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The Contrast Part 10

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CHARLOTTE. This is so kind, my sweet friend, to come to see me at this moment. I declare, if I were going to be married in a few days, as you are, I should scarce have found time to visit my friends.

MARIA. Do you think, then, that there is an impropriety in it?--How should you dispose of your time?

CHARLOTTE. Why, I should be shut up in my chamber; and my head would so run upon--upon--upon the solemn ceremony that I was to pa.s.s through!--I declare, it would take me above two hours merely to learn that little monosyllable--_Yes._--Ah! my dear, your sentimental imagination does not conceive what that little tiny word implies.

MARIA. Spare me your raillery, my sweet friend; I should love your agreeable vivacity at any other time.

CHARLOTTE. Why, this is the very time to amuse you. You grieve me to see you look so unhappy.

MARIA. Have I not reason to look so?

CHARLOTTE. [What new grief distresses you?

MARIA. Oh! how sweet it is, when the heart is borne down with misfortune, to recline and repose on the bosom of friendship! Heaven knows that, although it is improper for a young lady to praise a gentleman, yet I have ever concealed Mr. Dimple's foibles, and spoke of him as of one whose reputation I expected would be linked with mine: but his late conduct towards me has turned my coolness into contempt. He behaves as if he meant to insult and disgust me; whilst my father, in the last conversation on the subject of our marriage, spoke of it as a matter which laid near his heart, and in which he would not bear contradiction.

CHARLOTTE. This works well: oh! the generous Dimple. I'll endeavour to excite her to discharge him. [_Aside._] But, my dear friend, your happiness depends on yourself. Why don't you discard him? Though the match has been of long standing, I would not be forced to make myself miserable: no parent in the world should oblige me to marry the man I did not like.

MARIA. Oh! my dear, you never lived with your parents, and do not know what influence a father's frowns have upon a daughter's heart. Besides, what have I to allege against Mr. Dimple, to justify myself to the world? He carries himself so smoothly, that every one would impute the blame to me, and call me capricious.

CHARLOTTE. And call her capricious! Did ever such an objection start into the heart of woman? for my part, I wish I had fifty lovers to discard, for no other reason than because I did not fancy them.] My dear Maria, you will forgive me; I know your candour and confidence in me; but I have at times, I confess, been led to suppose that some other gentleman was the cause of your aversion to Mr. Dimple.

MARIA. No, my sweet friend, you may be a.s.sured, that though I have seen many gentlemen I could prefer to Mr. Dimple, yet I never saw one that I thought I could give my hand to, until this morning.

CHARLOTTE. This morning!

MARIA. Yes; one of the strangest accidents in the world. The odious Dimple, after disgusting me with his conversation, had just left me, when a gentleman, who, it seems, boards in the same house with him, saw him coming out of our door, and, the houses looking very much alike, he came into our house instead of his lodgings; nor did he discover his mistake until he got into the parlour, where I was: he then bowed so gracefully, made such a genteel apology, and looked so manly and n.o.ble!--

CHARLOTTE. I see some folks, though it is so great an impropriety, can praise a gentleman, when he happens to be the man of their fancy.

[_Aside._]

MARIA. I don't know how it was,--I hope he did not think me indelicate,--but I asked him, I believe, to sit down, or pointed to a chair. He sat down, and, instead of having recourse to observations upon the weather, or hackneyed criticisms upon the theatre, he entered readily into a conversation worthy a man of sense to speak, and a lady of delicacy and sentiment to hear. He was not strictly handsome, but he spoke the language of sentiment, and his eyes looked tenderness and honour.

CHARLOTTE. Oh! [_Eagerly._] you sentimental, grave girls, when your hearts are once touched, beat us rattles a bar's length. And so you are quite in love with this he-angel?

MARIA. In love with him! How can you rattle so, Charlotte? Am I not going to be miserable? [_Sighs._] In love with a gentleman I never saw but one hour in my life, and don't know his name! No; I only wished that the man I shall marry may look, and talk, and act, just like him.

Besides, my dear, he is a married man.

CHARLOTTE. Why, that was good-natured.--He told you so, I suppose, in mere charity, to prevent you falling in love with him?

MARIA. He didn't tell me so; [_Peevishly._] he looked as if he was married.

CHARLOTTE. How, my dear; did he look sheepish?

MARIA. I am sure he has a susceptible heart, and the ladies of his acquaintance must be very stupid not to--

CHARLOTTE. Hush! I hear some person coming.

[_Enter LEt.i.tIA._

LEt.i.tIA. My dear Maria, I am happy to see you. Lud! what a pity it is that you have purchased your wedding clothes.

MARIA. I think so. [_Sighing._]

LEt.i.tIA. Why, my dear, there is the sweetest parcel of silks come over you ever saw! Nancy Brilliant has a full suit come; she sent over her measure, and it fits her to a hair; it is immensely dressy, and made for a court-hoop. I thought they said the large hoops were going out of fashion.

CHARLOTTE. Did you see the hat? Is it a fact that the deep laces round the border is still the fashion?]

DIMPLE [_within_]. Upon my honour, sir.

MARIA. Ha! Dimple's voice! My dear, I must take leave of you. There are some things necessary to be done at our house. Can't I go through the other room?

_Enter DIMPLE and MANLY._

DIMPLE. Ladies, your most obedient.

CHARLOTTE. Miss Van Rough, shall I present my brother Henry to you?

Colonel Manly, Maria--Miss Van Rough, brother.

MARIA. Her brother! [_Turns and sees MANLY._] Oh! my heart! the very gentleman I have been praising.

MANLY. The same amiable girl I saw this morning!

CHARLOTTE. Why, you look as if you were acquainted.

MANLY. I unintentionally intruded into this lady's presence this morning, for which she was so good as to promise me her forgiveness.

CHARLOTTE. Oh! ho! is that the case! Have these two pensorosos been together? Were they Henry's eyes that looked so tenderly? [_Aside._] And so you promised to pardon him? and could you be so good-natured?--have you really forgiven him? I beg you would do it for my sake [_Whispering loud to MARIA._]. But, my dear, as you are in such haste, it would be cruel to detain you; I can show you the way through the other room.

MARIA. Spare me, my sprightly friend.

MANLY. The lady does not, I hope, intend to deprive us of the pleasure of her company so soon.

CHARLOTTE. She has only a mantua-maker who waits for her at home. But, as I am to give my opinion of the dress, I think she cannot go yet. We were talking of the fashions when you came in, but I suppose the subject must be changed to something of more importance now.--Mr. Dimple, will you favour us with an account of the public entertainments?

DIMPLE. Why, really, Miss Manly, you could not have asked me a question more _mal-apropos_. For my part, I must confess that, to a man who has traveled, there is nothing that is worthy the name of amus.e.m.e.nt to be found in this city.

CHARLOTTE. Except visiting the ladies.

DIMPLE. Pardon me, madam; that is the avocation of a man of taste. But for amus.e.m.e.nt, I positively know of nothing that can be called so, unless you dignify with that t.i.tle the hopping once a fortnight to the sound of two or three squeaking fiddles, and the clattering of the old tavern windows, or sitting to see the miserable mummers, whom you call actors, murder comedy and make a farce of tragedy.

MANLY. Do you never attend the theatre, sir?

DIMPLE. I was tortured there once.

CHARLOTTE. Pray, Mr. Dimple, was it a tragedy or a comedy?

DIMPLE. Faith, madam, I cannot tell; for I sat with my back to the stage all the time, admiring a much better actress than any there--a lady who played the fine woman to perfection; though, by the laugh of the horrid creatures round me, I suppose it was comedy. Yet, on second thoughts, it might be some hero in a tragedy, dying so comically as to set the whole house in an uproar.--Colonel, I presume you have been in Europe?

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The Contrast Part 10 summary

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