The Certain Hour Part 12

A BROWN WOMAN

"_A critical age called for symmetry, and exquisite finish had to be studied as much as n.o.bility of thought... . POPE aimed to take first place as a writer of polished verse. Any knowledge he gained of the world, or any suggestion that came to him from his intercourse with society, was utilized to accomplish his main purpose. To put his thoughts into choice language was not enough. Each idea had to be put in its neatest and most epigrammatic form._"

Why did I write? what sin to me unknown Dipt me in ink, my parents', or my own?

As yet a child, nor yet a fool to fame, I lisped in numbers, for the numbers came.

The muse but served to ease some friend, not wife, To help me through this long disease, my life.

Who shames a scribbler? break one cobweb through, He spins the slight, self-pleasing thread anew; Destroy his fib or sophistry in vain, The creature's at his foolish work again, Throned in the centre of his thin designs, Proud of a vast extent of flimsy lines!

ALEXANDER POPE.--_Epistle to Dr. Arbuthnot_.

A BROWN WOMAN

"But I must be hurrying home now," the girl said, "for it is high time I were back in the hayfields."

"Fair shepherdess," he implored, "for heaven's sake, let us not cut short the _pastorelle_ thus abruptly."

"And what manner of beast may that be, pray?"

"'Tis a conventional form of verse, my dear, which we at present strikingly ill.u.s.trate. The plan of a _pastorelle_ is simplicity's self: a gentleman, which I may fairly claim to be, in some fair rural scene--such as this--comes suddenly upon a rustic maiden of surpa.s.sing beauty. He naturally falls in love with her, and they say all manner of fine things to each other."

She considered him for a while before speaking. It thrilled him to see the odd tenderness that was in her face. "You always think of saying and writing fine things, do you not, sir?"

"My dear," he answered, gravely, "I believe that I was undoubtedly guilty of such folly until you came. I wish I could make you understand how your coming has changed everything."

"You can tell me some other time," the girl gaily declared, and was about to leave him.

His hand detained her very gently. "Faith, but I fear not, for already my old hallucinations seem to me incredible. Why, yesterday I thought it the most desirable of human lots to be a great poet"--the gentleman laughed in self-mockery. "I positively did. I labored every day toward becoming one. I lived among books, esteemed that I was doing something of genuine importance as I gravely tinkered with alliteration and metaphor and ant.i.thesis and judicious paraphrases of the ancients.

I put up with life solely because it afforded material for versification; and, in reality, believed the destruction of Troy was providentially ordained lest Homer lack subject matter for an epic.

And as for loving, I thought people fell in love in order to exchange witty rhymes."

His hand detained her, very gently... . Indeed, it seemed to him he could never tire of noting her excellencies. Perhaps it was that splendid light poise of her head he chiefly loved; he thought so at least, just now. Or was it the wonder of her walk, which made all other women he had ever known appear to mince and hobble, like rusty toys? Something there was a.s.suredly about this slim brown girl which recalled an untamed and harmless woodland creature; and it was that, he knew, which most poignantly moved him, even though he could not name it. Perhaps it was her bright kind eyes, which seemed to mirror the tranquillity of forests... .

"You gentry are always talking of love," she marveled.

"Oh," he said, with acerbity, "oh, I don't doubt that any number of beef-gorging squires and leering, long-legged Oxford dandies----" He broke off here, and laughed contemptuously. "Well, you are beautiful, and they have eyes as keen as mine. And I do not blame you, my dear, for believing my designs to be no more commendable than theirs--no, not at all."

But his mood was spoiled, and his tetchy vanity hurt, by the thought of stout well-set fellows having wooed this girl; and he permitted her to go without protest.

Yet he sat alone for a while upon the fallen tree-trunk, humming a contented little tune. Never in his life had he been happier. He did not venture to suppose that any creature so adorable could love such a sickly hunchback, such a gargoyle of a man, as he was; but that Sarah was fond of him, he knew. There would be no trouble in arranging with her father for their marriage, most certainly; and he meant to attend to that matter this very morning, and within ten minutes. So Mr.

Alexander Pope was meanwhile arranging in his mind a suitable wording for his declaration of marital aspirations.

Thus John Gay found him presently and roused him from phrase-spinning.

"And what shall we do this morning, Alexander?" Gay was always demanding, like a spoiled child, to be amused.

Pope told him what his own plans were, speaking quite simply, but with his countenance radiant. Gay took off his hat and wiped his forehead, for the day was warm. He did not say anything at all.

"Well----?" Mr. Pope asked, after a pause.

Mr. Gay was dubious. "I had never thought that you would marry," he said. "And--why, hang it, Alexander! to grow enamored of a milkmaid is well enough for the hero of a poem, but in a poet it hints at injudicious composition."

Mr. Pope gesticulated with thin hands and seemed upon the verge of eloquence. Then he spoke unanswerably. "But I love her," he said.

John Gay's reply was a subdued whistle. He, in common with the other guests of Lord Harcourt, at Nuneham Courtney, had wondered what would be the outcome of Mr. Alexander Pope's intimacy with Sarah Drew. A month earlier the poet had sprained his ankle upon Amshot Heath, and this young woman had found him lying there, entirely helpless, as she returned from her evening milking. Being hale of person, she had managed to get the little hunchback to her home unaided. And since then Pope had often been seen with her.

This much was common knowledge. That Mr. Pope proposed to marry the heroine of his misadventure afforded a fair mark for raillery, no doubt, but Gay, in common with the run of educated England in 1718, did not aspire to be facetious at Pope's expense. The luxury was too costly. Offend the dwarf in any fashion, and were you the proudest duke at Court or the most inconsiderable rhymester in Petticoat Lane, it made no difference; there was no crime too heinous for "the great Mr. Pope's" next verses to charge you with, and, worst of all, there was no misdoing so out of character that his adroit malignancy could not make it seem plausible.

Now, after another pause, Pope said, "I must be going now. Will you not wish me luck?"

"Why, Alexander--why, hang it!" was Mr. Gay's observation, "I believe that you are human after all, and not just a book in breeches."

He thereby voiced a commentary patently uncalled-for, as Mr. Pope afterward reflected. Mr. Pope was then treading toward the home of old Frederick Drew. It was a gray morning in late July.

"I love her," Pope had said. The fact was undeniable; yet an expression of it necessarily halts. Pope knew, as every man must do who dares conserve his energies to annotate the drama of life rather than play a part in it, the nature of that loneliness which this conservation breeds. Such persons may hope to win a posthumous esteem in the library, but it is at the bleak cost of making life a wistful transaction with foreigners. In such enforced aloofness Sarah Drew had come to him--strong, beautiful, young, good and vital, all that he was not--and had serenely befriended "the great Mr. Pope," whom she viewed as a queer decrepit little gentleman of whom within a week she was unfeignedly fond.

"I love her," Pope had said. Eh, yes, no doubt; and what, he fiercely demanded of himself, was he--a crippled scribbler, a bungling artisan of phrases--that he should dare to love this splendid and deep-bosomed G.o.ddess? Something of youth awoke, possessing him--something of that high ardor which, as he cloudily remembered now, had once controlled a boy who dreamed in Windsor Forest and with the lightest of hearts planned to achieve the impossible. For what is more difficult of attainment than to achieve the perfected phrase, so worded that to alter a syllable of its wording would be little short of sacrilege?

"What whimwhams!" decreed the great Mr. Pope, aloud. "Verse-making is at best only the affair of idle men who write in their closets and of idle men who read there. And as for him who polishes phrases, whatever be his fate in poetry, it is ten to one but he must give up all the reasonable aims of life for it."

No, he would have no more of loneliness. Henceforward Alexander Pope would be human--like the others. To write perfectly was much; but it was not everything. Living was capable of furnishing even more than the raw material of a couplet. It might, for instance, yield content.

For instance, if you loved, and married, and begot, and died, with the seriousness of a person who believes he is performing an action of real importance, and conceded that the perfection of any art, whether it be that of verse-making or of rope-dancing, is at best a by-product of life's conduct; at worst, you probably would not be lonely. No; you would be at one with all other fat-witted people, and there was no greater blessing conceivable.

Pope muttered, and produced his notebook, and wrote tentatively.

Wrote Mr. Pope:

The bliss of man (could pride that blessing find) Is not to act or think beyond mankind; No powers of body or of soul to share But what his nature and his state can bear.

"His state!" yes, undeniably, two sibilants collided here. "His wit?"--no, that would be flat-footed awkwardness in the management of your vowel-sounds; the lengthened "a" was almost requisite... . Pope was fretting over the imbroglio when he absent-mindedly glanced up to perceive that his Sarah, not irrevocably offended, was being embraced by a certain John Hughes--who was a stalwart, florid personable individual, no doubt, but, after all, only an unlettered farmer.

The dwarf gave a hard, wringing motion of his hands. The diamond-Lord Bolingbroke's gift--which ornamented Pope's left hand cut into the flesh of his little finger, so cruel was the gesture; and this little finger was bleeding as Pope tripped forward, smiling. A gentleman does not incommode the public by obtruding the ugliness of a personal wound.

"Do I intrude?" he queried. "Ah, well! I also have dwelt in Arcadia."

It was bitter to comprehend that he had never done so.