The Crescent Moon Part 4

The queen lives in a palace with seven courtyards, and she wears a jewel that cost all the wealth of seven kingdoms.

But let me tell you, mother, in a whisper, where my king's palace is.

It is at the corner of our terrace where the pot of the tulsi plant stands.

The princess lies sleeping on the far-away sh.o.r.e of the seven impa.s.sable seas.

There is none in the world who can find her but myself.

She has bracelets on her arms and pearl drops in her ears; her hair sweeps down upon the floor.

She will wake when I touch her with my magic wand, and jewels will fall from her lips when she smiles.

But let me whisper in your ear, mother; she is there in the corner of our terrace where the pot of the tulsi plant stands.

When it is time for you to go to the river for your bath, step up to that terrace on the roof.

I sit in the corner where the shadows of the walls meet together.

Only puss is allowed to come with me, for she knows where the barber in the story lives.

But let me whisper, mother, in your ear where the barber in the story lives.

It is at the corner of the terrace where the pot of the tulsi plant stands.

THE LAND OF THE EXILE

Mother, the light has grown grey in the sky; I do not know what the time is.

There is no fun in my play, so I have come to you. It is Sat.u.r.day, our holiday.

Leave off your work, mother; sit here by the window and tell me where the desert of Tepantar in the fairy tale is?

The shadow of the rains has covered the day from end to end.

The fierce lightning is scratching the sky with its nails.

When the clouds rumble and it thunders, I love to be afraid in my heart and cling to you.

When the heavy rain patters for hours on the bamboo leaves, and our windows shake and rattle at the gusts of wind, I like to sit alone in the room, mother, with you, and hear you talk about the desert of Tepantar in the fairy tale.

Where is it, mother, on the sh.o.r.e of what sea, at the foot of what hills, in the kingdom of what king?

There are no hedges there to mark the fields, no footpath across it by which the villagers reach their village in the evening, or the woman who gathers dry sticks in the forest can bring her load to the market. With patches of yellow gra.s.s in the sand and only one tree where the pair of wise old birds have their nest, lies the desert of Tepantar.

I can imagine how, on just such a cloudy day, the young son of the king is riding alone on a grey horse through the desert, in search of the princess who lies imprisoned in the giant's palace across that unknown water.

When the haze of the rain comes down in the distant sky, and lightning starts up like a sudden fit of pain, does he remember his unhappy mother, abandoned by the king, sweeping the cow-stall and wiping her eyes, while he rides through the desert of Tepantar in the fairy tale?

See, mother, it is almost dark before the day is over, and there are no travellers yonder on the village road.

The shepherd boy has gone home early from the pasture, and men have left their fields to sit on mats under the eaves of their huts, watching the scowling clouds.

Mother, I have left all my books on the shelf--do not ask me to do my lessons now.

When I grow up and am big like my father, I shall learn all that must be learnt.

But just for to-day, tell me, mother, where the desert of Tepantar in the fairy tale is?

THE RAINY DAY

Sullen clouds are gathering fast over the black fringe of the forest.

O child, do not go out!

The palm trees in a row by the lake are smiting their heads against the dismal sky; the crows with their draggled wings are silent on the tamarind branches, and the eastern bank of the river is haunted by a deepening gloom.

Our cow is lowing loud, tied at the fence.

O child, wait here till I bring her into the stall.

Men have crowded into the flooded field to catch the fishes as they escape from the overflowing ponds; the rain water is running in rills through the narrow lanes like a laughing boy who has run away from his mother to tease her.

Listen, someone is shouting for the boatman at the ford.

O child, the daylight is dim, and the crossing at the ferry is closed.

The sky seems to ride fast upon the madly-rushing rain; the water in the river is loud and impatient; women have hastened home early from the Ganges with their filled pitchers.

The evening lamps must be made ready.

O child, do not go out!

The road to the market is desolate, the lane to the river is slippery. The wind is roaring and struggling among the bamboo branches like a wild beast tangled in a net.

[Ill.u.s.tration: From a drawing by Surendranath Ganguli--see cboat.jpg]