The Camp Fire Girls in the Outside World Part 3

For Polly had absolutely determined not to confide in any one of her new companions her ambition to go upon the stage. They would not understand and would only be stupid and inquisitive. Why, had they not worried her nearly to death simply because of her acquaintance with Miss Margaret Adams? For one day the great actress had driven up to the school and taken Polly for a drive. And ever afterwards the other girls were determined to find out how and when she had met her and what she was like in every smallest particular, until Polly was nearly frantic.

Now in her own room, which was a small one, but belonged to her alone, the girl dashed cold water on her face until she began to feel her temper cooling down. Then with a book in her lap she planted herself in a low chair. The book was a collection of Camp Fire songs which Sylvia Wharton had given her. And although Polly could not sing, the poetry and inspiration of them was so lovely that she felt they might be a consoling influence.

Nevertheless Polly did not commence reading at once. Instead, her thin shoulders drooped forward pathetically, and putting one elbow on her knee she rested her pointed chin in her hand.

For she was unhappy without any real reason in the world. Polly O'Neill was one of the sensitive and emotional persons who must always be more or less miserable in the wrong environment. She did not like being at boarding school and yet she did not wish to return to Woodford to live in her stepfather's house in circ.u.mstances so different from those of her old life. Besides, had not Miss Adams advised that she spend several years away from Woodford in order to see more of the outside world and its myriad types of men and women? She could not ask to be allowed to come back home now, after the fight she had made to leave. Moreover, she was learning many things that might be useful to her as an actress. Miss Adams herself had said so. There was no fault with the opportunities for study at Miss Elkins', only with the interest of the girls. She herself was working hard at French and German and physical culture and was having some special private teaching in elocution by a master recommended by Miss Adams.

No, Polly did not intend to give up. Only she was trying to decide whether or not to return to Woodford for the Christmas holidays. She was longing to see her mother and Mollie and Betty Ashton. Yet Frank Wharton would be at home and she and Frank had quarreled all the time that they had been in the house together during the past summer. And her mother and Mollie were so wrapped up in one another and in the splendid new home and in Mr. Wharton! Polly felt herself almost an outsider when she thought of the days when they had lived in their own little cottage just opposite the Princess.

Then, at the thought of Betty Ashton, the slightly hard look in Polly's Irish blue eyes faded. Of the Princess' understanding and affection she could always feel sure. And what a brave fight she was making!

Every letter from her mother or Mollie or from any one of their old Camp Fire circle had something admiring to say of her. And yet she and Mollie had always thought of their Princess as only a spoiled darling, beautiful and meant only for cherishing. Ah well, the Princess was really an aristocrat in the old meaning of the word. She had never been in the least like these New York girls, caring for money for its own sake and feeling superior to other people just because of her money. Betty had birth and beauty and brains.

Suddenly Polly dashed the tears from her eyes and with a smile jumped to her feet, dropping her Camp Fire book. There was no use sitting there and thinking of all the virtues that her Princess possessed that began with "b." This was Friday afternoon and she was free to do what she liked. Esther was living in a boarding house not far away, and she had not seen her in two weeks. And in all the world there was nothing Esther liked to talk about so much as Betty. Besides, if Esther were going home for the holidays, why, Polly felt that she would rather like to have some one persuade her into making her own decision.

Is it good or evil fortune that makes one so readily influenced by outside conditions? The December afternoon was cold and brilliant; and in few places is the climate of early winter so stimulating as in New York City. Esther was not at home, and for a few minutes her visitor felt disappointed. But the streets were so beautiful and alluring and there were so many people out! It was true that Polly had received permission only to call upon her friend, but what wrong could there be in her taking a walk? She had only to keep straight along Broadway and there could be no possible chance of getting lost. Polly was not in the least timid or unable to take care of herself. She was a girl from a small town, and yet no one could have imagined that she had not been a New Yorker all her life, except for her quick and eager interest in the sights about her.

No one noticed or molested Polly in the least. It was only that in her usual unthinking fashion she flung herself into the way of temptation.

Farther down Broadway than she had ever been before, Polly stopped for a moment to look more closely at a group of girls. Most of them were several years older than herself. They were standing close together near a closed door, and yet only occasionally did one of them make a remark to the other; for apparently they were strangers to one another.

At first the girls themselves attracted Polly's attention because the larger number appeared so nervous and anxious. More than half of them had their faces rouged and powdered and were fashionably dressed, yet even when they smiled their expressions were uneasy.

They interested the country girl immensely. In order not to seem rude or inquisitive she pretended to wish to gaze into a shop window near them. Then, as they continued waiting and showed no sign of what they were waiting for, Polly O'Neill's curiosity overcame her good manners.

Another girl had separated herself from the group and was standing within two feet of Polly, also pretending to stare into the same window.

Polly edged closer to her. The young woman must have been nearly twenty-five. She had been pretty once, yet already her face was haggard and she had circles under her big brown eyes. Unexpectedly Polly smiled at her, and there was always something almost irresistible in Polly's smile.

"Could you, would you mind telling me why so many girls are standing here in this one particular spot?" she inquired. "It is a cold day when one is still. And yet I have been here almost ten minutes and no one has even started to move away."

"We are waiting to try to get jobs," the older girl answered listlessly. "And we have come sooner than we were told because each one of us hoped to get ahead of the other."

"Jobs?" Polly repeated stupidly. "What kind of work is it that you are looking for?"

"Oh, theatrical jobs," the young woman explained. "It's coming on to be Christmas time and the managers are putting on extras for the holidays."

She turned away from her questioner, believing that she had heard a faint noise at the door near which they were lingering. A quick tug at her coat attracted her attention again.

"Can any one apply for a position who wants it?" Polly queried. Her eyes were shining, her cheeks were crimson and her breath coming in kind of broken gasps as though she were frightened.

But the magic door had opened at last and the older woman had no time to waste. "Oh, yes, any one can apply," she returned with a kind of hardness. And then she failed to observe that the girl she had been talking with was following close behind her.

Polly herself hardly realized what she was doing. Once more she had yielded to that old wretched habit of hers, of acting first and then thinking afterwards. Like a flash of lightning it had but this instant occurred to her that more than anything she would like to see inside a theatrical manager's office. It would be like placing the tips of one's toes on the promised land. Of course, Polly knew perfectly well that she was being reckless, only she would not allow herself time to consider this point of view. She would simply slip in with these other girls and pretend that she would like a position should she be forced into it. As she had had no experience, there could be no possibility of her getting an engagement. Ten minutes afterwards she would slip out again and return to school.

With a dozen or more other girls, Polly was the next moment ushered into a room that was quite dark and had only a few chairs in it. There they were told to wait until the manager could be free to speak to them. So Polly crowded herself into the farthest, darkest corner and immediately her heart began to thump and her knees to shake, while she wished herself a thousand miles away.

What would her mother say to this latest of her escapades; and Mollie and Betty? What would Miss Adams, for that matter, think of her? She was an actress herself; but of course Polly never imagined that she had started her career in any such humble fashion.

Coming partially to her senses, Polly started hurriedly toward the closed door. There was no reason in the world for her remaining in this room unless she wished it. But just as she turned the k.n.o.b the manager entered from the hall. And Polly's curiosity got the better of her again. She would stay just half a minute longer and see what happened.

CHAPTER V

THE WAY OF THE WILFUL

When Polly O'Neill came out into the street again, she did not know whether she was walking on the sidewalk, in the air, or at the bottom of the sea. But because of a certain thrilling excitement she felt that she must have wings and because of a heavy weight inside her that she must be in the depth of the sea.

For Polly had just signed an engagement to act for two weeks in a Christmas pantomime.

It sounds incredible. And it was possibly as unwise and headstrong a thing as a girl could well do. And yet Polly had originally no actual intention or desire to do wrong. Simply she had yielded to a sudden impulse, to an intense curiosity. But now things were different; for Polly was realizing her wilfulness completely, and instead of repenting and turning back to confess her folly, was every moment trying to plan by what method her purpose could be accomplished.

Not for anything in the world would her mother give her consent to her experiment. And that in itself should have been a sufficient argument against it. Yet Polly explained to herself that, after all, there could not be any great harm in doing what she so much wished, provided that she made confession afterwards. She was almost eighteen, and thousands of girls in New York City were earning their living, who were years younger than she. Perhaps it might even do her good to find out what this stage life really was like--whether it was as fascinating as she dreamed, or all tinsel as most grown people were so fond of telling her.

No, the question that was uppermost with Polly O'Neill was not in connection with her decision. It was how her decision might best be carried out.

Fortunately she had been writing that she did not believe that she would come home for the Christmas holidays. She did wish to see her mother and Mollie and Betty, of course, and had almost given way to this longing only an hour before. But now, had not fate itself intervened, flinging her into the path of her desire? And Polly was Irish and had always declared that she believed in the leadings of fate, even when her mother and sister had insisted that fate and her own wish were too often confused in her mind.

Had she not hidden herself in the corner when the theatrical manager entered the room, with every intention of running away as soon as she could escape un.o.bserved? And then had he not suddenly swooped down upon her, selecting her from the dozens of other applicants? Polly was not exactly sure of what had happened, except that the man had said that she looked the part of the character he was after. The fact that she had confessed having had no stage experience had not even deterred him. The new play was to be chiefly for young people and the manager particularly required youthful actors and actresses.

The play to be produced was the dramatization of a wonderful old Bohemian fairy story, which Polly remembered to have read years before, called "The Castle of Life." The story is that of a little boy, Grazioso, brought up by his grandmother, whom he loves better than all else in the world. Then one day he sees that the grandmother is growing old and fears that she must soon leave him. And so he sets out to find "The Castle of Life" in order once more to bring back youth to the old woman. The play follows his adventures on the road to the castle, and includes his meeting with two fairies--the Fairy of the Woods and the Fairy of the Water. Polly was to impersonate the wood spirit.

Her appearance did suggest the character, though naturally she could not appreciate this fact. But there was always something a bit eerie and fantastic about her, something not exactly of the everyday world--her high cheekbones and thin, emotional face with its scarlet lips and intense expression faintly foreshadowing an unusual future.

But Polly at the present moment was not feeling in the least unusual, only rather more self-willed and more calculating. Never could she recall having deliberately deceived any one before in her entire life.

And yet to accomplish her present purpose there was no other way than the way of deception. No one in Woodford must guess at her reason for remaining in New York during the holidays, nor must Miss Elkins have any possible cause for suspicion. Of course she could not stay on at boarding school. That idea was utterly ridiculous. She would never be allowed to go out for a single evening alone. Already her right to liberty had been considerably overreached by this walk of hers down town. And what she had done during the walk! The offender smiled rather wickedly at the thought of the consternation and excitement that the discovery of her act would create. Home she would go to Woodford then to stay indefinitely!

But Polly did not mean to be found out, She meant to have her little taste of emanc.i.p.ation and then go back into routine again, until she was old enough for a larger freedom. So for this reason, although she should have returned to school an hour before, she continued walking slowly, devising and rejecting a dozen plans. It was going to be tremendously difficult to accomplish her purpose. But this she had foreseen five minutes after she had promised to accept the theatrical manager's offer. However she would "find a way." She remembered how often the Princess had said that she had more talent than "Sentimental Tommy" in this particular direction.

She reached Miss Elkins' school and received five minutes' scolding from that lady, in the meekest spirit, still without having any idea of what she could possibly do to accomplish her design.

All evening she talked so little and her attention was so concentrated upon the lesson which she appeared to be studying, that her school companions left her entirely alone. Polly's pa.s.sion for studying had always been regarded as an eccentricity. But now since she had announced on that afternoon that she had her own living to make there was possibly some excuse for her industry. Nevertheless the girls felt more convinced than ever that she was not in the least like any of the rest of them and, although rather fascinating and unusual, not a person whom one would care to know intimately.

The difference in her manner and expression that night attracted the attention of one of the teachers--the girl's face was so tense and white, her blue eyes showed such dark shadows beneath them. It was owing to this teacher's advice that Polly was allowed to leave the study hall an hour earlier than usual and go to her own room and to bed.

She was not feeling particularly well. Her head did ache and her conscience troubled her the least little bit, notwithstanding she had not the faintest intention of surrender. With hot cheeks and cold hands she lay still for a long time until the noises of the other girls retiring had quieted down and the big house was silent. Then Polly suddenly sat up in bed. A moment later she had crawled out on the floor and lighted a candle by her writing desk. The electric lights had been turned off for the night. But even in the pitch darkness Polly would still have composed her letter. For an idea had at last come to her. And if only she could get just one person to accede to it her way would be plain. The one person might be difficult. Polly was perfectly aware of this, but then she had great faith in her own powers of persuasion.

CHAPTER VI

ESTHER'S ROOM

Just above the small alcohol lamp the teakettle was beginning to sing.

On a table near-by were teacups and saucers, with one plate of sandwiches covered over with a small napkin, and another of cookies.

Several times a tall girl glanced at the clock and then walked across the room to take the kettle off the stove, only to place it back again the next instant.