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The Crime and the Criminal Part 9

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"No," I said; "I'm not."

Nor was I. At that moment I was neither mentally nor physically her equal. Since, at any time, Lucy has about nine-parts of speech to my one, I had no intention of measuring myself against her, conversationally and argumentatively, when I had none.

I was ill four days. So ill that I could not leave my bed. At least, I was clear upon that point, if no one else was. I am almost inclined to suspect that Lucy had her doubts; or she pretended to have them. I am disposed to believe that she would not have allowed me to have stayed in bed at all if she had had her way. She threw out hints about the necessity of attending to matters in the City; though I explained to her, as clearly as my illness would permit me, that in the City things were absolutely stagnant. Then she dropped hints upon more delicate subjects still; but to these I resolutely turned a deaf ear. I vowed that I was too ill to listen.

However, on the afternoon of the fourth day things reached a climax.

Facts became too strong for me. I had to listen. Lucy came into the room with an envelope in her hand.

"There is some one who wishes to see you."

I supposed it was Parker, my senior clerk. He had been backwards and forwards bothering me two or three times a day.

"Is it Parker?"

"No. It is a stranger to me. I believe you will find his name in that envelope. He would not give it me."

I opened the envelope which she handed to me. It contained half a sheet of paper, on which was written, "The gentleman who travelled in the next compartment to yours." At sight of those words I sat up in bed--rather hurriedly, I fancy.

"Good gracious!" I exclaimed; "where is he? I hope you haven't let him in."

"Jane let him in. At present he is in the drawing-room waiting to see you."

"It's that blackmailing ruffian."

I gave her the sheet of paper.

"I guessed he was something of the kind. So this is the man who holds you in the hollow of his hand? I see."

She might see, but I didn't. There was about her vision a clearness and coolness which made me shudder. It was dreadful to hear her talk in that cold-blooded way about anybody "holding me in the hollow of his hand." She continued to regard me in a manner which I had noticed about her once or twice of late, and which, although I said nothing about it, I resented.

"Perhaps now I may be allowed to talk to you as if you were a reasonable man. During the last few days I have hardly known whether you wished me to regard you as a child."

"My dear!"

"You have been lying there, pretending to be ill, doing nothing, and worse than nothing, while your fate and my fate has been hanging by a hair. I had not thought that my husband could be so contemptible a thing."

"Really, Lucy, I wish you wouldn't speak to me like that."

"Possibly. I have discovered, too late, how you dislike to hear unpleasant things."

"I don't know that I am peculiar in that respect."

"I don't doubt that there are other backboneless creatures in existence besides yourself--unfortunately for their children and their wives."

"Lucy, I won't have you talk to me like that--I won't."

"Then get up and play the man! Do you know that the hue and cry is out all over England for you?"

"For me?"

"For the man who threw the woman from the train. 'The Three Bridges Tragedy,' they've christened it. The papers are full of it; it is the topic of the day. They have found the carriage from which she was thrown. It seems that it was all in disorder and stained with blood, and that the window was broken. You said nothing about that to me. They have found the porter who saw her into your carriage. Who was it saw you off from Brighton?"

"Jack and George. Why do you ask?"

"Because the porter who admitted her to your carriage declares that you were talking to two gentleman. They are looking for them now."

"Surely they will never make Jack and George give evidence against me."

"You may be sure they will. A porter has come forward who says he saw you in the carriage at Victoria. He has given a description of you, which is sufficiently like you to show that he will probably recognise you if he sees you again. It seems that the only thing they are in want of is your name."

I sank back in bed, appalled. The prospect, in my weak state, was too terrible for contemplation. It seemed incredible that a wholly innocent man could, by any possibility, be placed in such a situation.

My wife went on, her voice seeming to ring in my ears almost as if it had been a knell of doom--

"Play the man! I have been playing the part for you up to now. Now play it yourself. I need not tell you what it has meant to me to learn that my husband has been, as it were, a living lie. You know how I have believed in you, and what you have been to me because I believed in you. To have the object of one's faith collapse, like an air-p.r.i.c.ked bladder, into nothingness, and worse than nothingness, is calculated to give one something of a shock. But I realise that this is not a moment for reproaches--that it is a time for deeds, not words. I realise, too, that I still owe my duty to you, as your wife, although, as my husband, you have failed in that which you owe to me. If you will take my advice, you will get up, and you will go at once to a first-rate lawyer; you will tell him the truth--the whole truth, mind--and you will place yourself entirely in his hands, even if he counsels you to surrender yourself to the police. I should do so without a moment's hesitation."

"It's all very well to talk about surrendering to the police. It's easy enough in theory. It's I who shall hang, not you."

"Tom, don't deprive me of all my faith in you; leave me something of my belief; try to be a little of a man. Don't add blunder to blunder--blunders which are worse than crimes--simply because you have not courage enough to be frank. As for the man who is waiting to see you in the drawing-room downstairs----"

She was interrupted by a voice speaking from behind.

"As for that man, is it not Paul Pry who says in the play, 'I hope I don't intrude?'"

The speaker was my friend, the blackmailer. He had forced himself into my bedroom unannounced.

CHAPTER VIII.

MORE THAN HIS MATCH.

Yes, unannounced. I am sure that if I had had the least suspicion of his approaching presence I should have kept him out by the simple expedient of turning the key in the door. As it was, there he stood, as bold as bra.s.s, holding in one hand the handle of the door which he had closed behind him, and in the other his hat, the brim of which he was pressing to his breast.

A striking change had been effected in his appearance since I had seen him last. He had expended a portion of my hundred pounds to advantage in a tailor's shop. He was newly clad from top to toe. The overcoat which he had on was new, and so also was the astrachan which made it glorious. Thrown wide open, it revealed the fact that the gloss of newness was still upon the garments which it covered. A gold watch-chain ran from pocket to pocket of his waistcoat. Beautiful kid gloves encased his hands. Spats adorned his brand-new polished boots.

His silk hat shone like a mirror. Even the dye upon his hair and whiskers had been renewed; it gleamed a beautiful blue-black. In his new splendour his resemblance to Mr. Townsend was more p.r.o.nounced than ever. Even in the state of agitation which, ill as I was, his sudden appearance caused me, I could not but be struck by that.

He showed not the slightest sign of discomposure at the manner in which I greeted him. He stood grinning like a mountebank, not only as if he was sure of a hearty welcome, but as if the whole house belonged to him.

"Sorry, Mr. Tennant, to hear you are unwell--really grieved. I can only hope that it is nothing serious."

His impudence was a little more than even I could stand. I let him see it.

"What the d.i.c.kens do you mean, sir, by entering my bedroom?"

In reply, he only smiled the more.

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The Crime and the Criminal Part 9 summary

You're reading The Crime and the Criminal. This manga has been translated by Updating. Author(s): Richard Marsh. Already has 557 views.

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