The Dop Doctor Part 103

"I am Mrs. Owen Saxham. I live at that grey stone house up there on the cliff. 'Plas Bendigaid,' they call it," explains Lynette, a little nervously, as her reluctant eyes scan the face and figure of the woman who owns the legal right to bear Beauvayse's name. The encounter is distasteful to her. She is painfully conscious of an acute sensation of antagonism and dislike. "The house belongs to my husband, and this is my first visit to Herion," she adds hurriedly, "because we--my husband and I--have not been very long married. But I like the place. And the house is charming, and there is a hall that was once the chapel, when it was a Convent. It shall be a chapel again; that is"--the wild-rose colour deepens on the lovely face--"if my husband agrees? To have it so restored would make the Plas seem more like a home, because I was brought up in a Convent, though not in England."

Her eyes stray back to the sun-kissed beauty of Nantmadoc Bay and the dotted line of white spots that indicate the town of St. Tudwalls at the base of the green promontory beyond the Roads. She forgets that this little overdressed person is Beauvayse's wife. She forgets in the moment that she herself is Saxham's. She is back in the beloved past with the Mother.

"It was in South Africa, my Convent ... more than a thousand miles from Cape Town, in British Baraland, on the Transvaal Border--in a little village-town, dumped down in the middle of the veld."

"What on earth is the veld?" asks the lady of the red umbrella, with acerbity. "I'm sick of seeing the word in the papers, and n.o.body seems to know what it means."

Lynette's soft voice answers:

"You can never know what it means until you have lived its life, and it has become part of yours. It spreads away farther than your eyes can follow it, for miles and miles. It is jade colour in spring, blue-green in early summer, desolate, scorching yellow-brown in winter, with dreadful black tracts of cinders, where it has been burned to let the young gra.s.s grow up. There is hardly a tree; there is scarcely a bird, except a vulture, a black speck high in the hot blue sky. There are flat-topped mountains and cone-shaped kopjes, reddish, or pale pink, or mauve-coloured, as they are nearer or farther away. And that is all!"

"All?"

"All, except the sunshine, bathing everything, soaking you through and through."

"But there is not always sunshine? It must be sometimes night?" argues Lessie, a little peevishly.

"There are deep violet nights, full of great white stars," Lynette answers. "There are storms of dust and rain, lightning and thunder, such as are only read of here.... There are plots, conspiracies, raids, robberies, murders, slumps and losses, plagues and ma.s.sacres. There are rebellions of white men, and native risings. There have been wars; there is war to-day, and there will be war again in the days that are yet to come!"

She has almost forgotten the little woman beside her, staring at her with big, brown, rather animal eyes. Now she turns to her with her rare and lovely smile:

"The war that is going on now began at the little village-town where I was a Convent schoolgirl. We were shut for months within the lines. But, of course, you have read the newspaper accounts of the Siege of Gueldersdorp?

I am only telling you what you know!"

Lessie laughs, and the laugh has the hard, unpleasant, mirthless little tinkle of a toy dog's collar-bell, or bits of crushed ice rattled in a champagne-gla.s.s.

"What I have good reason to know!"

Her podgy, jewelled hands are clenching and unclenching in her heliotrope chiffon lap; there is a well-defined scowl between the black arched eyebrows, and the murky light of battle gleams in the eyes that no longer languish between their bistred eyelids as she scans the pure pale face under the sweep of her heavily blackened lashes. She would almost give the ruby b.u.t.tons out of her ears to see it wince and quiver, and crimson into angry blushes. And yet Lessie is rather amiable than otherwise in her att.i.tude towards other women. True, she has never before met one who had the insolence to pity her to her face.

"So quite too interesting!" she says, with an exaggerated affectation of amiability, and in high, fashionable accents, "you having been at Gueldersdorp through the Siege and all. Were you ever--I suppose you must have been sometimes--shot at with a gun?"

The faintest quiver of a smile comes over the lovely face her grudging eyes are trying to find a flaw in.

"Often when I have been crossing the veld between the town and the Hospital, the Mauser bullets have hummed past like bees, or raised little spurts of dust close by my feet where they had hit the ground. And once a sh.e.l.l burst close to us, and a splinter knocked off my hat and tore a corner of her veil----"

"Weren't you in a petrified fright?" demands Lessie.

"I was with her!"

"Who was she?"

A swift change of sudden, quickening, poignant emotion pa.s.ses over the still face. A sudden swelling of the white throat, a rising mist in the golden eyes, suggests to Lessie that she has been fortunate enough to touch upon a painful subject, and that possibly this presumptuous young woman who has pitied a Viscountess may be going to cry! But Lynette drives back the tears.

"She was the Reverend Mother, the Mother-Superior of the Convent where I lived at Gueldersdorp."

"Where is she now?"

"She is with G.o.d."

"With----"

Lessie is oddly nonplussed by the calm, direct answer. People who talk in that strangely familiar way of--of subjects that properly belong to parsons are rare in her world. She hastens to put her next question.

"Was yours the only Convent in Gueldersdorp where young ladies were taught?"

"It is the only Convent there."

"Did you know--among the pupils--a young person by the name of Mildare?"

There is such concentrated essence of spite in Lessie's utterance of the name, that Lynette winces a little, and the faint, sweet colour rises in her cheeks.

"I--know her, certainly; as far as one can be said to know oneself. My unmarried name was Mildare."

"You--don't say so! Lord, how funny!"

The seagulls fishing in the shallows beyond the foam-line, rise up affrighted by the shrill peal of triumphant laughter with which Lessie makes her discovery.

"Ha, ha, ha! Talk of a situation!... On the boards I've never seen one to touch it!" She jumps from the boulder, with more bounce than dignity, dropping the red umbrella and the jewelled card-case, and, extending in one pudgy ringed hand a highly-glazed and coroneted card, "Permit me to introduce myself," she says through set teeth, smiling rancorously. "My professional name, as I have had the honour and pleasure of explaining to you, is Lessie Lavigne, but in private"--the dignity of the speaker's tone is marred by its extreme huffiness--"in private I am Lady Beauvayse."

As Lynette looks in the painted, angry, piquante face she is more than ever conscious of that feeling of antagonism. Then her eyes, turning from it, encounter the cherub rosily sleeping on embroidered pillows, and a rush of blood colours her to the hair. His child--his child by the dancer--this dimpled creature she has clasped and kissed! The icy, tinkling giggle of the mother breaks in upon the thought.

"Of all the queer situations I ever struck, I do call this the queerest!

Me, meeting you like this, and both of us getting quite pally! All over Baby, too!... Lord! isn't it enough to make you die? Don't mind me being a bit hysterical!" Lady Beauvayse dabs her tearful eyes with a cobwebby square of laced cambric. "It'll be over in a sec. And then, Miss Mildare--I beg pardon--Mrs. Saxham--you and me will have it out!"

"I am afraid I must be going." Lynette rises, and stands beside Lessie, looking down in painful hesitation at the blinking, reddened eyelids and the working mouth. "I have guests waiting for me at the Plas. And would it not be wise of you to go home and lie down?"

The words, for some obscure reason or other, convey an intolerable sting.

Lessie jumps in her buckled Louis Quinze shoes, wheels, and confronts her newly-discovered enemy with glaring eyes.

"Go home ... lie down!" she shrieks, so shrilly that the sleeping cherub awakens, and adds her frightened roars to the clamour that scares the gulls. "If I _had_ lain down and gone to my long home eighteen months ago, when you were cooped up in Gueldersdorp with my husband, it would have suited you both down to the ground!" She turns, with a stamp of her imperious little foot, upon the scared nurse, who is vainly endeavouring to still Baby. "Take her away! Carry her out of hearing! Do what you're told, you silly fool!" she orders. "And you"--she wheels again upon Lynette, her wistarias nodding, her chains and bangles clanking--"why do you stand there, like a white deer in a park--like an image cut out of ivory? Don't you understand that I, the woman you've pitied--my G.o.d!

pitied, for singing and dancing on the public stage 'with so few clothes on'"--she savagely mimics the manner and tone--"I am the lawful wife of the man you tried to trap--the Right Honourable John Basil Edward Tobart!"

The painted lips sneer savagely. "Beautiful Beau, who never went back on a man, or told the truth to a woman!--that's his character, and it pretty well sizes him up!"

Lessie stops, gasping and out of breath, the plump, jewelled hand clutching at her heaving bosom. The theatrical instinct in the daughter of the footlights has led her to work up the scene; but her rage of wounded love and jealousy is genuine enough, though not as real as the innocence in the eyes that meet hers, less poignant than the shame and indignation that drive the blood from those ivory cheeks.

"He married me on the strict QT at the Registrar's at Cookham," goes on Lessie, her painted mouth twisting, "a fortnight before he was ordered out on the Staff. We'd been friends for over a year. There was a child coming, since we're by way of being plain-spoken," says Lessie, picking up the prostrate red umbrella and the jewelled card-case, possibly to conceal a blush; "and he swore he'd never look at another woman, and write by every mail. And so he did at first, and I used to cry over the blooming piffle he put into his letters, and wish I'd been a straighter woman, for his sake. And then the Siege began, and the letters stopped coming, and I cried enough to spoil my voice, little thinking how my husband was playing the giddy bachelor thousands of miles away. And then came the news of the Relief, and despatches, saying that he"--her pretty face is distorted by the wry grimace of genuine anguish--"_he_ was killed! And a month later I got a copy of a rotten Siege newspaper, sent me by I don't know who, and never shall, with a flowery paragraph in it, announcing his lordship's engagement to Miss Something Mildare. Oh! it was merry h.e.l.l to know how he'd done me--me that worshipped the very ground he trod!... Me that had made a Judy of myself in c.r.a.pe and weepers--widow's weepers for the man that wished me dead!"

Her voice is thick with rage. Her face is convulsed. Her eyes are burning coals. She has never been so nearly a great actress, this meretricious little dancer and comedian, as in this moment when she forgets her art.

"Picture it, you!... Don't you fancy me in 'em? Don't you see me in my bedroom tearing 'em off?" She rends her flimsy cobweb of a handkerchief into tatters and spurns them from her. "So!... so!... that's what I did to 'em!" She snarls with a sudden access of tigerishness. "And if that white face of yours had been within reach of my ten fingers, I'd have ragged it into ribbons like the blooming fallals. Don't dare tell me you'd not have done the same! Perhaps, though, you wouldn't. You're a lady, born and bred," owns Lessie grudgingly, "and I was a jobbing tailor's kid, that worked to keep myself and other folks as a baby imp in Pantomime, while you were being coddled up and kept in cotton-wool!"

She ends with a husky laugh and a shrug of the shoulders. The swollen face with the wet eyes is averted, or Lessie might be roused to fresh resentment by the tenderness of pity that is dawning in Lynette's.

"You have suffered cruelly, Lady Beauvayse; but I was not knowingly or wilfully to blame. Please try to believe it!"

Lessie blows her small nose with a toot of incredulity, and says through an intervening wad of damp lace-edged cambric: