The Court of the Empress Josephine Part 4

The Grand Chamberlain had charge of all the honors of the palace, the regular audiences, the oaths taken in the Emperor's study, the admissions, the levees and couchees, the festivities, receptions, theatrical performances, the music, the boxes of the Emperor and Empress at the different theatres, the Emperor's wardrobe, his library; he also looked after the ushers and valets de chambre.

The Grand Chamberlain had under his orders (this refers to 1805), a First Chamberlain, M. de Remusat, and thirteen chamberlains: MM. d'Arberg, A. de Talleyrand, de Laturbie, de BriG.o.de, de Viry, de Thiard, Garnier de Lariboisiere, d'Hedouville, de Croy, de Mercy-Argenteau, de Zuidwyck, de Tournon, de Bondy. In the Imperial Almanack of 1805, these men are not named with their t.i.tles, even the _de_ is in all cases omitted or joined with the name, thus: M. Remusat, M. Darberg, A. Talleyrand, Laturbie, Tournon, Dethiard, Deviry, Hedouville, etc., etc.

The chamberlain on duty was called the chamberlain of the day. At the palace there were always two chamberlains of the day, one for the grand apartment, the other for the Emperor's apartment of honor. They were relieved every week. The princ.i.p.al duties of the chamberlains were to have charge of introductions to the Emperor, to give orders to the ushers and valets de chambre, to see that the orders about the receptions were carried out, and to attend upon the sovereign's levees and couchees.

Either a chamberlain or one of the Emperor's aides-de-camp served as Master of the Wardrobe. He had charge of the clothes, the linen, the lace, the boots and shoes, and of the ribbons of the Legion of Honor. If he a.s.sisted at the Emperor's toilet, he had to hand him his coat, fasten his ribbon or collar, give him his sword, hat, and gloves, in the Grand Chamberlain's absence.

The Grand Master of Ceremonies determined questions of rank and precedence, drew up and enforced the rules for public, formal ceremonies, for the reception of sovereigns and hereditary princes, and, foreign amba.s.sadors and ministers.

The colonels-general of the Imperial Guard and the Emperor's aides also made part of the household.

At ceremonies when the Emperor was in his state-coach, there were two colonels-general of the Guard at the left door. When he rode, all four followed close behind. The Grand Equerry, or his subst.i.tute, had a place among them.

The colonel-general on duty received directly the Emperor's orders relative to the different requirements of the Imperial Guard, and transmitted them directly to the other colonels-general. He was quartered in the palace, in preference to any other officer of the Crown, and as near as possible to the Emperor's apartment, whether at the residence or when travelling. In the field he slept in the Emperor's tent.

Napoleon had twelve aides-de-camp. The one on duty was called the aide-de- camp of the day, He always had a horse saddled or a carriage harnessed ready in the stable, to carry any messages the Emperor might give. As soon as the Emperor had gone to bed, the aide-de-camp on duty was especially entrusted with guarding him, and he slept in an adjoining room. In the field the Emperor's aides served as chamberlains.

There were two distinct elements in the Emperor's household: the military, and the aristocratic. Some men owed their position entirely to their merit; others entirely to their birth; these were both patriots of 1792 and emigres, but it must be confessed the Imperial Almanack shows that the aristocratic element was the more prominent. Napoleon, though certain writers persist in representing him as the crowned champion of democracy and the emperor of the lower cla.s.ses, had a more aristocratic court than Louis XVIII. He was more impressed by great manners than were the old kings. Even after he had been betrayed, abandoned, denied, insulted by the aristocracy, he had a weakness for it. In 1816 he said: "The democracy may become furious; it has a heart; it can be moved. The aristocracy always remains cold and never pardons." Yet even after this, he blamed himself for not having done enough for the French n.o.bility. "I see clearly," he went on, "that I did either too much or too little for the Faubourg Saint Germain. I did enough to make the opposition dissatisfied, and not enough to win it to my side. I ought to have secured the emigres when they returned. The aristocracy would have soon adored me; and I needed it; it is the true, the only support of a monarchy, its moderator, its lever, its resisting point; without it, the state is like a ship without a rudder, a balloon in mid-air. Now, the strength, the charm of the aristocracy lies in its antiquity, the only thing I could not create." It must be confessed that from an old Republican general, for the man who had sent Augereau to execute the coup d'etat of the 18th Fructidor, and who the 13th Vendemiaire, from the steps of the Church of Saint Roch had crushed the Paris conservatives, this was a very aristocratic way of talking, reminding one of the old regime. In 1816 Napoleon said again: "Old and corrupt nations cannot be governed like the virtuous peoples of antiquity.

For one man nowadays who would sacrifice everything for the public welfare, there are thousands who take no thought of anything except their own interests, pleasures, and vanity. Now to pretend to regenerate a people off-hand would be madness. The workman's genius is shown by his knowing how to make use of the materials under his hand, and that is the secret of the restoration of all the forms of the monarchy, of the return of t.i.tles, crosses, and ribbons."

The old Republicans of 1796, who used to denounce kings, "drunk with blood and pride," would not have readily recognized their old general under the golden canopies of the Tuileries, where he dined in state. His table stood on a platform, beneath a canopy, and there were two chairs, one for himself, the other for the Empress. As he entered the banquet-hall, he was preceded by a swarm of pages, masters-of-ceremonies, and prefects of the palace; he was followed by the colonel-general on duty, the Grand Chamberlain, the Grand Equerry, and the Grand Almoner. The Grand Almoner advanced to the table and blessed the dinner. A general of division, the Grand Equerry Caulaincourt, offered a chair to Bonaparte. Another general of division, Duroc, the Grand Marshal of the Palace, handed him his napkin and poured out his wine. Not merely high dignitaries, but the Princes of the Empire themselves, deemed it an honor to wait upon him as servants. If a Prince of the Imperial family happened to be in the Emperor's room, any article of dress that he asked for was given by the chamberlain-in-waiting to the Prince, and by the Prince to the Emperor. The time of the Sun King seemed to have returned.

The Imperial apartment at the Tuileries consisted of two distinct parts, the grand state apartments and the Emperor's private apartment. The state apartment contained the following rooms: 1, a concert hall (the Hall of the Marshals); 2, a first drawing-room (under Napoleon III. called the Drawing-room of the First Consul); 3, a second drawing-room (that of Apollo); 4, a throne room; 5, a drawing-room of the Emperor (afterwards called that of Louis XIV.); 6, a gallery (of Diana). The private apartment was itself composed of the apartment of honor, containing a hall of the guards and a first and second drawing-room, and an interior apartment containing a bedroom, a study, an office, and topographic bureau. The ushers had charge of the apartment of honor; the valets de chambre of the other. A rigid etiquette determined the right of entrance into the different rooms composing the state apartment, according to a carefully studied system. The pages were authorized to enter the Hall of the Marshals; members of the household of the Emperor and Empress could enter the first and second drawing-rooms; the Princes and Princesses of the Imperial family, the high officers of the Crown, the presidents of the great bodies of the state, had admission to the throne room. Men and women had to bow to the throne whenever they pa.s.sed it. The Emperor and the Empress alone had the right of entering the Emperor's drawing-room. No one else could go in except by the Emperor's summons.

An absurd importance was attached to these trivialities, to these empty nothings, to the right of entering this room or that, of walking before this or that person, of handing the Emperor this or that article of dress.

"An honest, reasonable man," said Madame de Remusat, "is often overcome with shame at the pleasures and pains of a courtier's life, and yet it is hard to escape from them. A ribbon, a slight difference of dress, the right of way through a door, the entrance into such and such a drawing- room, are the occasion, contemptible in appearance, of a host of ever new emotions. Vain is the struggle to acquire indifference to them.... In vain, do the mind and the reason revolt against such an employment of human faculties; however dissatisfied one is with one's self, it is necessary to humiliate one's self before every one and to desert the court, or else to consent to take seriously all the nonsense that fills the air and breathes there."

Vanity of human events! What has become of these drawing-rooms of the Tuileries, which it was such an honor to enter, which were trod with such respectful awe? Look at the lamentable ruins of this ill-fated palace.

There may still be seen, blackened with petroleum and stained by the rain, some of those drawing-rooms, once so brilliant, once thronged with an eager and showy crowd. What an instructive spectacle! When is one more urgently reminded of the emptiness of human glory and greatness? This nothingness fills the soul with melancholy when one thinks that soon these crumbling fragments will be razed and that soon one can say with the poet: The ruins themselves have perished, _Etiam periere ruinae_! [Footnote: The ruins have since been removed.--TR.]

IX.

HOUSEHOLD OP THE EMPRESS.

We have just studied the civil and the military household of the Emperor in 1805; let us now study the Empress's household at the same period.

The Empress's First Almoner was a bishop, a great lord, Ferdinand de Rohan. Her Maid of Honor was a relative of her first husband, the d.u.c.h.ess de La Rochefoucauld, called in the Imperial Almanack of 1805 simply Madame Chastule de La Rochefoucauld. She was short and deformed, but distinguished, for her intelligence, tact, and wit, void of ambition, with no taste for intrigue, who only reluctantly accepted the position of Maid of Honor, and often wanted to hand in her resignation. The Lady of the Bedchamber was Madame de Lavalette, a Beauharnais, an able and affectionate woman, who immortalized herself, in the early days of the Restoration, by saving her husband's life by her heroism.

To the four Ladies of the Palace at the beginning of the Empire, Madame de Lucay, Madame de Remusat, Madame de Talhouet, Madame de Lauriston, were added thirteen other ladies: Madame Duchatel, Madame de Seran, Madame de Colbert, Madame Savary, Madame Octave de Segur, Madame de Turenne, Madame de Montalivet, Madame de Bouille, Madame de Vaux, Madame de Marescot.

The Maid of Honor was for the Empress what the Grand Chamberlain was for the Emperor. The Lady of the Bedchamber's duties corresponded to those of the Keeper of the Wardrobe. The Ladies of the Palace were, so to speak, female chamberlains.

"We were all," said the d.u.c.h.ess of Abrantes, "at that time radiant with a sort of glory which women seek as eagerly as men do theirs, that of elegance and beauty. Among the young women composing the court of the Empress and that of the Princesses it would have been hard to find a single ill-favored woman, and there were very many whose beauty made, with no exaggeration, the greatest ornament of the festivities held every day in that fairy-like time."

All the Ladies of the Palace were young, and almost all were remarkable for their beauty. Among the most conspicuous was Madame Ney, a niece of Madame Campan; Madame Lannes, whose face recalled the most charming pictures of Raphael, and above all, the wife of an already aged Councillor of State, Madame Duchatel (whose son was Minister of the Interior in the reign of Louis Philippe, and whose grandson was Amba.s.sador of the Republic at Vienna). The d.u.c.h.ess of Abrantes thus describes this famous beauty: "There is one woman in the Imperial court who made her appearance in society shortly before the coronation, whose portrait is drawn in all the contemporary memoirs, especially in those written by a woman, and that is Madame Duchatel. Madame Duchatel would not serve as a model for a sculptor, because her features lack the regularity which his art requires.

The indefinable charm of her face, a charm which words are unable to convey, lay in dark blue eyes, with long, silken, lashes, in a delicate, gracious, refined smile, which, disclosed teeth of ivory whiteness, and, moreover, beautiful light hair, small hands and feet, a general elegance which matched a really remarkable mind. All these things formed a combination which first attracted and then attached every one to her."

Josephine's First Chamberlain, in 1805, was the General of Division Nansouty; the chamberlain who introduced the amba.s.sadors was M. de Beaumont; there were four ordinary chamberlains, MM. d'Aubusson- Lafeuillade, de Galard-Bearn. de Coutomer; de Gavre; a First Equerry, Senator de Harville; two equerries, Colonel Fowler and General Bonardy de Saint Sulpice; a private secretary, M. Deschamps. The Council of the Empress's household was composed of the Maid of Honor, the Lady of the Bedchamber, the First Chamberlain, and the First Equerry. The private secretary was also the secretary of the Council. The Chief Steward of the household was also a member.

The Lady of the Bedchamber had under her orders a first woman of the bedchamber, Madame Aubert, who had whole charge of the wardrobe. Madame Saint-Hilaire held this place under Josephine, as Madame Campan had done under Marie Antoinette. Madame Saint-Hilaire's duties consisted in supervising the chamberwork, in receiving the Empress's orders about the hours of her rising, and of her morning and evening toilet. The first woman of the Bedchamber had what were called the honors of the service when the Maid of Honor and the Lady of the Bedchamber were absent. The Empress had also ushers and women who discharged the same duties, six ordinary chambermaids, a reader, the beautiful Madame Gazani; four ordinary valets de chambre, and two footmen, trusted men always in the ante-chamber. The ushers, who remained without the drawing-room where the Empress was, never opened both the doors to their full width except for the Princes and Princesses of the Imperial family; and they could not leave their posts except to ask the Maid of Honor the names of those who were waiting to be presented. There were two pages in the Empress's service; the older carried the train of her dress when she left her apartments, and got in or out of a carriage; the other walked before her.

The Empress's apartment consisted of an apartment of honor and an inner apartment. The first consisted of an ante-chamber, the first drawing-room, the second drawing-room, the dining-room, the music-room, the other, of the bedroom, the library, dressing-room, boudoir, bath-room. The entrance to the Empress's apartment was controlled by etiquette like that to the Emperor's.

Josephine played her part as sovereign as easily as if she had been born on the steps of the throne. "One of her charms," says the d.u.c.h.ess of Abrantes, "was not merely her graceful figure, but the way she held her head, and the gracious dignity with which she walked and turned. I have had the honor of being presented to many real princesses, as they are called, in the Faubourg Saint Germain, and I can truly say that I have never seen one more imposing than Josephine. She combined elegance and majesty. Never did any queen so grace a throne without having been trained to it."

Josephine had all the qualities that are attractive in a sovereign: affability, gentleness, kindliness, generosity. She had a way of convincing every one of her personal interest. She had an excellent memory, and surprised those with whom she talked by the exactness with which she recalled the past, even to details they had themselves nearly forgotten. The sound of her gentle, penetrating, and sympathetic voice added to the courtesy and charm of her words. Every one listened to her with pleasure; she spoke with grace and listened courteously. She wanted no one to go away from her annoyed. She always appeared to be doing a kindness, and thus inspired affection and grat.i.tude. Her courtiers and her suite were her friends. Madame de Remusat, who was never too favorable, was forced to recognize the charm which Josephine exercised over the court by her tact, intelligence, and dignity. "The Empress," she says, "is enchanted to be surrounded by a large suite, and it gratifies her vanity.

Her success in attaching Madame de La Rochefoucauld to her person, her pleasure in counting MM. d'Aubusson, de Lafeuillade among her chamberlains, Madame d'Arbry, Madame de Segur, and the wives of the marshals among the ladies of the palace, turned her head a little, but even this feminine joy did not lessen her usual graciousness; she always succeeded in maintaining her rank, even when most deferential to those men and women who lent it a new l.u.s.tre by their brilliant names." She was very kind, extremely soft-hearted, and always overwhelming her companions with attentions and regards. Mademoiselle Avrillon, her reader, says: "I do not believe that there ever lived a woman with a better character, or with a less changeable disposition." She never dared to utter a word of blame or reproach. "If one of her ladies," said Constant, the Emperor's valet de chambre, "ever gave her cause for dissatisfaction, the only punishment she inflicted was to maintain absolute silence for one, two, three days, a week, more or less, according to the seriousness of the case. Well! this punishment, apparently so slight, was for most of them very severe. The Empress knew so well how to make herself beloved!"

Her only fault was extravagance. She had an unbounded love of luxury and dress. The jewel-case which had belonged to Marie Antoinette was too small for Josephine. One day when she wanted to show some ladies all her jewels, a great table had to be arranged to hold the cases, and, since that was not enough, much more of the furniture was covered by them. Josephine had the fault that accompanies this quality, for generous persons are commonly lavish. Her extravagant expenditures came from her kindliness. She had not the heart to dismiss a tradesman without buying something of him, and it never entered her head to try to beat him down. Often she bought for vast sums things she did not want, simply to oblige the dealers. There was no limit to her liberality. She would have liked to own all the treasures of the earth in order to give them all away. She sought for opportunities for alms-giving. Many of the emigres lived entirely on her bounty. She was always in active correspondence with the sisters of charity. She was the Providence of the poor, and did good with delicacy, tact, and discretion.

Giving is not all; the art lies in knowing how to give. She seemed to be the debtor of those to whom she made gifts. Naturally, with this disposition, she got into debt. But Napoleon was there to help her; and since he was economical by nature, he grew angry and scolded his extravagant wife, and ended by paying.

In fact, Napoleon could refuse Josephine nothing, and she was really the only woman who had any influence over him. If he opposed her, she had an infallible resource in her tears. She knew thoroughly her husband's character. She knew how to speak to that mind and heart. She busied herself with seeking what could please, with divining his wishes, with antic.i.p.ating his slightest desires. If he was the least ailing or annoyed she was literally at his feet, and then he could not live without her. He felt that when misfortune came Josephine alone would be able to console him. She had brought him happiness with her gentleness, her tenderness, her devotion; she had well deserved to receive the crown from his hands.

X.

NAPOLEON'S GALLANTRIES.

Josephine appeared to have every wish, satisfied; her good fortune exceeded her wildest dreams; never had a more wonderful romance actually happened, and yet the Empress of the French, the Queen of Italy, was not happy. A cruel pa.s.sion which brings no pleasures, but only cruel sufferings, disturbed her happiness and tormented her heart. This pa.s.sion, jealousy, which had tortured Napoleon in the early days of his wedded life, now Josephine in her turn had to endure with all its keen anguish.

She felt that for her, a woman of forty-one, to hold fast the affections of a man of thirty-five, covered with glory and full of charm, was a difficult task; but this reflection, far from consoling her, only disturbed her the more, and she made desperate efforts to triumph in an almost hopeless contest. As was said by Mademoiselle Avrillon, her reader, she seemed not to understand that if the highest rank is a safeguard for a woman, because few men are bold enough to pursue her, the same is not true of a sovereign whose glory dazzles the inexperience of the young, and whose slightest attention arouses coquetry and flatters vanity.

Josephine had not a moment's peace. In the hope of pleasing her, many women of the court, who were, so to speak, on the watch for the Emperor's attentions, hastened to torture her with their interested revelations. For several years now her beauty had been fading. Napoleon, on the other hand, had never been better looking. His health, which formerly had been delicate, had much improved. He had grown stouter, and this was very becoming. His head was like that of a Caesar. Full of self-confidence, fortunate, flattered on every side, at the height of power, he imagined that in love, as in war, he had but to appear to say, _veni, vidi, vici_, "I came, I saw, I conquered." Many of the beauties of the time did their best to confirm him in this good opinion of himself, and as Madame de Remusat says of him, he in his court was not unlike the Grand Turk in his harem.

"The Emperor," we read in Constant's Memoirs, "used to say that a good man was to be known by the way he treated his wife, his children, and his servants. He added that immorality was the most dangerous vice a sovereign could have, because it established a precedent for his subjects. What he meant by immorality, was giving scandalous publicity to relations which should have been kept secret; these relations he was by no means disposed to refuse when they presented themselves before him." The faithful valet de chambre goes on in an attempt to defend his master: "Others perhaps would have succ.u.mbed oftener. Heaven forbid that I should undertake to apologize for him; I will even acknowledge that he did not always practise what he preached, but it was none the less a good deal for a sovereign to hide his distractions from the public, to prevent scandal, and, what is worse imitation; and from his wife, to save her pain."

Napoleon was by no means so indifferent to women as he professed to be. He was averse to being ruled by them, but he was far from being insensible to their charms. Opposition exasperated him; all his caprices found many obsequious allies ready to further his suit, and more than one woman made a deep, if brief, impression upon him. His disdain of woman has, we are sure, been much exaggerated. At Saint Helena he declaimed against women, but his remarks were mere paradoxes, not meant to be taken seriously.

Count Las Cases, in the _Memorial_, reports these remarks of the Emperor to the ladies who shared, his captivity. "We Occidentals," he said, with a smile full of malice, "have spoiled women by treating them too well. We have made the mistake of raising them almost to an equality with ourselves. The Orientals showed more intelligence and justice: they declared they were men's property; and, in fact, nature has made them our slaves, and it is only by our whimsicalness that they presume to be our sovereigns; they abuse their advantages to mislead and control us. For one who inspires us to our good there are a hundred who make us do stupid things." Then he went on to praise polygamy in a very unchivalrous and unsentimental way, saying ironically: "What cause of complaint do you have, after all? Have we not acknowledged that you have a soul? You know that there are philosophers who have weighed it. Do you claim equality?

But that is absurd; women are our property, we are not theirs; for she gives us children, men give them none. So she is his property, as a fruit- tree is a gardener's property. Nothing but a lack of judgment, of common sense, and a defective education, can make a woman think that she is her husband's equal. And there is nothing degrading in the difference; each s.e.x has its qualities and its duties: your qualities are beauty, grace, charm; your duties are dependence and submission."

Napoleon was often malicious with women; often he teased them; but at heart he honored faithful wives and good mothers. His ideas were far more moral than those of the men of the Directory, and his court was far purer than that of the kings of France. We will add that Josephine was the only woman he ever loved for a long time and seriously. The others appealed to his senses, not to his heart.

Fortunately for herself, Josephine had a shallow character; her impressions were keen, but evanescent. The pleasures of sovereignty outweighed the griefs. She felt that the crown was heavy at times, but it adorned her and kept her young; and in spite of the jealousy it gave rise to, the court satisfied her vanity and brought her sufficient consolation.

To the satisfaction of her pride she found another purer and more lasting emotion, which she valued more, in the opportunity of doing good. She had, besides, pa.s.sed through so many vicissitudes in her life that nothing could surprise her, and her soul, accustomed to suffering, was prepared for the most violent emotions, the most terrible anguish. She wept readily, but her tears were soon dried; the rainbow followed close upon the storm, and Josephine would smile through her tears.

XI.

THE POPE AT THE TUILERIES.