The Caxtons: A Family Picture Part 49

CHAPTER VI.

"Why are you here all alone, cousin? How cold and still it is amongst the graves!"

"Sit down beside me, Blanche: it is not colder in the churchyard than on the village green."

And Blanche sat down beside me, nestled close to me, and leaned her head upon my shoulder. We were both long silent. It was an evening in the early spring, clear and serene; the roseate streaks were fading gradually from the dark gray of long, narrow, fantastic clouds. Tall, leafless poplars, that stood in orderly level line on the lowland between the churchyard and the hill, with its crown of ruins, left their sharp summits distinct against the sky. But the shadows coiled dull and heavy round the evergreens that skirted the churchyard, so that their outline was vague and confused; and there was a depth in that lonely stillness, broken only when the thrush flew out from the lower bushes, and the thick laurel-leaves stirred reluctantly, and again were rigid in repose. There is a certain melancholy in the evenings of early spring which is among those influences of Nature the most universally recognized, the most difficult to explain. The silent stir of reviving life, which does not yet betray signs in the bud and blossom, only in a softer clearness in the air, a more lingering pause in the slowly lengthening day; a more delicate freshness and balm in the twilight atmosphere; a more lively, yet still unquiet, note from the birds, settling down into their Coverts; the vague sense under all that hush, which still outwardly wears the bleak sterility of winter, of the busy change, hourly, modestly, at work, renewing the youth of the world, re-clothing with vigorous bloom the skeletons of things,--all these messages from the heart of Nature to the heart of Man may well affect and move us. But why with melancholy? No thought on our part connects and construes the low, gentle voices. It is not thought that replies and reasons, it is feeling that hears and dreams. Examine not, O child of man!--examine not that mysterious melancholy with the hard eyes of thy reason; thou canst not impale it on the spikes of thy th.o.r.n.y logic, nor describe its enchanted circle by problems conned from thy schools.

Borderer thyself of two worlds,--the Dead and the Living,--give thine ear to the tones, bow thy soul to the shadows, that steal, in the Season of Change, from the dim Border Land.

Blanche (in a whisper).--"What are you thinking of? Speak, pray!"

Pisistratus.--"I was not thinking, Blanche,--or, if I were, the thought is gone at the mere effort to seize or detain it."

Blanche (after a pause).--"I know what you mean. It is the same with me often,--so often when I am sitting by my self, quite still. It is just like the story Primmins was telling us the other evening, 'how there was a woman in her village who saw things and people in a piece of crystal not bigger than my hand;(1) they pa.s.sed along as large as life, but they were only pictures in the crystal.' Since I heard the story, when aunt asks me what I am thinking of, I long to say, 'I'm not thinking, I'm seeing pictures in the crystal!'"

Pisistratus.--"Tell my father that,--it will please him; there is more philosophy in it than you are aware of, Blanche. There are wise men who have thought the whole world, its 'pride, pomp, and circ.u.mstance,' only a phantom image,--a picture in the crystal."

Blanche.--"And I shall see you,--see us both, as we are sitting here; and that star which has just risen yonder,--see it all in my crystal, when you are gone!--gone, cousin!" (And Blanche's head drooped.)

There was something so quiet and deep in the tenderness of this poor motherless child that it did not affect one superficially, like a child's loud momentary affection, in which we know that the first toy will replace us. I kissed my little cousin's pale face and said, "And I too, Blanche, have my crystal; and when I consult it, I shall be very angry if I see you sad and fretting, or seated alone. For you must know, Blanche, that that is all selfishness. G.o.d made us, not to indulge only in crystal pictures, weave idle fancies, pine alone, and mourn over what we cannot help, but to be alert and active,--givers of happiness. Now, Blanche, see what a trust I am going to bequeath you. You are to supply my place to all whom I leave; you are to bring sunshine wherever you glide with that shy, soft step,--whether to your father when you see his brows knit and his arms crossed (that, indeed, you always do), or to mine when the volume drops from his hand, when he walks to and fro the room, restless, and murmuring to himself, then you are to steal up to him, put your hand in his, lead him back to his books, and whisper, 'What will Sisty say if his younger brother, the Great Book, is not grown up when he comes back?' And my poor mother, Blanche! Ah, how can I counsel you there,--how tell you where to find comfort for her? Only, Blanche, steal into her heart and be her daughter. And to fulfil this threefold trust, you must not content yourself with seeing pictures in the crystal,--do you understand me?

"Oh, yes!" said Blanche, raising her eyes, while the tears rolled from them, and folding her arms resolutely on her breast.

"And so," said I, "as we two, sitting in this quiet burial-ground, take new heart for the duties and cares of life, so see, Blanche, how the stars come out, one by one, to smile upon us; for they, too, glorious...o...b.. as they are, perform their appointed tasks. Things seem to approximate to G.o.d in proportion to their vitality and movement. Of all things, least inert and sullen should be the soul of man. How the gra.s.s grows up over the very graves,--quickly it grows and greenly; but neither so quick nor so green, my Blanche, as hope and comfort from human sorrows."

(1) In primitive villages in the West of England the belief that the absent may be seen in a piece of crystal is, or was not many years ago, by no means an uncommon superst.i.tion. I have seen more than one of these magic mirrors, which Spenser, by the way, has beautifully described.

They are about the size and shape of a swan's egg. It is not every one, however, who can be a crystal-seer; like second-sight, it is a special gift. N. B.--Since the above note (appended to the first edition of this work) was written, crystals and crystal-seers have become very familiar to those who interest themselves in speculations upon the disputed phenomena ascribed to Mesmerical Clairvoyance.

PART XIV.

CHAPTER I.

There is a beautiful and singular pa.s.sage in Dante (which has not perhaps attracted the attention it deserves), wherein the stern Florentine defends Fortune from the popular accusations against her.

According to him she is an angelic power appointed by the Supreme Being to direct and order the course of human splendors; she obeys the will of G.o.d; she is blessed; and hearing not those who blaspheme her, calm and aloft amongst the other angelic powers, revolves her spheral course and rejoices in her beat.i.tude. (1)

This is a conception very different from the popular notion which Aristophanes, in his true instinct of things popular, expresses by the sullen lips of his Plutus. That deity accounts for his blindness by saying that "when a boy he had indiscreetly promised to visit only the good;" and Jupiter was so envious of the good that be blinded the poor money-G.o.d. Whereon Chremylus asks him whether, "if he recovered his sight, he would frequent the company of the good." "Certainly," quoth Plutus; "for I have not seen them ever so long." "Nor I either," rejoins Chremylus, pithily, "for all I can see out of both eyes."

But that misanthropical answer of Chremylus is neither here nor there, and only diverts us from the real question, and that is, "Whether Fortune be a heavenly, Christian angel, or a blind, blundering, old heathen deity?" For my part, I hold with Dante; for which, if I were so pleased, or if at this period of my memoirs I had half a dozen pages to spare, I could give many good reasons. One thing, however, is quite clear, that whether Fortune be more like Plutus or an angel, it is no use abusing her,--one may as well throw stones at a star. And I think, if one looked narrowly at her operations, one might perceive that she gives every man a chance at least once in his life if he take and make the best of it, she will renew her visits; if not, itur ad astra! And therewith I am reminded of an incident quaintly narrated by Mariana in his "History of Spain," how the army of the Spanish kings got out of a sad hobble among the mountains at the Pa.s.s of Losa by the help of a shepherd who showed them the way. "But," saith Mariana, parenthetically, "some do say the shepherd was an angel; for after he had shown the way, he was never seen more." That is, the angelic nature of the guide was proved by being only once seen, and after having got the army out of the hobble, leaving it to fight or run away, as it had most mind to. Now, I look upon that shepherd, or angel, as a very good type of my fortune at least. The apparition showed me my way in the rocks to the great "Battle of Life;" after that--hold fast and strike hard!

Behold me in London with Uncle Roland. My poor parents naturally wished to accompany me, and take the last glimpse of the adventurer on board ship; but I, knowing that the parting would seem less dreadful to them by the hearthstone, and while they could say, "He is with Roland; he is not yet gone from the land," insisted on their staying behind; and thus the farewell was spoken. But Roland, the old soldier, had so many practical instructions to give, could so help me in the choice of the outfit and the preparations for the voyage, that I could not refuse his companionship to the last. Guy Bolding, who had gone to take leave of his father, was to join me in town, as well as my humbler c.u.mberland colleagues.

As my uncle and I were both of one mind upon the question of economy, we took up our quarters at a lodging-house in the City; and there it was that I first made acquaintance with a part of London of which few of my politer readers even pretend to be cognizant. I do not mean any sneer at the City itself, my dear alderman,--that jest is worn out. I am not alluding to streets, courts, and lanes; what I mean may be seen at the West-end--not so well as at the East, but still seen very fairly,--I mean The House-Tops!

(1) Dante here evidently a.s.sociates Fortune with the planetary influences of judicial astrology. It is doubtful whether Schiller ever read Dante; but in one of his most thoughtful poems he undertakes the same defence of Fortune, making the Fortunate a part of the Beautiful.

CHAPTER II.

The House-Tops! What a soberizing effect that prospect produces on the mind. But a great many requisites go towards the selection of the right point of survey. It is not enough to secure a lodging in the attic; you must not be fobbed off with a front attic that faces the street. First, your attic must be unequivocally a back attic; secondly, the house in which it is located must be slightly elevated above its neighbors; thirdly, the window must not lie slant on the roof, as is common with attics,--in which case you can only catch a peep of that leaden canopy which infatuated Londoners call the sky,--but must be a window perpendicular, and not half blocked up by the parapets of that fosse called the gutter; and, lastly, the sight must be so humored that you cannot catch a glimpse of the pavements: if you once see the world beneath, the whole charm of that world above is destroyed. Taking it for granted that you have secured these requisites, open your window, lean your chin on both hands, the elbows propped commodiously on the sill, and contemplate the extraordinary scene which spreads before you. You find it difficult to believe life can be so tranquil on high, while it is so noisy and turbulent below. What astonishing stillness! Eliot Warburton (seductive enchanter!) recommends you to sail down the Nile if you want to lull the vexed spirit. It is easier and cheaper to hire an attic in Holborn! You don't have the crocodiles, but you have animals no less hallowed in Egypt,--the cats! And how harmoniously the tranquil creatures blend with the prospect; how noiselessly they glide along at the distance, pause, peer about, and disappear! It is only from the attic that you can appreciate the picturesque which belongs to our domesticated tiger-kin! The goat should be seen on the Alps, and the cat on the house-top.

By degrees the curious eye takes the scenery in detail; and first, what fantastic variety in the heights and shapes of the chimney-pots! Some all level in a row, uniform and respectable, but quite uninteresting; others, again, rising out of all proportion, and imperatively tasking the reason to conjecture why they are so aspiring. Reason answers that it is but a homely expedient to give freer vent to the smoke; wherewith Imagination steps in, and represents to you all the fretting and fuming and worry and care which the owners of that chimney, now the tallest of all, endured before, by building it higher, they got rid of the vapors.

You see the distress of the cook when the sooty invader rushed down, "like a wolf on the fold," full spring on the Sunday joint. You hear the exclamations of the mistress (perhaps a bride,--house newly furnished) when, with white ap.r.o.n and cap, she ventured into the drawing-room, and was straightway saluted by a joyous dance of those monads called vulgarly "s.m.u.ts." You feel manly indignation at the brute of a bridegroom who rushes out from the door, with the s.m.u.ts dancing after him, and swears, "Smoked out again! By the Arch-smoker himself, I'll go and dine at the club!" All this might well have been, till the chimney-pot was raised a few feet nearer heaven; and now perhaps that long-suffering family owns the happiest home in the Row. Such contrivances to get rid of the smoke! It is not every one who merely heightens his chimney; others clap on the hollow tormentor all sorts of odd head-gear and cowls. Here, patent contrivances act the purpose of weather-c.o.c.ks, swaying to and fro with the wind; there, others stand as fixed as if, by a sic jubeo, they had settled the business.

But of all those houses that in the street one pa.s.ses by, unsuspicious of what's the matter within, there is not one in a hundred but what there has been the devil to do to cure the chimneys of smoking! At that reflection Philosophy dismisses the subject, and decides that, whether one lives in a but or a palace, the first thing to do is to look to the hearth and get rid of the vapors.

New beauties demand us. What endless undulations in the various declivities and ascents,--here a slant, there a zigzag! With what majestic disdain yon roof rises up to the left! Doubtless a palace of Genii, or Gin (which last is the proper Arabic word for those builders of halls out of nothing, employed by Aladdin). Seeing only the roof of that palace boldly breaking the sky-line, how serene your contemplations! Perhaps a star twinkles over it, and you muse on soft eyes far away; while below at the threshold--No, phantoms! we see you not from our attic. Note, yonder, that precipitous fall,--how ragged and jagged the roof-scene descends in a gorge! He who would travel on foot through the pa.s.s of that defile, of which we see but the picturesque summits, stops his nose, averts his eyes, guards his pockets, and hurries along through the squalor of the grim London lazzaroni. But seen above, what a n.o.ble break in the sky-line! It would be sacrilege to exchange that fine gorge for a dead flat of dull rooftops. Look here, how delightful! that desolate house with no roof at all,--gutted and skinned by the last London fire! You can see the poor green-and-white paper still clinging to the walls, and the chasm that once was a cupboard, and the shadows gathering black on the aperture that once was a hearth! Seen below, how quickly you would cross over the way! That great crack forebodes an avalanche; you hold your breath, not to bring it down on your head. But seen above, what a compa.s.sionate, inquisitive charm in the skeleton ruin! How your fancy runs riot,--re-peopling the chambers, hearing the last cheerful good-night of that destined Pompeii, creeping on tiptoe with the mother when she gives her farewell look to the baby. Now all is midnight and silence; then the red, crawling serpent comes out. Lo! his breath; hark! his hiss. Now, spire after spire he winds and he coils; now he soars up erect,--crest superb, and forked tongue,--the beautiful horror! Then the start from the sleep, and the doubtful awaking, and the run here and there, and the mother's rush to the cradle; the cry from the window, and the knock at the door, and the spring of those on high towards the stair that leads to safety below, and the smoke rushing up like the surge of a h.e.l.l! And they run back stifled and blinded, and the floor heaves beneath them like a bark on the sea. Hark! the grating wheels thundering low; near and nearer comes the engine. Fix the ladders,--there! there! at the window, where the mother stands with the babe! Splash and hiss comes the water; pales, then flares out, the fire! Foe defies foe; element, element. How sublime is the war! But the ladder, the ladder,--there, at the window! All else are saved,--the clerk and his books; the lawyer with that tin box of t.i.tle-deeds; the landlord, with his policy of insurance; the miser, with his bank-notes and gold: all are saved,--all but the babe and the mother. What a crowd in the streets; how the light crimsons over the gazers, hundreds on hundreds! All those faces seem as one face, with fear. Not a than mounts the ladder. Yes, there,--gallant fellow! G.o.d inspires, G.o.d shall speed thee! How plainly I see him! his eyes are closed, his teeth set. The serpent leaps up, the forked tongue darts upon him, and the reek of the breath wraps him round. The crowd has ebbed back like a sea, and the smoke rushes over them all. Ha! what dim forms are those on the ladder? Near and nearer,--crash come the roof-tiles! Alas and alas! no! a cry of joy,--a "Thank Heaven!" and the women force their way through the men to come round the child and the mother. All is gone save that skeleton ruin. But the ruin is seen from above. O Art! study life from the roof-tops!

CHAPTER III.

I was again foiled in seeing Trevanion. It was the Easter recess, and he was at the house of one of his brother ministers somewhere in the North of England. But Lady Ellinor was in London, and I was ushered into her presence. Nothing could be more cordial than her manner, though she was evidently much depressed in spirits, and looked wan and careworn.

After the kindest inquiries relative to my parents and the Captain, she entered with much sympathy into my schemes and plans, which she said Trevanion had confided to her. The sterling kindness that belonged to my old patron (despite his affected anger at my not accepting his proffered loan) had not only saved me and my fellow-adventurer all trouble as to allotment orders, but procured advice as to choice of site and soil, from the best practical experience, which we found after wards exceedingly useful. And as Lady Ellinor gave me the little packet of papers, with Trevanion's shrewd notes on the margin, she said, with a half sigh, "Albert bids me say that he wishes he were as sanguine of his success in the Cabinet as of yours in the Bush." She then turned to her husband's rise and prospects, and her face began to change; her eyes sparkled, the color came to her cheeks. "But you are one of the few who know him," she said, interrupting herself suddenly; "you know how he sacrifices all things,--joy, leisure, health,--to his country. There is not one selfish thought in his nature. And yet such envy,--such obstacles still! And [her eyes dropped on her dress, and I perceived that she was in mourning, though the mourning was not deep], and," she added, "it has pleased Heaven to withdraw from his side one who would have been worthy his alliance."

I felt for the proud woman, though her emotion seemed more that of pride than sorrow. And perhaps Lord Castleton's highest merit in her eyes had been that of ministering to her husband's power and her own ambition. I bowed my head in silence, and thought of f.a.n.n.y. Did she, too, pine for the lost rank, or rather mourn the lost lover?

After a time I said, hesitatingly, "I scarcely presume to condole with you, Lady Ellinor, yet, believe me, few things ever shocked me like the death you allude to. I trust Miss Trevanion's health has not much suffered. Shall I not see her before I leave England?"

Lady Ellinor fixed her keen bright eyes searchingly on my countenance, and perhaps the gaze satisfied her; for she held out her hand to me with a frankness almost tender, and said "Had I had a son, the dearest wish of my heart had been to see you wedded to my daughter."

I started up; the blood rushed to my cheeks, and then left me pale as death. I looked reproachfully at Lady Ellinor, and the word "cruel!"

faltered on my lips.

"Yes," continued Lady Ellinor, mournfully, "that was my real thought, my impulse of regret, when I first saw you. But as it is, do not think me too hard and worldly if I quote the lofty old French proverb, n.o.blesse oblige. Listen to me, my young friend: we may never meet again, and I would not have your father's son think unkindly of me, with all my faults. From my first childhood I was ambitious,--not, as women usually are, of mere wealth and rank, but ambitious as n.o.ble men are, of power and fame. A woman can only indulge such ambition by investing it in another. It was not wealth, it was not rank, that attracted me to Albert Trevanion: it was the nature that dispenses with the wealth and commands the rank. Nay," continued Lady Ellinor, in a voice that slightly trembled, "I may have seen in my youth, before I knew Trevanion, one [she paused a moment, and went on hurriedly]--one who wanted but ambition to have realized my ideal. Perhaps even when I married--and it was said for love--I loved less with my whole heart than with my whole mind. I may say this now, for now every beat of this pulse is wholly and only true to him with whom I have schemed and toiled and aspired; with whom I have grown as one; with whom I have shared the struggle, and now partake the triumph, realizing the visions of my youth."

Again the light broke from the dark eyes of this grand daughter of the world, who was so superb a type of that moral contradiction,--an ambitious woman.

"I cannot tell you," resumed Lady Ellinor, softening, "how pleased I was when you came to live with us. Your father has perhaps spoken to you of me and of our first acquaintance!"

Lady Ellinor paused abruptly, and surveyed me as she paused. I was silent.

"Perhaps, too, he has blamed me?" she resumed, with a heightened color.

"He never blamed you, Lady Ellinor!"

"He had a right to do so,--though I doubt if he would have blamed me on the true ground. Yet no; he never could have done me the wrong that your uncle did when, long years ago, Mr. de Caxton in a letter--the very bitterness of which disarmed all anger--accused me of having trifled with Austin,--nay, with himself! And he, at least, had no right to reproach me," continued Lady Ellinor warmly, and with a curve of her haughty lip; "for if I felt interest in his wild thirst for some romantic glory, it was but in the hope that what made the one brother so restless might at least wake the other to the ambition that would have become his intellect and aroused his energies. But these are old tales of follies and delusions now no more: only this will I say, that I have ever felt, in thinking of your father, and even of your sterner uncle, as if my conscience reminded me of a debt which I longed to discharge,--if not to them, to their children. So when we knew you, believe me that your interests, your career, instantly became to me an object. But mistaking you, when I saw your ardent industry bent on serious objects, and accompanied by a mind so fresh and buoyant, and absorbed as I was in schemes or projects far beyond a woman's ordinary province of hearth and home, I never dreamed, while you were our guest,--never dreamed of danger to you or f.a.n.n.y. I wound you,--pardon me; but I must vindicate myself. I repeat that if we had a son to inherit our name, to bear the burden which the world lays upon those who are born to influence the world's destinies, there is no one to whom Trevanion and myself would sooner have intrusted the happiness of a daughter. But my daughter is the sole representative of the mother's line, of the father's name: it is not her happiness alone that I have to consult, it is her duty,--duty to her birthright, to the career of the n.o.blest of England's patriots; duty, I may say, without exaggeration, to the country for the sake of which that career is run!"

"Say no more, Lady Ellinor, say no more; I understand you. I have no hope, I never had hope--it was a madness--it is over. It is but as a friend that I ask again if I may see Miss Trevanion in your presence before--before I go alone into this long exile, to leave, perhaps, my dust in a stranger's soil! Ay, look in my face,--you cannot fear my resolution, my honor, my truth! But once, Lady Ellinor,--but once more.

Do I ask in vain?"