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"Why, this is a new kind of jam. How nice! As I was saying, I got into Charing Cross and there wasn't a porter. Just fancy! At least there was a porter, an old man, but when I beckoned to him he wouldn't move.

Well, I was angry. I can tell you, Paul, I wasn't going to stand that, so I-what nice jam, dear. I never knew Mitch.e.l.l's had jam like this!"

"I didn't get it at Mitch.e.l.l's," said Maggie. "I've changed the grocer.

Mitch.e.l.l hasn't got anything, and his prices are just about double Brownjohn's ..."

"Brownjohn!" Grace stared, her bread and jam suspended. "Brownjohn!

But, Maggie dear, he's a dissenter."

"Oh. Maggie!" said Paul. "You should have told me!"

"Why!" said Maggie, bewildered. "Father never minded about dissenters.

Our butcher in St. Dreot's was an atheist and--"

"Well, well," said Grace, her eyes still flashing about like goldfish in a pool. "You didn't know, dear. Of course you didn't. I'm sure we can put it right with Mitch.e.l.l, although he's a sensitive man. I'll go and see him in the morning. I am glad I'm back. Well, I was telling you ... Where was I? ... about the porter--"

Something drove Maggie to say:

"I'd rather have a good grocer who's a dissenter than a bad one who goes to church--"

"Maggie," said Paul, "you don't know what you're saying. You don't realise what the effect in the parish would be."

"Of course she doesn't," said Grace consolingly. "She'll understand in time. As I was saying, I was so angry that I caught the old man by the arm and I said to him, 'If you think you're paid to lean up against a wall and not do your duty you're mightily mistaken, and if you aren't careful I'll report you--that's what I'll do,' and he said--what were his exact words? I'll remember in a minute. I know he was very insulting, and the taxi-cabman--why, Paul, where's mother's picture?"

Grace's eyes were directed to a large s.p.a.ce high above the mantelpiece.

Maggie remembered that there had been a big faded oil-painting of an old lady in a shawl and spectacles, a hideous affair she had thought it. That was now reposing in the attic. Why had she not known that it was a picture of Paul's mother? She would never have touched it had she known. Why had Paul said nothing? He had not even noticed that it was gone.

Paul stared, amazed and certainly--yes, beyond question--frightened.

"Grace--upon my word--I've been so busy since my return--"

"Is that also in the attic?" asked Grace.

"Yes, it is," said Maggie. "I'm so sorry. I never knew it was your mother. It wasn't a very good painting I thought, so I took it down. If I had known, of course, I never would have touched it. Oh Grace, I AM so sorry."

"It's been there," said Grace, "for nearly twenty years. What I mean to say is that it's always been there. Poor mother. Are there many things in the attic, Maggie?"

At that moment there was a feeble scratching on the door. Paul, evidently glad of anything that would relieve the situation, opened the door.

"Why, it's Mitch!" cried Grace, forgetting for the moment her mother.

"Fancy! It's Mitch! Mitch, dear! Was she glad to see her old friend back again? Was she? Darling! Fancy seeing her old friend again? Was she wanting her back?"

Mitch stood shivering in the doorway, then, with her halting step, the skin of her back wrinkled with anxiety, she crossed the room. For a moment she hesitated, then with shamefaced terror, slunk to Maggie, pressed up against her, and sat there huddled, staring at Grace with yellow unfriendly eyes.

CHAPTER IV

GRACE

Not in a day and not in a night did Maggie find a key to that strange confusion of fears, superst.i.tions, and self-satisfactions that was known to the world as Grace Trenchard. Perhaps she never found it, and through all the struggle and conflict in which she was now to be involved she was fighting, desperately, in the dark. Fight she did, and it was this same conflict, bitter and tragic enough at the time, that transformed her into the woman that she became ... and through all that conflict it may be truly said of her that she never knew a moment's bitterness--anger, dismay, loneliness, even despair-bitterness never.

It was not strange that Maggie did not understand Grace; Grace never understood herself nor did she make the slightest attempt to do so. It would be easy enough to cover the ground at once by saying that she had no imagination, that she never went behind the thing that she saw, and that she found the grasping of external things quite as much as she could manage. But that is not enough. Very early indeed, when she had been a stolid-faced little girl with a hot desire for the doll possessed by her neighbour, she had had for nurse a woman who rejoiced in supernatural events. With ghost stories of the most terrifying kind she besieged Grace's young heart and mind. The child had never imagination enough to visualise these stories in the true essence, but she seized upon external detail-the blue lights, the white shimmering garments, the moon and the church clock, the clanking chain and the stain of blood upon the board.

These things were not for her, and indeed did she allow her fancy to dwell, for a moment, upon them she was besieged at once by so horrid a panic that she lost all control and self-possession. She therefore very quickly put those things from her and thenceforth lived in the world as in a castle surrounded by a dark moat filled with horrible and slimy creatures who would raise a head at her did she so much as glance their way.

She decided then never to look, and from a very early age those quarters of life became to her "queer," indecent, and dangerous. All the more she fastened her grip upon the things that she could see and hold, and these things repaid her devotion by never deceiving her or pretending to be what they were not. She believed intensely in forms and repet.i.tions; she liked everything to be where she expected it to be, people to say the things that she expected them to say, clocks to strike at the right time, and trains to be up to the minute. With all this she could never be called an accurate or careful woman. She was radically stupid, stupid in the real sense of the word, so that her mind did not grasp a new thought or fact until it had been repeated to her again and again, so that she had no power of expressing herself, and a deep inaccuracy about everything and every one which she endeavoured to cover by a stream of aimless lies that deceived no one.

She would of course have been very indignant had any one told her that she was stupid. She hated what she called "clever people" and never had them near her if she could help it. She was instantly suspicious of any one who liked ideas or wanted anything changed. With all this she was of an extreme obstinacy and a deep, deep jealousy. She clung to what she had with the tenacity of a mollusc. What she had was in the main Paul, and her affection for him was a very real human quality in her.

He was exactly what she would have chosen had she been allowed at the beginning a free choice. He was lazy and good-tempered so that he yielded to her on every possible point, he was absolutely orthodox and never shocked her by a thought or a word out of the ordinary, he really loved her and believed in her and said, quite truly, that he would not have known what to do without her.

It seems strange then that it should have been in the main her urgency that led to the acquisition of Maggie. During the last year she had begun to be seriously uneasy. Things were not what they had been. Mrs.

Constantine and others in the parish were challenging her authority, even the Choir boys were scarcely so subservient as they had been, and, worst of all, Paul himself was strangely restive and unquiet. He talked at times of getting married, wondered whether she, Grace, wouldn't like some one to help her in the house, and even, on one terrifying occasion, suggested leaving Skeaton altogether. A momentary vision of what it would be to live without Paul, to give up her kingdom in Skeaton, to have to start all over again to acquire dominion in some new place, was enough for Grace.

She must find Paul a wife, and she must find some one who would depend upon her, look up to her, obey her, who would, incidentally, take some of the tiresome and monotonous drudgery off her shoulders. The moment she saw Maggie she was resolved; here was just the creature, a mouse of a girl, no parents, no money, no appearance, nothing to make her proud or above herself, some one to be moulded and trained in the way she should go. To her great surprise she discovered that Paul was at once attracted by Maggie: had she ever wondered at anything she would have wondered at this, but she decided that it was because she herself had made the suggestion. Dear Paul, he was always so eager to fall in with any of her proposals.

Her mind misgave her a little when she saw that he was really in love.

What could he see in that plain, gauche, uncharming creature? See something he undoubtedly did. However, that would wear off very quickly. The Skeaton atmosphere was against romance and Paul was too lazy to be in love very long. Once or twice in the weeks before the wedding Grace's suspicions were aroused.

Maggie seemed to be an utter little heathen; also it appeared that she had had some strange love affair that she had taken so seriously as actually to be ill over it. That was odd and a little alarming, but the child was very young, and once married-there she'd be, so to speak!

It was not, in fact, until that evening of her arrival in Skeaton that she was seriously alarmed. To say that that first ten minutes in Paul's study alarmed her is to put it mildly indeed. As she looked at the place where her mother's portrait had been, as she stared at the trembling Mitch cowering against Maggie's dress, she experienced the most terrifying, shattering upheaval since the day when as a little girl of six she had been faced as she had fancied, with the dripping ghost of her great-uncle William. Not at once, however, was the battle to begin. Maggie gave way about everything. She gave way at first because she was so confident of getting what she wanted later on. She never conceived that she was not to have final power in her own house; Paul had as yet denied her nothing. She moved the pictures and the pots and the crochet work down from the attic and replaced them where they had been-or, nearly replaced them. She found it already rather amusing to puzzle Grace by changing their positions from day to day so that Grace was bewildered and perplexed.

Grace said nothing--only solidly and with panting noises (she suffered from shortness of breath) plodded up and down the house, rea.s.suring herself that all her treasures were safe.

Maggie, in fact, enjoyed herself during the weeks immediately following Grace's return. Paul seemed tranquil and happy; there were no signs of fresh outbreaks of the strange pa.s.sion that had so lately frightened her. Maggie herself found her duties in connection with the Church and the house easier than she had expected. Every one seemed very friendly.

Grace chattered on with her aimless histories of unimportant events and patted Maggie's hand and smiled a great deal. Surely all was very well.

Perhaps this was the life for which Maggie was intended.

And that other life began to be dim and faint-even Martin was a little hidden and mysterious. Strangely she was glad of that; the only way that this could be carried through was by keeping the other out of it.

Would the two worlds mingle? Would the faces and voices of those spirits be seen and heard again? Would they leave Maggie now or plan to steal her back? The whole future of her life depended on the answer to that ...

During those weeks she investigated Skeaton very thoroughly. She found that her Skeaton, the Skeaton of Fashion and the Church, was a very small affair consisting of two rows of villas, some detached houses that trickled into the country, and a little clump of villas on a hill over the sea beyond the town. There were not more than fifty souls all told in this regiment of Fashion, and the leaders of the fifty were Mrs. Constantine, Mrs. Maxse, Miss Purves, a Mrs. Tempest (a large black tragic creature), and Miss Grace Trenchard--and they had for their male supporters Colonel Maxse, Mr. William Tempest, a Mr. Purdie (rich and idle), and the Reverend Paul. Maggie discovered that the manners, habits, and even voices and gestures of this sacred Fifty were all the same. The only question upon which they divided was one of residence. The richer and finer division spent several weeks of the winter abroad in places like Nice and Cannes, and the poorer contingent took their holiday from Skeaton in the summer in Glebeshire or the Lake District. The Constantines and the Maxses were very fine indeed because they went both to Cannes in the winter and Scotland in the summer. It was wonderful, considering how often Mrs. Constantine was away from Skeaton, how solemn and awe-inspiring an impression she made and retained in the Skeaton world. Maggie discovered that unless you had a large house with independent grounds outside the town it was impossible to remain in Skeaton during the summer months. Oh! the trippers! ...Oh!

the trippers! Yes, they were terrible-swallowed up the sands, eggsh.e.l.ls, n.i.g.g.e.rs, pierrots, bathing-machines, vulgarity, moonlight embracing, noise, sand, and dust. If you were any one at all you did not stay in Skeaton during the summer months-unless, as I have said, you were so grand that you could disregard it altogether.

It happened that these weeks were wet and windy and Maggie was blown about from one end of the town to the other. There could be no denying that it was grim and ugly under these conditions. It might be that when the spring came there would be flowers in the gardens and the trees would break out into fresh green and the sands would gleam with mother-of-pearl and the sea would glitter with sunshine. All that perhaps would come. Meanwhile there was not a house that was not hideous, the wind tore screaming down the long beaches carrying with it a flurry of tempestuous rain, whilst the sea itself moved in sluggish oily coils, dirt-grey to the grey horizon. Worst of all perhaps were the deserted buildings at other times dedicated to gaiety, ghosts of places they were with torn paper flapping against their sides and the wind tearing at their tin-plated roofs. Then there was the desolate little station, having, it seemed, no connection with any kind of traffic-and behind all this the woods howled and creaked and whistled, derisive, provocative, the only creatures alive in all that world.

Between the Fashion and the Place the Church stood as a bridge.

Centuries ago, when Skeaton had been the merest hamlet cl.u.s.tered behind the beach, the Church had been there-not the present building, looking, poor thing, as though it were in a perpetual state of scarlet fever, but a shabby humble little chapel close to the sea sheltered by the sandy hill.

The present temple had been built about 1870 and was considered very satisfactory. It was solid and free from draughts and took the central heating very well. The graveyard also was new and shiny, with no bones in it remoter than the memories of the present generation could compa.s.s. The church clock was a very late addition--put up by subscription five years ago-and its clamour was so up to date and smart that it was a cross between the whistle of a steam-engine and a rich and prosperous dinner-bell.

All this was rightly felt to be very satisfactory. As Miss Purves said: "So far as the dear Church goes, no one had any right to complain about anything."

When Maggie had first arrived in Skeaton her duties with regard to the Church were made quite plain to her. She was expected to take one of the cla.s.ses in Sunday school, to attend Choir practice on Friday evening, to be on the Committees for Old Women's Comforts, Our Brave Lads' Guild, and the Girls' Friendly Society, to look after the flowers for the Altar, and to attend Paul's Bible Cla.s.s on Wednesdays.

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The Captives Part 57 summary

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