swallowed, staring at me. "Am I in some kind of trouble?"

I narrowed my eyes at him and sneered, "We'll see about that. Do you have identification?"

"Sure, yeah."

"Let me see it." I speared him with a glance, and added, "Slowly."

He goggled at me and reached for his hip pocket with exaggerated slowness. With one hand, he drew out his wallet and flipped it open to his driver's license. I stalked toward him, s.n.a.t.c.hed it, and studied it. His license and picture agreed with the name he'd given me.

"Well, Mr. Wise," I began, "this is an ongoing investigation. So long as you give me your cooperation, I don't think that we-"

I looked up to see him peering at my name badge, and my voice trailed off. He jerked his wallet back, and accused, "You're not a cop!"

I tilted my head back at an arrogant angle. "Okay. Maybe not. But I work with the cops. And I've got your film."

He cursed again and started stuffing his camera back into his bag, clearly meaning to leave. "No. You got nothing. Nothing that connects any of this to me. I'm out of here."

I watched him start past me, toward the door. "Don't be so hasty, Mr. Wise. I really think you and I have things to discuss. Like a dropped film canister underneath the deck of a house in Lake Providence, last Wednesday night."

He flicked a quick glance up at me. "I have nothing to say to you," he mumbled, "whoever the h.e.l.l you are." He reached for the door and started to open it.

I gestured curtly to my staff in the corner, and hissed, in my best dramatic voice, "Vento servitas," "Vento servitas," jerking my hand at the doorway. My staff, driven by tightly controlled channels of air moving in response to my evocation, leapt across the room and slammed the door shut in front of Donny Wise's nose. He went stiff as a board. He turned to face me, his eyes wide. jerking my hand at the doorway. My staff, driven by tightly controlled channels of air moving in response to my evocation, leapt across the room and slammed the door shut in front of Donny Wise's nose. He went stiff as a board. He turned to face me, his eyes wide.

"My G.o.d. You're one of them. Don't kill me," he said. "Oh, G.o.d. You've got the pictures. I don't know anything. Nothing. I'm no danger to you." He tried to keep his voice calm, but it was shaking. I saw him tilt his eyes at the gla.s.s sliding doors to the little patio, as though calculating his chances of making it there before I could stop him.

"Relax, Mr. Wise," I told him. "I'm not here to hurt you. I'm after the man who killed Linda. Help me. Tell me what you know. I'll take care of the rest."

He let out a harsh little laugh, and eased a half step toward the gla.s.s windows. "And get myself killed? Like Linda, like those other people? No way."

"No, Mr. Wise. Tell me what you know. I'll put a stop to the killings. I'll bring Linda's murderer to justice." I tried to keep my voice soothing, even, fighting against the frustration I felt. h.e.l.l, I'd wanted to rattle him, but I hadn't meant to scare him so badly that he wanted to jump through a plate-gla.s.s sliding door. "I want these people stopped just as badly as you do."

"Why?" he demanded. I saw a little contempt in his eyes, now. "What was she to you? Were you sleeping with her, too?"

I shook my head. "No. No, she's just one more dead person who shouldn't be."

"You're not a cop. Why risk your a.s.s to do this? Why go up against these people? Haven't you seen what they can do?"

I shrugged. "Who else is going to?" He didn't answer me, so I held up the film canister. "What are these pictures, Mr. Wise? What is on this film that was worth killing Linda Randall for?"

Donny Wise rubbed his palms over his thighs. His ponytail twitched as he looked about the room. "I'll make you a deal. Give me the film, and I'll tell you what I know."

I shook my head. "I might need what's on here."

"What's there isn't any good to you if you don't know what you're looking at," he pointed out. "I don't know you from Adam. I don't want any trouble. All I want is to get my a.s.s out of this alive and in one piece."

I stared at him for a moment. If I traded him, I'd lose the film, and whatever was on it. If I didn't, and if he was telling me the truth, the film wouldn't do me any good. The trail had led me here, to him. If I didn't dig up a lead to somewhere else, I was dead.

So I snapped my fingers, letting my staff rattle to the floor. Then I tossed him the film, underhand. He dropped it, and stooped to recover it, studying me warily.

"After I get out of here," he said, "we're quits. I've never seen you before."

I nodded. "Fine. Let's have it."

Donny swallowed and ran a hand back over his hair, giving his ponytail a nervous little tug at the end of the motion. "I knew Linda from around. I'd taken some pictures of her, for a portfolio. I do shoots for some of the girls around town. They want to make it into magazines, most of them."

"Adult magazines?" I asked.

"No," he snapped, nervous still, "Uncle Abner's magazine for children. Of course adult mags. Nothing really cla.s.sy, but you can make some good money even if you're not Hugh Hefner's type.

"So on Wednesday, Linda comes to me. She says she's got a deal for me. I shoot some pictures for her and give her the film, and I get-and she's real nice to me. All I have to do is show up where she says, shoot a roll through the windows, and go. Deliver to her the next day. So I did it. And now she's dead."

"Out in Lake Providence," I said.

"Yeah."

"What did you see there?" I asked.

Donny Wise shook his head, his eyes drawn past me to the bed again. "Linda. Some other people. No one I knew. They were having some kind of party. All candles and stuff. It was storming like h.e.l.l, a lot of thunder and lightning, so I couldn't really hear them. I worried for a while about someone looking up and seeing me in the lightning, but I guess they were too busy."

"They were having s.e.x," I said.

"No," he snapped. "They was playing canasta. Yeah, s.e.x. The real thing, not fake stuff on a set. The real thing don't look as good. Linda, some other woman, three men. I shot my roll and got out."

I grinned, but he didn't seem to have noticed the double entendre. You just don't get quality lowlife often enough anymore. "Can you describe any of these other people?"

He shook his head. "I wasn't looking. But they wasn't being too particular, if you take my meaning. Turned my stomach."

"Did you know what Linda wanted with the pictures?"

He looked at me and then snickered, as though I were extremely simple. "Jesus, buddy. What do you think someone wants with pictures like that? She wanted to get leverage on somebody. h.e.l.l, it wouldn't hurt her reputation any if pictures of her in the middle of an orgy got out. But it might have, some of the people with her. What kind of simp, wanna-be cop are you?"

I ignored the question. "What are you going to do with the film, Donny?"

He shrugged. "Trash it, probably." I saw his eyes flick from side to side, and I knew that he was lying to me. He'd keep the film, find out who was in the pictures, and if he thought he could get away with it, he'd try to weasel whatever profit he could out of it. He seemed the type, and I trusted my instincts.

"Allow me," I said, and snapped my fingers. "Fuego." "Fuego."

The canister's grey lid flew off in a little whoosh of flame, and Donny Wise yelped, drawing his hand back sharply. The red canister burst into flame on its way to the ground and landed there in a crumpled, smoking lump.

He stared at the film, then up at me, his mouth gaping.

"I hope I don't find out you've lied to me, Donny," I told him. He went white as a sheet, a.s.sured me that he hadn't, then turned and fled out of the apartment, knocking loose two bits of police tape on the way out. He didn't close the door behind him.

I let him go. I believed him. He didn't seem bright enough to make up a story on the fly, as rattled as he'd been. I felt a ferocious surge of triumph, of anger, and of the desire to find this person, whoever it was, who was taking the raw forces of life and creation and turning them to the ends of destruction, and to put him in the trash with the rest of the garbage. Whoever he was, murdering with magic and killing people by degrees with the ThreeEye drug, he was someone I wanted to put down. My brain lurched into gear, now that there was something to work with, some other possibility for tomorrow morning than me dying in a variety of gruesome ways.

Linda Randall had been planning on blackmailing someone. I took a staggering mental leap and figured it was Victor, or someone out at his house during the party. But why? I didn't have any pictures now, only the information I'd gotten from Donny Wise. I couldn't afford to wait around. I had had to pursue the lead he'd given me if I was to get to the bottom of this, and find out who had killed Linda. to pursue the lead he'd given me if I was to get to the bottom of this, and find out who had killed Linda.

How had I managed to get into all of this trouble in only a few days? And how in the world had I managed to stumble across what appeared to be a complex and treacherous little plot by chance, out at the house in Lake Providence, on a separate investigation entirely?

Simple answer-it hadn't been an accident. It had all been by design. I had been directed there. Someone had wanted me out at the lake house, had wanted me to get involved and to find out what was going on out there. Someone who was nervous as h.e.l.l around wizards, who refused to give out her name, who had carefully dropped phrases that would make me believe her ignorance, who had to rush out quickly from her appointment and who was willing to let five hundred dollars go, just to get me off the phone a few seconds faster. Someone had drawn me out and forced me into the open, where I had attracted all sorts of hostile attention.

That was the key.

I gathered up my staff and rod and stalked out the door.

It was time to talk to Monica Sells.

Chapter Twenty The cabby dropped me off a block away from Monica Sells's house in the suburbs. I was running out of time, out of Murphy's loan, and out of patience, so I didn't waste any daylight in walking down the street toward her place.

It was a cute little house, two stories, a couple of young trees in the front yard, just now starting to rival the house for height. There was a minivan in the driveway, and a basketball goal, well used. The lawn was grown rather long, but all the recent rains left a good excuse for that. The street was a quiet one, and it took me a moment to realize that most of the houses on it were not occupied. FOR SALE FOR SALE signs stood in many of the yards. Spa.r.s.e curtains draped over empty, gaping windows, like cobwebs. There wasn't a lot of birdsong, for a street with so many trees, and I couldn't hear any dogs barking as I walked along the sidewalk. Overhead, clouds were thickening, building up for another thunderstorm. signs stood in many of the yards. Spa.r.s.e curtains draped over empty, gaping windows, like cobwebs. There wasn't a lot of birdsong, for a street with so many trees, and I couldn't hear any dogs barking as I walked along the sidewalk. Overhead, clouds were thickening, building up for another thunderstorm.

Taken all together, it had the feel of someplace blighted, a place where a black wizard had set up shop. I swung up through the Sells yard and to the front door.

I rang the bell, and waited.

There was no answer.

I knocked. I leaned on the doorbell.

Still no answer.

I tightened my jaw and looked around. I didn't see anyone, so I turned back to the door, preparing to use a spell to open it.

Instead, the door swung open, maybe six inches. Monica Sells stood inside, peering out at me with her green eyes. She was dressed in jeans, a plain flannel shirt with the sleeves rolled up, and her hair was covered by a bandanna. She wore no makeup. She looked both older and more appealing that way-I think maybe because it was a more natural look for her, something that was closer to the sort of person she really was, rather than the nicer clothes and jewelry she'd worn when she visited my office. Her face went pale, her lips bloodless.

"I don't have anything to say to you, Mr. Dresden," she said. "Go away."

"I can't do that," I said. She started to swing the door shut, but I jammed the end of my staff into the doorway, keeping it from closing.

"I'll call the police," she said, voice strained. She leaned against the door, trying to keep me from coming in.

"Do it," I growled, and then I played a hunch, "and I'll tell them about you and your husband." I was taking a shot in the dark, but what the h.e.l.l. She didn't know that I didn't know what the h.e.l.l was going on.

My instincts paid off. I heard her suck in a breath and felt her resistance on the door sag a little. I put my shoulder to the door, leaned into it hard, and she stepped back from me in surprise. I don't think she'd expected me to physically force my way into her house. h.e.l.l, I hadn't expected me to do that. I hadn't realized how angry I was until I saw the look of panic on her face when she looked up at me. I don't know what I looked like, but it must not have been friendly.

I stopped. I closed my eyes. I took a deep breath, and tried to get a handle on my anger. It wouldn't profit me anything to lose control.

That was when she went for the stunner.

I heard her move, opened my eyes in time to see her s.n.a.t.c.h a black plastic case the size of a cellular phone from the piano and lunge toward me. Her face was pale, frightened. Blue lightning danced between the two tines of the stunner as she shoved it at my stomach.

I swept my staff, upright, from right to left, and the buzzing device went past me, along with her lunge, striking the doorframe behind me. I slipped past her, into the living room, turning to face her as she recovered and turned around.

"I won't let you hurt them," she snarled. "Not you, not anyone. I'll kill kill you before I let you touch them, wizard." And then she was coming at me again, fury replacing the terror in her eyes, a grim determination to succeed that made me think of Murphy for a second. For the first time, she was looking me in the face. For the first time she forgot to keep her eyes averted from mine, and in that second, I saw inside of her. you before I let you touch them, wizard." And then she was coming at me again, fury replacing the terror in her eyes, a grim determination to succeed that made me think of Murphy for a second. For the first time, she was looking me in the face. For the first time she forgot to keep her eyes averted from mine, and in that second, I saw inside of her.

Things seemed to slow down for a moment. I had time to see the color of her eyes, the structure of her face. To recognize where I had seen them before, why she had looked familiar to me. I had time to see, behind her eyes, the fear and the love that motivated every move she made, every step she took. I saw what had moved her to come to me, why she was afraid. I saw her grief, and I saw her pain.

And the pieces all fell into place. Knowing the emotions that drove her, the terrible love that she was showing even now, it all seemed perfectly obvious, and I felt stupid for not figuring it out days ago.

"Stop," I said, or tried to say, before she thrust the stunner at my chest. I dropped staff and rod alike in a clatter of falling wood, and caught her wrist in both of my hands. She pushed the stunner up at my face, and I let her do it.

It got to within about three inches of me, the light bright in my eyes. Then I drew in a breath and puffed it out onto the stunner, along with an effort of will. There was a spark, a little puff of smoke, and then it went dead in her hands, like every other electronic gizmo seemed to do whenever I came around. h.e.l.l, I was surprised it had taken as long as it did to stop working. And even if it hadn't, it wasn't any trouble for me to hex it into uselessness.

I continued holding her wrist, but the driving tension behind her arm had eased away to nothing. She was staring at my face, her eyes wide with shock from the meeting of our gazes. She started shaking and dropped the useless stunner from limp fingers. It clattered to the floor. I let go of her, and she just stared at me.

I was shaking, too. A soulgaze is never something pleasant or simple. G.o.d, sometimes I hated that I had to live with that. I hadn't wanted to know that she had been abused as a child. That she'd married a man who provided her with more of the same, as an adult. That the only hope or light that she saw in her life was in her two children. There hadn't been time to see all of her reasons, all of her logic. I still didn't know why she had drawn me into this entire business-but I knew that it was, ultimately, because she loved her two kids.

And that was all I really needed, that and one other connection, the nagging resemblance to someone that I had noticed in her at my office. The rest fell into place from there.

It took Monica Sells a moment to recover herself. She did it with remarkable speed, as though she were a woman used to drawing on a mask again after having it knocked off. "I...I'm sorry, Mr. Dresden." She lifted her chin, and regarded me with a fragile, wounded pride. "What do you want here?"

"A couple of things," I told her. I stooped down to recover my staff, my rod. "I want my lock of hair back. I want to know why you came to me last Thursday, why you dragged me into this mess. And I want to know who killed Tommy Tomm and Jennifer Stanton and Linda Randall."

Monica's eyes grew even duller, and her face paled. "Linda's dead?"

"Last night," I told her. "And someone's planning on taking me out the same way, the next chance they get."

Outside, in the far distance, thunder rumbled. Another storm was in the works, slowly building. When it got to town, I was a dead man. It was as simple as that.

I looked back to Monica Sells, and it was all over her face-she knew about the storm just as well as I did. She knew about it, and there was a sort of sad and weary frustration in her eyes.

"You have to go, Mr. Dresden," she said. "You can't be here when...You've got to go, before it's too late."

I stepped toward her. "You're the only chance I have, Monica. I asked you once before to trust me. You've got to do it again. You've got to know that I'm not here to hurt you or your-"

A door opened in the hallway behind Monica. A girl, on the gawky end of preadolescence, with hair the color of her mother's, leaned out into the hallway. "Mom?" she said in a quavering voice. "Mom, are you okay? Do you want me to call the police?" A boy, perhaps a year or two younger than his sister, poked his head out, too. He was carrying a well-used basketball in his hands, turning it in nervous little gestures.

I looked back to Monica. Her eyes were closed. There were tears coming, trailing down her cheeks. It took her a moment, but she drew in a breath and spoke to the girl in a clear, calm voice, without turning around. "I'm fine," she told them. "Jenny, Billy, get back into the room and lock the door. I mean it."

"But, Mom-" the boy began.

"Now," Monica said. Her voice was strained.

Jenny put a hand on her brother's shoulder. "C'mon, Billy." She looked at me for just a moment. Her eyes were too old and too knowing for a child her age. "C'mon." The two vanished back into the room, closed the door, and locked it behind them.