The Crimson Blind Part 13

Hatherly Bell turned up at Downend Terrace gay and debonair as if he had not a single trouble in the world. His evening dress was of the smartest and he had a rose in his b.u.t.tonhole. From his cab he took a square brown paper parcel, which he deposited in David's study with particular care.

He made no allusion whatever to the sterner business of the evening; he was gay and light-hearted as a child, so that Mrs. Steel sat up quite an hour later than her usual time, absolutely unconscious of the fact that she had broken a rigid rule of ten years' standing.

"Now let us go into the study and smoke a cigar," David suggested.

Bell dragged a long deck-chair into the conservatory and lighted a Ma.s.sa.

Steel's offer of whisky and soda was declined.

"An ideal place for a novelist who has a keen eye for the beautiful,"

he said. "There you have your books and pictures, your stained gla.s.s and china, and when you turn your eyes this way they are gladdened by green foliage and lovely flowers. It's hard to connect such a room with a tragedy."

"And yet the tragedy was worked out close by where you are sitting. But never mind that. Come to your story, and let me see if we can fit it into mine."

Bell took a fresh pull at his cigar and plunged into his subject.

"About seven years ago professional business took me to Amsterdam; a brilliant young medical genius who was drinking himself prematurely into his grave had made some wonderful discoveries relating to the brain and psychology generally, so I decided to learn what I could before it was too late. I found the young doctor to be an exceedingly good fellow, only too ready to speak of his discoveries, and there I stayed for a year. My word! what do I not owe to that misguided mind! And what a revolution he would have made in medicine and surgery had he only lived!

"Well, in Amsterdam I got to know everybody who was worth knowing--medical, artistic, social. And amongst the rest was an Englishman called Lord Littimer, his son, and an exceedingly clever nephew of his, Henson by name, who was the son's tutor. Littimer was a savant, a scholar, and a fine connoisseur as regarded pictures. He was popularly supposed to have the finest collection of old prints in England. He would travel anywhere in search of something fresh, and the rumour of some apocryphal treasure in Amsterdam had brought him thither.

He and I were friends from the first, as, indeed, were the son and myself. Henson, the nephew, was more quiet and reserved, but fond, as I discovered, of a little secret dissipation.

"In those days I was not averse to a little life myself. I was pa.s.sionately fond of all games of cards, and I am afraid that I was in the habit of gambling to a greater extent than I could afford. I don't gamble now and I don't play cards: in fact, I shall never touch a card again as long as I live. Why, you shall hear all in good time.

"We were all getting on very well together at that time when Lord Littimer's sister paid us a visit. She came accompanied by a daughter called Enid. I will not describe her, because no words of mine could do her justice. In a word, I fell over head and ears in love with Enid, and in that state I have remained ever since. Of all the crosses that I have to bear the knowledge that I love Enid and that she loves--and despises--me, is by far the heaviest. But I don't want to dwell upon ythat."

"We were a very happy party there until Van Sneck and Von Gulden turned up. Enid and I had come to an understanding, and, though we kept our secret, we were not going to do so for long. From the very first Von Gulden admired her. He was a handsome, swaggering soldier, a good-looking, wealthy man, who had a great reputation for gallantry, and something worse. Perhaps the fellow guessed how things lay, for he never troubled to conceal his dislike and contempt for me. It is no fault of mine that I am extremely sensitive as to my personal appearance, but Von Gulden played upon it until he drove me nearly mad. He challenged me sneeringly to certain sports wherein he knew I could not shine; he challenged me to ecarte, where I fancied I was his master.

"Was I? Well, we had been dining that night, and perhaps too freely, for I entirely lost my head before I began the game in earnest. Those covert sneers had nearly driven me mad. To make a long story short, when I got up from the table that night, I owed my opponent nearly 800, without the faintest prospect of paying a tenth part of it. I was only a poor, ambitious young man then, with my way to make in the world. And if that money were not forthcoming in the next few days I was utterly ruined."

"The following morning the great discovery was made. The Van Sneck I have alluded to was an artist, a dealer, a man of the shadiest reputation, whom my patron, Lord Littimer, had picked up. It was Van Sneck who produced the copy of 'The Crimson Blind.' Not only did he produce the copy, but he produced the history from some recently discovered papers relating to the Keizerskroon Tavern of the year 1656, which would have satisfied a more exacting man than Littimer. In the end the Viscount purchased the engraving for 800 English.

"You can imagine how delighted he was with his prize--he had secured an engraving by Rembrandt that was absolutely unique. Under more favourable circ.u.mstances I should have shared that pleasure. But I was face to face with ruin, and therefore I had but small heart for rejoicing.

"I came down the next morning after a sleepless night, and with a wild endeavour to scheme some way of getting the money to pay my creditor. To my absolute amazement I found a polite note from the lieutenant coldly thanking me for the notes I had sent him by messenger, and handing me a formal receipt for 800. At first I regarded it as a hoax. But, with all his queer ways, Von Gulden was a gentleman. Somebody had paid the debt for me. And somebody had, though I have never found out to this day."

"All the same, you have your suspicions?" Steel suggested.

"I have a very strong suspicion, but I have never been able to verify it.

All the same, you can imagine what an enormous weight it was off my mind, and how comparatively cheerful I was as I crossed over to the hotel of Lord Littimer after breakfast. I found him literally beside himself with pa.s.sion. Some thief had got into his room in the night and stolen his Rembrandt. The frame was intact, but the engraving had been rolled up and taken away."

"Very like the story of the stolen Gainsborough."

"No doubt the one theft inspired the other. I was sent off on foot to look for Van Sneck, only to find that he had suddenly left the city. He had got into trouble with the police, and had fled to avoid being sent to gaol. And from that day to this nothing has been seen of that picture."

"But I read to-day that it is still in Littimer Castle," said David.

"Another one," Bell observed. "Oblige me by opening yonder parcel. There you see is the print that I purchased to-day for 5. This, _this_, my friend, is the print that was stolen from Littimer's lodgings in Amsterdam. If you look closely at it you will see four dull red spots in the left-hand corner. They are supposed to be blood-spots from a cut finger of the artist. I am prepared to swear that this is the very print, frame and all, that was purchased in Amsterdam from that shady scoundrel Van Sneck."

"But Littimer is credited with having one in his collection,"

David urged.

"He has one in his collection," Bell said, coolly, "And, moreover, he is firmly under the impression that he is at present happy in the possession of his own lost treasure. And up to this very day I was under exactly the same delusion. Now I know that there must have been two copies of the plate, and that this knowledge was used to ruin me."

"But," Steel murmured, "I don't exactly see--"

"I am just coming to that. We hunted high and low for the picture, but nowhere could it be found. The affair created a profound impression in Amsterdam. A day or two later Von Gulden went back to his duty on the Belgian frontier and business called me home. I packed my solitary portmanteau and departed. When I arrived at the frontier I opened my luggage for the Custom officer and the whole contents were turned out without ceremony. On the bottom was a roll of paper on a stick that I quite failed to recognise. An inquisitive Customs House officer opened it and immediately called the lieutenant in charge. Strange to say, he proved to be Von Gulden. He came up to me, very gravely, with the paper in his hand.

"'May I inquire how this came amongst your luggage?' he asked.

"I could say nothing; I was dumb. For there lay the Rembrandt. The red spots had been smudged out of the corner, but there, the picture was.

"Well, I lost my head then. I accused Von Gulden of all kinds of disgraceful things. And he behaved like a gentleman--he made me ashamed of myself. But he kept the picture and returned it to Littimer, and I was ruined. Lord Littimer declined to prosecute, but he would not see me and he would hear of no explanation. Indeed, I had none to offer. Enid refused to see me also or reply to my letters. The story of my big gambling debt, and its liquidation, got about. Steel, I was ruined. Some enemy had done this thing, and from that day to this I have been a marked man."

"But how on earth was it done?" Steel cried.

"For the present I can only make surmises," Bell replied. "Van Sneck was a slippery dog. Of course, he had found two of those plates. He kept the one back so as to sell the other at a fancy price. My enemy discovered this, and Van Sneck's sudden flight was his opportunity. He could afford to get rid of me at an apparently dear rate. He stole Littimer's engraving--in fact, he must have done so, or I should not have it at this moment. Then he smudged out some imaginary spots on the other and hid it in my luggage, knowing that it would be found. Also he knew that it would be returned to Littimer, and that the stolen plate could be laid aside and produced at some remote date as an original find. The find has been mine, and it will go hard if I can't get to the bottom of the mystery now. It is strange that your mysterious trouble and mine should be bound up so closely together, but in the end it will simplify matters, for the very reason that we are both on the hunt for the same man."

"Which man we have got to find, Bell."

"Granted. We will bait for him as one does for a wily old trout. The fly shall be the Rembrandt, and you see he will rise to it in time. But beyond this I have made one or two important discoveries to-day. We are going to the house of the strange lady who owns 218 and 219, Brunswick Square, and I shall be greatly mistaken if she does not prove to be an old acquaintance of mine. There will be danger."

"You propose to go to-night?"

"I propose to go at once," Bell said. "Dark hours are always best for dark business. Now, which is the nearest way to Longdean Grange?"

"So the House of the Silent Sorrow, as they call it, is to be our destination! I must confess that the place has ever held a strange fascination for me. We will go over the golf links and behind Ovingdean village. It is a rare spot for a tragedy."

Bell rose and lighted a fresh cigar.

"Come along," he said. "Poke that Rembrandt behind your books with its face to the wall. I would not lose that for anything now. No, on second thoughts I find I shall have to take it with me."

David closed the door carefully behind him, and the two stepped out into the night.

CHAPTER XIII

"GOOD DOG!"

Two dancing eyes of flame were streaming up the lane towards the girls, a long shadow slanted across the white pathway, the steady flick of hoofs drew nearer. Then the hoofs ceased their smiting of the dust and a man's voice spoke.

"Better turn and wait for us by the farm, driver," the voice said. "Bell, can you manage, man?"

"Who was that?" Enid whispered. "A stranger?"

"Not precisely," Ruth replied. "That is Mr. David Steel. Oh, I am sure we can trust him. Don't annoy him. Think of the trouble he is in for our sakes."