The Brownies and Other Tales Part 18

Ugh! ugh! There were groans from the corner where Master MacGreedy sat on his crackers as if they were eggs, and he hatching them. He had only touched one, as yet, of the stock he had secured. He had picked it to pieces, had avoided the snap, and had found a large comfit like an egg with a rough sh.e.l.l inside. Every one knows that the goodies in crackers are not of a very superior quality. There is a large amount of white lead in the outside thinly disguised by a shabby flavour of sugar. But that outside once disposed of, there lies an almond at the core. Now an almond is a very delicious thing in itself, and doubly nice when it takes the taste of white paint and chalk out of one's mouth. But in spite of all the white lead and sugar and chalk through which he had sucked his way, MacGreedy could not come to the almond. A dozen times had he been on the point of spitting out the delusive sweetmeat; but just as he thought of it he was sure to feel a bit of hard rough edge, and thinking he had gained the kernel at last, he held valiantly on. It only proved to be a rough bit of sugar, however, and still the interminable coating melted copiously in his mouth; and still the clean, fragrant almond evaded his hopes. At last with a groan he spat the seemingly undiminished bonbon on to the floor, and turned as white and trembling as an arrowroot blanc-mange.

In obedience to the widow's entreaties the tutor opened a window, and tried to carry MacGreedy to the air; but that young gentleman utterly refused to allow the tutor to approach him, and was borne howling to bed by his mamma.

With the fresh air the fumes of the fragrant smoke dispersed, and the company roused themselves.

"Rather oppressive, eh?" said the master of the house, who had had his dream too, with which we have no concern.

The dogs had had theirs also, and had testified to the same in their sleep by low growls and whines. Now they shook themselves, and rubbed against each other, growling in a warlike manner through their teeth, and wagging peaceably with their little stumpy tails.

The twins shook themselves, and fell to squabbling as to whether they had been to sleep or no; and, if either, which of them had given way to that weakness.

Miss Let.i.tia took the paper bonnet from her head with a nervous laugh, and after looking regretfully at the cracker papers put them in her pocket.

The parson went home through the frosty night. In the village street he heard a boy's voice singing two lines of the Christian hymn--

"Trace we the Babe Who hath redeemed our loss From the poor Manger to the bitter Cross;"

and his eyes filled with tears.

The old lady went to bed and slept in peace.

"In all the thirty-five years we have been privileged to hear you, sir," she told the rector next day after service, "I never heard such a Christmas sermon before."

The visitor carefully preserved the blue paper and the cracker motto.

He came down early next morning to find the white half to put with them. He did not find it, for the young lady had taken it the night before.

The tutor had been in the room before him, wandering round the scene of the evening's festivities.

The yule log lay black and cold upon the hearth, and the tutor nodded to it. "I told you how it would be," he said; "but never mind, you have had your day, and a merry one too." In the corner lay the heap of crackers which Master MacGreedy had been too ill to remember when he retired. The tutor pocketed them with a grim smile.

As to the comfit, it was eaten by one of the dogs, who had come down earliest of all. He swallowed it whole, so whether it contained an almond or not, remains a mystery to the present time.

AMELIA AND THE DWARFS.

My G.o.dmother's grandmother knew a good deal about the fairies.

_Her_ grandmother had seen a fairy rade on a Roodmas Eve, and she herself could remember a copper vessel of a queer shape which had been left by the elves on some occasion at an old farm-house among the hills, The following story came from her, and where she got it I do not know. She used to say it was a pleasant tale, with a good moral in the inside of it. My G.o.dmother often observed that a tale without a moral was like a nut without a kernel; not worth the cracking. (We called fire-side stories "cracks" in our part of the country.) This is the tale.

AMELIA.

A couple of gentlefolk once lived in a certain part of England. (My G.o.dmother never would tell the name either of the place or the people, even if she knew it. She said one ought not to expose one's neighbours'

failings more than there was due occasion for.) They had an only child, a daughter, whose name was Amelia. They were an easy-going, good-humoured couple; "rather soft," my G.o.dmother said, but she was apt to think anybody "soft" who came from the southern shires, as these people did. Amelia, who had been born farther north, was by no means so. She had a strong resolute will, and a clever head of her own, though she was but a child. She had a way of her own too, and had it very completely. Perhaps because she was an only child, or perhaps because they were so easy-going, her parents spoiled her. She was, beyond question, the most tiresome little girl in that or any other neighbourhood. From her baby days her father and mother had taken every opportunity of showing her to their friends, and there was not a friend who did not dread the infliction. When the good lady visited her acquaintances, she always took Amelia with her, and if the acquaintances were fortunate enough to see from the windows who was coming, they used to s.n.a.t.c.h up any delicate knick-knacks, or brittle ornaments lying about, and put them away, crying, "What is to be done?

Here comes Amelia!"

When Amelia came in, she would stand and survey the room, whilst her mother saluted her acquaintance; and if anything struck her fancy, she would interrupt the greetings to draw her mother's attention to it, with a twitch of her shawl, "Oh, look, Mamma, at that funny bird in the gla.s.s case!" or perhaps, "Mamma, Mamma! There's a new carpet since we were here last;" for, as her mother said, she was "a very observing child."

Then she would wander round the room, examining and fingering everything, and occasionally coming back with something in her hand to tread on her mother's dress, and break in upon the ladies' conversation with--"Mamma! Mamma! What's the good of keeping this old basin? It's been broken and mended, and some of the pieces are quite loose now. I can feel them:" or--addressing the lady of the house--"That's not a real ottoman in the corner. It's a box covered with chintz. I know, for I've looked."

Then her mamma would say, reprovingly, "My _dear_ Amelia!"

And perhaps the lady of the house would beg, "Don't play with that old china, my love; for though it is mended, it is very valuable;" and her mother would add, "My dear Amelia, you must not."

Sometimes the good lady said, "You _must_ not." Sometimes she tried--"You must _not_" When both these failed, and Amelia was balancing the china bowl on her finger-ends, her mamma would get flurried, and when Amelia flurried her, she always rolled her r's, and emphasized her words, so that it sounded thus:

"My dear-r-r-r-Ramelia! You must not."

At which Amelia would not so much as look round, till perhaps the bowl slipped from her fingers, and was smashed into unmendable fragments.

Then her mamma would exclaim, "Oh, dear-r-r-r, oh, dear-r-Ramelia" and the lady of the house would try to look as if it did not matter, and when Amelia and her mother departed, would pick up the bits, and pour out her complaints to her lady friends, most of whom had suffered many such damages at the hands of this "very observing child."

When the good couple received their friends at home, there was no escaping from Amelia. If it was a dinner-party, she came in with the dessert, or perhaps sooner. She would take up her position near some one, generally the person most deeply engaged in conversation, and either lean heavily against him or her, or climb on to his or her knee, without being invited. She would break in upon the most interesting discussion with her own little childish affairs, in the following style--"I've been out to-day. I walked to the town. I jumped across three brooks. Can you jump? Papa gave me sixpence to-day. I am saving up my money to be rich. You may cut me an orange; no, I'll take it to Mr. Brown, he peels it with a spoon and turns the skin back. Mr. Brown!

Mr. Brown! Don't talk to Mamma, but peel me an orange, please. Mr.

Brown! I'm playing with your finger-gla.s.s."

And when the finger-gla.s.s full of cold water had been upset on to Mr.

Brown's shirt-front, Amelia's mamma would cry--"Oh dear, oh dear-r-Ramelia!" and carry her off with the ladies to the drawing-room.

Here she would scramble on to the ladies' knees, or trample out the gathers of their dresses, and fidget with their ornaments, startling some luckless lady by the announcement, "I've got your bracelet undone at last!" who would find one of the divisions broken open by force, Amelia not understanding the working of a clasp.

Or perhaps two young lady friends would get into a quiet corner for a chat. The observing child would sure to spy them, and run on to them, crushing their flowers and ribbons, and crying--"You two want to talk secrets, I know. I can hear what you say. I'm going to listen, I am.

And I shall tell, too;" when perhaps a knock at the door announced the Nurse to take Miss Amelia to bed, and spread a general rapture of relief.

Then Amelia would run to trample and worry her mother, and after much teasing, and clinging, and complaining, the Nurse would be dismissed, and the fond mamma would turn to the lady next to her, and say with a smile--"I suppose I must let her stay up a little. It is such a treat to her, poor child!"

But it was no treat to the visitors.

Besides tormenting her fellow-creatures, Amelia had a trick of teasing animals. She was really fond of dogs, but she was still fonder of doing what she was wanted not to do, and of worrying everything and everybody about her. So she used to tread on the tips of their tails, and pretend to give them biscuit, and then hit them on the nose, besides pulling at those few, long, sensitive hairs which thin-skinned dogs wear on the upper lip.

Now Amelia's mother's acquaintances were so very well-bred and amiable, that they never spoke their minds to either the mother or the daughter about what they endured from the latter's rudeness, wilfulness, and powers of destruction. But this was not the case with the dogs, and they expressed their sentiments by many a growl and snap. At last one day Amelia was tormenting a snow-white bulldog (who was certainly as well-bred and as amiable as any living creature in the kingdom), and she did not see that even his patience was becoming worn out. His pink nose became crimson with increased irritation, his upper lip twitched over his teeth, behind which he was rolling as many warning R's as Amelia's mother herself. She finally held out a bun towards him, and just as he was about to take it, she s.n.a.t.c.hed it away and kicked him instead. This fairly exasperated the bulldog, and as Amelia would not let him bite the bun, he bit Amelia's leg.

Her mamma was so distressed that she fell into hysterics, and hardly knew what she was saying. She said the bulldog must be shot for fear he should go mad, and Amelia's wound must be done with a red-hot poker for fear _she_ should go mad (with hydrophobia). And as of course she couldn't bear the pain of this, she must have chloroform, and she would most probably die of that; for as one in several thousands dies annually under chloroform, it was evident that her chance of life was very small indeed. So, as the poor lady said, "Whether we shoot Amelia and burn the bulldog--at least I mean shoot the bulldog and burn Amelia with a red-hot poker--or leave it alone; and whether Amelia or the bulldog has chloroform or bears it without--it seems to be death or madness every way!"

And as the doctor did not come fast enough, she ran out without her bonnet to meet him, and Amelia's papa, who was very much distressed too, ran after her with her bonnet. Meanwhile the doctor came in by another way, and found Amelia sitting on the dining-room floor with the bulldog, and crying bitterly. She was telling him that they wanted to shoot him, but that they should not, for it was all her fault and not his. But she did not tell him that she was to be burnt with a red-hot poker, for she thought it might hurt his feelings. And then she wept afresh, and kissed the bulldog, and the bulldog kissed her with his red tongue, and rubbed his pink nose against her, and beat his own tail much harder on the floor than Amelia had ever hit it. She said the same things to the doctor, but she told him also that she was willing to be burnt without chloroform if it must be done, and if they would spare the bulldog. And though she looked very white, she meant what she said.

But the doctor looked at her leg, and found that it was only a snap, and not a deep wound; and then he looked at the bulldog, and saw that so far from looking mad, he looked a great deal more sensible than anybody in the house. So he only washed Amelia's leg and bound it up, and she was not burnt with the poker, neither did she get hydrophobia; but she had got a good lesson on manners, and thenceforward she always behaved with the utmost propriety to animals, though she tormented her mother's friends as much as ever.

Now although Amelia's mamma's acquaintances were too polite to complain before her face, they made up for it by what they said behind her back.

In allusion to the poor lady's ineffectual remonstrances, one gentleman said that the more mischief Amelia did, the dearer she seemed to grow to her mother. And somebody else replied that however dear she might be as a daughter, she was certainly a very _dear_ friend, and proposed that they should send in a bill for all the damages she had done in the course of the year, as a round robin to her parents at Christmas. From which it may be seen that Amelia was not popular with her parents'

friends, as (to do grown-up people justice) good children almost invariably are.

If she was not a favourite in the drawing-room, she was still less so in the nursery, where, besides all the hardships naturally belonging to attendance on a spoilt child, the poor Nurse was kept, as she said, "on the continual go" by Amelia's reckless destruction of her clothes. It was not fair wear and tear, it was not an occasional fall in the mire, or an accidental rent or two during a game at "Hunt the Hare," but it was constant wilful destruction, which Nurse had to repair as best she might. No entreaties would induce Amelia to "take care" of anything.

She walked obstinately on the muddy side of the road when Nurse pointed out the clean parts, kicking up the dirt with her feet; if she climbed a wall she never tried to free her dress if it had caught; on she rushed, and half a skirt might be left behind for any care she had in the matter. "They must be mended," or "They must be washed," was all she thought about it.