The Buried Temple Part 4

18

Here we attain the limit of the human will, the gloomy boundary-line of the influence that the most just and enlightened of men is able to exert on events that decide his future happiness or sorrow. No great drama exists, or poem of lofty aim, but one of its heroes shall stray to this frontier where his destiny waits for the seal. Why has this wise, this virtuous man committed this fault or this crime? Why has that woman, who knows so well the meaning of all that she does, hazarded the gesture which must so inevitably summon everlasting sorrow? By whom have the links been forged of the chain of disaster whose fetters have crushed this innocent family? Why do all things crumble around one, and fall into ruins, while the other, his neighbour, less active and strong, less skilful and wise, finds ever material by him to build up his life anew? Why do tenderness, beauty, and love flock to the path of some, where others meet hatred only, and malice, and treachery? Why persistent happiness here, and yonder, though merits be equal, nought but unceasing disaster? Why is this house for ever beset with the storm, while over that other there shines the peace of unvarying stars? Why genius, and riches, and health on this side, and yonder disease, imbecility, poverty? Whence has the pa.s.sion been sent that has wrought such terrible grief, and whence the pa.s.sion that proved the source of such wonderful joy? Why does the youth whom yesterday I met go on his tranquil road to profoundest happiness, while his friend, with the same methodical, peaceful, ignorant step, proceeds on his way to death?

19

Life will often place such problems before us; but how rarely are we compelled to refer their solution to the supernatural, mysterious, superhuman, or preordained! It is only the fervent believer who will still be content to see there the finger of divine intervention. Such of us, however, as have entered the house where the storm has raged, as well as the house of peace, have rarely departed without most clearly detecting the essentially human reasons of both peace and storm. We who have known the wise and upright man who has been guilty of error or crime, are acquainted also with the circ.u.mstances which induced his action, and these circ.u.mstances seem to us in no way supernatural. As we draw near to the woman whose gesture brought misery to her, we learn very soon that this gesture might have been avoided, and that, in her place, we should have refrained. The friends of the man around whom all fell into ruins, and of the neighbour who ever was able to build up his life anew, will have observed before that the acorn sometimes will fall on to rock, and sometimes on fertile soil. And though poverty, sickness, and death still remain the three inequitable G.o.ddesses of human existence, they no longer awake in us the superst.i.tious fears of bygone days We regard them to-day as essentially indifferent, unconscious, blind. We know that they recognise none of the ideal laws which we once believed that they sanctioned; and it only too often has happened that at the very moment we were whispering to ourselves of "purification, trial, reward, punishment," their undiscerning caprice gave the lie to the too lofty, too moral t.i.tle which we were about to bestow.

20

Our imagination, it is true, is inclined to admit, perhaps to desire, the intervention of the superhuman; but, for all that, there are few, even among the most mystic, who are not convinced that our moral misfortunes are, in their essence, determined by our mind and our character; and, similarly, that our physical misfortunes are due in part to the workings of certain forces which often are misunderstood, and in part to the generally ill-defined relation of cause to effect: nor is it unreasonable to hope that light may be thrown on these problems as we penetrate further into the secrets of nature. We have here a cert.i.tude upon which our whole life depends; a cert.i.tude which is shaken only when we consider our own misfortunes, for then we shrink from a.n.a.lysing or admitting the faults we ourselves have committed.

There is a hopefulness in man which renders him unwilling to grant that the cause of his misfortune may be as transparent as that of the wave which dies away in the sand or is hurled on the cliff, of the insect whose little wings gleam for an instant in the light of the sun till the pa.s.sing bird absorbs its existence.

21

Let me suppose that a neighbour of mine, whom I know very intimately, whose regular habits and inoffensive manners have won my esteem, should successively lose his wife in a railway accident, one son at sea, another in a fire, the third and last by disease. I should, of course, be painfully shocked and grieved; but still it would not occur to me to attribute this series of disasters to a divine vengeance or an invisible justice, to a strange, ill-starred predestination, or an active, persistent, inevitable fatality. My thoughts would fly to the myriad unfortunate hazards of life; I should be appalled at the frightful coincidence of calamity; but in me there would be no suggestion of a superhuman will that had hurled the train over the precipice, steered the ship on to rocks, or kindled the flames; I should hold it incredible that such monstrous efforts could have been put forth with the sole object of inflicting punishment and despair upon a poor wretch, because of some error he might have committed--one of those grave human errors which yet are so petty in face of the universe; an error which perhaps had not issued from either his heart or his brain, and had stirred not one blade of gra.s.s on the earth's whole surface.

22

But he, this neighbour of mine, on whom these terrible blows have successively fallen, like so many lightning-flashes on a black night of storm--will he think as I do; will these catastrophes seem natural to him, and ordinary, and susceptible of explanation? Will not the words destiny, fortune, hazard, ill-luck, fatality, star--the word Providence, perhaps--a.s.sume in his mind a significance they never have a.s.sumed before? Will not the light beneath which he questions his consciousness be a different light from my own, will he not feel round his life an influence, a power, a kind of evil intention, that are imperceptible to me? And who is right, he or I? Which of us two sees more clearly, and further? Do truths that in calmer times lie hidden float to the surface in hours of trouble; and which is the moment we should choose to establish the meaning of life?

The "interpreter of life," as a rule, selects the troubled hours. He places himself, and us, in the soul-state of his victims. He shows their misfortunes to us in perspective; and so sharply, concretely, that we have for the moment the illusion of a personal disaster. And, indeed, it is more or less impossible for him to depict them as they would occur in real life. If we had spent long years with the hero of the drama which has stirred us so painfully, had he been our brother, our father, our friend, we should have probably noted, recognised, counted one by one as they pa.s.sed, all the causes of his misfortune, which then would not only appear less extraordinary to us, but perfectly natural even, and humanly almost inevitable. But to the "interpreter of life" is given neither power nor occasion to acquaint us with each veritable cause. For these causes, as a rule, are infinitely slow in their movement, and countless in number, and slight, and of small apparent significance. He is therefore led to adopt a general cause, one sufficiently vast to embrace the whole drama, in place of the real and human causes which he is unable to show us, unable, too, himself to examine and study. And where shall a general cause of sufficient vastness be found, if not in the two or three words we breathe to ourselves when silence oppresses us: words like fatality, divinity, Providence, or obscure and nameless justice?

23

The question we have to consider is how far this procedure can be beneficial, or even legitimate; as also whether it be the mission of the poet to present, and insist on, the distress and confusion of our least lucid hours, or to add to the clear-sightedness of the moments when we conceive ourselves to enjoy the fullest possession of our force and our reason. In our own misfortunes there is something of good, and something of good must therefore be found in the illusion of personal misfortune. We are made to look into ourselves; our errors, our weaknesses, are more clearly revealed; it is shown to us where we have strayed. There falls a light on our consciousness a thousand times more searching, more active, than could spring from many arduous years of meditation and study. We are forced to emerge from ourselves, and to let our eyes rest on those round about us; we are rendered more keenly alive to the sorrows of others. There are some who will tell us that misfortune does even more--that it urges our glance on high, and compels us to bow to a power superior to our own, to an unseen justice, to an impenetrable, infinite mystery. Can this indeed be the best of all possible issues? Ah, yes, it was well, from the standpoint of religious morality, that misfortune should teach us to lift up our eyes and look on an eternal, unchanging, undeniable G.o.d, sovereignly beautiful, sovereignly just, and sovereignly good. It was well that the poet who found in his G.o.d an unquestionable ideal should incessantly hold before us this unique, this definitive ideal. But to-day, if we look away from the truth, from the ordinary experience of life, on what shall our eager glance rest? If we discard the more or less compensatory laws of conscience and inward happiness, what shall we say when triumphant injustice confronts us, or successful, unpunished crime? How shall we account for the death of a child, the miserable end of an innocent man, or the disaster hurled by cruel fate on some unfortunate creature, if we seek explanations loftier, more definite, more comprehensive and decisive than those that are found satisfactory in everyday life for the reason that they are the only ones that accord with a certain number of realities? Is it right that the poet, in his eager desire to contrive a solemn atmosphere for his drama, should arouse from their slumber sentiments, errors, prejudices and fears, which we would attack and rebuke were we to discover them in the hearts of our friends or our children? Man has at last, through his study of the habits of spirit and brain, of the laws of existence, the caprices of fate and the maternal indifference of nature--man has at last, and laboriously, acquired some few cert.i.tudes, that are worthy of all respect; and is the poet ent.i.tled to seize on the moment of anguish in order to oust all these cert.i.tudes, and set up in their place a fatality to which every action of ours gives the lie; or powers before which we would refuse to kneel did the blow fall on us that has prostrated his hero; or a mystic justice that, for all it may sweep away the need for many an embarra.s.sing explanation, bears yet not the slightest kinship to the active and personal justice we all of us recognise in our own personal life?

24

And yet this is what the "interpreter of life" will more or less deliberately do from the moment he seeks to invest his work with a lofty spirit, with a deep and religious beauty, with the sense of the infinite. Even though this work of his may be of the sincerest, though it express as nearly as may be his own most intimate truth, he believes that this truth is enhanced, and established more firmly, by being surrounded with phantoms of a forgotten past. Might not the symbols he needs, the hypotheses, images, the touchstone for all that cannot be explained, be less frequently sought in that which he knows is not true, and more often in that which will one day be a truth? Does the unearthing of bygone terrors, or the borrowing of light from a h.e.l.l that has ceased to be, make death more sublime? Does dependence on a supreme but imaginary will enn.o.ble our destiny? Does justice--that vast network woven by human action and reaction over the unchanging wisdom of nature's moral and physical forces--does justice become more majestic through being lodged in the hands of a unique judge, whom the very spirit of the drama dethrones and destroys?

25

Let us ask ourselves whether the hour may not have come for the earnest revision of the symbols, the images, sentiments, beauty, wherewith we still seek to glorify in us the spectacle of the world.

This beauty, these feelings and sentiments, to-day unquestionably bear only the most distant relation to the phenomena, thoughts, nay even the dreams, of our actual existence; and if they are suffered still to abide with us, it is rather as tender and innocent memories of a past that was more credulous, and nearer to the childhood of man. Were it not well, then, that those whose mission it is to make more evident to us the beauty and harmony of the world we live in, should march ever onwards, and let their steps tend to the actual truth of this world?

Their conception of the universe need not be stripped of a single one of the ornaments wherewith they embellish it; but why seek these ornaments so often among mere recollections, however smiling or terrible, and so seldom from among the essential thoughts which have helped these men to build, and effectively organise, their spiritual and sentient life?

It can never be right to dwell in the midst of false images, even though these are known to be false. The time will come when the illusory image will usurp the place of the just idea it has seemed to represent. We shall not reduce the part of the infinite and the mysterious by employing other images, by framing other and juster conceptions. Do what we may, this part can never be lessened. It will always be found deep down in the heart of men, at the root of each problem, pervading the universe. And for all that the substance, the place of these mysteries, may seem to have changed, their extent and power remain for ever the same. Has not--to take but one instance--has not the phenomenon of the existence, everywhere among us, of a kind of supreme and wholly spiritual justice, unarmed, unadorned, unequipped, moving slowly but never swerving, stable and changeless in a world where injustice would seem to reign--has this phenomenon not cause and effect as deep, as exhaustless--is it not as astounding, as admirable--as the wisdom of an eternal and omnipresent Judge? Should this Judge be held more convincing for that He is less conceivable?

Are fewer sources of beauty, or occasions for genius to exercise insight and power, to be found in what can be explained than in what is, _a priori_, inexplicable? Does not, for instance, a victorious but unjust war (such as those of the Romans, of England to-day, the conquests of Spain in America, and so many others) in the end always demoralise the victor and thrust upon him errors, habits, and faults whereby he is made to pay dearly for his triumph; and is not the minute, the relentless labour of this psychological justice as absorbing, as vast, as the intervention of a superhuman justice? And may not the same be said of the justice that lives in each one of us, that causes the s.p.a.ce left for peace, inner happiness, love, to expand or contract in our mind and our heart in the degree of our striving towards that which is just or is unjust?

26

And to turn to one mystery more, the most awful of all, that of death--would any one pretend that our perception of justice, of goodness and beauty, or our intellectual, sentient power, our eagerness for all that draws near to the infinite, all-powerful, eternal, has dwindled since death ceased to be held the immense and exclusive anguish of life? Does not each new generation find the burden lighter to bear as the forms of death grow less violent and its posthumous terrors fade? It is the illness that goes before, the physical pain, of which we are to-day most afraid. But death is no longer the hour of the wrathful, inscrutable judge; no longer the one and the terrible goal, the gulf of misery and eternal punishment. It is slowly becoming--indeed, in some cases, it has already become--the wished-for repose of a life that draws to its end. Its weight no longer oppresses each one of our actions; and, above all--for this is the most striking change--it has ceased to intrude itself into our morality. And is this morality of ours less lofty, less pure, less profound, because of the disinterestedness it has thus acquired? Has the loss of an overwhelming dread robbed mankind of a single precious, indispensable feeling? And must not life itself find gain in the importance wrested from death? Surely: for the neutral forces we hold in reserve within us are waiting and ready; and every discouragement, sorrow, or fear that departs has its place quickly filled by a cert.i.tude, admiration, or hope.

27

The poet is inclined to personify fatality and justice, and give outward form to forces really within us, for the reason that to show them at work in ourselves is a matter of exceeding difficulty; and further, that the unknown and the infinite, to the extent that they _are_ unknown and infinite--_i.e._ lacking personality, intelligence, and morality--are powerless to move us. And here it is curious to note that we are in no degree affected by material mystery, however dangerous or obscure, or by psychological justice, however involved its results. It is not the incomprehensible in nature that masters and crushes us, but the thought that nature may possibly be governed by a conscious, superior, reasoning will; one that, although superhuman, has yet some kinship with the will of man. What we dread, in a word, is the presence of a G.o.d; and speak as we may of fatality, justice, or mystery, it is always G.o.d whom we fear: a being, that is, like ourselves, though almighty, eternal, invisible, and infinite. A moral force that was not conceived in the image of man would most likely inspire no fear. It is not the unknown in nature that fills us with dread; it is not the mystery of the world we live in. It is the mystery of another world from which we recoil; it is the moral and not the material enigma. There is nothing, for instance, more obscure than the combination of causes which produce the earthquake, that most terrible of all catastrophes. But the earthquake, though it alarm our body, will bring no fear to our mind unless we regard it as an act of justice, of mysterious vengeance, of supernatural punishment. And so it is, too, with the thunderstorm, with illness, with death, with the myriad phenomena and accidents of life. It would seem as though the true alarm of our soul, the great fear which stirs other instincts within us than that of mere self-preservation, is only called forth by the thought of a more or less determinate G.o.d, of a mysterious consciousness, a permanent, invisible justice, or a vigilant, eternal Providence. But does the "interpreter of life," who succeeds in arousing this fear, bring us nearer to truth; and is it his mission to convey to us sorrow, and trouble, and painful emotion, or peace, satisfaction, tranquillity, and light?

28

It is not easy, I know, to free oneself wholly from traditional interpretation, for it often succeeds in rea.s.serting its sway upon us at the very moment we strain every nerve to escape from our bondage.

So has it happened with Ibsen, who, in his search for a new and almost scientific form of fatality, erected the veiled, majestic, tyrannical figure of heredity in the centre of the very best of his dramas. But it is not the scientific mystery of heredity which awakens within us those human fears that lie so much deeper than the mere animal fear; for heredity alone could no more achieve this result than could the scientific mystery of a dreaded disease, a stellar or marine phenomenon. No, the fear that differs so essentially from the one called forth by an imminent natural danger, is aroused within us by the obscure idea of justice which heredity a.s.sumes in the drama; by the daring p.r.o.nouncement that the sins of the fathers are almost invariably visited on the children; by the suggestion that a sovereign Judge, a G.o.ddess of the species, is for ever watching our actions, inscribing them on her tablets of bronze, and balancing in her eternal hands rewards long deferred and never-ending punishment. In a word, even while we deny it, it is the face of G.o.d that reappears; and from beneath the flagstone one had believed to be sealed for ever comes once again the murmur of the very ancient flame of h.e.l.l.

29

This new form of fatality, or fatal justice, is less defensible, and less acceptable too, than the ancient and elementary power, which, being general and undefined, and offering no too strict explanation of its actions, lent itself to a far greater number of situations. In the special case selected by Ibsen, it is not impossible that some kind of accidental justice may be found, as it is not impossible that the arrow a blind man shoots into a crowd may chance to strike a parricide. But to found a law upon this accidental justice is a fresh perversion of mystery, for elements are thereby introduced into human morality which have no right to be there; elements which we would welcome, which would be of value, if they stood for definite truths; but seeing that they are as alien to truth as to actual life, they should be ruthlessly swept aside. I have shown elsewhere that our experience fails to detect the most minute trace of justice in the phenomena of heredity; or, in other words, that it fails to discover the slightest moral connection between the cause: the fault of the father, and the effect: the punishment or reward of the child.

The poet has the right to fashion hypotheses, and to forge his way ahead of reality. But it will often happen that when he imagines himself to be far in advance, he will truly have done no more than turn in a circle; that where he believes that he has discovered new truth, he has merely strayed on to the track of a buried illusion. In the case I have named, for the poet to have taught us more than experience teaches, he should have ventured still further, perhaps, in the negation of justice. But whatever our opinion may be on this point, it at least is clear that the poet who desires his hypotheses to be legitimate, and of service, must take heed that they be not too manifestly contrary to the experience of everyday life; for in that case they become useless and dangerous--scarcely honourable even, if the error be deliberately made.

30

And now, what are we to conclude from all this? Many things, if one will, but this above all: that it behoves the "interpreter of life," no less than those who are living that life, to exercise greatest care in their manner of handling and admitting mystery, and to discard the belief that whatever is n.o.blest and best in life or in drama must of necessity rest in the part that admits of no explanation. There are many most beautiful, most human, most admirable works which are almost entirely free from this "disquiet of universal mystery." We derive no greatness, sublimity, or depth from unceasingly fixing our thoughts on the infinite and the unknown. Such meditation becomes truly helpful only when it is the unexpected reward of the mind that has loyally, unreservedly, given itself to the study of the finite and the knowable; and to such a mind it will soon be revealed how strangely different is the mystery which precedes what one does not know from the mystery that follows closely on what one has learned. The first would seem to contain many sorrows, but that is only because the sorrows are grouped there too closely, and have their home upon two of three peaks that stand too nearly together. In the second is far less sadness, for its area is vast; and when the horizon is wide, there exists no sorrow so great but it takes the form of a hope.

31

Yes, human life, viewed as a whole, may appear somewhat sorrowful; and it is easier, in a manner pleasanter even, to speak of its sorrows and let the mind dwell on them, than to go in search of, and bring into prominence, the consolations life has to offer. Sorrows abound--infallible, evident sorrows; consolations, or rather the reasons wherefore we accept with some gladness the duty of life, are rare and uncertain, and hard of detection. Sorrows seem n.o.ble, and lofty, and fraught with deep mystery; with mystery that almost is personal, that we feel to be near to us. Consolations appear egotistical, squalid, at times almost base. But for all that, and whatever their ephemeral likeness may be, we have only to draw closer to them to find that they too have their mystery; and if this seem less visible and less comprehensible, it is only because it lies deeper and is far more mysterious. The desire to live, the acceptance of life as it is, may perhaps be mere vulgar expressions; but yet they are probably in unconscious harmony with laws that are vaster, more conformable with the spirit of the universe, and therefore more sacred, than is the desire to escape the sorrows of life, or the lofty but disenchanted wisdom that for ever dwells on those sorrows.

32

Our impulse is always to depict life as more sorrowful than truly it is; and this is a serious error, to be excused only by the doubts that at present hang over us. No satisfying explanation has so far been found. The destiny of man is as subject to unknown forces to-day as it was in the days of old; and though it be true that some of these forces have vanished, others have arisen in their stead. The number of those that are really all-powerful has in no way diminished. Many attempts have been made, and in countless fashions, to explain the action of these forces and account for their intervention; and one might almost believe that the poets, aware of the futility of these explanations in face of a reality which, all things notwithstanding, is ever revealing more and more of itself, have fallen back on fatality as in some measure representing the inexplicable, or at least the sadness of the inexplicable. This is all that we find in Ibsen, the Russian novels, the highest cla.s.s of modern fiction, Flaubert, &c. (see "War and Peace," for instance, _L'Education Sentimentale_, and many others).

It is true that the fatality shown is no longer the G.o.ddess of old, or rather (at least to the bulk of mankind) the clearly determinate G.o.d, inflexible, implacable, arbitrary, blind, although constantly watchful; the fatality of to-day is vaster, more formless, more vague, less human or actively personal, more indifferent and more universal. In a word, it is now no more than a provisional appellation bestowed, until better be found, on the general and inexplicable misery of man. In this sense we may accept it, perhaps, though we do no more than give a new name to the unchanging enigma, and throw no light on the darkness. But we have no right to exaggerate its importance or the part that it plays; no right to believe that we are truly surveying mankind and events from a point of some loftiness, beneath a definitive light, or that there is nothing to seek beyond, because at times we become deeply conscious of the obscure and invincible force that lies at the end of every existence. Doubtless, from one point of view, unhappiness must always remain the portion of man, and the fatal abyss be ever open before him, vowed as he is to death, to the fickleness of matter, to old age and disease. If we fix our eyes only upon the end of a life, the happiest and most triumphant existence must of necessity contain its elements of misery and fatality. But let us not make a wrong use of these words; above all, let us not, through listlessness or undue inclination to mystic sorrow, be induced to lessen the part of what could be explained if we would only give more eager attention to the ideas, the pa.s.sions and feelings of the life of man and the nature of things. Let us always remember that we are steeped in the unknown; for this thought is the most fruitful of all, the most sustaining and salutary. But the neutrality of the unknown does not warrant our attributing to it a force, or designs, or hostility, which it cannot be proved to possess.

At Erfurt, in his famous interview with Goethe, Napoleon is said to have spoken disparagingly of the dramas in which fatality plays a great part--the plays that we, in our "pa.s.sion for calamity," are apt to consider the finest. "They belong," he remarked, "to an epoch of darkness; but how can fatality touch us to-day? Policy--_that_ is fatality!" Napoleon's dictum is not very profound: policy is only the merest fragment of fatality; and his destiny very soon made it manifest to him that the desire to contain fatality within the narrow bounds of policy was no more than a vain endeavour to imprison in a fragile vase the mightiest of the spiritual rivers that bathe our globe. And yet, incomplete as this thought of Napoleon's may have been, it still throws some light on a tributary of the great river. It was a little thing, perhaps, but on these uncertain sh.o.r.es it is the difference between a little thing and nothing that kindles the energy of man and confirms his destiny. By this ray of light, such as it was, he long was enabled to dominate all that portion of the unknown which he declined to term fatality. To us who come after him, the portion of the unknown that he controlled may well seem insufficient, if surveyed from an eminence, and yet it was truly one of the vastest that the eye of man has ever embraced. Through its means every action of his was accomplished, for evil or good. This is not the place to judge him, or even to wonder whether the happiness of a century might not have been better served had he allowed events to guide him; what we are considering here is the docility of the unknown. For us, with our humbler destinies, the problem still is the same, and the principle too; the principle being that of Goethe: "to stand on the outermost limit of the conceivable; but never to overstep this line, for beyond it begins at once the land of chimeras, the phantoms and mists of which are fraught with danger to the mind." It is only when the intervention of the mysterious, invisible, or irresistible becomes strikingly real, actually perceptible, intelligent, and moral, that we are ent.i.tled to yield or lay down our arms, meekly accepting the inactive silence they bring; but their intervention, within these limits, is rarer than one imagines. Let us recognise that mystery of this kind exists; but, until it reveal itself, we have not the right to halt, or relax our efforts; not the right to cast down our eyes in submission, or resign ourselves to silence.

III

THE KINGDOM OF MATTER

1

In a preceding essay we were compelled to admit that, eager as man might be to discover in the universe a sanction for his virtues, neither heaven nor earth displayed the least interest in human morality; and that all things would combine to persuade the upright among us that they merely are dupes, were it not for the fact that they have in themselves an approval words cannot describe, and a reward so intangible that we should in vain endeavour to portray its least evanescent delights. Is that all, some may ask, is that all we may hope in return for this mighty effort of ours, for our constant denial and pain, for our sacrifice of instincts, of pleasures, that seemed so legitimate, necessary even, and would certainly have added to our happiness had there not been within us the desire for Justice--a desire arising we know not whence, belonging, perhaps, to our nature, and yet in apparent conflict with the vaster nature whereof we all form part?