The Clyde Mystery Part 1

The Clyde Mystery.

by Andrew Lang.

PREFACE

The author would scarcely have penned this little specimen of what Scott called "antiquarian old womanries," but for the interest which he takes in the universally diffused archaic patterns on rocks and stones, which offer a singular proof of the ident.i.ty of the working of the human mind.

Anthropology and folklore are the natural companions and aids of prehistoric and proto-historic archaeology, and suggest remarks which may not be valueless, whatever view we may take of the disputed objects from the Clyde sites.

While only an open verdict on these objects is at present within the competence of science, the author, speaking for himself, must record his private opinion that, as a rule, they are ancient though anomalous. He cannot pretend to certainty as to whether the upper parts of the marine structures were throughout built of stone, as in Dr. Munro's theory, which is used as the fundamental a.s.sumption in this book; or whether they were of wood, as in the hypothesis of Mr. Donnelly, ill.u.s.trated by him in the Glasgow _Evening Times_ (Sept. 11, 1905). The point seems unessential. The author learns from Mr. Donnelly that experiments in shaping piles with an ancient stone axe have been made by Mr. Joseph Downes, of Irvine, as by Monsieur Hippolyte Muller in France, with similar results, a fact which should have been mentioned in the book. It appears too, that a fragment of fallow deer horn at Dumbuck, mentioned by Dr. Munro, turned out to be "a decayed _humerus_ of the _Bos Longifrons_," and therefore no evidence as to date, as post-Roman.

Mr. Donnelly also protests that his records of his excavations "were exceptionally complete," and that he "took daily notes and sketches of all features and finds with measurements." I must mention these facts, as, in the book, I say that Mr. Donnelly "kept no minute and hourly dated log book of his explorations, with full details as to the precise positions of the objects discovered."

If in any respect I have misconceived the facts and arguments, I trust that the fault will be ascribed to nothing worse than human fallibility.

I have to thank Mr. Donnelly for permission to photograph some objects from Dumbuck and for much information.

To Dr. Munro, apart from his most valuable books of crannog lore, I owe his kind attention to my private inquiries, and hope that I successfully represent his position and arguments. It is quite undeniable that the disputed objects are most anomalous as far as our present knowledge goes, and I do not think that science can give more than all I plead for, an open verdict. Dr. Ricardo Severe generously permitted me to reproduce a few (by no means the most singular) of his designs and photographs of the disputed Portuguese objects. A serious illness has prevented him from making a visit recently to the scene of the discoveries (see his paper in _Portugalia_, vol. ii., part 1). I trust that Dr. de Vasconcellos, from whom I have not yet heard, will pardon the reproduction of three or four figures from his _Religioes_, an important work on prehistoric Portugal.

To Dr. Joseph Anderson, of the National Museum, I owe much grat.i.tude for information, and for his great kindness in superintending the photographing of some objects now in that Museum.

Dr. David Murray obliged me by much information as to the early navigation of the Clyde, and the alterations made in the bed of the river. To Mr. David Boyle, Ontario, I owe the knowledge of Red Indian magic stones parallel to the perforated and inscribed stone from Tappock.

As I have quoted from Dr. Munro the humorous tale of the palaeolithic designs which deceived M. Lartet and Mr. Christie, I ought to observe that, in _L'Anthropologie_, August, 1905, a reviewer of Dr. Munro's book, Prof. Boule, expresses some doubt as to the authenticity of the _historiette_.

I--THE CLYDE MYSTERY

The reader who desires to be hopelessly perplexed, may desert the contemplation of the Fiscal Question, and turn his eyes upon _The Mystery of the Clyde_. "Popular" this puzzle cannot be, for there is no "demmed demp disagreeable body" in the Mystery. No such object was found in Clyde, near Dumbarton, but a set of odd and inexpensive looking, yet profoundly enigmatic sc.r.a.ps of stone, bone, slate, horn and so forth, were discovered and now repose in a gla.s.s case at the National Museum in Queen Street, Edinburgh.

There, as in the Morgue, lies awaiting explanation the _corpus delicti_ of the Clyde Mystery. We stare at it and ask what are these slate spear heads engraved with rude ornament, and certainly never meant to be used as "lethal weapons"? What are these many-shaped perforated plaques of slate, shale, and schist, scratched with some of the old mysterious patterns that, in almost every part of the world, remain inscribed on slabs and faces of rock? Who incised similar patterns on the oyster-sh.e.l.ls, some old and local, some fresh--_and American_! Why did any one scratch them? What is the meaning, if meaning there be, of the broken figurines or stone "dolls"? They have been styled "totems" by persons who do not know the meaning of the word "totem," which merely denotes the _natural_ object,--usually a plant or animal,--after which sets of kinsfolk are named among certain savage tribes. Let us call the little figures "figurines," for that commits us to nothing.

Then there are grotesque human heads, carved in stone; bits of sandstone, marked with patterns, and so forth. Mixed with these are the common rude appliances, quern stones for grinding grain; stone hammers, stone polishers, cut antlers of deer, pointed bones, such as rude peoples did actually use, in early Britain, and may have retained into the early middle ages, say 400-700 A.D.

This mixed set of objects, _plus_ the sites in which they were found, and a huge canoe, 35 feet long, is the material part of the Clyde Mystery.

The querns and canoe and stone-polishers, and bones, and horns are commonly found, we say, in dwellings of about 400-700 A.D. The peculiar and enigmatic things are _not_ elsewhere known to Scottish antiquaries.

How did the two sets of objects come to be all mixed up together, in an old hill fort, at Dunbuie on Clyde; and among the wooden foundations of two mysterious structures, excavated in the mud of the Clyde estuary at Dumbuck and Langbank, near Dumbarton? They were dug up between 1896 and 1902.

This is the question which has been debated, mainly in newspaper controversy, for nearly ten years. A most rambling controversy it has been, casting its feelers as far as central Australia, in s.p.a.ce, and as far back as, say, 1200 B.C. in time.

Either the disputed objects at the Museum are actual relics of life lived in the Clyde basin many centuries ago; or the discoverers and excavators of the old sites are dogged by a forger who "dumps down" false relics of kinds unknown to Scottish antiquaries; or some of the unfamiliar objects are really old, while others are jocose imitations of these, or--there is some other explanation!

The modern "Clyde artists" are credited by Dr. Robert Munro with "some practical artistic skill," and some acquaintance with the very old and mysterious designs on great rocks among the neighbouring hills. {4} What man of artistic skill, no conscience, and a knowledge of archaic patterns is a.s.sociated with the Clyde?

The "faker" is not the mere mischievous wag of the farm-house or the country shop. It is possible that a few "interpolations" of false objects have been made by another and less expert hand, but the weight of the problem rests on these alternatives,--the disputed relics which were found are mainly genuine, though unfamiliar; or a forger not dest.i.tute of skill and knowledge has invented and executed them--or--there is some other explanation.

Three paths, as usual, are open to science, in the present state of our knowledge of the question. We may p.r.o.nounce the unfamiliar relics genuine, and prove it if we can. We may declare them to be false objects, manufactured within the last ten years. We may possess our souls in patience, and "put the objects to a suspense account," awaiting the results of future researches and of new information.

This att.i.tude of suspense is not without precedent in archaeology.

"Antiquarian lore," as Dr. Munro remarks by implication, _can_ "distinguish between true and false antiquities." {5a} But time is needed for the verdict, as we see when Dr. Munro describes "the Breonio Controversy" about disputed stone objects, a controversy which began in 1885, and appears to be undecided in 1905. {5b} I propose to advocate the third course; the waiting game, and I am to a.n.a.lyse Dr. Munro's very able arguments for adopting the second course, and deciding that the unfamiliar relics are a.s.suredly impostures of yesterday's manufacture.

II--DR. MUNRO'S BOOK ON THE MYSTERY

Dr. Munro's acute and interesting book, _Archaeology and False Antiquities_, {6} does not cover the whole of its amusing subject. False gems, coins, inscriptions, statues, and pictures are scarcely touched upon; the author is concerned chiefly with false objects of the pre-historic and "proto-historic" periods, and with these as bearing on the Clyde controversy of 1896-1905. Out of 292 pages, at least 130 treat directly of that local dispute: others bear on it indirectly.

I have taken great interest in this subject since I first heard of it by accident, in the October or November of 1898. As against Dr. Munro, from whose opinions I provisionally dissent, I may be said to have no _locus standi_. He is an eminent and experienced archaeologist in matters of European pre-historic and proto-historic times. Any one is at liberty to say of me what another celebrated archaeologist, Mr. Charles Hercules Read, said, in a letter to Dr. Munro, on December 7, 1901, about some one else: a person designated as "---," and described as "a merely literary man, who cannot understand that to practised people the antiquities are as readable as print, and a good deal more accurate." {7} But though "merely literary," like Mr. "---," I have spent much time in the study of comparative anthropology; of the manners, ideas, customs, implements, and sacred objects of uncivilised and peasant peoples. Mr. "---" may not have done so, whoever he is. Again, as "practised people" often vary widely in their estimates of antique objects, or objects professing to be antique, I cannot agree with Mr. Read that "the antiquities" are "as readable as print,"--if by "antiquities" he means antiquities in general.

At the British Museum I can show Mr. Read several admirable specimens of the art of faking, standing, like the Abomination of Desolation, where they ought not. It was not by unpractised persons that they were purchased at the national expense. We are all fallible, even the oldest of us. I conceive Mr. Read, however, to mean the alleged and disputed "antiquities" of the Clyde sites, and in that case, his opinion that they are a "curious swindle" is of the most momentous weight.

But, as to practised opinion on antiquities in general, Dr. Munro and I agree that it is really very fallible, now and again. The best authorities, he proves, may read antiquities differently. He is not certain that he has not himself, on occasion, taken "fakes" for true antiques. {8a} The _savants_ of the Louvre were lately caught by the notorious "tiara of Saitaphernes," to the pecuniary loss of France; were caught on April 1, 1896, and were made _poissons d'Avril_, to the golden tune of 200,000 francs (8000 pounds).

Again, M. Lartet and Mr. Christy betted a friend that he could not hoax them with a forged palaeolithic drawing. They lost their bet, and, after M. Lartet's death, the forged object was published, as genuine, in the scientific journal, _Materiaux_ (1874). {8b} As M. Reinach says of another affair, it was "a _fumisterie_." {8c} Every archaeologist may be the victim of a _fumisterie_, few have wholly escaped, and we find Dr.

Furtw.a.n.gler and Mr. Cecil Smith at odds as to whether a head of Zeus in terra-cotta be of the fifth century B.C. or, quite the contrary, of the nineteenth or twentieth century A.D.

Verily all "practised people" do not find "antiquities as readable as print." On the other hand, my late friend, Dr. A. S. Murray, Keeper of Cla.s.sical Antiquities in the British Museum, "read" the Mycenaean antiquities erroneously, placing them many centuries too late. M. de Mortillet reckoned them forgeries, and wrote of the discoverer, Dr.

Schliemann, and even of Mrs. Schliemann, in a tone unusual in men of science and gentlemen.

The great palaeolithic discoveries of M. Boucher de Perthes, the very bases of our study of the most ancient men, were "read" as impostures by many "practised people." M. Cartailhac, again, has lately, in the most candid and honourable way, recanted his own original disbelief in certain wall-paintings in Spanish caves, of the period called "palaeolithic," for long suspected by him of being "clerical" impostures. {9}

Thus even the most "practised people," like General Councils, "may err and have erred," when confronted either with forgeries, or with objects old in fact, but new to them. They have _not_ always found antiquities "as readable as print." Dr. Munro touches but faintly on these "follies of the wise," but they are not unusual follies. This must never be forgotten.

Where "practised people" may be mistaken through a too confirmed scepticism, the "merely literary man" may, once in an azure moon, happen to be right, or not demonstrably wrong; that is my excuse for differing, provisionally, from "practised people." It is only provisionally that I dissent from Dr. Munro as to some of the points at issue in the Clyde controversy. I entered on it with very insufficient knowledge: I remain, we all remain, imperfectly informed: and like people rich in practice,--Dr. Joseph Anderson, and Sir Arthur Mitch.e.l.l,--I "suspend my judgement" for the present. {10}

This appears to me the most scientific att.i.tude. Time is the great revealer. But Dr. Munro, as we saw, prefers not to suspend his judgment, and says plainly and pluckily that the disputed objects in the Clyde controversy are "spurious"; are what the world calls "fakes," though from a delicate sense of the proprieties of language, he will not call them "forgeries." They are reckoned by him among "false antiquities," while, for my part, I know not of what age they are, but incline I believe that many of them are not of the nineteenth century. This is the extent of our difference. On the other hand I heartily concur with Dr. Munro in regretting that his advice,--to subject the disputed objects at the earliest possible stage of the proceedings, to a jury of experts,--was not accepted. {11a}

One observation must be made on Dr. Munro's logical method, as announced by himself. "My role, on the present occasion, is to advocate the correctness of my own views on purely archaeological grounds, without any special effort to refute those of my opponents." {11b} As my view is that the methods of Dr. Munro are perhaps,--and I say it with due deference, and with doubt,--capable of modification, I shall defend my opinions as best I may. Moreover, my views, in the course of seven long years (1898-1905) have necessarily undergone some change, partly in deference to the arguments of Dr. Munro, partly because much new information has come to my knowledge since 1898-99. Moreover, on one occasion, I misstated my own view, and, though I later made my real opinion perfectly dear, some confusion was generated.

III--THE CLYDE CONTROVERSY

It is necessary, after these prefatory remarks, to give an account of the rise of the Clyde controversy, and I may be pardoned for following the example of Dr. Munro, who adds, and cannot but add, a pretty copious narrative of his own share in the discussion. In 1896, the hill fort of Dunbuie, "about a mile-and-a-half to the east of Dumbarton Castle, and three miles to the west of the Roman Wall," {12} was discovered by Mr. W.

A. Donnelly: that is to say, Mr. Donnelly suggested that the turf might conceal something worth excavating, and the work was undertaken, under his auspices, by the Helensburgh Antiquarian Society.

As Mr. Donnelly's name constantly occurs in the discussion, it may be as well to state that, by profession, he is an artist,--a painter and designer in black and white,--and that, while keenly interested in the pre-historic or proto-historic relics of Clydesdale, he makes no claim to be regarded as a trained archaeologist, or widely-read student. Thus, after Mr. Donnelly found a submarine structure at Dumbuck in the estuary of the Clyde, Dr. Munro writes: "I sent Mr. Donnelly some literature on crannogs." {13a} So Mr. Donnelly, it appears, had little book lore as to crannogs. He is, in fact, a field worker in archaeology, rather than an archaeologist of the study and of books. He is a member of a local archaeological Society at Helensburgh on the Clyde, and, before he found the hill fort of Dunbuie, he had discovered an interesting set of "cup and ring" marked rocks at Auchentorlie, "only a short distance from Dunbuie." {13b}

Mr. Donnelly's position, then, as regards archaeological research, was, in 1896-1898, very like that of Dr. Schliemann when he explored Troy.

Like Dr. Schliemann he was no erudite savant, but an enthusiast with an eye for likely sites. Like Dr. Schliemann he discovered certain objects. .h.i.therto unknown to Science, (at least to Scottish science,) and, like Dr. Schliemann, he has had to take "the consequences of being found in such a situation."

It must be added that, again like Dr. Schliemann he was not an excavator of trained experience. I gather that he kept no minute and hourly-dated log-book of his explorations, with full details as to the precise positions of the objects discovered, while, again like Dr. Schliemann, he had theories of his own, with some of which I do not concur.