The Critic in the Orient Part 10

Street View In Delhi, With the Juma Mashid. This Shows the Variety of Life In Delhi Streets. The Juma Mashid Is One of the Finest of the Mohammedan Mosques]

[Ill.u.s.tration: PLATE LVI

A Pa.r.s.ee Tower of Silence at Bombay. This Shows One of the Unique Burial Places at Malabar Head, Where Dead Bodies Are Exposed. Vultures Strip the Flesh From the Bones In a Few Minutes]

EGYPT, THE HOME OF HIEROGLYPHS, TOMBS AND MUMMIES

PICTURESQUE ORIENTAL LIFE AS SEEN IN CAIRO

The first impression of Cairo is bewildering. None of the Oriental cities east of Port Said is at all like it in appearance or in street life. The color, the life, the picturesqueness, the noises, all these are distinctive. Kyoto, Manila, Hongkong, Singapore, Rangoon, Calcutta, Bombay and Colombo--each has marked traits that differentiate it from all other cities, but several have marked likenesses. Cairo differs from all these in having no traits in common with any of them. It stands alone as the most kaleidoscopic of cities, the most bizarre in its mingling of the Orient and the Occident.

Ismail Pasha, who loved to ape the customs of the foreigner, made a deliberate attempt to convert Cairo into a second Paris, by cutting great avenues through the narrow, squalid streets of the old city, but Ismail simply transformed a certain quarter of the place and spoiled its native character. What he could not do, fortunately, was to rob the Egyptian of his picturesqueness or make the chief city of Egypt other than a great collection of Oriental bazars and outdoor coffee shops, as full of the spirit of the East as the camel or the Bedouin of the desert.

The ride from Port Said to Cairo on the train, which consumes four hours, is interesting mainly as a revelation of what the Nile means to these people, who without its life-giving water would be unable to grow enough to live on. With abundant irrigation this Nile delta is one of the garden spots of the earth.

The villages that we pa.s.s remind one somewhat of old Indian villages on the fringe of the desert in California and Arizona--the same walls of sun-baked adobe; the roofs of any refuse from tree pruning; the goats and chickens on terms of intimacy with the single living-room. But the people are not of the Western world. Dressed in voluminous black or blue cotton robes, which are pulled up over their heads to protect them from the keen wind of winter, they belong to the land as absolutely as the tawny, dust-colored camel. The dress of the women appears to differ very little from that of the men, but always the women gather a loose fold of their dress and bring it over the head, thus partially concealing the face. Men, women and children, all in bare feet, squat in the sand or sit hunched up against the sunny side of their houses. Beyond any other Orientals I have seen, these Egyptians have the capacity for unlimited loafing under circ.u.mstances that would drive an American insane in a few hours. Flies swarm over them; pa.s.sing donkeys or camels powder them with dust; the fierce sun beats down on their heads; but all these things they accept philosophically as an inevitable part of life, as something decreed by fate which it would be useless and senseless to change.

The first walk down the Street of the Camel in Cairo is one not soon forgotten. Before you are clear of the hotel steps an Arab in a sweater and loose skirt, something like the Malay sarong, rushes up and shouts: "The latest New York Herald; just came this morning!" Although you tell him "no" and shake your head, he follows you for half a block. Meanwhile you are badgered by dealers in scarabs, beads, stamps, postal cards, silver shawls and various curios, who dog your heels, and, when you finally lose your temper, retaliate by shouting: "Yankee!" through their noses. These street peddlers are wonderfully keen judges of nationality and they manage to make life a burden to the American tourist by their unwearied and smiling persistence. This is due in great part to the foolish liberality of American travelers, who are inclined to accept the first price offered, although with an Egyptian or an Arab this is usually twice or three times what he finally agrees to take.

Custom and habit probably blunt one's sensibilities in time, but this constant annoyance by peddlers detracts much from the pleasure of any stroll through Cairo streets. To the new arrival everything is novel and attractive. The main avenues are wide, well paved and lined with s.p.a.cious sidewalks, but here the European touch ends. After pa.s.sing some fine shops, their windows filled with costly goods from all parts of Egypt and the Soudan, one comes upon one of the great cafes that form a distinctive feature of Cairo street life. Here the sidewalk is half filled with small tables, about which are grouped Egyptians and foreigners drinking the sweet Turkish coffee that is served here at all hours of the day.

Many of these Egyptians are in European dress, their swarthy faces and the red fez alone showing their nationality. The young men are remarkably handsome, with fine, regular features, large, brilliant black eyes and straight, heavy eyebrows that frequently meet over the nose.

Their faces beam with good nature and they evidently regard the frequent enjoyment of coffee and cigarettes as among the real pleasures of life.

But the older men all show traces of this life of ease and self-indulgence. It is seldom that one sees a man beyond fifty with a strong face. The Egyptian over forty loses his fine figure, he lays on abundant flesh, his jowl is heavy and his whole face suggests satiety and the loss of that pleasure in mere existence that makes the youth so attractive.

Walking down this main artery of Cairo life one sees on the left a large park surrounded by a high iron fence. This is the Esbekiyeh Gardens, which cover twenty acres, and are planted to many choice trees and shrubs. They contain cafes, a restaurant and a theater, and on several evenings in the week military and Egyptian bands alternate in playing foreign music. Beyond the gardens is an imposing opera house, with a small square in front, ornamented with an impressive equestrian statue of old Ibrahim Pasha, one of the few good fighters that Egypt has produced. From the opera house radiate many streets, some leading to the new Europeanized quarters, with n.o.ble residences and great apartment houses; others taking one directly to the bazars and narrow streets that give a good idea of Cairo as it existed before the foreigner came to change its life.

Although the modern tram car clangs its way through these native streets, it is about the only foreign touch that can be seen. Everything else is distinctively Oriental. It is difficult to give any adequate idea of the narrowness of these streets or of the amount of life that is crowded into them. As in many cities of India, all the work of the shops goes on in plain view from the street. The shops themselves are mere cubicles, from eight to ten feet wide and seldom more than from six to eight feet deep. In certain streets the makers of shoes and slippers are ma.s.sed in solid rows; then come the workers in bra.s.s and metals; then the jewelers, and following these may be dealers in shawls and in curios of various kinds. The native shopkeeper sits cross-legged amid his stock and, although he shows great keenness in getting you to examine his wares, he never reveals any haste in closing a bargain.

Shopping in this native quarter and in the great Muski bazar that adjoins it is a constant source of amus.e.m.e.nt to the foreign woman who has a fondness for bargaining. These Arabs and Egyptians never expect one to give more than half what is demanded, except in the case of a few large shops in which the price is marked. If one of the silver shawls made at a.s.siut attracts a lady's attention and the polite shopkeeper demands five pounds sterling, she may safely offer him two pounds, and then, after haggling for a half hour, she will probably become the possessor of the shawl for two pounds ten shillings. Of one thing the traveler may be sure: he will never get any article from an Egyptian on which the shopkeeper cannot make a small profit.

The Muski bazar is about a mile long and, although many European shops line it, the street still retains its Oriental attractiveness. Branching off from it are many narrow streets crowded with shops on both sides.

Here may be seen the real life of Old Cairo, unhampered by any foreign innovations. The street is not more than twelve feet wide and above the first floor of the houses projecting latticed windows and open balconies reduce this width to three or four feet. Looking up one sees only a narrow slit of blue sky, against which are outlined several tiers of latticed windows. From these the harem women look down upon the street life in which they can have no real part. Peeping over the balconies may be seen black eyes that gleam above the yashmak or Oriental veil worn by the poorer cla.s.ses. This veil covers the face almost to the eyes and it is held in place by a curious bit of bamboo that comes down over the forehead to the nose. The women of the better cla.s.s do not wear this ugly yashmak, but content themselves with a white silk veil that is stretched across the lower part of the face, leaving the eyes and a part of the nose uncovered.

No visit to Cairo is complete without a sight of Old Cairo, with its bazars. This is a quarter of the city that remains as it was in the days of the Caliphs. It is inhabited mainly by Copts and among the mean houses, built of sun-dried bricks, may be traced part of the old Roman wall that encircled this suburb, then known as Babylon. The houses are mainly of two or three stories, but the streets are so narrow that two people on opposite sides may easily join hands by leaning out of their windows. Many or the antique doors of oak, studded with great wrought-iron nails, still remain. Here is the old church of St. Sergius, which is said to antedate the Moslem conquest. In the ancient crypt the Virgin Mary and the Child are said to have sought shelter after their flight into Egypt.

Near by is the island of Roda, which is noteworthy for the legend that here the infant Moses was found by Pharaoh's daughter. The visitor crosses a narrow arm of the Nile by a crude ferry and then walks through a quaint old garden to a wall that overlooks the Nile and the Pyramids.

This wall marks the spot, according to local tradition, where Moses was taken from the bulrushes. The bulrushes are no more because they have been dredged out, but the place has the look of extreme age and the garden contains many curious trees.

AMONG THE RUINS OF LUXOR AND KARNAK

Luxor, the ancient city of Upper Egypt, which may be reached by a night train ride from Cairo, is the center of the most interesting ruins on the Nile. The city itself has been built around the splendid temple of Luxor, founded by Amenophis III, but altered and extensively rebuilt by Rameses II. From the Nile the colonnade of this temple is a beautiful spectacle, as the huge columns are in perfect preservation. Big tourist hotels make up most of the other buildings. The town boasts a good water front, which is generally lined in the winter season with tourist steamers. The view across the Nile is fine, as it includes the lofty Libyan range of mountains, in whose flanks were cut the tombs of the Pharaohs. Here, in two or three days, one may study the ruins of Luxor, Karnak and Thebes--names that the historian still conjures with.

All the Egyptian temples were built on one general plan, like the mosques of North India, and Luxor does not differ from the others, except that it surpa.s.ses them all in the beauty of its colonnaded pillars. Seven double columns, about fifty-two feet high, with lotus capitals, support a ma.s.sive architrave, while beyond them are double columns on three sides of a great court. This temple of Luxor was originally built by Amenophis III of the eighteenth dynasty in honor of Ammon, the greatest of Egyptian G.o.ds, his wife and their son, the moon-G.o.d Khons. The successor of this monarch erased the name of Ammon and made other changes, but Seti I restored Ammon's name, and then came Rameses II, the builder who never wearied in rearing huge temples and in carving colossal figures of himself.

Rameses added a colonnaded court in front of the temple, built an enormous pylon, with obelisks and colossal statues that celebrate his own greatness, and erased the cartouches of the original builder, subst.i.tuting his own and thus claiming credit for the erection of the whole temple. Were the spirit of the great Rameses allowed to return to earth and reanimate the mummy that now forms the most interesting exhibit in the Cairo Museum, how great would be his humiliation to know that his ingenious devices to appropriate the credit of other men's work have been exposed? In nearly all the remains of Upper Egypt, Rameses figures as the sole builder, but the cunning of modern archaeologists has stripped him of this credit and has revealed him as the greatest of royal charlatans.

The general plan of the Luxor temple is repeated at Karnak and all other places in Egypt. The pylon, two towers of ma.s.sive masonry, formed the entrance to the temple, the door being in the middle. The towers of the pylon resemble truncated pyramids and, as they were formed of large stones, they frequently survived when all other parts of the temple fell into ruins. The surfaces of the pylon afforded s.p.a.ce for reliefs and inscriptions, telling of the glories of the king who reared the temple.

In most cases obelisks and colossal statues of the royal builder were placed in front of the pylon. From the pylon one enters the great open court, with covered colonnades at right and left. This court was the gathering place of the people on all big festivals, and in the center stood the great altar. Back of this court, on a terrace a few feet higher, was the vestibule of the temple upheld by columns, the front row of which was bal.u.s.traded. Behind this was the great hypostyle hall, extending the whole width of the building, with five aisles, the two outer ones being lower than the others. The roof of the central aisle is upheld by papyrus columns with calyx capitals, while that of the other aisles is supported by papyrus columns with bud capitals. Behind this hall is the inner sanctuary, containing the image of the G.o.d in a sacred boat. Around the sanctuary were grouped various chambers for the storage of the priests' vestments and for the use of watchmen and other attendants.

In the Luxor temple the surface of the pylon is devoted to a record of the achievements in war of Rameses II, the monarch who finally revised the temple and put his seal on it. Behind the pylon is the great court of Rameses, entirely surrounded by two rows of seventy-four columns, with papyrus bud capitals and smooth shafts. Then comes a colonnade of seven double columns, fifty-two feet high, with calyx capitals; a second court, that of Amenophis III, with double rows of columns on three sides; the vestibule of the temple, two chapels, the birth-room of Amenophis and several other chambers.

[Ill.u.s.tration:

The Great Hypostyle Hall at Karnak.

This Hall is in the Temple of Ammon, and is One of the Most Impressive in All Egypt. Originally There Were One Hundred and Thirty-four Columns, Arranged in Sixteen Rows]

Each monarch who reared a temple to his chosen deity devoted much s.p.a.ce to statues of himself, with grandiloquent accounts in hieroglyphs of his exploits in war and peace and of the many peoples who paid him tribute.

Rameses appears to have had most of the evil traits of the arbitrary despot. With unlimited men and material he was engaged during the greater part of his long reign in erecting colossal structures which were designed to perpetuate in enduring stone the record of his achievements. But Time has dealt Rameses some staggering blows. His tomb at Thebes, which was planned to preserve his mummy throughout the ages, fell in and is the only one of the tombs of the kings that cannot be shown. The mummy of this ablest and proudest of the Pharaohs is now on exhibition at the Cairo Museum with a score of others and excites the ribald comment of the Cook's tourist, who drops his "h's" and knows nothing of Egyptology. Yet the mummy of Rameses is by far the most interesting of those shown at the museum because the head and face are so essentially modern. The other rulers of Egypt were plainly Orientals, but this man, with the high-bridged, sensitive nose, the long upper lip, the strong chin and the powerful forehead, might have stepped out of the political life of any of the great European nations during the last century.

The impressiveness of the temple of Luxor depends mainly upon the rows of columns, nearly sixty feet in height, which give one a vivid idea of the majesty of Egyptian architecture in its best estate. These columns show few traces of the destroying hand of time, although they were carved from soft limestone. Probably the escape of this temple from the ruin that befell Karnak and Thebes was due mainly to its sheltered position and also to the fact that a Coptic church and the houses of peasants were built among the columns. The refuse that aided to preserve these remains of Ancient Egyptian architecture was fully twenty feet deep when the work of excavation was begun. Hence Luxor satisfies the eye in the perfect arrangement of the columns and in the ma.s.siveness of the work. Here also on the pylon and the walls of the court may be seen some beautiful reliefs and inscriptions which depict scenes in the campaigns of Rameses II against the Hitt.i.tes, sacrificial processions and hymns to the G.o.ds.

From ancient Luxor to Karnak, a distance of a mile and one-half, the way was marked in the time of the Pharaohs by a double row of small sphinxes, many of which still remain in a half-ruined condition. This avenue leads to the small temple of Khons, the moon-G.o.d, made noteworthy by a beautiful pylon. This pylon is one hundred and four feet long, thirty-three feet wide and sixty feet high and is covered with inscriptions and reliefs. This small temple serves as an introduction to the great temple of Ammon, the chief glory of Karnak, to which most of the Pharaohs contributed. This temple is difficult to describe, as it covers several acres and is a ma.s.s of gigantic masonry, full of majesty even in its ruin. What it was in the days of its builders, with its vast courts lined with beautiful designs in brilliant colors, the imagination fails to conceive. Its greatest features are the main pylon (three hundred and seventy feet wide and one hundred and forty-two and one-half feet high), the great hypostyle hall of Seti I and Rameses II, the festival temple of Thotmes III and the obelisk of Queen Hatasu. From the pylon a superb view may be gained of the ruins of Karnak.

The hypostyle hall is justly ranked among the wonders of the world, as it is no less than three hundred and thirty-eight feet in breadth by one hundred and seventy feet in depth and it is estimated that the great church of Notre Dame in Paris could be set down in this hall. Sixteen rows of columns--one hundred and thirty-four in all--support the roof.

Looking down the two central rows of columns toward the sanctuary, one gets some idea of the effect of this colossal architecture when the pillars were all perfect and the fierce sunshine of ancient Egypt brought out their barbaric wealth of gold and brilliant colors.

The walls of this immense hall are covered with pictures in relief depicting the victories of Seti and Rameses over the Libyans and the people of Palestine. These designs represent the two monarchs as performing prodigies of valor on the field of battle and then bringing the trophies of war as an offering to the G.o.ds. The festal hall of Thotmes III is made noteworthy by twenty unique columns arranged in two rows. The Temple of Karnak was made beautiful by two fine obelisks of pink granite from a.s.suan, erected by Queen Hatasu. One is in fragments, but the other rises one hundred and one-half feet from amid a ruined colonnade. It is the loftiest obelisk known with the single exception of that in front of the Lateran in Rome, which is taller by only three and one-half feet. The inscription records that it was made in seven months.

The impression left by the ruins of Karnak is bewildering. The modern mind has great difficulty in conceiving how any monarch, no matter how great his resources, could spend years in erecting these huge structures in honor of his G.o.ds. Here are scores of colossal statues of Rameses, Seti and Amenophis, each of which required six months to carve from a single slab of red or black granite. Here are hundreds of columns of from forty to sixty feet high, covered from capital to base with richly carved hieroglyphs. Here are splendid halls, larger than anything known in our day, which were picture galleries in stone, blazing with gold, red, purple and other colors. And here are obelisks that have preserved through all these centuries the story of their dedication.

The mind is staggered by so great a ma.s.s of work, representing untold misery of thousands of wretched slaves brought from all parts of the then known world. These slaves were made to work under the terrible Egyptian sun; if they were overcome by the heat and stopped for a moment's rest their bare backs felt the cruel lash of the overseer; if they fell under the heat and the burden they were dragged out and their bodies thrown to the vultures and the jackals. So, while we stand in amazement before these relics of the enormous activity of a people who have pa.s.sed away, we cannot fail to note that these huge stones were cemented with the blood and tears of the bond slave, and that if they could find a voice they would tell of unthinkable atrocities which they witnessed in those old days, before brotherly love came into the world.

TOMBS OF THE KINGS AT ANCIENT THEBES

The Greeks and Romans who went up the Nile as far as the "hundred-gated"

city of Thebes declared that the Tombs of the Kings, cut in the limestone sides of the Libyan range of mountains, were among the wonders of the world. The tourist of to-day will confirm this early impression, for in Egypt nothing gives one a more vivid idea of the enormous pains taken by the Pharaohs to preserve their dead from desecration than do these tombs. Here for several miles in the flanks of these mountains--sterile, desolate beyond any region that I have ever seen--are scattered the rock-hewn tombs of the monarchs who carried the arms of Egypt to all parts of the known world of their day. Like their temples, the Egyptians built their tombs after a uniform plan--the only variation was in the arrangement of the minor chambers and in the inscriptions which told of the history of the king whose mummy reposed in the vault.

Seven miles across the river the Pharaohs chose the site of their tombs.

Imagination could not conceive a greater abomination of desolation than the rocky mountainside in which these tombs are carved; but fortunes were lavished on the construction of these resting places of the dead.

Historians and travelers have told of the great city which grew up about the tombs of the Egyptian kings--the temples, the homes of priests and the huge settlements of thousands of workmen who spent years in the laborious carving and decoration of these burial places. But to-day nothing remains of these cities, and of the temples only a few columns, pillars and broken statues bear witness to their former grandeur. Yet the tombs have resisted the destroying hand of the centuries, and the walls of several of them actually retain the brilliant colors laid on by the painters over four thousand years ago. When you go down the roughly-hewn steps into the mortuary chambers, carved out of the solid rock, it is borne in upon you that here time has stood still; that during all the ages that have seen the rise of Christianity and the growth of empires greater than Thebes ever dreamed of, the mummies of these Pharaohs reposed here undisturbed. Now by the aid of skilfully arranged electric lights you may descend into most of these tombs, marvel at the beauty of the decorative inscriptions on the walls, gaze upon the ma.s.sive granite sarcophagi in which the mummies were placed, and get a genuine taste of the antiquity that you have read about but never fully realized before. This is the service of the tombs of the kings--the actual turning back of the centuries so that one feels the touch of the ancient days as vividly as he feels the hot, dust-laden, oppressive air of the mausoleum.

The excursion from Luxor to the tombs of the kings and the Colossi of Memnon, not far away, is a hard day's trip. The tourist crosses the Nile in a small boat and takes a donkey or a carriage. The road leads along a large ca.n.a.l, pa.s.sing the remains of the great temple of Seti I at Kurna, and thence winds around through two desert valleys into a gorge lined on both sides with naked, sun-baked rocks that give back the heat like the open doors of a furnace. Bare of any sc.r.a.p of verdure, desolate beyond expression, these rocky walls that shut in this gorge form a fitting introduction to the tombs of the kings. The road finally turns to the left and enters a small valley, encircled by huge rocks, cut by ravines.

Here one may see in the sides of the mountain wall the first of the rock-hewn tombs, which happens to be that of Rameses IV. One enters the large gateway and pa.s.ses down an ancient staircase cut in the solid rock, at an angle of forty-five degrees. Three corridors and an ante-room, all carved out of rock, lead to the main chamber, which contains the mammoth granite sarcophagus of the king (ten feet long, eight feet high and seven feet wide), beautifully decorated with inscriptions. Four other rooms follow, the walls of each being covered with inscriptions. Recesses are found in the main hall for the storage of the furniture of the dead and in several of the other rooms.

The theory of the Egyptians in the arrangement of these tombs was that the dead king, guided by the great sun-G.o.d, voyaged through the underworld every night in a boat. Hence he must have careful guidance in regard to his route. This was furnished by elaborate extracts from two sacred books of the Egyptians. One was ent.i.tled _The Book of Him Who Is in the Underworld_ and the other was the _Book of the Portals_.

The walls of these tombs reveal extracts from the sacred books in great variety, but all designed to serve as a guide to the dead kings. The best tombs are those of Amenophis II, Rameses III, Seti I and Thotmes III. They are all of similar design but the tomb of Seti I (discovered by the Italian savant, Belzoni) is finer than any of the others. It includes fourteen rooms, most of which are richly adorned with inscriptions and designs from the sacred books. The sculptures on the walls are executed with great skill and the decorations of the ceilings show much artistic taste. In the tenth room are many curious decorations, the ceiling, which is finely vaulted, being covered with astronomical figures and lists of stars and constellations. From this room an incline leads to the mummy shaft. The mummy of Seti I is in the Cairo Museum, while the fine alabaster sarcophagus is in the Soane Museum in London. The tomb of Amenophis II is noteworthy as the only one which contains the royal mummy. In a crypt with blue ceiling, spangled with yellow stars and with yellow walls to represent papyrus, is the great sandstone sarcophagus of the king. Under a strong electric light is shown the mummy-shaped coffin with the body of the king, its arms crossed and the funeral garlands still resting in the case. The effectiveness of this mummy makes one regret that the others have been removed to the Cairo Museum, instead of being restored to their original places in these tombs. Most of these royal mummies were removed to a shaft at Deir-el-Bahri to save them from desecration by the invading Persians, but when the mummies were found it would have been wise to replace them in these tombs rather than to group them, as was done, in the Cairo Museum. One or two mummies in that museum would have been as effective as two dozen.

Not far from these tombs is the fine temple of Queen Hatasu at Deir-el-Bahri. This queen was the sister and wife of King Thotmes III, and for a part of his reign was co-regent. The temple, which was left unfinished, was completed by Rameses II. A short ride from this temple brings one to the Ramessium, the large temple (which is badly preserved) erected by Rameses II and dedicated to the G.o.d Ammon. The pylon is ruined, but one can still decipher some of the inscriptions that tell of Rameses' campaign against the Hitt.i.tes. The first court is a ma.s.s of ruined masonry, but it contains fragments of a colossal statue of Rameses, the largest ever found in Egypt. It probably measured fifty-seven and one-third feet in height, as the various parts show that it was twenty-two and one-half feet from shoulder to shoulder. The colossal head of another statue of Rameses was found near by. The great hall had many fine columns, of which eighteen are still standing. These columns are very impressive and give one some idea of the majesty of the temple when it was complete. Not far away are the tombs of the queens, including the fine mausoleum of the consort of Rameses II, part of whose name was Mi-an-Mut.

A half mile from the Ramessium brings one to the Colossi of Memnon, the two huge seated figures of stone, which were long included among the seven wonders of the world. These figures were statues of King Amenophis III and were placed in front of a great temple that he built at this place; but time has dealt hardly with the temple, as scarcely a trace of it remains. The figures with the pedestals are about sixty-five feet high and, as they are on the level plain near the banks of the Nile, they can be seen from a great distance. Though carved from hard sandstone these figures have suffered severely from the elements, so that the faces bear little trace of human features; still they are impressive from their mere size and from the fact that they have come down to us across the centuries with so little change.