The Christmas Train Part 23

As he pa.s.sed Max's compartment, he swore he could smell incense, and didn't that make perfect sense. He was afraid to go by Lelia's sleeper for the sounds he might hear coming from there. From personal experience he knew that the woman who gave life to the innocent darlings Cuppy, Sa.s.sy, and Petey was a lot more racy in her personal life. Poor Kristobal would never know what hit him.

While he was rambling around the train slowed and then stopped. He peered out the window. There was a station here, but he'd thought there'd be no more stops until Los Angeles. He shrugged and kept walking until he arrived outside Agnes Joe's compartment. The woman's phonograph was still playing its Christmas tunes. Her unit was dark, and he a.s.sumed she must have fallen asleep while the music played. Then the phonograph started skipping, repeating the same lyrics over and over and then degenerating into a nerve-rattling screeching sound. Apparently the woman was sleeping heavily and couldn't hear it. He tapped on the gla.s.s of the door. "Agnes Joe? Agnes Joe, your record player is going crazy." There was no response and he knocked again, louder. The screeching sound was only getting worse. He looked around and slid open the door. "Agnes Joe?" His eyes adjusted to the darkness, and he saw that the compartment was empty. There was no light on in the bathroom, but he tapped lightly on that door, receiving no answer. He eyed the duffel bag in the corner and was tempted to look inside again. He unzipped the bag and put his hand in. The newspaper was gone, but out came several items, including a watch, a pair of earrings, and what looked to be a very expensive pair of sungla.s.ses. Maybe they were Kristobal's. Here was proof positive. He stood there trying to decide what to do, when he heard footsteps heading his way. He put the items back and zipped the bag closed, shut the compartment door, and then slipped inside the bathroom. He prayed it wasn't Agnes Joe, but his prayer apparently went unanswered, because the compartment door slid open and then was closed. The light came on and he could hear footsteps. He'd left the bathroom door open a crack, and he peered out through this sliver.

It was Agnes Joe, fully dressed in blue slacks and sweater; she held a piece of paper in her hand, and her expression was very serious. He just hoped she wouldn't need to use the john, but then how was he to escape? Wait until she was asleep? The woman didn't look ready for bed any time soon, and yet what choice did he have? He looked around and was about to back up slightly to sit on the toilet when the train started up again. The rocking motion was just enough to cause him to lose his balance. He knocked against the wall and his hand shot out to steady himself, closing around the shower control and accidentally turning it on. The water hit him with a chilly blast, causing him to scream out a few choice words that, if he'd been Catholic, would have required a trip to Father Kelly for confession and a load of Hail Marys as penance.

He managed to turn the water off in time to stare out at Agnes Joe, who'd opened the door and was studying him, as though he were a curious breed of animal at the zoo.

"Hi, honeypie," said Tom with a sheepish grin.

"Would you care to come out here and tell me what you're doing in my shower?"

He emerged, wiped himself down with a towel, and explained about the phonograph, his coming in, and getting rattled when he heard footsteps.

The story might have worked, if he'd zippered the duffel bag up all the way. But in the darkness he hadn't quite managed it. Agnes Joe looked over at the bag and then back at him.

He decided on a full-frontal a.s.sault. He opened the bag and pulled out the items. "You care to explain what you're doing with these things? I'm willing to listen."

She reached in her pocket. What she pulled out and pointed at him made Tom take a step back, his expression one of total shock.

A few minutes later, an ashen-faced Tom rapped on Max's door. It took a few moments for the director to answer, and another minute or two before he opened the door.

"I need your help," said Tom. "We'll need Kristobal too."

Max glanced behind Tom and saw Agnes Joe.

"It's important," said Tom.

They collected Kristobal from Lelia's suite, not without some resistance from the little lady who voiced her displeasure in a decidedly nonCuppy the Magic Beaver tone. They also woke up Roxanne and brought along Father Kelly too. Converging in the lounge car, they sat at a table, where Tom faced them. He pulled out Kristobal's designer sungla.s.ses, Max's Bruno Maglis, and Father Kelly's cross and placed each in front of its respective owner.

One man looked totally bewildered at what was in front of him, so confused that he never noticed Agnes Joe leaning toward him.

Father Kelly gave out a yell as the handcuffs closed around his wrists. He tried to get up but was wedged in by Max and Kristobal.

Agnes Joe flipped out her credentials, the same action that had stunned Tom earlier in her compartment. "I'm Amtrak police. Undercover Division. And you're our thief, John."

Tom looked at her. "John?"

She nodded. "I got his fingerprints on a beer gla.s.s before we were stuck at the Raton Pa.s.s. At one of the station stops I sent in an ID request. At the station we just left I got a notice back. His real name is John Conroy, and he's no priest." She sat across from the man, who looked so crushed Tom's heart went out to him, despite the man's criminality.

Agnes Joe continued her explanation. "I used my phonograph trick to make people think I was in my compartment when I really wasn't. I was afraid he'd spotted me lurking around and might decide to lay low for a while. When he performed the Ma.s.s while we were stuck at the pa.s.s, I a.s.sisted him. I was already suspicious of him for other reasons, and that's why I lifted his prints. I did that for some others on board too. He's obviously Catholic and could fake his way through the Ma.s.s, but he made enough mistakes to make me even more wary."

"And all the stuff I found in your bag?" asked Tom.

"Roxanne had gotten those items for me from some of the pa.s.sengers as evidence we might need later. I got you, Max, and Kristobal involved so we could take Conroy without anyone getting hurt or him suspicious. I swiped his cross out of his compartment. When I laid it down in front of him, I thought it would confuse him enough for me to get the handcuffs on with no scuffle. You're not a spring chicken, Conroy, but it's been my experience that you never know. Always better to take 'em by surprise."

"I hate to admit this, but I looked through your duffel before and just found newspapers," said Tom.

"I know, I could tell someone had searched it and thought it was probably you. The newspapers that Regina found in the trash were from Conroy's duffel. He had stuffed it full of old papers to make it look like it was packed as far as it could go. But once he got on the train, he ditched the papers and had a relatively empty duffel bag to fill up with his loot."

They all turned to the old man, who looked even smaller and clearly beaten as he sat handcuffed.

Agnes Joe said, "Care to make a clean breast of it, John? I know you have a criminal record. But you could fill in some details."

He shook his head and said, "What will be, will be."

They called big Barry to stand guard and they trooped to the imposter priest's compartment, where a number of the stolen items were in his duffel. There was nothing of great value in any of it, but it was stolen goods nonetheless.

"I'll call this in," said Agnes Joe.

"What I don't get is why he returned so many of the items. What crook does that?" asked Tom.

"Something is funny about that," said Roxanne, "but at least we have our thief. Now let's all get some sleep."

Tom did just that until about six in the morning, when there was a tap on his door, and he woke and answered it.

Agnes Joe was standing there with two hot cups of coffee. "I thought I'd better bring this as a peace offering for waking you up so early." She was dressed in blue slacks and a sweater, and she had a crisp and efficient air about her.

"You'd make a great actress," said Tom. "I had no clue that you were anything other than, well, I mean..."

"An eccentric old woman with nowhere to go during the holidays? Yeah, it's a good cover. People say things around a character like that they otherwise never would. I've busted drug dealers, swindlers, theft rings, and lots of other bad people with my bewildered look, my stupid dresses, and-"

"And your honeypies."

"Exactly."

"Well, I suppose your cover is sort of blown now."

"That's okay, I wasn't joking about retiring. It's time to move on."

"So was any of the rest of your back story true?"

"I worked for Ringling Brothers, not as a trapeze artist but as a horsewoman. I've been married twice, and I do have a grown daughter." She paused and added, "And we are estranged."

"Sorry to hear that."

"Well, she read about the Chief being trapped, and she called last night, to make sure I was okay. First time I'd heard from her in a while. We're going to see each other when I get into LA. She does work for the circus, and she's on the West Coast. We're going to take another shot at it."

"I'm happy for you, a late Christmas present. So what did you want to see me about?"

"Well, I've got a bit of a dilemma, and I wanted your advice. I obtained more info on our fake priest. He was busted years ago for petty thefts - I mean, almost thirty-four years ago. He's been straight since, real job and everything."

"Why the return to crime after all that time?"

"His wife of over thirty-three years just died. I talked to Conroy, got him to open up some. With her gone, he didn't know what to do. He was lonely, just wanted attention. They had two kids, but one died in an accident and another from cancer."

"Boy, that's tough. And it seems like his life of crime stopped when he married her."

"Exactly. Now, I've dealt with lots of criminal types and I've heard all the sob stories and I'm not swayed by that stuff. But the other thing he told me, that's why I have the dilemma."

"What is it?"

"He returned the stolen items on Christmas Eve as presents. The only ones he didn't return, the ones we found in his bags, were nothing much, and he left cash, more than enough to pay for them. I've confirmed that with the pa.s.sengers they belonged to. He didn't mean to hurt anyone. All he talked about was his wife. And he really helped when the train was stuck."

Tom let out a long breath. "I see your dilemma."

"What would you do?"

He thought about it. "Well, I got a second chance on this trip, and maybe John Conroy deserves one too. Have you called the police yet?"

"Yes, but I gave them no particulars."

"Is the train making any more stops?"

"It can, at Fullerton, a couple of hours before we get into LA."

"Well, maybe the Chief should stop at Fullerton."

"Maybe it should. I don't think Conroy is going to jump into a life of crime. In fact, I know some people near Fullerton who can help him." She rose. "Thanks, Tom. I think we made the right decision."

He smiled at her. "So what's your real name?"

Agnes Joe let her frame droop and her face bloat out, and her hair seemed to whiten right before Tom's eyes. "Well, if I told you that, it wouldn't be a secret, now would it, honeypie?"

chapter thirty-three.

At Fullerton the train stopped, and an elderly, tired-looking gentleman got off, no longer wearing priest's clothes. Some friends of Agnes Joe were waiting for him, and they drove off, hopefully taking John Conroy to a better life than felony by rail could ever provide.

Tom went to the communal showers to get washed up before they arrived in LA. As he was going in, Steve the honeymooner was coming out. The young man still looked very weary, yet Tom could hardly feel sorry for him, knowing full well the source of his fatigue.

"I thought you had a shower in your room," Tom said.

"My bride is hogging it," said Steve.

"Better get used to it, buddy," he jested, "and enjoy this part while you can."

As Steve left, Tom went inside the dressing area and started to disrobe. That's when he saw the wallet on the floor under the counter. He stooped to pick it up, thinking it must be Steve's. As he snagged it, some of the contents fell out and he got down on his knees to retrieve them. He glanced at one of the cards he picked up, and the shock was as great as he'd ever had, perhaps even more than discovering Eleanor was on the train.

He held the card up to the light and studied it. It was a SAG card, a Screen Actors Guild membership card, with the name Steve Samuels on it. Tom quickly looked through the rest of the wallet. He found Steve's driver's license - his California California driver's license - and the picture confirmed that it was Steve, of Steve and Julie, only he wasn't a student at George Washington; he was twenty-eight years old and a dues-paying member of the Actors Guild. driver's license - and the picture confirmed that it was Steve, of Steve and Julie, only he wasn't a student at George Washington; he was twenty-eight years old and a dues-paying member of the Actors Guild.

Ironically, the Southwest Chief pulled into the beautiful Art Deco Los Angeles Union Pa.s.senger Train Terminal a few minutes ahead of its revised schedule.

Herrick Higgins was met by several senior Amtrak executives, who congratulated him and thanked him for his heroics. Then he was offered his old position back, riding the rails troubleshooting, an offer he accepted on the spot.

Max Powers got off and answered lots of reporters' questions. He looked over to where Roxanne and the boys' choir were doing the same.

"Hey," he called to Roxanne. "I'll be in touch, count on it."

She smiled. "I am, baby, I am."

Then he and a group of pa.s.sengers, including Kristobal, Lelia, and Misty, left the station and got into a stretch limousine waiting for them outside.

As the driver went to get their luggage, inside the limo Max took out three envelopes and handed them one by one to Steve, Julie, and the minister. Then he popped a bottle of champagne and poured out gla.s.ses of the bubbly for all.

"Good job, guys," said Max. "You'll all be in my next picture. Who knows, maybe it'll be about the train."

Misty said, "Max, when you told me what you'd done I couldn't believe it."

"Well, sweetie, though I'd known you only a short time, I knew you could keep a secret, for the right reasons."

"True love," she said wistfully.

"You couldn't believe it," said Lelia. "How do you think I felt? Max Powers calls me after all these years and asks for a favor. Some favor, to fly out to Kansas City and pretend to propose. I don't know what I would have done if he'd accepted." couldn't believe it," said Lelia. "How do you think I felt? Max Powers calls me after all these years and asks for a favor. Some favor, to fly out to Kansas City and pretend to propose. I don't know what I would have done if he'd accepted."

"I knew my man, Lelia. I was pretty sure he wouldn't."

"Pretty sure!"

"I had to make certain he really didn't love you and you didn't love him."

"Of course not, especially after the Erik incident."

Kristobal gave a sympathetic nod. "A lady needs to be pampered. And from now on, that's my job, kitten."

She patted him on the arm.

Max beamed. "You're a fine actress. And see what you gained from my little plan."

"You never told me you had contacted Lelia and included her in the plan," said Kristobal. "I had no idea who she was until she told me her name."

"I'm a man who has this insatiable need to surprise people," replied Max.

"What part were you playing, Max?" Lelia asked.