The Chorus Girl and Other Stories Part 13

She clung to him and looked greedily into his face, and only then I noticed how pale and thin she had become of late. It was particularly noticeable from her lace collar which I had known for so long, and which now hung more loosely than ever before about her thin, long neck. The doctor was disconcerted, but at once recovered himself, and, stroking her hair, said:

"There, there. . . . Why so nervous? You see, I'm here."

We were silent, looking with embarra.s.sment at each other, then we walked on, the three of us together, and I heard the doctor say to me:

"Civilized life has not yet begun among us. Old men console themselves by making out that if there is nothing now, there was something in the forties or the sixties; that's the old: you and I are young; our brains have not yet been touched by _marasmus senilis_; we cannot comfort ourselves with such illusions. The beginning of Russia was in 862, but the beginning of civilized Russia has not come yet."

But I did not grasp the meaning of these reflections. It was somehow strange, I could not believe it, that my sister was in love, that she was walking and holding the arm of a stranger and looking tenderly at him. My sister, this nervous, frightened, crushed, fettered creature, loved a man who was married and had children! I felt sorry for something, but what exactly I don't know; the presence of the doctor was for some reason distasteful to me now, and I could not imagine what would come of this love of theirs.

XV

Masha and I drove to Kurilovka to the dedication of the school.

"Autumn, autumn, autumn, . . ." said Masha softly, looking away.

"Summer is over. There are no birds and nothing is green but the willows."

Yes, summer was over. There were fine, warm days, but it was fresh in the morning, and the shepherds went out in their sheepskins already; and in our garden the dew did not dry off the asters all day long. There were plaintive sounds all the time, and one could not make out whether they came from the shutters creaking on their rusty hinges, or from the flying cranes--and one's heart felt light, and one was eager for life.

"The summer is over," said Masha. "Now you and I can balance our accounts. We have done a lot of work, a lot of thinking; we are the better for it--all honour and glory to us--we have succeeded in self-improvement; but have our successes had any perceptible influence on the life around us, have they brought any benefit to anyone whatever? No. Ignorance, physical uncleanliness, drunkenness, an appallingly high infant mortality, everything remains as it was, and no one is the better for your having ploughed and sown, and my having wasted money and read books. Obviously we have been working only for ourselves and have had advanced ideas only for ourselves."

Such reasonings perplexed me, and I did not know what to think.

"We have been sincere from beginning to end," said I, "and if anyone is sincere he is right."

"Who disputes it? We were right, but we haven't succeeded in properly accomplishing what we were right in. To begin with, our external methods themselves--aren't they mistaken? You want to be of use to men, but by the very fact of your buying an estate, from the very start you cut yourself off from any possibility of doing anything useful for them. Then if you work, dress, eat like a peasant you sanctify, as it were, by your authority, their heavy, clumsy dress, their horrible huts, their stupid beards. . . . On the other hand, if we suppose that you work for long, long years, your whole life, that in the end some practical results are obtained, yet what are they, your results, what can they do against such elemental forces as wholesale ignorance, hunger, cold, degeneration? A drop in the ocean! Other methods of struggle are needed, strong, bold, rapid! If one really wants to be of use one must get out of the narrow circle of ordinary social work, and try to act direct upon the ma.s.s! What is wanted, first of all, is a loud, energetic propaganda. Why is it that art--music, for instance--is so living, so popular, and in reality so powerful? Because the musician or the singer affects thousands at once. Precious, precious art!"

she went on, looking dreamily at the sky. "Art gives us wings and carries us far, far away! Anyone who is sick of filth, of petty, mercenary interests, anyone who is revolted, wounded, and indignant, can find peace and satisfaction only in the beautiful."

When we drove into Kurilovka the weather was bright and joyous.

Somewhere they were threshing; there was a smell of rye straw. A mountain ash was bright red behind the hurdle fences, and all the trees wherever one looked were ruddy or golden. They were ringing the bells, they were carrying the ikons to the school, and we could hear them sing: "Holy Mother, our Defender," and how limpid the air was, and how high the doves were flying.

The service was being held in the cla.s.sroom. Then the peasants of Kurilovka brought Masha the ikon, and the peasants of Dubetchnya offered her a big loaf and a gilt salt cellar. And Masha broke into sobs.

"If anything has been said that shouldn't have been or anything done not to your liking, forgive us," said an old man, and he bowed down to her and to me.

As we drove home Masha kept looking round at the school; the green roof, which I had painted, and which was glistening in the sun, remained in sight for a long while. And I felt that the look Masha turned upon it now was one of farewell.

XVI

In the evening she got ready to go to the town. Of late she had taken to going often to the town and staying the night there. In her absence I could not work, my hands felt weak and limp; our huge courtyard seemed a dreary, repulsive, empty hole. The garden was full of angry noises, and without her the house, the trees, the horses were no longer "ours."

I did not go out of the house, but went on sitting at her table beside her bookshelf with the books on land work, those old favourites no longer wanted and looking at me now so shamefacedly. For whole hours together, while it struck seven, eight, nine, while the autumn night, black as soot, came on outside, I kept examining her old glove, or the pen with which she always wrote, or her little scissors.

I did nothing, and realized clearly that all I had done before, ploughing, mowing, chopping, had only been because she wished it.

And if she had sent me to clean a deep well, where I had to stand up to my waist in deep water, I should have crawled into the well without considering whether it was necessary or not. And now when she was not near, Dubetchnya, with its ruins, its untidiness, its banging shutters, with its thieves by day and by night, seemed to me a chaos in which any work would be useless. Besides, what had I to work for here, why anxiety and thought about the future, if I felt that the earth was giving way under my feet, that I had played my part in Dubetchnya, and that the fate of the books on farming was awaiting me too? Oh, what misery it was at night, in hours of solitude, when I was listening every minute in alarm, as though I were expecting someone to shout that it was time for me to go away!

I did not grieve for Dubetchnya. I grieved for my love which, too, was threatened with its autumn. What an immense happiness it is to love and be loved, and how awful to feel that one is slipping down from that high pinnacle!

Masha returned from the town towards the evening of the next day.

She was displeased with something, but she concealed it, and only said, why was it all the window frames had been put in for the winter it was enough to suffocate one. I took out two frames. We were not hungry, but we sat down to supper.

"Go and wash your hands," said my wife; "you smell of putty."

She had brought some new ill.u.s.trated papers from the town, and we looked at them together after supper. There were supplements with fashion plates and patterns. Masha looked through them casually, and was putting them aside to examine them properly later on; but one dress, with a flat skirt as full as a bell and large sleeves, interested her, and she looked at it for a minute gravely and attentively.

"That's not bad," she said.

"Yes, that dress would suit you beautifully," I said, "beautifully."

And looking with emotion at the dress, admiring that patch of grey simply because she liked it, I went on tenderly:

"A charming, exquisite dress! Splendid, glorious, Masha! My precious Masha!"

And tears dropped on the fashion plate.

"Splendid Masha . . ." I muttered; "sweet, precious Masha. . . ."

She went to bed, while I sat another hour looking at the ill.u.s.trations.

"It's a pity you took out the window frames," she said from the bedroom, "I am afraid it may be cold. Oh, dear, what a draught there is!"

I read something out of the column of odds and ends, a receipt for making cheap ink, and an account of the biggest diamond in the world. I came again upon the fashion plate of the dress she liked, and I imagined her at a ball, with a fan, bare shoulders, brilliant, splendid, with a full understanding of painting, music, literature, and how small and how brief my part seemed!

Our meeting, our marriage, had been only one of the episodes of which there would be many more in the life of this vital, richly gifted woman. All the best in the world, as I have said already, was at her service, and she received it absolutely for nothing, and even ideas and the intellectual movement in vogue served simply for her recreation, giving variety to her life, and I was only the sledge-driver who drove her from one entertainment to another. Now she did not need me. She would take flight, and I should be alone.

And as though in response to my thought, there came a despairing scream from the garden.

"He-e-elp!"

It was a shrill, womanish voice, and as though to mimic it the wind whistled in the chimney on the same shrill note. Half a minute pa.s.sed, and again through the noise of the wind, but coming, it seemed, from the other end of the yard:

"He-e-elp!"

"Misail, do you hear?" my wife asked me softly. "Do you hear?"

She came out from the bedroom in her nightgown, with her hair down, and listened, looking at the dark window.

"Someone is being murdered," she said. "That is the last straw."

I took my gun and went out. It was very dark outside, the wind was high, and it was difficult to stand. I went to the gate and listened, the trees roared, the wind whistled and, probably at the feeble-minded peasant's, a dog howled lazily. Outside the gates the darkness was absolute, not a light on the railway-line. And near the lodge, which a year before had been the office, suddenly sounded a smothered scream:

"He-e-elp!"

"Who's there?" I called.

There were two people struggling. One was thrusting the other out, while the other was resisting, and both were breathing heavily.

"Leave go," said one, and I recognized Ivan Tcheprakov; it was he who was shrieking in a shrill, womanish voice: "Let go, you d.a.m.ned brute, or I'll bite your hand off."

The other I recognized as Moisey. I separated them, and as I did so I could not resist hitting Moisey two blows in the face. He fell down, then got up again, and I hit him once more.

"He tried to kill me," he muttered. "He was trying to get at his mamma's chest. . . . I want to lock him up in the lodge for security."