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"That way," Ruby said, "-swagging out that stomach of yours that way."
"I just asked you what it was that time?"
"It was a boil. A n.i.g.g.e.r woman up the road told me what to do and I did it and it went away." She sat slumped on the edge of the chair, staring in front of her as if she were remembering an easier time.
Laverne began to do a kind of comic dance up and down the room. She took two or three slow steps in one direction with her knees bent and then she came back and kicked her leg slowly and painfully in the other. She began to sing in a loud guttural voice, rolling her eyes, "Put them all together, they spell MOTHER!MOTHER!" and stretching out her arms as if she were on the stage.
Ruby's mouth opened wordlessly and her fierce expression vanished.For a half-second she was motionless; then she sprang from the chair. "Not me!" she shouted. "Not me!"
Laverne stopped and only watched her with the wise look.
"Not me!" Ruby shouted. "Oh no not me! Bill Hill takes care of that. Bill Hill takes care of that! Bill Hill's been taking care of that for five years! That ain't going to happen to me!"
"Well old Bill Hill just slipped up about four or five months ago, my friend," Laverne said. "Just slipped up..."
"I don't reckon you know anything about it, you ain't even married, you ain't even..."
"I bet it's not one, I bet it's two," Laverne said. "You better go on to the doctor and find out how many it is."
"It is not!" Ruby shrilled. She thought she was so smart! She didn't know a sick woman when she saw one, all she could do was look at her feet and shoe em to Rufus, shoe em to Rufus and he was an enfant and she was thirtyfour years old. "Rufus is an enfant!" she wailed.
"That will make two!" Laverne said.
"You shut up talking like that!" Ruby shouted. "You shut up this minute. I ain't going to have any baby!"
"Ha ha," Laverne said.
"I don't know how you think you know so much," Ruby said, "single as you are. If I was so single I wouldn't go around telling married people what their business is."
"Not just your ankles," Laverne said, "you're swollen all over."
"I ain't going to stay here and be insulted," Ruby said and walked carefully to the door, keeping herself erect and not looking down at her stomach the way she wanted to.
"Well I hope all of you feel better tomorrow," Laverne said.
"I think my heart will be better tomorrow," Ruby said. "But I hope we will be moving soon. I can't climb these steps with this heart trouble and," she added with a dignified glare, "Rufus don't care nothing about your big feet."
"You better put that gun up," Laverne said, "before you shoot somebody."
Ruby slammed the door shut and looked down at herself quickly.She was big there but she had always had a kind of big stomach. She did not stick out there different from the way she did any place else. It was natural when you took on some weight to take it on in the middle and Bill Hill didn't mind her being fat, he was just more happy and didn't know why. She saw Bill Hill's long happy face, grinning at her from the eyes downward in a way he had as if his look got happier as it neared his teeth. He would never slip up.She rubbed her hand across her skirt and felt the tightness of it but hadn't she felt that before? She had. It was the skirt-she had on the tight one that she didn't wear often, she had... she didn't have on the tight skirt. She had on the loose one. But it wasn't very loose.But that didn't make any difference, she was just fat.
She put her fingers on her stomach and pushed down and took them off quickly. She began walking toward the stairs, slowly, as if the floor were going to move under her. She began the steps. The pain came back at once. It came back with the first step. "No," she whimpered, "no." It was just a little feeling, just a little feeling like a piece of her inside rolling over but it made her breath tighten in her throat. Nothing in her was supposed to roll over. "Just one step," she whispered, "Just one step and it did it." It couldn't be cancer. Madam Zoleeda said it would end in good fortune. She began crying and saying, "Just one step and it did it," and going on up them absently as if she thought she were standing still. On the sixth one, she sat down suddenly, her hand slipping weakly down the banister spoke onto the floor.
"Noooo," she said and leaned her round red face between the two nearest poles. She looked down into the stairwell and gave a long hollow wail that widened and echoed as it went down. The stair cavern was dark green and mole-colored and the wail sounded at the very bottom like a voice answering her. She gasped and shut her eyes. No. No. It couldn't be any baby. She was not going to have something waiting in her to make her deader, she was not.Bill Hill couldn't have slipped up. He said it was guaranteed and it had worked all this time and it could not be that, it could not. She shuddered and held her hand tightly over her mouth. She felt her face drawn puckered: two born dead one died the first year and one run under like a dried yellow apple no she was only thirtyfour years old, she was old. Madam Zoleeda said it would end in no drying up. Madam Zoleeda said oh but it will end in a stroke of good fortune! Moving. She had said it would end in a stroke of good moving.
She felt herself getting calmer. She felt herself, after a minute, getting almost calm and thought she got upset too easy; heck, it was gas. Madam Zoleeda hadn't been wrong about anything yet, she knew more than...
She jumped: there was a bang at the bottom of the stairwell and a rumble rattling up the steps, shaking them even up where she was.She looked through the banister poles and saw Hartley Gilfeet, with two pistols leveled, galloping up the stairs and heard a voice pierce down from the floor over her, "You Hartley, shut up that racket!You're shaking the house!" But he came on, thundering louder as he rounded the bend on the first floor and streaked up the hall. She saw Mr. Jerger's door fly open and him spring with clawed fingers and grasp a flying piece of shirt that whirled and shot off again with a high-pitched, "Leggo, you old goat teacher!" and came on nearer until the stairs rumbled directly under her and a charging chipmunk face crashed into her and rocketed through her head, smaller and smaller into a whirl of dark.
She sat on the step, clutching the banister spoke while the breath came back into her a thimbleful at a time and the stairs stopped seesawing. She opened her eyes and gazed down into the dark hold, down to the very bottom where she had started up so long ago."Good Fortune," she said in a hollow voice that echoed along all the levels of the cavern, "Baby."
"Good Fortune, Baby," the three echoes leered.
Then she recognized the feeling again, a little roll. It was as if it were not in her stomach. It was as if it were out nowhere in nothing, out nowhere, resting and waiting, with plenty of time.
Enoch and the Gorilla(1952)
ENOCH EMERY had borrowed his landlady's umbrella and he discovered as he stood in the entrance of the drugstore, trying to open it, that it was at least as old as she was, When he finally got it hoisted, he pushed his dark gla.s.ses back on his eyes and re-entered the downpour.
The umbrella was one his landlady had stopped using fifteen years before (which was the only reason she had lent it to him) and as soon as the rain touched the top of it, it came down with a shriek and stabbed him in the back of the neck. He ran a few feet with it over his head and then backed into another store entrance and removed it. Then to get it up again, he had to place the tip of it on the ground and ram it open with his foot. He ran out again, holding his hand up near the spokes to keep them open and this allowed the handle, which was carved to represent the head of a fox terrier, to jab him every few seconds in the stomach. He proceeded for another quarter of a block this way before the back half half the silk stood up off the spokes and allowed the storm to sweep down his collar.Then he ducked under the marquee of a movie house. It was Sat.u.r.day and there were a lot of children standing more or less in a line in front of the ticket box.
Enoch was not very fond of children, but children always seemed to like to look at him. The line turned and twenty or thirty eyes began to observe him with a steady interest. The umbrella had a.s.sumed an ugly position, half up and half down, and the half that was up was about to come down and spill more water under his collar. When this happened the children laughed and jumped up and down. Enoch glared at them and turned his back and lowered his dark gla.s.ses. He found himself facing a life-size four-color picture of a gorilla. Over the gorilla's head, written in red letters was "GANGA! Giant Jungle Monarch and a Great Star! HERE IN PERSON!!!" At the level of the gorilla's knee, there was more that said, "Gonga will appear in person in front of this theater at 12 A.M. TODAY! A free pa.s.s to the first ten brave enough to step up and shake his hand!"Enoch was usually thinking of something else at the moment that Fate began drawing back her leg to kick him. When he was four years old, his father had brought him home a tin box from the penitentiary. It was orange and had a picture of some peanut brittle on the outside of it and green letters that said, "A NUTTY SURPRISE!"When Enoch had opened it, a coiled piece of steel had sprung out at him and broken off the ends of his two front teeth.His life was full of so many happenings like that that it would seem he should have been more sensitive to his times of danger. He stood there and read the poster twice through carefully. To his mind, an opportunity to insult a successful ape came from the hand of Providence.
He turned around and asked the nearest child what time it was.The child said it was twelve-ten and that Gonga was already ten minutes late. Another child said that maybe the rain had delayed him. Another said, no not the rain, his director was taking a plane from Hollywood. Enoch gritted his teeth. The first child said that if he wanted to shake the star's hand, he would have to get in line like the rest of them and wait his turn. Enoch got in line. A child asked him how old he was. Another observed that he had funnylooking teeth. He ignored all this as best he could and began to straighten out the umbrella.
In a few minutes a black truck turned around the corner and came slowly up the street in the heavy rain. Enoch pushed the umbrella under his arm and began to squint through his dark gla.s.ses. As the truck approached, a phonograph inside it began to play "Tarara Boom Di Aye," but the music was almost drowned out by the rain. There was a large ill.u.s.tration of a blonde on the outside of the truck, advertising some picture other than the gorilla's.
The children held their line carefully as the truck stopped in front of the movie house. The back door of it was constructed like a paddy wagon, with a grate, but the ape was not at it. Two men in raincoats got out of the cab part, cursing, and ran around to the back and opened the door. One of them stuck his head in and said, "Okay, make it snappy, w.i.l.l.ya?" The other jerked his thumb at the children and said, "Get back w.i.l.l.ya, w.i.l.l.ya get back?"
A voice on the record inside the truck said, "Here's Gonga, folks, Roaring Gonga and a Great Star! Give Gonga a big hand, folks!"The voice was barely a mumble in the rain.
The man who was waiting by the door of the truck stuck his head in again. "Okay w.i.l.l.ya get out?" he said.
There was a faint thump somewhere inside the van. After a second a dark furry arm emerged just enough for the rain to touch it and then drew back inside.
"G.o.dd.a.m.n," the man who was under the marquee said; he took off his raincoat and threw it to the man by the door, who threw it into the wagon. After two or three minutes more, the gorilla appeared at the door, with the raincoat b.u.t.toned up to his chin and the collar turned up. There was an iron chain hanging from around his neck; the man grabbed it and pulled him down and the two of them bounded under the marquee together. A motherly-looking woman was in the gla.s.s ticket box, getting the pa.s.ses ready for the first ten children brave enough to step up and shake hands.
The gorilla ignored the children entirely and followed the man over to the other side of the entrance where there was a small platform raised about a foot off the ground. He stepped up on it and turned facing the children and began to growl. His growls were not so much loud as poisonous; they appeared to issue from a black heart. Enoch was terrified and if he had not been surrounded by the children, he would have run away.
"Who'll step up first?" the man said. "Come on come on, who'll step up first? A free pa.s.s to the first kid stepping up."
There was no movement from the group of children. The man glared at them. "What's the matter with you kids?" he barked."You yellow? He won't hurt you as long as I got him by this chain."He tightened his grip on the chain and jangled it at them to show he was holding it securely.
After a minute a little girl separated herself from the group. She had long wood-shaving curls and a fierce triangular face. She moved up to within four feet of the star.
"Okay okay," the man said, rattling the chain, "make it snappy."
The ape reached out and gave her hand a quick shake. By this time there was another little girl ready and then two boys. The line reformed and began to move up.
The gorilla kept his hand extended and turned his head away with a bored look at the rain. Enoch had got over his fear and was trying frantically to think of an obscene remark that would be suitable to insult him with. Usually he didn't have any trouble with this kind of composition but nothing came to him now. His brain, both parts, was completely empty. He couldn't think even of the insulting phrases he used every day.
There were only two children in front of him by now. The first one shook hands and stepped aside. Enoch's heart was beating violently. The child in front of him finished and stepped aside and left him facing the ape, who took his hand with an automatic motion.
It was the first hand that had been extended to Enoch since he had come to the city. It was warm and soft.
For a second he only stood there, clasping it. Then he began to stammer. "My name is Enoch Emery," he mumbled. "I attended the Rodemill Boys' Bible Academy. I work at the city zoo. I seen two of your pictures. I'm only eighteen years old but I already work for the city. My daddy made me come" and his voice cracked.
The star leaned slightly forward and a change came in his eyes: an ugly pair of human ones moved closer and squinted at Enoch from behind the celluloid pair. "You go to h.e.l.l," a surly voice inside the ape-suit said, low but distinctly, and the hand was jerked away.
Enoch's humiliation was so sharp and painful that he turned around three times before he realized which direction he wanted to go in. Then he ran off into the rain as fast as he could.
In spite of himself, Enoch couldn't get over the expectation that something was going to happen to him. The virtue of hope, in Enoch, was made up of two parts suspicion and one part l.u.s.t. It operated on him all the rest of the day. He had only a vague idea what he wanted, but he was not a boy without ambition: he wanted to become something. He wanted to better his condition. He wanted, some day, to see a line of people waiting to shake his hand.
All afternoon he fidgeted and fooled in his room, biting his nails and shredding what was left of the silk off the landlady's umbrella.Finally he denuded it entirely and broke off the spokes. What was left was a black stick with a sharp steel point at one end and a dog's head at the other. It might have been an instrument for some specialized kind of torture that had gone out of fashion. Enoch walked up and down his room with it under his arm and realized that it would distinguish him on the sidewalk.
About seven o'clock in the evening he put on his coat and took the stick and headed for a little restaurant two blocks away. He had the sense that he was setting off to get some honor, but he was very nervous, as if he were afraid he might have to s.n.a.t.c.h it instead of receive it.
He never set out for anything without eating first. The restaurant was called the Paris Diner; it was a tunnel about six feet wide, located between a shoeshine parlor and a dry-cleaning establishment.Enoch slid in and climbed up on the far stool at the counter and said he would have a bowl of split-pea soup and a chocolate malted milkshake.
The waitress was a tall woman with a big yellow dental plate and the same color hair done up in a black hairnet, One hand never left her hip; she filled orders with the other one. Although Enoch came in every night, she had never learned to like him.
Instead of filling his order, she began to fry bacon; there was only one other customer in the place and he had finished his meal and was reading a newspaper; there was no one to eat the bacon but her. Enoch reached over the counter and prodded her hip with the stick. "Listenhere," he said, "I got to go. I'm in a hurry."
"Go then," she said. Her jaw began to work and she stared into the skillet with a fixed attention.
"Lemme just have a piece of theter cake yonder," he said, pointing to a half of pink and yellow cake on a round gla.s.s stand. "I think I got something to do. I got to be going. Set it up there next to him," he said, indicating the customer reading the newspaper. He slid over the stools and began reading the outside sheet of the man's paper.
The man lowered the paper and looked at him. Enoch smiled.The man raised the paper again. "Could I borrow some part of your paper that you ain't studying?" Enoch asked. The man lowered it again and stared at him; he had muddy unflinching eyes. He leafed deliberately through the paper and shook out the sheet with the comic strips and handed it to Enoch. It was Enoch's favorite part.He read it every evening like an office. While he ate the cake that the waitress had torpedoed down the counter at him, he read and felt himself surge with kindness and courage and strength.
When he finished one side, he turned the sheet over and began to scan the advertis.e.m.e.nts for movies that filled the other side. His eye went over three columns without stopping; then it came to a box that advertised Gonga, Giant Jungle Monarch, and listed the theaters he would visit on his tour and the hours he would be at each one. In thirty minutes he would arrive at the Victory on 57th Street and that would be his last appearance in the city.
If anyone had watched Enoch read this, he would have seen a certain transformation in his countenance. It still shone with the inspiration he had absorbed from the comic strips, but something else had come over it: a look of awakening.
The waitress happened to turn around to see if he hadn't gone.
"What's the matter with you?" she said. "Did you swallow a seed?"
"I know what I want," Enoch murmured.
"I know what I want too," she said with a dark look.
Enoch felt for his stick and laid his change on the counter. "I got to be going."
"Don't let me keep you," she said.
"You may not see me again," he said,"-the way I am.
"Any way I don't see you will be all right with me," she said.
Enoch left. It was a pleasant damp evening. The puddles on the sidewalk shone and the store windows were steamy and bright with junk. He disappeared down a side street and made his way rapidly along the darker pa.s.sages of the city, pausing only once or twice at the end of an alley to dart a glance in each direction before he ran on. The Victory was a small theater, suited to the needs of the family, in one of the closer subdivisions; he pa.s.sed through a succession of lighted areas and then on through more alleys and back streets until he came to the business section that surrounded it. Then he slowed up. He saw it about a block away, glittering in its darker setting. He didn't cross the street to the side it was on but kept on the far side, moving forward with his squint fixed on the glary spot. He stopped when he was directly across from it and hid himself in a narrow stair cavity that divided a building.
The truck that carried Gonga was parked across the street and the star was standing under the marquee, shaking hands with an elderly woman. She moved aside and a gentleman in a polo shirt stepped up and shook hands vigorously, like a sportsman. He was followed by a boy of about three who wore a tall Western hat that nearly covered his face; he had to be pushed ahead by the line.Enoch watched for some time, his face working with envy. The small boy was followed by a lady in shorts, she by an old man who tried to draw extra attention to himself by dancing up instead of walking in a dignified way. Enoch suddenly darted across the street and slipped noiselessly into the open back door of the truck.
The handshaking went on until the feature picture was ready to begin. Then the star got back in the van and the people filed into the theater. The driver and the man who was master of ceremonies climbed in the cab part and the truck rumbled off. It crossed the city rapidly and continued on the highway, going very fast.
There came from the van certain thumping noises, not those of the normal gorilla, but they were drowned out by the drone of the motor and the steady sound of wheels against the road. The night was pale and quiet, with nothing to stir it but an occasional complaint from a hoot owl and the distant muted jarring of a freight train. The truck sped on until it slowed for a crossing, and as the van rattled over the tracks, a figure slipped from the door and almost fell, and then limped hurriedly off toward the woods.
Once in the darkness of a pine thicket, he laid down a pointed stick he had been clutching and something bulky and loose that he had been carrying under his arm, and began to undress. He folded each garment neatly after he had taken it off and then stacked it on top of the last thing he had removed. When all his clothes were in the pile, he took up the stick and began making a hole in the ground with it.
The darkness of the pine grove was broken by paler moonlit spots that moved over him now and again and showed him to be Enoch. His natural appearance was marred by a gash that ran from the corner of his lip to his collarbone and by a lump under his eye that gave him a dulled insensitive look. Nothing could have been more deceptive for he was burning with the intensest kind of happiness.
He dug rapidly until he had made a trench about a foot long and a foot deep. Then he placed the stack of clothes in it and stood aside to rest a second. Burying his clothes was not a symbol to him of burying his former self; he only knew he wouldn't need them any more. As soon as he got his breath, he pushed the displaced dirt over the hole and stamped it down with his foot. He discovered while he did this that he still had his shoes on, and when he finished, he removed them and threw them from him. Then he picked up the loose bulky object and shook it vigorously.
In the uncertain light, one of his lean white legs could be seen to disappear and then the other, one arm and then the other: a black heavier s.h.a.ggier figure replaced his. For an instant, it had two heads, one light and one dark, but after a second, it pulled the dark back head over the other and corrected this. It busied itself with certain hidden fastenings and what appeared to be minor adjustments of its hide.
For a time after this, it stood very still and didn't do anything.Then it began to growl and beat its chest; it jumped up and down and flung its arms and thrust its head forward. The growls were thin and uncertain at first but they grew louder after a second. They became low and poisonous, louder again, low and poisonous again; they stopped altogether. The figure extended its hand, clutched nothing, and shook its arm vigorously; it withdrew the arm, extended it again, clutched nothing, and shook. It repeated this four or five times. Then it picked up the pointed stick and placed it at a c.o.c.ky angle under its arm and left the woods for the highway. No gorilla anywhere, Africa or California or New York, was happier than he.
A man and woman sitting close together on a rock just off the highway were looking across an open stretch of valley at a view of the city in the distance and they didn't see the s.h.a.ggy figure approaching. The smokestacks and square tops of buildings made a black uneven wall against the lighter sky and here and there a steeple cut a sharp wedge out of a cloud. The young man turned his neck just in time to see the gorilla standing a few feet away, hideous and black, with its hand extended. He eased his arm from around the woman and disappeared silently into the woods. She, as soon as she turned her eyes, fled screaming down the highway. The gorilla stood as though surprised and presently its arm fell to its side. It sat down on the rock where they had been sitting and stared over the valley at the uneven skyline of the city.
A Good Man is Hard to Find(1953)
THE GRANDMOTHER didn't want to go to Florida. She wanted to visit some of her connections in east Tennessee and she was seizing at every chance to change Bailey's mind. Bailey was the son she lived with, her only boy. He was sitting on the edge of his chair at the table, bent over the orange sports section of the Journal. "Now look here, Bailey," she said, "see here, read this," and she stood with one hand on her thin hip and the other rattling the newspaper at his bald head. "Here this fellow that calls himself The Misfit is aloose from the Federal Pen and headed toward Florida and you read here what it says he did to these people. Just you read it. I wouldn't take my children in any direction with a criminal like that aloose in it. I couldn't answer to my conscience if I did."
Bailey didn't look up from his reading so she wheeled around then and faced the children's mother, a young woman in slacks, whose face was as broad and innocent as a cabbage and was tied around with a green head-kerchief that had two points on the top like a rabbit's ears. She was sitting on the sofa, feeding the baby his apricots out of a jar. "The children have been to Florida before," the old lady said. "You all ought to take them somewhere else for a change so they would see different parts of the world and be broad. They never have been to east Tennessee."
The children's mother didn't seem to hear her but the eight-year old boy, John Wesley, a stocky child with gla.s.ses, said, "If you don't want to go to Florida, why dontcha stay at home?" He and the little girl, June Star, were reading the funny papers on the floor.
"She wouldn't stay at home to be queen for a day," June Star said without raising her yellow head.
"Yes and what would you do if this fellow, The Misfit, caught you?" the grandmother asked.
"I'd smack his face," John Wesley said.
"She wouldn't stay at home for a million bucks," June Star said. "Afraid she'd miss something. She has to go everywhere we go."
"All right, Miss," the grandmother said. "Just remember that the next time you want me to curl your hair."
June Star said her hair was naturally curly.
The next morning the grandmother was the first one in the car, ready to go. She had her big black valise that looked like the head of a hippopotamus in one corner, and underneath it she was hiding a basket with Pitty Sing, the cat, in it. She didn't intend for the cat to be left alone in the house for three days because he would miss her too much and she was afraid he might brush against one of the gas burners and accidentally asphyxiate himself. Her son, Bailey, didn't like to arrive at a motel with a cat.
She sat in the middle of the back seat with John Wesley and June Star on either side of her. Bailey and the children's mother and the baby sat in front and they left Atlanta at eight forty-five with the mileage on the car at 55890. The grandmother wrote this down because she thought it would be interesting to say how many miles they had been when they got back. It took them twenty minutes to reach the outskirts of the citv.
The old lady settled herself comfortably, removing her white cotton gloves and putting them up with her purse on the shelf in front of the back window. The children's mother still had on slacks and still had her head tied up in a green kerchief, but the grandmother had on a navy blue straw sailor hat with a bunch of white violets on the brim and a navy blue dress with a small white dot in the print. Her collars and cuffs were white organdy trimmed with lace and at her neckline she had pinned a purple spray of cloth violets containing a sachet. In case of an accident, anyone seeing her dead on the highway would know at once that she was a lady.