The Broom Of The System Part 6

OVERNOR: Gentlemen, something is not right.

MR. OBSTAT: What do you mean, Chief?

GOVERNOR: With the state, Neil. Something is not right with our state. MR. LUNGBERG: But Chief, unemployment is low, inflation is low, taxes haven't been raised in two years, pollution is way down except for Cleveland and who the h.e.l.l cares about Cleveland-just kidding, Neil-but Chief, the people love you, you're unprecedentedly ahead in the polls, industrial investment and development in the state are at an all-time high....

GOVERNOR: Stop right there. There you go.

MR. OBSTAT: Can you expand on that, Chief?

GOVERNOR: Things are just too good, somehow. I suspect a trap.

MR. LUNGBERG: A trap?

GOVERNOR: Guys, the state is getting soft. I can feel softness out there. It's getting to be one big suburb and industrial park and mall. Too much development. People are getting complacent. They're forgetting the way this state was historically hewn out of the wilderness. There's no more hewing.

MR. OBSTAT: You've got a point there, Chief.

GOVERNOR: We need a wasteland.

MR. LUNGBERG and MR. OBSTAT: A wasteland?

GOVERNOR: Gentlemen, we need a desert. Gentlemen, we need a desert.

MR. LUNGBERG and MR. OBSTAT: A desert?

GOVERNOR: Gentlemen, a desert. A point of savage reference for the good people of Ohio. A place to fear and love. A blasted region. Something to remind us of what we hewed out of. A place without malls. An Other for Ohio's Self. Cacti and scorpions and the sun beating down. Desolation. A place for people to wander alone. To reflect. Away from everything. Gentlemen, a desert.

MR. OBSTAT: Just a super idea, Chief.

GOVERNOR: Thanks, Neil. Gentlemen may I present Mr. Ed Roy Yancey, of Industrial Desert Design, Dallas. They did Kuwait. Thanks, Neil. Gentlemen may I present Mr. Ed Roy Yancey, of Industrial Desert Design, Dallas. They did Kuwait.

MR. LUNGBERG: Hey, there's apparently a lot of desert in Kuwait. MR. YANCEY: You bet, Joe, and we believe we can provide you folks with a really first-rate desert right here in Ohio.

MR. OBSTAT: What about the cost?

GOVERNOR: Manageable. Manageable.

MR. LUNGBERG: Where would it be?

MR. YANCEY: Well gentlemen, the Governor and I have conferred, and if I could just direct your attention to this map, here ...

MR. OBSTAT: That's Ohio, all right.

MR. YANCEY: The spot we have in mind is in the south of your great state. Right about ... here. Actually here to here. Hundred square miles.

MR. OBSTAT: Around Caldwell?

MR. YANCEY: Yup.

MR. LUNGBERG: Don't quite a few people live around there? GOVERNOR: Relocation. Eminent domain. A desert respects no man. Fits with the whole concept.

MR. LUNGBERG: Isn't that also pretty near Wayne National Forest? GOVERNOR: GOVERNOR: Not anymore. (Mr. Not anymore. (Mr. Lungberg whistles. ) Lungberg whistles. ) MR. OBSTAT: Hey, my mother lives right near Caldwell.

GOVERNOR: Hits home, eh Neil? Part of the whole concept. Concept has to hit home. Hewing is violence, Neil. We're going to hew a wilderness out of the soft underbelly of this state. It's going to hit home.

MR. LUNGBERG: You're really sold on this, aren't you, Chief?

GOVERNOR: Joe, I've never been more sold on anything. It's what this state needs. I can feel it.

MR. OBSTAT: You'll go down in history, Chief. You'll be immortal.

GOVERNOR: Thanks, Neil. I just feel it's right, and after conferring with Mr. Yancey, I'm just sold. A hundred miles of blinding white sandy nothingness. 'Course there'll be some fishing lakes, at the edges, for people to fish in ...

MR. LUNGBERG: Why white sand, Chief? Why not, say, black sand?

GOVERNOR: Go with that, Joe.

MR. LUNGBERG: Well, really, if the whole idea is supposed to be contrast, otherness, blastedness, should I say sinistemess? Sinistemess is the sense I get.

GOVERNOR: Sinisterness fits, that's good.

MR. LUNGBERG: Well, Ohio is a pretty white state: the roads are white, the people tend to be on the whole white, the sun's pretty bright here.... What better contrast than a hundred miles of black sand? Talk about sinister. And the black would would soak up the heat a lot better, too. Be really hot, enhance the blastedness aspect. soak up the heat a lot better, too. Be really hot, enhance the blastedness aspect.

GOVERNOR: I like it. Ed Roy, what do you think? Can cacti and scorpions live in black sand?

MR. YANCEY: No problem I can see.

MR. OBSTAT: What about the cost of black sand?

MR. YANCEY: A little more expensive, probably. I'd have to talk to the boys in Sand. But I feel I can commit now to saying it'd be manageable in the context of the whole project.

GOVERNOR: Done.

MR. LUNGBERG: When do we start?

GOVERNOR: Immediately, Joe. Hewing is by nature a fast, violent thing. MR. OBSTAT: Chief, just let me say I'm excited. You have my congratulations, man to man and citizen to Governor.

GOVERNOR: Thanks, Neil. You better go call your Mom, big fella. MR. OBSTAT: Right.

MR. LUNGBERG: What about a name, Chief?

GOVERNOR: A name? That's a typically excellent point, Joe. I never thought of the name issue.

MR. LUNGBERG: May I make a suggestion?

GOVERNOR: Go.

MR. LUNGBERG: The Great Ohio Desert.

GOVERNOR: The Great Ohio Desert.

MR. LUNGBERG: LUNGBERG: Yes. Yes.

GOVERNOR: Joe, a super name. I take my hat off to you. You've done it again. Great. It spells size, desolation, grandeur, and it says it's in Ohio.

MR. LUNGBERG: Not too presumptuous?

GOVERNOR: Not at all. Fits the concept to a T.

MR. OBSTAT: I take my hat off to you too, Joe.

MR. YANCEY: d.a.m.n fine name, Joe.

GOVERNOR: So we're all set. Concept. Desert. Color. Name. All that's left is the hewing.

MR. YANCEY: Well let's get down to it, then.

5.

1990.

/a/ Suppose someone had said to me, ten years ago, in Scarsdale, or on the commuter train, suppose the person had been my next-door neighbor, Rex Metalman, the corporate accountant with the unbelievable undulating daughter, suppose this was back in the days before his lawn mania took truly serious hold and his nightly paramilitary sentry-duty with the illuminated riding mower and the weekly planeloads of DDT dropping from the sky in search of perhaps one sod webworm nest and his complete intransigence in the face of the reasonable and in the beginning polite requests of one or even all of the neighbors that hostilities against the range of potential lawn enemies that obsessed him be toned down, at least in scale, before all this drove a wedge the size of a bag of Scott's into our tennis friendship, suppose Rex Metalman had speculated in my presence, then, that ten years later, which is to say now, I, Rick Vigorous, would be living in Cleveland, Ohio, between a biologically dead and completely offensive-smelling lake and a billion-dollar man-made desert, that I would be divorced from my wife and physically distanced from the growth of my son, that I would be operating a firm in partnership with an invisible person, little more, it seems clear now, than a corporate ent.i.ty interested in failure for tax purposes, the firm publishing things perhaps even slightly more laughable than nothing at all, and that perched high atop this mountain of the unthinkable would be the fact that I was in love, grossly and pathetically and fiercely and completely in love with a person eighteen count them eighteen years younger than I, a woman from one of Cleveland's first families, who lives in a city owned by her father but who works answering telephones for something like four dollars an hour, a woman whose uniform of white cotton dress and black Converse hightop sneakers is an una.n.a.lyzable and troubling constant, who takes somewhere, I suspect, between five and eight showers a day, who works in neurosis like a whaler in scrim shaw, who lives with a schizophrenically narcissistic bird and an almost certainly nymphomaniacal b.i.t.c.h of a roommate, and who finds in me, somewhere, who knows where, the complete lover ... suppose all this were said to me by Rex Metalman, leaning conversationally with his flamethrower over the fence between our properties as I stood with a rake in my hand, suppose Rex had said all this to me, then I almost certainly would have replied that the likelihood of all that was roughly equal to the probability of young Vance Vigorous, then eight and at eight in certain respects already more of a man than I, that young Vance, even as we stood there to be seen kicking a football up into the cold autumn sky and down through a window, his laughter echoing forever off the closed colored suburban trees, of strapping Vance's eventually turning out to be a ... a h.o.m.os.e.xual, h.o.m.os.e.xual, or something equally unlikely or preposterous or totally out of the question. or something equally unlikely or preposterous or totally out of the question.

Now the heavens resound with unkind giggles. giggles. Now that it's become undeniably apparent even to me that I have a son who lends to the expression "fruit of my loins" whole new vistas of meaning, that I am here and do do what I do when there is anything to do, when I feel an empty draft and look down and find a hole in my chest and spy, in the open polyurethane purse of Lenore Beadsman, among the aspirins and bars of hotel soap and lottery tickets and the ridiculous books that mean nothing at all, the clenched purple fist of my own particular heart, what am I to say to Rex Metalman and Scarsdale and the sod webworms and the past, except that it does not exist, that it has been obliterated, that footb.a.l.l.s never climbed into crisp skies, that my support checks disappear into a black void, that a man can be and is and must be reborn, at some point, perhaps points? Rex would be confused and would, as whenever confused, hide his discomfort by dynamiting an area of his lawn. I would stand, cold rake in white hand, knowing what I know, in a rain of dirt and gra.s.s and worms, and shake my head at all around me. Now that it's become undeniably apparent even to me that I have a son who lends to the expression "fruit of my loins" whole new vistas of meaning, that I am here and do do what I do when there is anything to do, when I feel an empty draft and look down and find a hole in my chest and spy, in the open polyurethane purse of Lenore Beadsman, among the aspirins and bars of hotel soap and lottery tickets and the ridiculous books that mean nothing at all, the clenched purple fist of my own particular heart, what am I to say to Rex Metalman and Scarsdale and the sod webworms and the past, except that it does not exist, that it has been obliterated, that footb.a.l.l.s never climbed into crisp skies, that my support checks disappear into a black void, that a man can be and is and must be reborn, at some point, perhaps points? Rex would be confused and would, as whenever confused, hide his discomfort by dynamiting an area of his lawn. I would stand, cold rake in white hand, knowing what I know, in a rain of dirt and gra.s.s and worms, and shake my head at all around me.

Then who is this girl who owns me, whom I love? I love? I refuse to ask or answer who she is. I refuse to ask or answer who she is. What What is she? This is a thin-shouldered, thin-armed, big-breasted girl, a long-legged girl with feet larger than average, feet that tend to point out a bit when she walks ... in her black basketball sneakers. Did I say troubling? These are shoes that I love. I will confess that I once in a moment of admittedly irresponsible degeneracy tried to make love to one of the shoes, a 1989 All-Star hightop, when Lenore was in the shower, but failed to be able to bring the thing off, for familiar reasons. is she? This is a thin-shouldered, thin-armed, big-breasted girl, a long-legged girl with feet larger than average, feet that tend to point out a bit when she walks ... in her black basketball sneakers. Did I say troubling? These are shoes that I love. I will confess that I once in a moment of admittedly irresponsible degeneracy tried to make love to one of the shoes, a 1989 All-Star hightop, when Lenore was in the shower, but failed to be able to bring the thing off, for familiar reasons.

But what of Lenore, of Lenore's hair? Here is hair that is clearly within and of itself every color-blond and red and jet-black-blue and honeynut-but which effects an outward optical compromise with possibility that consists of appearing simply dull brown, save for brief teasing glimpses out of the comer of one's eye. The hair hangs in bangs, and the sides curve down past Lenore's cheeks and nearly meet in points below her chin, like the brittle jaws of an insect of prey. Oh, the hair can bite. I've been bitten by the hair.

And her eyes. I cannot say what color Lenore Beadsman's eyes are; I cannot look at them; they are the sun to me.

They are blue. Her lips are full and red and tend to wetness and do not ask but rather demand, in a pout of liquid silk, to be kissed. I kiss them often, I admit it, it is what I do, I am a kisser, and a kiss with Lenore is, if I may indulge a bit for a moment here, not so much a kiss as it is a dislocation, a removal and rude transportation of essence from self to lip, so that it is not so much two human bodies coming together and doing the usual things with their lips as it is two sets of lips sp.a.w.ned together and joined in kind from the beginning of post-Scarsdale time, achieving full ontological status only in subsequent union and trailing behind and below them, as they join and become whole, two now utterly superfluous fleshly bodies, drooping outward and downward from the kiss like the tired stems of overblossomed flora, trailing shoes on the ground, husks. A kiss with Lenore is a scenario in which I skate with b.u.t.tered soles over the moist rink of lower lip, sheltered from weathers by the wet warm overhang of upper, finally to crawl between lip and gum and pull the lip to me like a child's blanket and stare over it with beady, unfriendly eyes out at the world external to Lenore, of which I no longer wish to be part.

That I must in the final a.n.a.lysis remain part of the world that is external to and other from Lenore Beadsman is to me a source of profound grief. That others may dwell deep, deep within the ones they love, drink from the soft cup at the creamy lake at the center of the Object of Pa.s.sion, while I am fated forever only to intuit the presence of deep recesses while I poke my nose, as it were, merely into the foyer of the Great House of Love, agitate briefly, and make a small mess on the doormat, p.i.s.ses me off to no small degree. But that Lenore finds such tiny frenzies, such conversations just inside the Screen Door of Union, to be not only pleasant and briefly diverting but somehow apparently right, fulfilling, significant, in some sense wonderful, quite simply and not at all surprisingly makes me feel the same way, enlarges my sense of it and me, sends me hurrying up the walk to that Screen Door in my best sportjacket and flower in lapel as excited as any schoolboy, time after time, brings me charging to the cave entrance in leopardskin shirt, avec avec club, bellowing for admittance and promising general kickings of a.s.s if I am impeded in any way. club, bellowing for admittance and promising general kickings of a.s.s if I am impeded in any way.

We met, oddly enough, not at the Bombardini Building, but at the office of the counselor whose ear it turned out we shared, Dr. Curtis Jay, a good man but a strange and in general I'm coming to believe thoroughly poor psychologist, about whom I don't wish to speak at the moment because I am more than a little incensed at his latest and completely preposterous interpretation of a certain dream that has recently been recurring and troubling me not a little, a dream having to do with Queen Victoria, manipulative prowess, and mice-obviously to any reasonable sensitivity a profoundly s.e.xual dream, which Dr. Jay tiresomely insists is not s.e.xually fixated but has rather to do with what he terms "hygiene anxiety," which I simply and flatly reject, along with Jay's whole Blentnerian hygiene-bent, which I believe he has at some level both pirated from and added to Lenore's own private well of neurotic cathex; rather I know that that's the case, because one of Dr. Jay's redeeming qualities, and certainly the chief reason why I continue to see him in the face of mounting evidence of major incompetence, is the fact that he is also completely unethical and an incorrigible gossip who tells me all of what Lenore tells him. All of it.

Lenore and I met in Dr. Jay's reception room, I clankily leaving his office, she waiting in the other fabric track-chair in flowing white gown and worn black Converses, reading, her legs crossed ankle on knee. I knew I had seen her at the firm's switchboard, had in fact gotten my paper from her that very day, and what with the setting I was a little embarra.s.sed, but Lenore, oh so very Lenorishly I know now, was not. She said h.e.l.lo, and called me Mr. Vigorous, and said she hoped we would have things to publish soon, she felt in her marrow we would. She said "marrow." She said she was seeing Dr. Jay chiefly for help with feelings of disorientation and ident.i.ty-confusion and lack of control, which I could to an extent understand, because I knew her to be the daughter of the proprietor of Stonecipheco Baby Food Products, one of Cleveland's very leading and if I may say so in my perception evil industries, at any rate certain to be an oppressive and unignorable influence in the life of anyone in any way connected with its helm. I recall that at this point her mechanical chair on its track was caused to move toward the door of the inner office of Dr. Jay-whose fondness for useless gadgets would, I'm convinced, be-of significant interest to his colleagues-and we called goodbye. I looked at the back of her neck as she disappeared into Jay's lair, undid the seat belt of my own ridiculous carnival appliance, and went out into the brown lake breezes with a lighter heart, somehow.

How did things progress, after that? I see for the most part not isolated events, not history, but a montage, to some sort of music, not any sort of brisk or invigorating The Fighter Gets Ready For The Big Fight montage, but rather a gauzy, tinkly thing, Rick Vigorous Fashions An Infatuation With Someone About The Same Age As His Own Child And Prepares To Make A Complete a.s.s Of Himself Over And Over, moving in watercolor, over which is imposed in even more liquid hues the ghostly scene of Lenore and me running toward each other in slow motion through the pale gelatin of our respective inhibitions and various troubles.

I see me getting my Plain Dealer Plain Dealer every morning from Lenore over the switchboard counter, blushing and enduring the snorts of Candy Mandible or of Ms. Prietht, both of whom I loathe. I see me looking for Lenore in Dr. Jay's waiting room, her time never again coinciding with mine, me slumped in my chair as it moves slowly, noisily, toward Jay's inner office. I see me, at night, in my bed, in my apartment, performing my two-fingered Ritual of Solace, while over my head swim filmy visions in which a certain flowing, predatory-haired, black-shoed figure begins to predominate. I see me squirming in my chair in Dr. Jay's office, wanting to ask him about Lenore Beadsman, to spill the emotional beans, but too embarra.s.sed to do so yet, feeling like an idiot while Jay strokes his walrus mustache with his perfumed hankie and sagely interprets my discomfort and distraction as signs of an impending "breakthrough," and urges me to double the number of my weekly visits. every morning from Lenore over the switchboard counter, blushing and enduring the snorts of Candy Mandible or of Ms. Prietht, both of whom I loathe. I see me looking for Lenore in Dr. Jay's waiting room, her time never again coinciding with mine, me slumped in my chair as it moves slowly, noisily, toward Jay's inner office. I see me, at night, in my bed, in my apartment, performing my two-fingered Ritual of Solace, while over my head swim filmy visions in which a certain flowing, predatory-haired, black-shoed figure begins to predominate. I see me squirming in my chair in Dr. Jay's office, wanting to ask him about Lenore Beadsman, to spill the emotional beans, but too embarra.s.sed to do so yet, feeling like an idiot while Jay strokes his walrus mustache with his perfumed hankie and sagely interprets my discomfort and distraction as signs of an impending "breakthrough," and urges me to double the number of my weekly visits.

Finally I see me, fed up with the whole business, unable to concentrate on my lack of work at the firm, unable to do any useful work on the Review, Review, which really did, thank G.o.d, require real work. So I see me lurking one day like a ridiculous furtive spying child behind a marble pillar, within snapping reach of the jaws of the Erieview shadow, in the lobby of the Bombardini Building, waiting for Judith Prietht to hearken to one of the many daily calls of her impossibly small bladder. I see me accosting Lenore Beadsman in the claustrophobic cubicle after Prietht leaves. I see Lenore looking up to smile at my approach. I see me exhausting the subject of the weather, then asking Lenore if she might perhaps care to have a drink, with me, after work. I see one of the rare occasions I've encountered in which the word "nonplussed" might profitably be used in description. I see Lenore momentarily nonplussed. which really did, thank G.o.d, require real work. So I see me lurking one day like a ridiculous furtive spying child behind a marble pillar, within snapping reach of the jaws of the Erieview shadow, in the lobby of the Bombardini Building, waiting for Judith Prietht to hearken to one of the many daily calls of her impossibly small bladder. I see me accosting Lenore Beadsman in the claustrophobic cubicle after Prietht leaves. I see Lenore looking up to smile at my approach. I see me exhausting the subject of the weather, then asking Lenore if she might perhaps care to have a drink, with me, after work. I see one of the rare occasions I've encountered in which the word "nonplussed" might profitably be used in description. I see Lenore momentarily nonplussed.

"I don't really drink," she said, after a moment, looking back down at her book.

I felt a sinking. "You don't drink liquid of any sort?" I asked her.

Lenore looked back up at me and gave a slow smile. Her moist lips curved up softly. They really did. I resisted the urge to lunge into disaster right there in the lobby. "I drink liquid," she admitted, after a moment.

"Splendid. What sort of liquid do you prefer to drink?"

"Ginger ale's an especially good liquid, I've always thought," she said, laughing. We were both laughing. I had a fierce and painful erection, one which, thanks to one of the few advantages of my physical character, was not even a potential source of embarra.s.sment.

"I know a wonderful place where they serve ginger ale in thin gla.s.ses, with tiny straws," I said. I was referring to a bar.

"Sounds super."

"Good."

I see us in a bar, I hear a piano I did not hear, I feel me getting thinly intoxicated on perhaps half a weak Canadian Club and distilled water, having to urinate almost at once and coming back and having to urinate again right away. I see Lenore's lips close around the tiny short straw of her ginger ale with a natural delicate ease that sent shivers through the large muscles of my legs. We were . made for each other. I see me learning all about Lenore, Lenore in one of her pricelessly rare unself-conscious moments telling me of a life she would, I can say now, come to believe was in some sense not hers.

Lenore had a sister and two brothers. Her sister was married to a rising executive at Stonecipheco and was in some vague way connected with the tanning-parlor industry. One brother was an academic in Chicago who was not well. One brother was on the last leg of his first year at Amherst College, in Amherst, Ma.s.sachusetts. [I, Rick Vigorous, I insert here, had gone to Amherst.] What a coincidence, I said, I went to Amherst too. Gosh, said Lenore. I remember how the jaws of her hair caressed the straw as she drew the ginger ale out of the tall frosted gla.s.s. Yes, she said, her brother was at Amherst, her father had gone to Amherst, her sister had gone to Mount Holyoke, a few miles away [how well I knew], her grandfather had gone to Amherst, her great-grandfather had gone to Amherst, her grandmother and great-grandmother to Mount Holyoke, her great-grandmother on to Cambridge in the twenties, where she had been a student of Wittgenstein, she still had notes from his cla.s.ses.

Which brother was at Amherst now?

Her brother LaVache.

Where had her other brother gone to school? What was her other brother's name? Would she like another ginger ale, with a tiny straw?

Yes that would be fine, his name was John, her other brother's name was really Stonecipher but he used LaVache which was his middle name and had been their mother's maiden name. John, the oldest, hadn't gone to college as such, he had a Ph.D. from U. Chicago, he had in junior high school proved certainly hitherto unprovable things, with a crayon from Lenore's own crayon box, on a Batman writing tablet, and had shocked h.e.l.l out of everyone, and had gotten a Ph.D. a few years later without really going to any cla.s.ses.

This was the one who was now not well.

Yes.

It was hoped that it was nothing serious.

It was unfortunately very serious. He was in his room, in Chicago, unable to receive any but a very few visitors, having problems eating food. Lenore did not wish to talk about it, at that point, obviously.

So then, where had Lenore gone to school, had Lenore gone to Mount Holyoke?

No, Lenore had not liked Mount Holyoke very much, she had gone to Oberlin, a small coed college south of Cleveland. Her sister's husband had gone there, too. Lenore had graduated two years ago next month. And I had gone to Amherst?

Yes, I had gone to Amherst, cla.s.s of '69, had taken a quick Masters in English at Columbia, had gone to work at the publishing firm of Hunt and Peck, on Madison Avenue, in New York City.

That was a huge firm.

Yes. And for reasons that remain unclear, I was very successful there. I made obscene amounts of money for the House, rose to such dizzying editorial heights that my salary became almost enough to live on. I married Veronica Peck. I moved to Scarsdale, New York, a short distance from the City. I had a son. He was now, eighteen.