The Car That Went Abroad Part 3

Beaucaire, across the river, is lighted by old tradition, too. It was the home of Auca.s.sin and Nicollette, for one thing, and anyone who has read that poem, either in the original or in Andrew Lang's exquisite translation, will have lived, for a moment at least, in the tender light of legendary tale.

We drove over to Beaucaire, and Narcissa and I scaled a garden terrace to some ruined towers and battlements, all that is left of the ancient seat of the Montmorencys. It is a romantic ruin from a romantic day. It was built back in the twelve hundreds--when there were still knights and troubadours, and the former jousted at a great fair which was held there, and the latter reclined on the palace steps, surrounded by ladies and gallants in silken array, and sang songs of Palestine and the Crusades. As time went on a light tissue of legend was woven around the castle itself--half-mythical tales of its earlier centuries. Figures like Auca.s.sin and Nicollette emerged and were made so real by those who chanted or recited the marvel of their adventures, that they still live and breathe with youth when their gallant castle itself is no more than vacant towers and fragmentary walls. The castle of Beaucaire looks across to the defiant walls of King Rene's castle in Tarascon and I believe there used to be some st.u.r.dy wars between them. If not, I shall construct one some day, when I am less busy, and feeling in the romantic form. It will be as good history as most castle history, and I think I shall make Beaucaire win. King Rene was a good soul, but I am doubtful about those who followed him, and his castle, so suitable to-day for a jail, does not invite sympathy. The Montmorency castle was dismantled in 1632, according to the guidebook, by Richelieu, who beheaded its last tenant--some say with a cleaver, a serviceable utensil for such work.

Beaucaire itself is not a pretty town--not a clean town. I believe Nicollette was shut up for a time in one of its houses--we did not inquire which one--any of them would be bad enough to-day.

[Ill.u.s.tration: "WHERE ROADS BRANCH OR CROSS THERE ARE SIGNBOARDS.... YOU CAN'T ASK A MAN 'QUEL EST LE CHEMIN' FOR ANYWHERE WHEN YOU ARE IN FRONT OF A SIGNBOARD WHICH IS SHOUTING THE INFORMATION"]

It is altogether easy to keep to the road in France. You do not wind in and out with unmarked routes crossing and branching at every turn. You travel a hard, level way, often as straight as a ruling stick and pointed in the right direction. Where roads branch, or cross, there are signboards. All the national roads are numbered, and your red-book map shows these numbers--the chances of mistake being thus further lessened.

We had practiced a good deal at asking in the politest possible French the way to any elusive destination. The book said that in France one generally takes off his hat in making such an inquiry, so I practiced that until I got it to seem almost inoffensive, not to say jaunty, and the formula "_Je vous demande pardon, but--quel est le chemin pour--_"

whatever the place was. Sometimes I could even do it without putting in the "but," and was proud, and anxious to show it off at any opportunity.

But it got dusty with disuse. You can't ask a man "_quel est le chemin_"

for anywhere when you are on the straight road going there, or in front of a signboard which is shouting the information. I only got to unload that sentence twice between Arles and Avignon, and once I forgot to take off my hat; when I did, the man didn't understand me.

With the blue mountains traveling always at our right, with level garden and vineland about us, we drifted up the valley of the Rhone and found ourselves, in mid-afternoon, at the gates of Avignon. That is not merely a poetic figure. Avignon has veritable gates--and towering crenelated walls with ramparts, all about as perfect as when they were built, nearly six hundred years ago.

We had heard Avignon called the finest existing specimen of a mediaeval walled city, but somehow one does not realize such things from hearing the mere words. We stopped the car to stare up at this overtopping masonry, trying to believe that it had been standing there already three hundred years, looking just about as it looks to-day, when Shakespeare was writing plays in London. Those are the things we never really believe. We only acknowledge them and pa.s.s on.

Very little of Avignon has overflowed its ma.s.sive boundaries; the fields were at our backs as we halted in the great portals. We halted because we noticed the word "_L'Octroi_" on one of the towers. But, as before, the _l'octroi_ man merely glanced into our vehicle and waved us away.

We were looking down a wide shaded avenue of rather modern, even if foreign, aspect, and full of life. We drove slowly, hunting, as we pa.s.sed along, for one of the hotels set down in the red-book as "comfortable, with modern improvements," including "gar. _grat._"--that is to say, garage gratis, such being the custom of this land.

Narcissa, who has an eye for hotels, spied one presently, a rather imposing-looking place with a long, imposing name. But the management was quite modest as to terms when I displayed our T. C. de France membership card, and the "gar. _grat._"--this time in the inner court of the hotel itself--was a neat place with running water and a concrete floor. Not very ancient for mediaeval Avignon, but one can worry along without antiquities in a hotel.

Chapter VIII

GLIMPSES OF THE PAST

Avignon, like Arles, was colonized by the Romans, but the only remains of that time are now in its museum. At Arles the Romans did great things; its heyday was the period of their occupation. Conditions were different at Avignon. Avenio, as they called it, seems to have been a kind of outpost, walled and fortified, but not especially glorified.

Very little was going on at Avenio. Christians were seldom burned there.

In time a Roman emperor came to Arles, and its people boasted that it was to become the Roman capital. Nothing like that came to Avenio; it would require another thousand years and another Roman occupation to mature its grand destiny.

I do not know just how it worried along during those stormy centuries of waiting, but with plenty of variety, no doubt. I suppose barbarians came like summer leaf.a.ge, conquered and colonized, mixing the blood of a new race. It became a republic about twelve hundred and something--small, but tough and warlike--commanding the respect of seigneurs and counts, even of kings. Christianity, meantime, had prospered. Avignon had contributed to the Crusades and built churches. Also, a cathedral, though little dreaming that in its sacristy would one day lie the body of a pope.

Avignon's day, however, was even then at hand. Sedition was rife in Italy and the popes, driven from Rome, sought refuge in France. Near Avignon was a small papal dominion of which Carpentras was the capital, and the pope, then Clement V, came often to Avignon. This was honor, but when one day the Bishop of Avignon was made Pope John XXII, and established his seat in his own home, the little city became suddenly what Arles had only hoped to be--the capital of the world.

If one were permitted American parlance at this point, he would say that a boom now set in in Avignon.[7] Everybody was gay, everybody busy, everybody prosperous. The new pope straightway began to enlarge and embellish his palace, and the community generally followed suit. During the next sixty or seventy years about everything that is to-day of importance was built or rebuilt. New churches were erected, old ones restored. The ancient Roman wall was replaced by the splendid new one.

The papal palace was enlarged and strengthened until it became a mighty fortress--one of the grandest structures in Europe. The popes went back to Rome, then, but their legates remained and from their strong citadel administered the affairs of that district for four turbulent centuries.

In 1791, Avignon united her fortunes to those of France, and through revolution and bloodshed has come again to freedom and prosperity and peace. I do not know what the population of Avignon was in the day of her greater glory. To-day it is about fifty thousand, and, as it is full to the edges, it was probably not more populous then.

We did not hurry in Avignon. We only loitered about the streets a little the first afternoon, practicing our French on the sellers of postal cards. It was a good place for such practice. If there was a soul in Avignon besides ourselves with a knowledge of English he failed to make himself known. Not even in our hotel was there a manager, porter, or waiter who could muster an English word.

Narcissa and I explored more than the others and discovered the City Hall and a theater and a little open square with a big monument. We also got a distant glimpse of some great towering walls which we knew to be the Palace of the Popes.

Now and again we were a.s.sailed by beggars--soiled and persistent small boys who annoyed us a good deal until we concocted an impromptu cure. It was a poem, in French--and effective:

_Allez! Allez!_ _Je n'ai pas de monnaie!_ _Allez! Allez!_ _Je n'ai pas de l'argent!_

A Frenchman might not have had the courage to mortify his language like that, but we had, and when we marched to that defiant refrain the attacking party fell back.

We left the thoroughfare and wandered down into narrow side streets, cobble-paved and winding, between high, age-stained walls--streets and walls that have surely not been renewed since the great period when the coming of the popes rebuilt Avignon. So many of the houses are apparently of one age and antiquity they might all have sprung up on the same day. What a bustle and building there must have been in those first years after the popes came! Nothing could be too new and fine for the chosen city. Now they are old again, but not always shabby. Many of them, indeed, are of impressive grandeur, with carved casings and ponderous doors. No sign of life about these--no glimpse of luxury, faded or fresh--within. Whatever the life they hold--whatever its past glories or present decline, it is shut away. Only the shabbier homes were open--women at their evening duties, children playing about the stoop. _They_ had nothing to conceal. Tradition, lineage, pride, poverty--they had inherited their share of these things, but they did not seem to be worrying about it. Their affairs were open to inspection; and their habits of dress and occupation caused us to linger, until the narrow streets grew dim and more full of evening echoes, while light began to twinkle in the little bas.e.m.e.nt shops where the ancestors of these people had bought and sold for such a long, long time.

FOOTNOTES:

[7] Alphonse Daudet's "La Mule de Pape," in his _Lettres de Mon Moulin_, gives a delightful picture of Avignon at this period.

Chapter IX

IN THE CITADEL OF FAITH

We were not very thorough sight-seers. We did not take a guidebook in one hand and a pencil in the other and check the items, thus cleaning up in the fashion of the neat, businesslike tourist. We seldom even had a program. We just wandered out in some general direction, and made a discovery or two, looked it over, surmised about it and pa.s.sed judgment on its artistic and historical importance, just as if we knew something of those things; then when we got to a quiet place we took out the book and looked up what we had seen, and quite often, with the book's a.s.sistance, reversed our judgments and went back and got an altogether new set of impressions, and kept whichever we liked best. It was a loose system, to be recommended only for its variety. At the church of St.

Agricole, for instance, which we happened upon when we started out one morning, we had a most interesting half hour discussing the age and beauty of its crumbling exterior and wandering about in its dimness, speculating concerning its frescoes and stained marbles and ancient tombs. When, later, we sat on the steps outside and looked it up and found it had been established away back in 680, and twice since restored; that the fifteenth-century holy-water basin was an especially fine one; that the tombs and altar piece, the sculpture and frescoes were regarded as "remarkable examples," we were deeply impressed and went back to verify these things. Then we could see that it was all just as the book said.

But the procedure was somewhat different at the Palace of the Popes. We knew where we were going then, for we saw its towers looming against the sky, and no one could mistake that pile in Avignon. Furthermore, we paid a small fee at its ma.s.sive arched entrance, and there was a guardian, or guide, to show us through. It is true he spoke only French--Provencal French--but two gracious Italian ladies happened to be going through at the same time and, like all cultured continentals, they spoke a variety of tongues, including American. The touch of travel makes the whole world kin, and they threw out a line when they saw us floundering, and towed us through. It was a gentle courtesy which we accepted with thankful hearts.

We were in the central court first, the dull, sinister walls towering on every side. The guide said that executions had taken place there, and once, in later times--the period of the Revolution--a ma.s.sacre in which seventy perished. He also mentioned a bishop of the earlier period who, having fallen into disfavor, was skinned alive and burned just outside the palace entrance. Think of doing that to a bishop!

Our conductor showed us something which we were among the first to see.

Excavation was going on, and near the entrance some workmen were uncovering a large square basin--a swimming pool, he said--probably of Roman times. Whatever had stood there had doubtless fallen into obliterated ruin by the time the papal palace was begun.

A survey of the court interior showed that a vast scheme of restoration was going on. The old fortress had suffered from siege more than once, and time had not spared it; but with that fine pride which the French have in their monuments, and with a munificence which would seem to be limitless, they were reconstructing perfectly every ruined part, and would spend at least two million dollars, we were told, to make the labor complete. Battered corners of towers had been carefully rebuilt, tumbled parapets replaced. We stood facing an exquisite mullioned window whose carved stone outlines were entirely new, yet delicately and finely cut, certainly at a cost of many thousand francs. The French do not seem to consider expense in a work of that sort. Concrete imitations will not do. Whatever is replaced must be as it was in the beginning.

Inside we found ourselves in the stately audience room, measuring some fifty by one hundred and eighty feet, its lofty ceiling supported by ma.s.sive Gothic arches, all as complete as when constructed. Each missing piece or portion has been replaced. It was scarcely more perfect when the first papal audience was held there and when Queen Jeanne of Naples came to plead for absolution, nearly six centuries ago. It was of overpowering size and interest, and in one of the upper corners was a picture I shall not soon forget. It was not a painting or tapestry, but it might have been either of these things and less beautiful. It was a living human being, a stone carver on a swinging high seat, dressed in his faded blue cap and blouse and chopping away at a lintel. But he had the face and beard and, somehow, the figure of a saint. He turned to regard us with a mild, meditative interest, the dust on his beard and dress completing the harmony with the gray wall behind him, the embodied spirit of restoration.

We ascended to the pontifical chapel, similar in size and appearance to the room below. We pa.s.sed to other gigantic apartments, some of them rudely and elaborately decorated by the military that in later years made this a garrison. We were taken to the vast refectory, where once there was a great central table, the proportions of which were plainly marked by an outline on the stone floor, worn by the feet of feasting churchmen. Then we went to the kitchen, still more impressive in its suggestion of the stouter needs of piety. Its chimney is simply a gigantic central funnel that, rising directly from the four walls, goes towering and tapering toward the stars. I judge the cooks built their fires in the center of this room, hanging their pots on cranes, swinging their meats barbecue fashion, opening the windows for air and draught.

Those old popes and legates were no weaklings, to have a kitchen like that. Their appet.i.tes and digestions, like their faith, were of a robust and militant sort.

I dare say it would require a week to go through all this palace, so the visitor is shown only samples of it. We ascended to one of the towers and looked down, far down, on the roofs of Avignon--an expanse of brown tiling, toned by the ages, but otherwise not greatly different from what the popes saw when this tower and these housetops were new. Beyond are the blue hills which have not changed. Somewhere out there Petrarch's Laura was buried, but the grave has vanished utterly, the church is a mere remnant.

As we stood in the window a cold breath of wind suddenly blew in--almost piercing for the season. "The mistral," our conductor said, and, though he did not cross himself, we knew by his exalted smile that he felt in it the presence of the poet of the south.

Then he told us that Mistral had appointed him as one of those who were commissioned to preserve in its purity the Provencal tongue. That he was very proud of it was certain, and willing to let that wind blow on him as a sort of benediction. It is said, however, that the mistral wind is not always agreeable in Avignon. It blows away disease, but it is likely to overdo its work. "Windy Avignon, liable to the plague when it has not the wind, and plagued by the wind when it has it," is a saying at least as old as this palace.

We got a generous example of it when we at last descended to the street.

There it swirled and raced and grabbed at us until we had to b.u.t.ton everything tightly and hold fast to our hats. We took refuge in the old cathedral of Notre Dame des Domes, where John XXII, who brought this glory to Avignon, lies in his Gothic tomb. All the popes of Avignon were crowned here; it was the foremost church of Christendom for the better part of a century. We could see but little of the interior, for, with the now clouded sky, the place was too dark. In the small chapel where the tomb stands it was dim and still. It is the holy place of Avignon.

A park adjoins the church and we went into it, but the mistral wind was tearing through the trees and we crossed and descended by a long flight to the narrow streets. Everywhere about us the lower foundations of the papal palace joined the living rock, its towers seeming to climb upward to the sky. It was as if it had grown out of the rock, indestructible, eternal, itself a rock of ages.

We are always saying how small the world is, and we had it suddenly brought home to us as we stood there under the shadow of those overtopping heights. We had turned to thank our newly made friends and to say good-by. One of them said, "You are from America; perhaps you might happen to know a friend of ours there," and she named one whom we did know very well indeed--one, in fact, whose house we had visited only a few months before. How strange it seemed to hear that name from two women of Florence there in the ancient city, under those everlasting walls.