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The Canterbury Tales, and Other Poems Part 12

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And G.o.d, that all this wide world hath wrought, Send him his love, that hath it dearly bought.

For now is Palamon in all his weal, Living in bliss, in riches, and in heal*. *health And Emily him loves so tenderly, And he her serveth all so gentilly, That never was there worde them between Of jealousy, nor of none other teen*. *cause of anger Thus endeth Palamon and Emily And G.o.d save all this faire company.

Notes to The Knight's Tale.

1. For the plan and princ.i.p.al incidents of the "Knight's Tale,"

Chaucer was indebted to Boccaccio, who had himself borrowed from some prior poet, chronicler, or romancer. Boccaccio speaks of the story as "very ancient;" and, though that may not be proof of its antiquity, it certainly shows that he took it from an earlier writer. The "Tale" is more or less a paraphrase of Boccaccio's "Theseida;" but in some points the copy has a distinct dramatic superiority over the original. The "Theseida"



contained ten thousand lines; Chaucer has condensed it into less than one-fourth of the number. The "Knight's Tale" is supposed to have been at first composed as a separate work; it is undetermined whether Chaucer took it direct from the Italian of Boccaccio, or from a French translation.

2. Highte: was called; from the Anglo-Saxon "hatan", to bid or call; German, "Heissen", "heisst".

3. Feminie: The "Royaume des Femmes" -- kingdom of the Amazons. Gower, in the "Confessio Amantis," styles Penthesilea the "Queen of Feminie."

4. Wonnen: Won, conquered; German "gewonnen."

5. Ear: To plough; Latin, "arare." "I have abundant matter for discourse." The first, and half of the second, of Boccaccio's twelve books are disposed of in the few lines foregoing.

6. Waimenting: bewailing; German, "wehklagen"

7. Starf: died; German, "sterben," "starb".

8. The Minotaur: The monster, half-man and half-bull, which yearly devoured a tribute of fourteen Athenian youths and maidens, until it was slain by Theseus.

9. Pillers: pillagers, strippers; French, "pilleurs."

10. The donjon was originally the central tower or "keep" of feudal castles; it was employed to detain prisoners of importance. Hence the modern meaning of the word dungeon.

11. Saturn, in the old astrology, was a most unpropitious star to be born under.

12. To die in the pain was a proverbial expression in the French, used as an alternative to enforce a resolution or a promise.

Edward III., according to Froissart, declared that he would either succeed in the war against France or die in the pain -- "Ou il mourroit en la peine." It was the fashion in those times to swear oaths of friendship and brotherhood; and hence, though the fashion has long died out, we still speak of "sworn friends."

13. The saying of the old scholar Boethius, in his treatise "De Consolatione Philosophiae", which Chaucer translated, and from which he has freely borrowed in his poetry. The words are "Quis legem det amantibus?

Major lex amor est sibi."

("Who can give law to lovers? Love is a law unto himself, and greater")

14. "Perithous" and "Theseus" must, for the metre, be p.r.o.nounced as words of four and three syllables respectively -- the vowels at the end not being diphthongated, but enunciated separately, as if the words were printed Pe-ri-tho-us, The-se-us.

The same rule applies in such words as "creature" and "conscience," which are trisyllables.

15. Stound: moment, short s.p.a.ce of time; from Anglo-Saxon, "stund;" akin to which is German, "Stunde," an hour.

16. Meinie: servants, or menials, &c., dwelling together in a house; from an Anglo-Saxon word meaning a crowd. Compare German, "Menge," mult.i.tude.

17. The pure fetters: the very fetters. The Greeks used "katharos", the Romans "purus," in the same sense.

18. In the medieval courts of Love, to which allusion is probably made forty lines before, in the word "parlement," or "parliament," questions like that here proposed were seriously discussed.

19. Gear: behaviour, fashion, dress; but, by another reading, the word is "gyre," and means fit, trance -- from the Latin, "gyro," I turn round.

20. Before his head in his cell fantastic: in front of his head in his cell of fantasy. "The division of the brain into cells, according to the different sensitive faculties," says Mr Wright, "is very ancient, and is found depicted in mediaeval ma.n.u.scripts." In a ma.n.u.script in the Harleian Library, it is stated, "Certum est in prora cerebri esse fantasiam, in medio rationem discretionis, in puppi memoriam" (it is certain that in the front of the brain is imagination, in the middle reason, in the back memory) -- a cla.s.sification not materially differing from that of modern phrenologists.

21. Dan: Lord; Latin, "Dominus;" Spanish, "Don."

22. The "caduceus."

23. Argus was employed by Juno to watch Io with his hundred eyes but he was sent to sleep by the flute of Mercury, who then cut off his head.

24. Next: nearest; German, "naechste".

25. Clary: hippocras, wine made with spices.

26. Warray: make war; French "guerroyer", to molest; hence, perhaps, "to worry."

27. All day meeten men at unset steven: every day men meet at unexpected time. "To set a steven," is to fix a time, make an appointment.

28. Roundelay: song coming round again to the words with which it opened.

29. Now in the crop and now down in the breres: Now in the tree-top, now down in the briars. "Crop and root," top and bottom, is used to express the perfection or totality of anything.

30. Beknow: avow, acknowledge: German, "bekennen."

31. Shapen was my death erst than my shert: My death was decreed before my shirt ws shaped -- that is, before any clothes were made for me, before my birth.

32. Regne: Queen; French, "Reine;" Venus is meant. The common reading, however, is "regne," reign or power.

33. Launde: plain. Compare modern English, "lawn," and French, "Landes" -- flat, bare marshy tracts in the south of France.

34. Mister: manner, kind; German "muster," sample, model.

35. In listes: in the lists, prepared for such single combats between champion and accuser, &c.

36. Thilke: that, contracted from "the ilke," the same.

37. Mars the Red: referring to the ruddy colour of the planet, to which was doubtless due the transference to it of the name of the G.o.d of War. In his "Republic," enumerating the seven planets, Cicero speaks of the propitious and beneficent light of Jupiter: "Tum (fulgor) rutilis horribilisque terris, quem Martium dicitis" -- "Then the red glow, horrible to the nations, which you say to be that of Mars." Boccaccio opens the "Theseida" by an invocation to "rubicondo Marte."

38. Last: lace, leash, noose, snare: from Latin, "laceus."

39. "Round was the shape, in manner of compa.s.s, Full of degrees, the height of sixty pas"

The building was a circle of steps or benches, as in the ancient amphitheatre. Either the building was sixty paces high; or, more probably, there were sixty of the steps or benches.

40. Yellow goldes: The sunflower, turnsol, or girasol, which turns with and seems to watch the sun, as a jealous lover his mistress.

41. Citheron: The Isle of Venus, Cythera, in the Aegean Sea; now called Cerigo: not, as Chaucer's form of the word might imply, Mount Cithaeron, in the south-west of Boetia, which was appropriated to other deities than Venus -- to Jupiter, to Bacchus, and the Muses.

42. It need not be said that Chaucer pays slight heed to chronology in this pa.s.sage, where the deeds of Turnus, the glory of King Solomon, and the fate of Croesus are made memories of the far past in the time of fabulous Theseus, the Minotaur-slayer.

43. Champartie: divided power or possession; an old law-term, signifying the maintenance of a person in a law suit on the condition of receiving part of the property in dispute, if recovered.

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The Canterbury Tales, and Other Poems Part 12 summary

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