The Dead Command Part 2

As he talked of his journey the rustic displayed his strong teeth in mischievous smiles. It was a wild adventure of which his friends there in Iviza would talk a long time! He had always been of a roving and venturesome disposition--a vicious habit formed when he was a soldier.

The master of a small trading vessel, a great friend of his, had picked up a cargo for Majorca, and had invited him just for a joke to come along. But it was risky to joke with him. As soon as the idea was suggested he accepted. The youngsters had never been in Majorca; in the entire parish of San Jose, in which he lived, there were not a dozen persons who had seen the capital. Many of them had visited America; one had been to Australia; some neighbor women talked of their trips to Algeria with smugglers in their feluccas; but no one ever came to Majorca, and with good reason! "They don't like us here, Don Jaime; they stare at us as if we were strange animals; they think we are savages, as if we are not all the children of G.o.d." And here he and his children had been subjected to the gaze of the curious throughout the whole morning just as if they were Moors. Ten hours of sailing on a magnificent sea!

The girl had a basket of lunch for the three of them! They would return tomorrow at break of day, but before sailing he wished to speak to the master on a matter of business.

Jaime made a gesture of surprise, and listened more attentively. Pep expressed himself with a certain timidity, stumbling over his words. The almond trees were the greatest source of wealth on Can Mallorqui. Last year the crop had been good, and this year it did not look unpromising.

It was being sold to the padrones, who were bringing it to Palma and Barcelona. He had planted nearly all his fields to almonds, and now he was thinking of clearing and cleaning off the stones from certain lands belonging to the senor, and of raising wheat on them--no more than enough for the use of his own family.

Febrer did not conceal his surprise. What lands did he mean? Did he really have anything left in Iviza? Pep smiled. They were not lands exactly; it was a stony hill, a rocky promontory overhanging the sea, but he might cultivate it by terracing the steep slopes. On its crest was the Pirate's Tower--did not the senor remember? It was a fortification dating from the time of the corsairs. Don Jaime had scrambled up to it many times when a child, shouting like a young warrior, flourishing a cudgel of juniper wood, giving orders for the a.s.sault upon an imaginary army.

The senor, who had hoped for an instant in the discovery of a forgotten estate, the last one of which he might be the real owner, smiled sadly.

Ah! the Pirate's Tower! He remembered it. A bold limestone cliff, in the crevices of which sprung up bushes and shrubs, the refuge and sustenance of rabbits. The old stone fortress was a ruin, now slowly crumbling under the stress of time and wind. The stones were falling from their places, the corners of the merlons were wearing away. When Can Mallorqui was sold the tower had not been included in the contract, possibly through oversight because it seemed worthless. Pep could do as he liked with it, Don Jaime a.s.sured him. Probably he would never return to the place, forgotten since the days of his youth.

When the peasant spoke of future remuneration, Don Jaime silenced him with the gesture of a gran senor. Then he glanced at the girl. She was very pretty; she looked like a senorita in disguise; the young fellows on the island must be wild over her. The father smiled, proud, yet disturbed by this praise. "Come, girl, what should you say to the master?" He spoke to her as if she were a child, and she, with lowered eyes, her face flushed, fingering a corner of her ap.r.o.n, stammered a few words in the Ivizan dialect: "No, I am not pretty. I am at your lordship's service."

Febrer brought the interview to a close, telling Pep and his children to go to his house. The peasant knew Antonia, and the old woman would be very glad to see him. They must eat with her whatever--whatever there was to be had. He would see them again about sunset when he returned from Valldemosa. "Good-bye, Pep! Good-bye, children!"

He made a signal with his cane to a driver seated on the box of a Majorcan carriage, a light vehicle mounted upon four slender wheels, with a cheerful canopy of white canvas, and drove toward Valldemosa and the wealthy Jewess whose dowry was to recoup his fortune.

CHAPTER II

BARTERING THE ANCESTRAL NAME

Having reached the outskirts of Palma and the open vernal fields, Jaime Febrer repented of his present way of existence. He had not been beyond the confines of Palma for a year, and he had been spending his afternoons in the cafes on the Paseo del Borne and his nights in the gambling hall of the Casino.

It had never occurred to him to go forth where he might see the fields clad in tender green, the waters murmuring in the acequias; the soft blue sky dotted with white, fleecy islets, the dark green hills where stood the windmills swinging their arms upon the summits, the abrupt sierras forming a rose-colored background to a landscape which everywhere smiled and whispered sweetly, as in the days when, it astounded the ancient navigators, causing them to name Majorca "the Fortunate Isle"! When, thanks to his marriage, he should acquire a fortune, and could redeem the fine estate of Son Febrer, he would spend a part of the year there, as his forefathers had done, leading the healthy, rural life of a gran senor, munificent and honored.

The horses were going at topmost speed and the carriage whirled past a string of peasants trudging along the road returning from the city.

There were slender brown women wearing over their braids and white rebocillos broad straw hats with streamers and sprays of wild flowers; men dressed in striped drill, the so-called Majorcan cloth, their hats stuck on the backs of their heads like black or gray nimbuses around their shaven faces.

Febrer recalled the characteristics of the road although he had not pa.s.sed over it for many years. He was like a stranger returning to the island after a dimly remembered visit. Farther on the road forked; one branch leading to Valldemosa and the other to Soller... Ah! Soller...

Scenes of his boyhood rushed through his memory! Every year, in a carriage like this, the Febrer family used to journey to Soller where they owned an old structure with a s.p.a.cious zaguan, the House of the Moon, so named on account of a hemisphere of stone having eyes and nose, representing the luminary of night which adorned the upper part of the portalon.

They habitually went early in May. When the carriage rolled along a narrow pa.s.s high up in the sierra, the little Jaime would shout with joy as he beheld, lying at his feet, the valley of Soller, the Garden of Hesperrides of the island. The mountains, dark with their pine trees, and dotted with little white houses, lifted their crests bound about in turbans of vapor. Below, surrounding the village and stretching down the valley as far as the sea, were orange orchards. Spring burst over the happy land with an explosion of color and perfume. Wild flowers grew among the rocks; branches of the trees were decked in waving green; poor habitations of the peasants concealed ruinous poverty beneath canopies of climbing roses. Rustic families from towns far and near gathered at the fiesta of Soller: the women in white rebocillos, heavy mantillas, and with gold b.u.t.tons on their sleeves; the men in gay waistcoats, homespun woolen cloaks, and hats with colored bands. Concertinas whined, calling to the dance; gla.s.ses of native sweet wine and of wine from Ba.n.a.lbufar pa.s.sed from hand to hand. It was joy and peace after a thousand years of piracy and of war against the infidel peoples of the Mediterranean; the joyful commemoration of the victory won by the peasants of Soller over a fleet of Turkish corsairs in the sixteenth century.

In the port, the fishermen, masquerading as Mussulmans, or as Christian warriors, held a sham naval battle on their little boats, firing off blunderbusses and flourishing swords, or pursuing one another up and down the roads along the sh.o.r.e. In the church a festival was celebrated to comemmorate the miraculous victory, and Jaime, seated in a place of honor beside his mother, thrilled with emotion listening to the priest just as he did on reading an interesting tale in his uncle's library in the second story of the great house in Palma.

The inhabitants of Soller had risen in arms against Alaro and Bunola on learning from a boat which had come over from Iviza that a fleet of twenty-two Turkish galiots with many galleys was heading for their coast, threatening this the richest town of the island. Seventeen hundred Turks and Africans, formidable pirates, attracted by the riches of the town, and drawn on by the desire to attack a convent of nuns, where beautiful young women of n.o.ble families lived retired from the world, had landed upon the beach. Divided into two columns, one marched against the Christians who had gone out to resist them, while the other, making a detour, entered the town, capturing youths and maidens, pillaging churches and killing the priests. The Christians realized the extremity of the situation. Before them were a thousand advancing Turks; behind them the village in the hands of looters, their families subjected to violence and outrage calling to them in despair. They hesitated only a moment. A sergeant from Soller, a valorous veteran of the army of Charles V in the wars of Germany and against the Grand Turk, urged them on to attack the enemy. They fell upon their knees and invoked the Apostle St. James, and then attacked with their fire-locks, arquebuses, lances and axes, devoutly expecting a miracle. The Turks faltered; then turned their backs. Their terrible chieftain, Suffarais, Captain General of the sea, an ancient Turk of great obesity, famous for his courage and daring, exhorted them in vain. At the head of his body-guard, a squadron of negroes, he attacked, scimitar in hand, felling a circle of corpses around him, but at last a native of Soller pierced his breast with a lance, and as he fell the invaders fled, even forsaking their standard. Then a new enemy barred their way. While trying to reach the coast and take refuge aboard their ships, a band of robbers that had witnessed the battle from their caves in the crags, seeing the Turks in retreat, came out to meet them, firing their flintlocks and brandishing their daggers. They had with them a troop of mastiffs, ferocious companions of their infamous career, and these animals, according to the chroniclers of the epoch, "gave evidence of the excellence of the Majorcan breed." The troops under the command of the veteran sergeant turned back to the desolated village from which the looters fled as best they could in the direction of the sea, or fell decapitated in the streets.

The priest became exalted as he related the victorious defense, attributing the greater part of the success to the Queen of Heaven and to the Apostle warrior St. James. Then he eulogized Captain Angelats, the hero of the day, the Cid of Soller, and also the valiant donas of Can Tamany, two women on an estate near the village who had been surprised by three Turks greedy to satiate their carnal appet.i.tes after long abstinence on the solitudes of the sea. The valiant donas, arrogant and strong, as are all good peasants, neither cried out nor fled at sight of these three pirates, enemies both of G.o.d and of the saints.

With the bar used for fastening the door they killed one of them and then locked themselves up in the house. Hurling the corpse out of a window upon the a.s.sailants, they broke the head of another, and they drove the third off with stones, like true descendants of the Majorcan slingers. Ah, the brave donas, the forceful women of Can Tamany! The good people worshipped them as sainted heroines of the interminable war against the infidel, and they laughed tenderly over the deeds of these Joans of Arc, thinking with pride how perilous was the Mussulmans' task of supplying their harems with new flesh.

Then the preacher, following traditional custom, brought his harangue to a close by naming the families who had taken part in the battle; a list of a hundred, to which the rural audience listened attentively, each nodding his head with satisfaction when the name of one of his forefathers was p.r.o.nounced. This lengthy enumeration seemed short to many, who made a gesture of protest when the preacher ceased. "There were others whom he did not mention," murmured the peasants whose names had not been read. All desired to be descendants of the warriors of Captain Angelats.

When the fiestas ended and Soller recovered its tranquillity, young Jaime used to spend his days racing through the orange orchards with Antonia, old Mammy Antonia of the present, who was then a fresh young woman with white teeth, full bust, and vigorous tread, widowed a few months after her marriage and followed by the ardent glances of all the peasantry. Together they went to the port, a peaceful, solitary basin, its entrance half concealed by a curving rocky arm of the sea. Only now and then the masts of some sailing vessel coming to take on a load of oranges for Ma.r.s.eilles, appeared before this blue town with its surrounding waters. Flocks of old gulls, enormous as hens, fluttered with evolutions like a contredanse upon its glossy surface. The fishermen's boats came in at sunset, and beneath the sheds along the sh.o.r.e enormous fishes were left hanging, their tails sweeping the ground, bleeding like oxen; together with rays and octopuses from which dripped a white gelatinous slime like drops of palpitating crystal.

Jaime loved this quiet port and its brooding solitude with religious veneration. Then he recalled the miraculous stories with which his mother used to lull him to sleep--the great miracle wrought upon these waters by a servant of G.o.d to flout the hardened sinners. Saint Raymond of Penafort, a virtuous and austere monk, became indignant with King Jaime of Majorca who was basely enamored of a certain lady, Dona Berenguela, and who remained deaf to holy counsels. The friar determined to abandon this recalcitrant, but the king sought to prevent his departure by laying an embargo upon all ships and vessels. Then the saint descended to the lonely port of Soller, spread his mantle upon the waves, stepped upon it, and sailed away to the coasts of Catalonia.

Mammy Antonia had also told him of this miracle, but in Majorcan verse, in a primitive romance that breathed the simple confidence of centuries which clung trustfully to the marvelous. The saint, having embarked on his mantle, set up his staff for a mast and his hood for a sail; then a wind from heaven blew upon the strange vessel; in a few hours the servant of the Lord sailed from Majorca to Barcelona; the lookout at Montjuich announced with a flag the apparition of the prodigious craft, the bells of Seo rang, and the merchants rushed down to the sea-wall to welcome the sainted voyager.

Little Febrer, his curiosity aroused by these marvels, was eager to hear more, and his companion called the old fishermen who showed him the rock where the saint had stood while invoking the aid of Almighty G.o.d before setting sail. An inland mountain which could be seen from the port had the form of a hooded friar. Along the coast, at an inaccessible point, a cliff seen only by fishermen resembled a monk kneeling at prayer. These prodigies had been formed by G.o.d, according to the simple souls, to perpetuate the memory of the famous miracle.

Jaime still recalled the thrills of emotion with which he had listened to these tales. Ah, Soller! The epoch of holy innocence in which he had first opened his eyes upon life to the accompaniment of miraculous stories and commemorations of heroic struggles! The House of the Moon he had lost forever, and also the credulity and the innocence of youth.

Only memories lingered. More than twenty years had rolled away since he had pressed foot on the paths of forgotten Soller; it now came back to his mind with all the smiling fancies of childhood.

The carriage reached the fork of the road taking the route to Valldemosa, and all his memories seemed left behind, motionless by the roadside, growing hazy in the distance.

The way to Valldemosa held no memory of the past. He had been over it only twice, after coming to manhood, having gone with friends to see the cells of the Cartuja--a once renowned Carthusian convent. He recalled the farmers' olive trees along the roadside, aged trees of strange, fantastic shapes which had served as inspiration for many artists, and he thrust his head through a window to look at them again.

The ground was rising; here began the stony, unirrigated ground, the lowest of the foothills. The road wound steeply among the ancient groves. The first olive trees now pa.s.sed before the carriage windows.

Febrer had seen them, had often spoken of them, and yet he felt the sensation of something extraordinary, as if looking at them for the first time. They were black, with enormous, knotted, open trunks, swelling with great excrescences, and the foliage was spa.r.s.e. These were olive trees which had stood for centuries, which had never been pruned, in which age robbed the sap from the branches to distend the trunk with the protuberances of a slow and painful circulation. The region looked like the deserted studio of a sculptor littered with thousands of shapeless bulks, with monsters scattered over the ground, upon a green carpet dotted with bluebells and marguerites.

One of the trees resembled an enormous toad crouching ready to spring, holding a spray of leaves in its mouth; another was a great coiled boa with an olive crest upon his head. There were trunks open like ogives, through the orifices of which shone the blue sky; monstrous serpents coiled in groups like the spirals of a solomonic column; gigantic negroes, heads down and hands on the ground, the roots like fingers thrust deep into the soil, their feet in the air, grotesque stems with bunches of leaves springing from them. Some, vanquished by the centuries, were lying on the ground, sustained by forked branches, like old men trying to lift themselves with the aid of crutches.

It seemed as if a tempest had swept these fields, overthrowing and twisting everything out of shape, and afterward turning them to stone to hold this work of desolation under a spell forever. Some trees standing erect, and having softer outlines, seemed to have feminine faces and figures. They were Byzantine maidens, with tiaras of dainty leaves and trailing vestments of wood. Others were ferocious idols with protruding eyes and long flowing beards; fetiches of gloomy, barbaric cults capable of checking primitive humanity in its progress, forcing it to its knees with emotion as if at a meeting with divinity. In the calm of this frenzied, but motionless distortion, in the solitude of these fields peopled by startling and eternal specters, birds were singing, wild flowers crept to the foot of the worm-eaten trunks, and ants came and went, an infinite rosary, burrowing in the ancient roots like indefatigable miners.

Gustave Dore, according to report, had sketched his most fantastic conceptions in these olive orchards, steeped in the mysteries of centuries. Recollection of this artist recalled to Jaime's mind others more celebrated who had also pa.s.sed along this road, and had lived and suffered in Valldemosa.

Twice he had visited the Cartuja merely to see the places immortalized by the sad and unhealthy love of a pair of famous persons. His grandfather had often told him of "the Frenchwoman" of Valldemosa and her companion "the musician."

One day the inhabitants of Majorca and the people of the Peninsula who had taken refuge on the island, fleeing from the horrors of civil war, saw a strange couple disembark, accompanied by a boy and girl. It was in 1838. When their luggage was landed the islanders were astounded by an enormous piano, an Erard instrument of which but few were to be seen in those days. The piano was held in the custom house while the tangle of certain administrative scruples was unraveled, and the travelers sought lodging at an inn, and later rented the estate of Son Vent, in the environs of Palma. The man seemed to be ill; he was younger than the woman, but wasted by suffering, pale, with the transparent pallor of the consecrated wafer, his limpid eyes glowing with fever, his narrow chest shaken by harsh and continuous coughing. A fine, silky beard shaded his cheeks; a black, s.h.a.ggy head of hair like a lion's mane crowned his forehead and hung down behind in a cascade of curls. She was strong and vigorous and did all the work of the house like a good bourgeoise more willing than skilled in such labors. She played with her children like a girl, and her kindly, smiling face clouded only when she heard the cough of the "beloved invalid." An atmosphere of exotism, of irregular existence, of protest against conventional custom, seemed to surround this vagabond family. She dressed in fantastic gowns, and wore a silver dagger thrust in her hair, a romantic ornament which scandalized the pious Majorcan dames. Besides, she did not go to ma.s.s in the city, nor make calls; she did not go out of her house except to play with her children or to entice the poor consumptive out into the sunshine, leaning on her arm. The children were as extraordinary as the mother.

The girl went dressed like a boy that she might run with greater freedom.

Soon island curiosity ferreted out the names of these strangers of alarming peculiarities. She was a French woman, a writer of books; Aurore Dupin, the ill.u.s.trious Baroness Dudevant separated from her husband, who made a world-wide reputation through her novels, which she signed with a masculine given name, and the surname of a political a.s.sa.s.sin, George Sand. The man was a Polish musician, of delicate const.i.tution, who seemed to leave a portion of his existence in each one of his works, and who felt himself dying at twenty-nine years of age. He was called Frederic Francois Chopin. The children belonged to the novelist, who was about thirty-five.

Majorcan society, bound up in its traditional preoccupations, like a mollusk in its sh.e.l.l, and hostile by instinct to impious novelties from Paris, waxed indignant over this scandal. They were not married! And she wrote novels which startled respectable people by their audacity!

Feminine curiosity wished to read them, but only Don Horacio Febrer, Jaime's grandfather, received books in Majorca, and the small volumes of "Indiana" and "Lelia," belonging to him, pa.s.sed from hand to hand without being understood by their readers. A married woman who wrote books and lived with a man who was not her husband! Dona Elvira, Jaime's grandmother, a senora from Mexico, whose portrait he had so often seen, and whom he imagined always dressed in white with her eyes turned heavenward and her gilded harp between her knees, called upon the retiring woman at Son Vent. She enjoyed overwhelming the ladies of the island who did not know French with the superiority of the foreigner; she listened to the novelist's lyric eulogies of the originality of this African landscape, with its little white houses, spiny cacti, slender palms, and aged olive trees, in such striking contrast to the harmonious order of the broad fields of France. Then Dona Elvira, in the social gatherings at Palma, defended the auth.o.r.ess with fervor--a poor emotional woman, whose everyday life was more like that of a Sister of Charity, more full of care and sorrow than of pa.s.sion and pleasure. The grandfather took it upon himself to intervene and prohibit his wife's calls in order to quiet neighborhood gossip.

The scandalous pair was completely ostracized. While the children were frolicking like young savages in the fields with their mother, the sick man sat at his dormitory window, or peeped out of his doorway, seeking a ray of sunshine. In the small hours of the night came the visit of the muse, and the man, sick and melancholy, seated himself at the piano, where, coughing and moaning, out of the bitterness of his spirit he improvised his voluptuous music.

The owner of the estate of Son Vent, a bourgeois of the city, ordered the foreigners to move, as if they were a band of gypsies. The pianist was a consumptive and the landlord did not wish to have his property infected. Where should they go? To return to their own country would be difficult since it was in the middle of winter, and Chopin trembled like a forsaken bird, thinking of the chill of Paris. He loved the island, despite the inhospitable people, because of the suavity of its climate.

The Cartuja of Valldemosa offered itself as their sole refuge, a building devoid of architectural beauty, with no other charm than that of its medieval antiquity, situated in the mountains with pine-covered slopes, having, like delicate curtains tempering the sun's ardor, plantations of almond and palm, through the branches of which the eye could make out the green plain and the distant sea. It was a monument almost in ruins, a monastery suggesting melodrama, gloomy and mysterious, in the cloisters of which camped vagabonds and beggars. To enter it one must cross the old cemetery of the friars with its graves disturbed by the roots of forest trees thrusting bones up to the very surface. On moonlight nights a white phantom stalked through the cloisters, the shade of a wicked friar who haunted the place of his misdeeds, while awaiting the hour of redemption.

Thither went the fugitives one stormy winter day, buffeted by wind and rain, traveling along the same route which Febrer now followed, but by an old road which barely deserved the name. The wagons of the caravan climbed, as George Sand said, "with one wheel on the mountain and the other in the bed of a gully." The musician, wrapped in his cape, sat trembling and coughing under the canvas cover, throbbing with pain as the vehicle jolted over the rough ground. The novelist herself followed on foot over the worst places, leading her children by the hand on this vagabond journey.

They spent the entire winter in the isolation of the Cartuja. She, wearing Turkish slippers, the little dagger always thrust into her ill-combed hair, courageously did the cooking with the a.s.sistance of a young peasant girl who took advantage of every opportunity to gorge herself with the dainties intended for the "beloved invalid." The urchins of Valldemosa stoned the little French children, calling them Moors and disbelievers in G.o.d; the women cheated the mother when they sold her provisions, and moreover they dubbed her "the witch." They all made the sign of the cross when they met these "gypsies" who dared to live in a cell at the monastery, neighbors to the dead, in constant communication with the spectral friar who stalked through the cloister.

By day, while the invalid was resting, George Sand prepared the broth, and with her slender, white, artistic hands, helped the maidservant to peel the vegetables; then, with, her two children she would race down to the abrupt, tree-covered beach of Miramar where Ramon Lull had established his school of oriental study. Only at the approach of night did her real existence begin.

Then the great gloomy cloister vibrated with mysterious music which seemed to float in from afar through the heavy walls. It was Chopin, bending over the piano composing his Nocturnes. The novelist, by the light of the candle was writing "Spiridion," the story of the monk who finally forsook his faith; but frequently she laid aside her work to rush to the musician's side and give him medicine, alarmed at the frequency of his cough. On moonlight nights, tempted by the thrill of the mysterious, in a voluptuosity of fear, she stole out into the cloister where the darkness was pierced by the milky spots of the window panes. n.o.body!... Then she would sit down in the monks' cemetery vainly awaiting the apparition of the ghostly friar to enliven her monotonous existence with a novel adventure.

One night during Carnival season Cartuja was invaded by "Moors." They were young men from Palma, who, after having overrun the town disguised as Berbers, thought of the "French woman," ashamed, no doubt, at the isolation in which she was held by the townspeople. They arrived at midnight, with their songs and guitars breaking the mysterious calm of the monastery, frightening away the birds perched in the ruins. In one corner of the cell they danced Spanish dances which Chopin watched attentively with his fever-lighted eyes, while the novelist flitted from group to group, experiencing the simple joy of the bourgeoise at finding herself not forgotten.

This was her single happy night in Majorca. Afterward, with the return of spring, the "beloved invalid" felt relief and they began a leisurely return to Paris. They were birds of pa.s.sage, who, after wintering on this "Fortunate Isle," left no other trace than an undying tradition.

Jaime could not even find out with certainty which room she had occupied. The changes which had taken place in the monastery had obliterated every vestige. Many families from Palma now spent the summer at Cartuja, transforming the cells into handsome apartments, and each one wished it to be understood that his was the one which had been occupied by George Sand, she who had been defamed and ostracized by their grandmothers. Febrer had visited the monastery with a nonagenarian, who had been one of the youths that had gone dressed as Moors to serenade the Frenchwoman. He could not remember any details nor could he even recognize her room.