The Darling and Other Stories Part 2

"The lessons at the high school are very difficult now," she would relate at the market. "It's too much; in the first cla.s.s yesterday they gave him a fable to learn by heart, and a Latin translation and a problem. You know it's too much for a little chap."

And she would begin talking about the teachers, the lessons, and the school books, saying just what Sasha said.

At three o'clock they had dinner together: in the evening they learned their lessons together and cried. When she put him to bed, she would stay a long time making the Cross over him and murmuring a prayer; then she would go to bed and dream of that far-away misty future when Sasha would finish his studies and become a doctor or an engineer, would have a big house of his own with horses and a carriage, would get married and have children. . . . She would fall asleep still thinking of the same thing, and tears would run down her cheeks from her closed eyes, while the black cat lay purring beside her: "Mrr, mrr, mrr."

Suddenly there would come a loud knock at the gate.

Olenka would wake up breathless with alarm, her heart throbbing.

Half a minute later would come another knock.

"It must be a telegram from Harkov," she would think, beginning to tremble from head to foot. "Sasha's mother is sending for him from Harkov. . . . Oh, mercy on us!"

She was in despair. Her head, her hands, and her feet would turn chill, and she would feel that she was the most unhappy woman in the world. But another minute would pa.s.s, voices would be heard: it would turn out to be the veterinary surgeon coming home from the club.

"Well, thank G.o.d!" she would think.

And gradually the load in her heart would pa.s.s off, and she would feel at ease. She would go back to bed thinking of Sasha, who lay sound asleep in the next room, sometimes crying out in his sleep:

"I'll give it you! Get away! Shut up!"

ARIADNE

ON the deck of a steamer sailing from Odessa to Sevastopol, a rather good-looking gentleman, with a little round beard, came up to me to smoke, and said:

"Notice those Germans sitting near the shelter? Whenever Germans or Englishmen get together, they talk about the crops, the price of wool, or their personal affairs. But for some reason or other when we Russians get together we never discuss anything but women and abstract subjects--but especially women."

This gentleman's face was familiar to me already. We had returned from abroad the evening before in the same train, and at Volotchisk when the luggage was being examined by the Customs, I saw him standing with a lady, his travelling companion, before a perfect mountain of trunks and baskets filled with ladies' clothes, and I noticed how embarra.s.sed and downcast he was when he had to pay duty on some piece of silk frippery, and his companion protested and threatened to make a complaint. Afterwards, on the way to Odessa, I saw him carrying little pies and oranges to the ladies' compartment.

It was rather damp; the vessel swayed a little, and the ladies had retired to their cabins.

The gentleman with the little round beard sat down beside me and continued:

"Yes, when Russians come together they discuss nothing but abstract subjects and women. We are so intellectual, so solemn, that we utter nothing but truths and can discuss only questions of a lofty order.

The Russian actor does not know how to be funny; he acts with profundity even in a farce. We're just the same: when we have got to talk of trifles we treat them only from an exalted point of view.

It comes from a lack of boldness, sincerity, and simplicity. We talk so often about women, I fancy, because we are dissatisfied.

We take too ideal a view of women, and make demands out of all proportion with what reality can give us; we get something utterly different from what we want, and the result is dissatisfaction, shattered hopes, and inward suffering, and if any one is suffering, he's bound to talk of it. It does not bore you to go on with this conversation?

"No, not in the least."

"In that case, allow me to introduce myself," said my companion, rising from his seat a little:

"Ivan Ilyitch Shamohin, a Moscow landowner of a sort. . . . You I know very well."

He sat down and went on, looking at me with a genuine and friendly expression:

"A mediocre philosopher, like Max Nordau, would explain these incessant conversations about women as a form of erotic madness, or would put it down to our having been slave-owners and so on; I take quite a different view of it. I repeat, we are dissatisfied because we are idealists. We want the creatures who bear us and our children to be superior to us and to everything in the world. When we are young we adore and poeticize those with whom we are in love: love and happiness with us are synonyms. Among us in Russia marriage without love is despised, sensuality is ridiculed and inspires repulsion, and the greatest success is enjoyed by those tales and novels in which women are beautiful, poetical, and exalted; and if the Russian has been for years in ecstasies over Raphael's Madonna, or is eager for the emanc.i.p.ation of women, I a.s.sure you there is no affectation about it. But the trouble is that when we have been married or been intimate with a woman for some two or three years, we begin to feel deceived and disillusioned: we pair off with others, and again--disappointment, again--repulsion, and in the long run we become convinced that women are lying, trivial, fussy, unfair, undeveloped, cruel--in fact, far from being superior, are immeasurably inferior to us men. And in our dissatisfaction and disappointment there is nothing left for us but to grumble and talk about what we've been so cruelly deceived in."

While Shamohin was talking I noticed that the Russian language and our Russian surroundings gave him great pleasure. This was probably because he had been very homesick abroad. Though he praised the Russians and ascribed to them a rare idealism, he did not disparage foreigners, and that I put down to his credit. It could be seen, too, that there was some uneasiness in his soul, that he wanted to talk more of himself than of women, and that I was in for a long story in the nature of a confession. And when we had asked for a bottle of wine and had each of us drunk a gla.s.s, this was how he did in fact begin:

"I remember in a novel of Weltmann's some one says, 'So that's the story!' and some one else answers, 'No, that's not the story-- that's only the introduction to the story.' In the same way what I've said so far is only the introduction; what I really want to tell you is my own love story. Excuse me, I must ask you again; it won't bore you to listen?"

I told him it would not, and he went on:

The scene of my story is laid in the Moscow province in one of its northern districts. The scenery there, I must tell you, is exquisite.

Our homestead is on the high bank of a rapid stream, where the water chatters noisily day and night: imagine a big old garden, neat flower-beds, beehives, a kitchen-garden, and below it a river with leafy willows, which, when there is a heavy dew on them, have a l.u.s.treless look as though they had turned grey; and on the other side a meadow, and beyond the meadow on the upland a terrible, dark pine forest. In that forest delicious, reddish agarics grow in endless profusion, and elks still live in its deepest recesses.

When I am nailed up in my coffin I believe I shall still dream of those early mornings, you know, when the sun hurts your eyes: or the wonderful spring evenings when the nightingales and the landrails call in the garden and beyond the garden, and sounds of the harmonica float across from the village, while they play the piano indoors and the stream babbles . . . when there is such music, in fact, that one wants at the same time to cry and to sing aloud.

We have not much arable land, but our pasture makes up for it, and with the forest yields about two thousand roubles a year. I am the only son of my father; we are both modest persons, and with my father's pension that sum was amply sufficient for us.

The first three years after finishing at the university I spent in the country, looking after the estate and constantly expecting to be elected on some local a.s.sembly; but what was most important, I was violently in love with an extraordinarily beautiful and fascinating girl. She was the sister of our neighbour, Kotlovitch, a ruined landowner who had on his estate pine-apples, marvellous peaches, lightning conductors, a fountain in the courtyard, and at the same time not a farthing in his pocket. He did nothing and knew how to do nothing. He was as flabby as though he had been made of boiled turnip; he used to doctor the peasants by homeopathy and was interested in spiritualism. He was, however, a man of great delicacy and mildness, and by no means a fool, but I have no fondness for these gentlemen who converse with spirits and cure peasant women by magnetism. In the first place, the ideas of people who are not intellectually free are always in a muddle, and it's extremely difficult to talk to them; and, secondly, they usually love no one, and have nothing to do with women, and their mysticism has an unpleasant effect on sensitive people. I did not care for his appearance either. He was tall, stout, white-skinned, with a little head, little shining eyes, and chubby white fingers. He did not shake hands, but kneaded one's hands in his. And he was always apologising. If he asked for anything it was "Excuse me"; if he gave you anything it was "Excuse me" too.

As for his sister, she was a character out of a different opera. I must explain that I had not been acquainted with the Kotlovitches in my childhood and early youth, for my father had been a professor at N., and we had for many years lived away. When I did make their acquaintance the girl was twenty-two, had left school long before, and had spent two or three years in Moscow with a wealthy aunt who brought her out into society. When I was introduced and first had to talk to her, what struck me most of all was her rare and beautiful name--Ariadne. It suited her so wonderfully! She was a brunette, very thin, very slender, supple, elegant, and extremely graceful, with refined and exceedingly n.o.ble features. Her eyes were shining, too, but her brother's shone with a cold sweetness, mawkish as sugar-candy, while hers had the glow of youth, proud and beautiful.

She conquered me on the first day of our acquaintance, and indeed it was inevitable. My first impression was so overwhelming that to this day I cannot get rid of my illusions; I am still tempted to imagine that nature had some grand, marvellous design when she created that girl.

Ariadne's voice, her walk, her hat, even her footprints on the sandy bank where she used to angle for gudgeon, filled me with delight and a pa.s.sionate hunger for life. I judged of her spiritual being from her lovely face and lovely figure, and every word, every smile of Ariadne's bewitched me, conquered me and forced me to believe in the loftiness of her soul. She was friendly, ready to talk, gay and simple in her manners. She had a poetic belief in G.o.d, made poetic reflections about death, and there was such a wealth of varying shades in her spiritual organisation that even her faults seemed in her to carry with them peculiar, charming qualities.

Suppose she wanted a new horse and had no money--what did that matter? Something might be sold or p.a.w.ned, or if the steward swore that nothing could possibly be sold or p.a.w.ned, the iron roofs might be torn off the lodges and taken to the factory, or at the very busiest time the farm-horses might be driven to the market and sold there for next to nothing. These unbridled desires reduced the whole household to despair at times, but she expressed them with such refinement that everything was forgiven her; all things were permitted her as to a G.o.ddess or to Caesar's wife. My love was pathetic and was soon noticed by every one--my father, the neighbours, and the peasants--and they all sympathised with me. When I stood the workmen vodka, they would bow and say: "May the Kotlovitch young lady be your bride, please G.o.d!"

And Ariadne herself knew that I loved her. She would often ride over on horseback or drive in the char-a-banc to see us, and would spend whole days with me and my father. She made great friends with the old man, and he even taught her to bicycle, which was his favourite amus.e.m.e.nt.

I remember helping her to get on the bicycle one evening, and she looked so lovely that I felt as though I were burning my hands when I touched her. I shuddered with rapture, and when the two of them, my old father and she, both looking so handsome and elegant, bicycled side by side along the main road, a black horse ridden by the steward dashed aside on meeting them, and it seemed to me that it dashed aside because it too was overcome by her beauty. My love, my worship, touched Ariadne and softened her; she had a pa.s.sionate longing to be captivated like me and to respond with the same love. It was so poetical!

But she was incapable of really loving as I did, for she was cold and already somewhat corrupted. There was a demon in her, whispering to her day and night that she was enchanting, adorable; and, having no definite idea for what object she was created, or for what purpose life had been given her, she never pictured herself in the future except as very wealthy and distinguished, she had visions of b.a.l.l.s, races, liveries, of sumptuous drawing-rooms, of a salon of her own, and of a perfect swarm of counts, princes, amba.s.sadors, celebrated painters and artists, all of them adoring her and in ecstasies over her beauty and her dresses. . . .

This thirst for personal success, and this continual concentration of the mind in one direction, makes people cold, and Ariadne was cold--to me, to nature, and to music. Meanwhile time was pa.s.sing, and still there were no amba.s.sadors on the scene. Ariadne went on living with her brother, the spiritualist: things went from bad to worse, so that she had nothing to buy hats and dresses with, and had to resort to all sorts of tricks and dodges to conceal her poverty.

As luck would have it, a certain Prince Maktuev, a wealthy man but an utterly insignificant person, had paid his addresses to her when she was living at her aunt's in Moscow. She had refused him, point-blank. But now she was fretted by the worm of repentance that she had refused him; just as a peasant pouts with repulsion at a mug of kva.s.s with c.o.c.kroaches in it but yet drinks it, so she frowned disdainfully at the recollection of the prince, and yet she would say to me: "Say what you like, there is something inexplicable, fascinating, in a t.i.tle. . . ."

She dreamed of a t.i.tle, of a brilliant position, and at the same time she did not want to let me go. However one may dream of amba.s.sadors one's heart is not a stone, and one has wistful feelings for one's youth. Ariadne tried to fall in love, made a show of being in love, and even swore that she loved me. But I am a highly strung and sensitive man; when I am loved I feel it even at a distance, without vows and a.s.surances; at once I felt as it were a coldness in the air, and when she talked to me of love, it seemed to me as though I were listening to the singing of a metal nightingale.

Ariadne was herself aware that she was lacking in something. She was vexed and more than once I saw her cry. Another time--can you imagine it?--all of a sudden she embraced me and kissed me. It happened in the evening on the river-bank, and I saw by her eyes that she did not love me, but was embracing me from curiosity, to test herself and to see what came of it. And I felt dreadful. I took her hands and said to her in despair: "These caresses without love cause me suffering!"

"What a queer fellow you are!" she said with annoyance, and walked away.

Another year or two might have pa.s.sed, and in all probability I should have married her, and so my story would have ended, but fate was pleased to arrange our romance differently. It happened that a new personage appeared on our horizon. Ariadne's brother had a visit from an old university friend called Mihail Ivanitch Lubkov, a charming man of whom coachmen and footmen used to say: "An entertaining gentleman." He was a man of medium height, lean and bald, with a face like a good-natured bourgeois, not interesting, but pale and presentable, with a stiff, well-kept moustache, with a neck like gooseskin, and a big Adam's apple. He used to wear pince-nez on a wide black ribbon, lisped, and could not p.r.o.nounce either _r_ or _l_. He was always in good spirits, everything amused him.

He had made an exceedingly foolish marriage at twenty, and had acquired two houses in Moscow as part of his wife's dowry. He began doing them up and building a bath-house, and was completely ruined.

Now his wife and four children lodged in Oriental Buildings in great poverty, and he had to support them--and this amused him. He was thirty-six and his wife was by now forty-two, and that, too, amused him. His mother, a conceited, sulky personage, with aristocratic pretensions, despised his wife and lived apart with a perfect menagerie of cats and dogs, and he had to allow her seventy-five roubles a month also; he was, too, a man of taste, liked lunching at the Slavyansky Bazaar and dining at the Hermitage; he needed a great deal of money, but his uncle only allowed him two thousand roubles a year, which was not enough, and for days together he would run about Moscow with his tongue out, as the saying is, looking for some one to borrow from--and this, too, amused him. He had come to Kotlovitch to find in the lap of nature, as he said, a rest from family life. At dinner, at supper, and on our walks, he talked about his wife, about his mother, about his creditors, about the bailiffs, and laughed at them; he laughed at himself and a.s.sured us that, thanks to his talent for borrowing, he had made a great number of agreeable acquaintances. He laughed without ceasing and we laughed too. Moreover, in his company we spent our time differently. I was more inclined to quiet, so to say idyllic pleasures; I liked fishing, evening walks, gathering mushrooms; Lubkov preferred picnics, fireworks, hunting. He used to get up picnics three times a week, and Ariadne, with an earnest and inspired face, used to write a list of oysters, champagne, sweets, and used to send me into Moscow to get them, without inquiring, of course, whether I had money. And at the picnics there were toasts and laughter, and again mirthful descriptions of how old his wife was, what fat lap-dogs his mother had, and what charming people his creditors were.

Lubkov was fond of nature, but he regarded it as something long familiar and at the same time, in reality, infinitely beneath himself and created for his pleasure. He would sometimes stand still before some magnificent landscape and say: "It would be nice to have tea here."

One day, seeing Ariadne walking in the distance with a parasol, he nodded towards her and said:

"She's thin, and that's what I like; I don't like fat women."

This made me wince. I asked him not to speak like that about women before me. He looked at me in surprise and said:

"What is there amiss in my liking thin women and not caring for fat ones?"