The Connexion Between Taste and Morals Part 2

We hence see why it is that periods of difficulty, and oppression, and persecution, are favorable to the exhibition of the moral sublime. They test the amount of attachment to principle which there is among men, and the sacrifices which they are willing to make for it. Accordingly, it has been in such emergencies that men have arisen, who, under the inspiration of the great principles of civil and religious liberty, have been ready to go in the face of every danger, wherever their duty should call them; as Luther was determined to go to the diet of Worms, though he should find as many devils in that city as there were tiles upon the houses. These are the men, who, though they have been opposed, and vilified, and persecuted in their day, have yet received the homage of after ages; who have stood as the beacon-lights of the world, and whose names have been the watchword of those who have rallied and struck for the united reign of liberty and law. Such men have almost always been in advance of their age, and the people of that age have not comprehended them. They have reverenced the great men of former times; they have built the sepulchres of the prophets, but have persecuted those who were sent unto _them_. It is not therefore surprising that Seneca has spoken so largely of the benefits of adversity, as alone giving an opportunity for the display of the heroic virtues, and has said that a good man, struggling with adversity, was a spectacle worthy of the G.o.ds.

But it is not necessary to the existence, though it may be to the exhibition, of moral heroism, that we should be placed in circ.u.mstances of external adversity. Wherever there is moral combat, there may be moral sublimity, and this combat is necessary for the accomplishment of that triumph which every man is called to gain over himself. The force and grandeur of virtue are then seen when we sacrifice to it our appet.i.tes, our avarice, our pride, our vanity, our ambition, our resentments, till every evil pa.s.sion is brought into subjection to reason and conscience.

Such being the nature of the moral sublime, it is obvious that there is much less danger to morals from its perversion than from the perversion of the beautiful. There is here no natural pa.s.sion to come in as an ally of principle; and which may take the place of it, but it is duty struggling single-handed, and triumphing over all the might of external nature, and all the force of human propensity. Virtue may indeed exist in perfect serenity, and be exercised without an obstacle; but in this world, and it is that which makes it a place of probation, there is little virtue except on the condition of struggling against and overcoming inclination or pa.s.sion. If we succeed in this struggle, we feel in our own b.r.e.a.s.t.s a peace which is not only present happiness, but the promise of future reward; and we awaken in the b.r.e.a.s.t.s of others the emotions of moral sympathy, of approbation, of sublimity in its highest forms, till they are ready to welcome us with acclaim, and we find that virtue is not only happiness, but is also "glory, and honor, and immortality."

But though moral beauty and sublimity are so different in their nature and in the occasions on which they arise, it must not be supposed that they do not often blend with each other in actual life. The general course of Howard, for instance, being in accordance with the dictates of humanity, had great moral beauty, and yet the sacrifices which he made were often so great as to cause that course to partake of the moral sublime.

If the account of moral taste, now given, be correct, the a.n.a.lysis of the subject is the only argument needed. Its cultivation must, of course, be favorable to morals, since it would lead, in its perfect state, to the same course of conduct as would be required by principle.

There is, indeed, a whole school of philosophers, that of Shaftesbury, who have looked upon virtue, and have recommended it, as beautiful rather than as obligatory; who have regarded it as a sentiment rather than a principle; and whose writings have been calculated to awaken enthusiasm in the cause of virtue, but not to give it its proper sanctions. So far, however, as this cla.s.s of feelings would lead us, it is in the direct path of virtue, and they may, no doubt, be so cultivated, and especially by the young, as to furnish efficient aid to the principle of duty. Perhaps few persons, rightly educated, are aware how many wrong actions they avoid with the greater care because they are also mean; how many right actions they perform with the greater readiness because they are in accordance with the requisitions of a cultivated moral taste. Considered as a principle of action, such a taste provides an effectual security against the grossness connected with many vices, and cherishes a temper of mind friendly to all that is amiable, or generous, or elevated in our nature. While, therefore, we regard taste as an important ally to the sense of duty, we are not to rely chiefly upon it. It would need stability, and would be constantly liable to be led astray by the influence of fashion, or of casual a.s.sociation. We may however do more, we should do more to combine them; to unite taste and principle in the conduct of life; to do, ourselves, and to lead others to do, what is becoming, as well as what is right.

Man is capable of forming to himself an ideal model, of embodying a conception of excellence such as he has never seen, and of acting with reference to it. It is this which renders him capable of progression; and one great reason why men are stationary, is, that they have in their minds no fixed and definite standard of excellence after which they are reaching. Young men, to whom I speak, here is the point at which many of you doubtless fail. You are borne on by the current, and form to yourselves no worthy object of pursuit, after which you bring yourselves, by self-discipline, steadily to labor. But without doing this, no man ever yet exerted a high and worthy influence; no man ever can. Permit me then to propose to you, in your capacity as social beings, an object after which you may thus strive. It is the combination of perfect moral principle with perfect simplicity and refinement of manners--the union, in the conduct of life, of Morals and Taste.

There remains but a single consideration which I shall adduce, to show that there is the connexion between taste and morals for which I contend. It is, that we naturally a.s.sociate with goodness, beauty of form; and that in a perfect state, we conceive of goodness as surrounded by objects that are pleasing to the taste. Perhaps this may not have been noticed by all, but a little attention to what pa.s.ses in our own minds will convince us that it is so. This natural a.s.sociation of beauty and goodness perhaps arises from the fact, that every indication of goodness as expressed in the countenance is pleasing, and may be heightened into beauty. It is surprising how soon we come to regard as pleasing, the most ordinary features, when we have a.s.sociated with them a fund of good qualities; or rather, the features soon become like the letters of a book, which we regard only for the meaning they convey. As I have said before, no features are so ordinary that they may not come to appear to us beautiful by the expression of good qualities; and if I may suppose, which I would by no means a.s.sert, that there are any homely persons present, I would congratulate them on the inducements they have to cultivate the only beauty that is permanent, or that can be the foundation of lasting attachment.

Not only however may homely features become beautiful by their expression, but we have, I think, a natural a.s.sociation of positive beauty as connected with the goodness which we have not seen, and of positive deformity as connected with vice. When we read of good men even, we regard them as having something in their appearance corresponding with their character, and no man, I am sure, can suppose that Benedict Arnold had a countenance that was pleasant to look upon.

But what is conclusive on this point is, that no man ever conceived of Satan in his proper form, as beautiful, or ever conceived of an angel, except as clothed in light and beauty.

It is this natural supposition of the connexion of beauty of mind with beauty of form, that gives its plausibility and point to a dream of Sir Isaac Bickerstaff, as related in one of the Tattlers. He seemed to himself to be in an open plain, surrounded by an immense a.s.sembly of females, in the midst of whom the G.o.ddess of justice sat enthroned, and holding in her hand a mirror of such peculiar properties as to reflect the faces of those who looked into it in exact correspondence with their characters. This mirror was held up and turned before the a.s.sembly, and the effect may well be imagined. Some beautiful women had the satisfaction of seeing their faces become still more beautiful, while many more were shocked to see themselves converted into perfect frights.

Some who were homely before, became still more so; while many una.s.suming and modest persons, who had never dreamed of being handsome, and so had sought the approbation of their own consciences, were surprised to see how their faces were brightened up. There was however one face, which seemed to beam with a celestial radiance, and was so surprisingly beautiful that Sir Isaac determined at once on making proposals to the lady, if he could but ascertain to whom it belonged. This, by careful attention, he was soon enabled to do, and found that it was a little, grey-headed, wrinkled old woman who stood by his side.

There is something ludicrous in the manner in which this is set forth, but it involves a most serious and pleasing truth. It is as much a part of the disorders of the present state of things, that goodness is ever connected with any thing but beauty, as it is that virtue is depressed while vice triumphs. In a perfect organization and state of things, matter would be entirely flexible to the action of spirit, and, of course, intellectual and moral beauty, as well as their opposites, must stamp their impress perfectly on the features. This we believe will be the case when the physical nature of man shall be reorganized, and the good shall not only be beautiful, but, as I have already remarked that we are naturally led to expect, shall be surrounded with all those objects that are pleasing to the taste. That these expectations are natural may be shown from the writings of all the heathen poets, and it is pleasing to observe how perfectly they coincide with the representations of the Scriptures on this point. We are there taught, not only that the righteous shall shine forth as the sun, but their dwelling-place is described as a city whose foundations are garnished with all manner of precious stones, whose streets are of pure gold, and whose gates are of pearl.

Thus, as we a.s.sociate with royalty its regalia, so do we a.s.sociate with goodness, beauty, which seems to be its natural appendage; and not only in the Scriptures, but also in our own const.i.tution, do we find a promise, that Goodness and Beauty shall be finally and forever united.