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The Creators Part 71

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"That's just what I'm not. I'm tenderer to you than you are yourself."

It was hard to take in, the idea of his tenderness to her.

"Think--think, before you're drawn in."

"I am thinking," she said.

Tanqueray's voice insisted. "It's easy to get in; but it isn't so jolly easy to get out."



"And if I don't want," she murmured, "to get out----?"

He looked at her and smiled, reluctantly, as if compelled by what he saw in her.

"It's your confounded Jinniness!"

At last he had acknowledged it, her quality. He revolted against it, as a thing more provoking, more incorrigible than mere womanhood.

"It'll always tug you one way and your genius another. I'm only asking you which is likely to be stronger?"

"Do I know, George? Do _you_ know?"

"I've told you," he said. "I think I do."

x.x.xIII

Three weeks later, one afternoon in October, Jane found herself going at a terrific pace through Kensington Gardens. Brodrick had sent word that he would see her at five o'clock, and it wanted but a few minutes of that hour.

When Tanqueray sounded his warning, he did not measure the effect of the illumination that it wrought. The pa.s.sion he divined in her had had a chance to sleep as long as it was kept in the dark. Now it was wide awake, and superbly aware of itself and of its hour.

After she had parted from him Jane saw clearly how she had been drawn, and why. There was no doubt that the folly had come upon her; the folly that Tanqueray told her she would think divine. She not only thought it divine, she felt it to be divine with a certainty that Tanqueray himself could not take away from her.

Very swiftly the divine folly had come upon her. She could not say precisely at what moment, unless it were three weeks ago, when she had stood dumb before the wise women, smitten by a mortal pang, invaded by an inexplicable helplessness and tenderness. It was then that she had been caught in the toils of life, the snares of the folly.

For all its swiftness, she must have had a premonition of it. That was why she had tried so desperately to build the house of life for Brodrick and Miss Collett. She had laboured at the fantastic, monstrous fabrication, as if in that way only she could save herself.

She had been afraid of it. She had fought it desperately. In the teeth of it she had sat down to write, to perfect a phrase, to finish a paragraph abandoned the night before; and she had found herself meditating on Brodrick's moral beauty.

She knew it for the divine folly by the way it dealt with her. It made her the victim of preposterous illusions. The entire district round about Putney became for her a land of magic and of splendour. She could not see the word Putney posted on a h.o.a.rding without a stirring of the spirit and a beating of the heart. When she closed her eyes she saw in a vision the green gra.s.s plots and sinuous gravel walks of Brodrick's garden, she heard as in a vision the silver chiming of the clock, an unearthly clock, measuring immortal hours.

The great wonder of this folly was that it took the place of the creative impulse. Not only did it possess her to the exclusion of all other interests, but the rapture of it was marvellously akin to the creative ecstasy.

It drove her now at a furious pace through the Gardens and along the High Street. It caused her to exult in the face of the great golden October sunset piled high in the west. It made her see Brodrick everywhere. The Gardens were a green paradise with the spirit of Brodrick moving in them like a G.o.d. The High Street was a golden road with Brodrick at the end of it. The whole world built itself into a golden shrine for Brodrick. He was coming to see her at five o'clock.

He was not there, in her room, when she arrived. But he had been there so often that he pervaded and dominated the place, as Tanqueray had once dominated and pervaded it. He had created such a habit, such a superst.i.tion of himself that his bodily presence was no longer necessary to its support. There was a chair by the fireplace, next the window. She could not see it now without seeing Brodrick, without seeing a look he had, when, as he sat there silent, his eyes had held her, covered her, caressed her. There were times when he had the gestures and the manner of a man sitting by his own fireside, taking her and all that she signified for granted, establishing between them a communion in which the poignant, ultimate things were not said because they were so profoundly felt.

She caught herself smiling now at the things she was going to say to him.

Her bell rang with the dreadful, startling noise that made her heart leap in her breast.

He came in slowly like a man preoccupied with grave business of his own.

And at the sight of him Jane's heart, which had leaped so madly, dragged in her breast and drew the tide of her blood after it.

He took her hand, but not with any eagerness. His face was more than ever sombre, as if with some inward darkness and concern. He turned from her and became interested in finding a suitable place for his hat. (Jane noticed that it was a new one.) Then he sat down and remained seated.

He let her get up and cross the room and ring the bell for herself, so fixed was he in his dream. Only, as her gown brushed him in her pa.s.sing back, he was aware of it and shrank. She heard him draw in a hard breath, and when she looked at him again she saw the sweat standing on his forehead.

"You've hurried," she said.

"I haven't," said Brodrick. "I never hurry."

"Of course not. You never do anything undignified."

That was not one of the things that she had meant to say.

"Never," said Brodrick, "if I can help it." And he wiped his forehead.

Jane caught herself smiling at Brodrick's hat. She felt a sudden melting, enervating tenderness for Brodrick's hat. The pa.s.sion which, in the circ.u.mstances, she could not permit herself to feel for Brodrick, she felt, ridiculously, for Brodrick's hat.

It was, of course, ridiculous, that she, Jane Holland, should feel a pa.s.sion for a man's hat, a pa.s.sion that brought her heart into her mouth, so that she could not say any of the things that she had thought of.

Brodrick's hat on an arm-chair beside him was shining in the firelight.

On his uncomfortable seat Brodrick lowered and darkened, an incarnate gloom.

"How happy your hat looks," said Jane, smiling at it again.

"I'm glad it amuses you," said Brodrick.

Jane made tea.

He rose, wrapped in his dream, and took his cup from her. He sat down again, in his dream, and put his cup on the arm-chair and left it there as an offering to the hat. Then, with an immense, sustained politeness, he began to talk.

Now that Hambleby had become a cla.s.sic; he supposed that her ambition was almost satisfied.

It was so much so, Jane said, that she was tired of hearing about Hambleby. Whereupon Brodrick inquired with positively formidable politeness, how the new serial was getting on.

"Very well," said Jane. "How's the 'Monthly Review'?"

Brodrick intimated that the state of the "Monthly Review" was prosperity itself, and he asked her if she had heard lately from Mr. Prothero?

Jane said that she had had a long letter from Mr. Prothero the other day, and she wished that a suitable appointment could be found for Mr.

Prothero at home. Brodrick replied, that, at the moment, he could not think of any appointment more suitable for Mr. Prothero than the one he had already got for him.

Then there was a silence, and when Jane with compet.i.tive urbanity inquired after Brodrick's sisters, Brodrick's manner gave her to understand that she had touched on a subject by far too intimate and personal. And while she was wondering what she could say next Brodrick took up his hat and said good-bye and went out hurriedly, he who never hurried.

Jane stood for a moment looking at the seat he had left and the place where his hat had been. And her heart drew its doors together and shut them against Brodrick.

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The Creators Part 71 summary

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