The Bronte Family Volume I Part 6

Mr. Bronte's own wish was, indeed, that his son should adopt his profession, but the mercurial youth was probably little attracted by the functions of the clergyman's office.

To London Branwell, however, went, where, without doubt, his object was to draw from the Elgin Marbles, and to study the pictures at the Royal Academy and other galleries, with a perfectly honest intention.

Whatever impression he may have received of his own powers as an artist, when he saw those of the great painters of the time, we have no certain knowledge; but it does not exceed belief that he was discouraged when he looked upon the brilliant chef d'oeuvres of Sir Joshua Reynolds, Gainsborough, Sir Thomas Lawrence, and others; and that, when he reflected on the immeasurable distance between his own works and theirs, his hopes of a brilliant artistic career were partially dissipated. Whether it was due to these circ.u.mstances, or that he had become more fully aware of the early struggles that meet all who attempt art as a profession, or that his courage failed him at the contemplation of the unhappy lot which falls to those who, either from lack of talent or through misfortune, fail to make their mark in the artistic world; or whether it was because his father was unable to support him in London during the years of preparation and study for the professional career,--the requirements of which had not been sufficiently considered,--is not now accurately known. Branwell, during his short stay in London, visited most of the public inst.i.tutions; and, among other places, Westminster Abbey, the western facade of which he some time afterwards sketched from memory with an accuracy that astonished his acquaintance, Mr. Grundy.

Before he left the metropolis, Branwell could not resist a visit to the Castle Tavern, Holborn, then kept by the veteran prize-fighter, Tom Spring, a place frequented by the princ.i.p.al sporting characters of the time. A gentleman named Woolven, who was present through the same curiosity which led Branwell there, noticed the young man, whose unusual flow of language and strength of memory had so attracted the attention of the spectators that they had made him umpire in some dispute arising about the dates of certain celebrated battles. Branwell and he became personal friends in after-years.

Branwell returned to the parsonage a wiser man. His disappointment that he was not to do as others were doing, whom he wished to emulate, was very great, but he was not yet finally discouraged. We shall see subsequently to what purpose Branwell put his artistic knowledge. The failure of the hopes regarding his academical career in art was keenly felt by his family. It was grievous as it was humiliating, but it was borne with exemplary patience and resignation. When these painful experiences had impressed the Bronte sisters with the hopelessness of high artistic study for Branwell, and when their eyes were opened to the consciousness that their large gifts did not include art, Charlotte wrote, in her novel of 'Villette,' under the character of Lucy Snowe: 'I sat bent over my desk, drawing--that is, copying an elaborate line-engraving, tediously working up my copy to the finish of the original, for that was my practical notion of art; and, strange to say, I took extreme pleasure in the labour, and could even produce curiously finished fac-similes of steel or mezzotinto plates--things about as valuable as so many achievements in worsted work, but I thought pretty well of them in those days.'

CHAPTER IX.

CHARLOTTE AT ROE HEAD.

Charlotte returns as a Teacher, with Emily as a Pupil, to Roe Head--Their Determination to Maintain themselves--Charlotte's Fears respecting Emily--Charlotte's religious Melancholy--Accuses herself of Flippancy--She is on the Borders of Despair--Anxiety to Know More of the World--Emily at Law Hill, Halifax, as a Teacher--Charlotte's Excitability--She returns Home out of Health.

'We are all about to divide, break up, separate,' Charlotte said, when conveying to her friend the news of the Academy project, and of her determination to enter upon life as a governess. If Branwell's ambition had encouraged her own, its failure made no change in her plans. She was 'sad,' she says, 'very sad,' at the thoughts of leaving home; yet she was going back to the school of Miss Wooler, whom she both loved and respected, to live at Roe Head, this time to teach, it is true, instead of to be taught. But her sister Emily was to accompany her, as a pupil of the school, and that they would be together was a consolation to both sisters; and Charlotte, too, would be near the homes of the friends she had made when she was herself a pupil there.

It was a pleasure to think she would be able to see them sometimes.

At the end of July, then, the two proceeded to Roe Head. This was the first of those adventurous moves which the sisters, from time to time, made. One of the strongest features, indeed, in their lives is the persistency with which they essayed to maintain themselves, even when no apparently pressing necessity impelled them. Yet we may not doubt that one sad reflection sometimes moved them, and it was that their father's stipend ceased with his life; that they had no other resource beyond their own endeavours; and that, such was the uncertainty of all human concerns, they might at any moment be deprived of home, support, and shelter. It behoved them then to secure by their personal energies, while they were able, the very means of subsistence.

When Mr. Bronte saw his young family around him, and when he enjoyed the comfort of his hearth, the contingency of his death, and the consequent helplessness of his children, often struck him with apprehension and sadness. But he had the alleviation that they inherited, in a marked degree, his own adventurous and energetic disposition, whose successful career was always before them as an example and incentive to honourable endeavour.

Mr. Bronte looked back with just satisfaction on the early sacrifices he had made to advance himself in the world. His children were familiar with the story of his exertions. They, however, with far higher talents, were not possessed of the physical strength and powers of endurance which had aided his progress; and Charlotte and Emily, when any unusual strain was cast upon them, soon felt their strength exhausted, and they suffered depression of spirits as the consequence.

Home-sickness was the great trouble of the younger sister, and, before she had been long at school, Emily grew pale and ill. Charlotte felt in her heart that, if she remained, she would die; and, at the end of three months, she returned to Haworth, where, alone among the moors, with all the wild things of nature, which had inspired so deep an interest in her feelings, she could be contented. But the youngest sister, Anne, came to Roe Head in her place, and she and Charlotte seem to have been very happy there for some time; but a tendency to religious melancholy had been developing in the elder sister's mind, imperceptibly, out of her deep religious feeling, and it increased upon her.

So early as the letter to 'E,' July 6th, 1835, she had spoken of 'duty, necessity, these are stern mistresses,' as controlling her action in seeking a situation. Her friend Mary went to see her, and in her letter to Mrs. Gaskell she says: 'I asked her how she could give so much for so little money, when she could live without it. She owned that, after clothing herself and Anne, there was nothing left, though she had hoped to be able to save something. She confessed it was not brilliant, but what could she do? I had nothing to answer. She seemed to have no interest or pleasure beyond the feeling of duty, and, when she could get, used to sit alone and "make out." She told me afterwards, that one evening she had sat in the dressing-room until it was quite dark, and then, observing it all at once, had taken sudden fright.' Some relaxation was gained by the Midsummer holidays of the year 1836. All the family were at home, and their friend 'E' visited them, so that a pleasant period of mental diversion was secured. But, after her return to her school, despondency came upon her again, and crowded her thoughts; and she wrote respecting her feelings in religious concerns: 'I do wish to be better than I am. I pray fervently sometimes to be made so. I have stings of conscience, visitings of remorse, glimpses of holy, of inexpressible things, which formerly I used to be a stranger to; it may all die away, and I may be in utter midnight, but I implore a merciful Redeemer, that, if this be the dawn of the Gospel, it may still brighten to perfect day. Do not mistake me--do not think I am good; I only wish to be so. I only hate my former flippancy and forwardness. Oh! I am no better than ever I was. I am in that state of horrid, gloomy uncertainty that, at this moment, I would submit to be old, grey-haired, to have pa.s.sed all my youthful days of enjoyment, and to be settling on the verge of the grave, if I could only thereby insure the prospect of reconciliation to G.o.d, and a redemption through His Son's merits. I never was exactly careless of these matters, but I have always taken a clouded and repulsive view of them; and now, if possible, the clouds are gathering darker, and a more oppressive despondency weighs on my spirits. You have cheered me, my darling; for one moment, for an atom of time, I thought I might call you my own sister in the spirit; but the excitement is past, and I am now as wretched and hopeless as ever.'

Let us not under-estimate the mental suffering which could dictate this confession. Happily, this was not constantly present, nor her feelings always so acutely wrought upon. Even in the same letter from which the above is taken, she wishes her friends should know the thrill of delight which she experienced when she saw the packet of her friend thrown over the wall by the bearer, pa.s.sing in his gig to Huddersfield Market. She persevered in her place, the whole tendency of her exaggerated reasoning forbidding her to seek that ease and relaxation which she needed so much; but she was not incapacitated for her duties, and probably her family were quite unaware of her troubles: so she remained.

Branwell and Emily were resolved not to be behind their sister in their endeavours, and they were full of anxiety to know more of the world than they could meet with at Haworth. Emily obtained a similar situation to Charlotte's, in a large school at Law Hill, near Halifax, where she found her duties far from light. Her extreme reserve with strangers is remembered by one who knew her there, but she was not at all of an unkindly nature; on the contrary, her disposition was generous and considerate to those with whom she was on familiar terms: her stay at Law Hill terminated at the end of six months. The place of her sojourn is a lofty elevation, overlooking Halifax. Emily would find the situation of the school agreeable to her taste, and to her delight in the weird and grand as presented by the solemn heath-grown heights of the West-Riding: besides, the air was as pure as that of Haworth, and Law Hill commanded finer views, among which the range of Oxenhope moors, in her father's chapelry, was visible. In the other direction, she could overlook the more cultivated district of Hartshead and Kirklees, and could see Roe Head, where her sisters Charlotte and Anne resided. Branwell also, emulating his sisters, obtained the situation of usher in the locality, which he retained for a few months.

Some adventures with their literary productions interested them at the close of this year, of which I shall have further to speak. Miss Wooler's removal of her school to Dewsbury Moor was, in some respects, unfortunate for the sisters, as the situation was less healthy than the former one, and, when Charlotte and Anne returned home at Christmas, in the year 1837, neither was well. Charlotte's nerves were over-strung, and Anne was suffering from chest affections, which conjured up anew their recollection of the deaths of Maria and Elizabeth from consumption. To add to their troubles, Tabby fell on the ice in the lane, and fractured her leg. The consequence of this was, that they had to forego the expected pleasure of a visit from their friend 'E,'

through their attendance on the old servant, whom they were unwilling should be removed to her friends, however desirable this might be on many grounds. They even went so far as to refuse to eat at all, till their aunt, who had arranged the matter to the satisfaction of all concerned, except her nieces, should give up her intention of removing Tabby. They succeeded, and Tabby remained at the parsonage, where in time she became convalescent, and Charlotte was enabled to visit her friends before she resumed her occupation.

Charlotte again returned to her accustomed duties, her nervousness increasing, not the less; and Mrs. Gaskell says: 'About this time she would turn sick and trembling at any sudden noise, and could hardly repress her screams when startled.' Through Miss Wooler's urgency, she was induced to consult a medical man, who advised her immediate return to Haworth, where quiet and rest had become for her imperatively necessary. Then her father sought for her the companionship of her two friends, Mary and Martha T----, than whose society Charlotte had never known a more rousing pleasure. They came to stay at the parsonage, and their cheerful converse and agreeable manners greatly improved Charlotte's health and spirits. We obtain an interesting picture of the young party in the following letter that Charlotte addressed to her friend 'E,' which Mrs. Gaskell has published:

'Haworth,

'June 9th, 1838.

'I received your packet of despatches on Wednesday; it was brought me by Mary and Martha, who have been staying at Haworth for a few days; they leave us to-day. You will be surprised at the date of this letter. I ought to be at Dewsbury Moor, you know; but I stayed as long as I was able, and at length I neither could nor dared stay any longer. My health and spirits had utterly failed me, and the medical man whom I consulted enjoined me, as I valued my life, to go home. So home I went, and the change has at once roused and soothed me. I am now, I trust, fairly in the way to be myself again.

'A calm and even mind like yours cannot conceive the feelings of the shattered wretch who is now writing to you, when, after weeks of mental and bodily anguish not to be described, something like peace began to dawn again. Mary is far from well. She breathes short, has a pain in her chest, and frequent flushings of fever. I cannot tell you what agony these symptoms give me; they remind me so strongly of my two sisters, whom no power of medicine could save. Martha is now very well; she has kept in a continual flow of good humour during her stay here, and has consequently been very fascinating....

'They are making such a noise about me, I cannot write any more.

Mary is playing on the piano; Martha is chattering as fast as her little tongue can run; and Branwell is standing before her, laughing at her vivacity.'

Branwell, in these days, was well enough, and could be lively enough, when occasion served. He had his hopes, his enthusiasm yet: but, in after-years, he was to fall into a yet deeper and more serious depression than that through which Charlotte had pa.s.sed.

CHAPTER X.

BRANWELL BRONTe AND HIS SISTERS' BIOGRAPHERS.

The Light in which Biographers have regarded Branwell--Bibliography --Mrs. Gaskell--The Causes which led her into Error--Resentment of Branwell's Friends--Mr. George Searle Phillips--Branwell as Depicted by Mr. T. Wemyss Reid--Mr. F. H. Grundy's Notice of Branwell--Miss A. Mary F. Robinson's Portrait of Branwell.

It will be well here--before we reach the periods of Branwell's life that have been misunderstood--to pause, in our sketch of the Bronte family, in order to consider certain circ.u.mstances regarding him, which it will be impossible for any future writer on the Brontes to disregard. It is especially necessary to consider them in a book which--while dealing with the Bronte sisters, their lives and their works--proposes, as a special aim, to make Branwell's position clear.

When Derwent Coleridge wrote the short biography of his father, which is prefixed to the poet's works, he approached the subject in a somewhat regretful way, asking if the public has a right to inquire as to that part of a poet's life which does not influence his fellow-men after death, and declaring that the privacy of the dead is sacred.

He felt too keenly that the sanct.i.ty of Coleridge's life had been broken in upon by those who lacked both accurate knowledge and just discretion. It is a source of sincere regret to the writer of this volume that he, too, is compelled by circ.u.mstances to treat a part of his work almost in a deprecatory spirit, and sometimes to a.s.sume the position of defence. For, if the failings of Coleridge have been discovered and fed upon by those whose curiosity leads them to delight in such things, what shall we say of Patrick Branwell Bronte, whose misdeeds have not only been sought out with a persistency worthy of a better cause, but have also been exaggerated and misrepresented to a great degree, and whose whole life, moreover, has been contorted by writers who have endeavoured to find in it some evidence for their own hypotheses? It has been the misfortune of Branwell that his life has, to some extent, been already several times written by those who have had some other object in view, and who, consequently, have not been studious to acquire a correct view of the circ.u.mstances of it. These writers, it will be seen, have therefore, perhaps unavoidably, fallen into many grievous errors regarding him, so that his name, at this day, has come to be held up as a reproach and even as a token of ignominy.

If it be remembered that Mrs. Gaskell, in her 'Life of Charlotte Bronte,' describes him as a drunkard and an opium-eater, as one who rendered miserable the lives of his sisters, and might very well have shot his father; that Mr. T. Wemyss Reid, in his 'Charlotte Bronte, a Monograph,' has spoken of him as 'this lost and degraded man;' that Miss Robinson, in her 'Emily Bronte,' has called him a 'poor, half-demented lonely creature,' and has moralized upon his 'vulgar weakness,' his 'corrupt and loathsome sentimentality,' and his 'maudlin Micawber penitence;' and lastly that Mr. Swinburne, in a notice of the last-named work in the 'Athenaeum,' has said, 'of that lamentable and contemptible caitiff--contemptible not so much for his common-place debauchery as for his abject selfishness, his lying pretension, and his nerveless cowardice--there is far too much in this memoir;' it may well appear that we have here a strange subject for a biography.

But, since the publication of Miss Robinson's 'Emily Bronte,'--in which Branwell is specially degraded,--it has been felt by many admirers of the Brontes that it was desirable his life should be treated independently of the theories and necessities of his sisters'

biographers, and in a spirit not unfriendly to him; for there are many people who believe that Branwell's genius has never been sufficiently recognized, and there are a few who know that, notwithstanding his many failings and misdeeds, the charges made against him are, not a few of them, wholly untrue, while many more are grossly exaggerated, and that his disposition and character have been wholly misrepresented. Having in my possession many of his letters and poems, and having been personally acquainted with him, I have undertaken the task of telling the story of his life in connection with the lives of his sisters, for I think that there is much in his strange and sad history that ought to be known, while sufficient evidence exists of his mental power to prove that he was a worthy member of the intellectual family to which he belonged. It may not be amiss here, in order to ill.u.s.trate circ.u.mstances that will be alluded to in parts of this work, to touch slightly upon the bibliography of Branwell's life, and endeavour to discover the causes which have contributed to the ill-repute in which he is generally held.

Mrs. Gaskell, who became acquainted with Charlotte Bronte after the deaths of her brother and sisters, when all that was most sorrowful in her life had been enacted, saw, or thought she saw, in her the evidences of a deep dejection, the result of a life pa.s.sed under circ.u.mstances of misery and depression. In her 'Life of Charlotte Bronte,' this writer's endeavour to trace the successive influences of the trials of Charlotte's life upon her, and to find in them the explanation of what was, perhaps, in some measure, an idiosyncrasy of character, has led her, in the strength of her own preconception, to interpret many circ.u.mstances to the attestation of her theory. Such, at all events, is the explanation which Mr. T. Wemyss Reid has offered, in his 'Charlotte Bronte, a Monograph,' of the partial manner in which Mrs. Gaskell has dealt with certain of Miss Bronte's letters. If we conceive Mrs. Gaskell writing with this preconception, tending to give undue weight to all that was unhappy in the history of her heroine, we need feel little surprise that her account of the lives of the Brontes is too often a gloomy one, that their isolation at Haworth, their poverty, and their struggles have been exaggerated, or that, in order to throw in a sombre background to her picture, she was unduly credulous in listening to those unfounded stories with which she made Mr. Bronte to appear, in act, at least, diabolical, and which have helped to depict the career of Patrick Branwell Bronte in such dark and tragic colours. She had heard at Haworth the story of his disgrace, his subsequent intemperance, and his death. Herein she believed was the great sorrow of the sisters' minds, the care which had induced a morbid peculiarity in their writings, and cast a shadow upon their lives. Mrs.

Gaskell seems to have thought it devolved upon her, not merely to picture beginnings of evil in the brother, and trace them to his ruin; but, also, to punish the lady whom she held responsible for what has been termed 'Branwell's fall.' To this end she thought it right to lay at the lady's door, in part, the premature deaths of the sisters; and, in sustaining the idea that the effect on them of the brother's disgrace was what she believed it to be, she was led to employ partial versions of the letters, and exaggerate the whole course of Branwell's conduct. Her book was read with astonishment by those whose characters were made to suffer by it, and she was obliged, in later editions, to omit the charges against the lady; and also those against Mr. Bronte.

But Mrs. Gaskell still maintained that, whatever the cause, the effect was the same.

It was not believed at the time, by some, that, because Mrs. Gaskell had been obliged to withdraw the statements complained of, in the later editions of her work, they were necessarily untrue. Mr. Thackeray had said that the life was 'necessarily incomplete, though most touching and admirable,' and the original edition was still in circulation, and was pirated abroad.

The friends of Branwell Bronte, those who from actual acquaintance knew his mental power and real disposition, resented greatly the wrong that had been done to his memory; and several representations were made in his favour. One of these was in an article ent.i.tled: 'A Winter's Day at Haworth,' published in 'Chambers's Journal,' 1869. Mr. George Searle Phillips, in the 'Mirror,' of 1872, also published some valuable reminiscences which tended to show Branwell's true elevation of character and gentleness of disposition.

The publication of Mr. Wemyss Reid's 'Charlotte Bronte, a Monograph,'

in the year 1877, while it called attention to the original view of Branwell's life and character, did not aim to remove it. Mr. Reid repudiated, with success, the idea that the effect of Branwell's career upon Charlotte and Emily was what Mrs. Gaskell represented it to have been, without expressing any dissent from the story itself. This writer does not, indeed, appear to have suspected that the explanation was to be found in the fact that Branwell was not so bad as he had been made to appear, or that Mrs. Gaskell had fallen into other errors besides those of the letters which he corrected. But, though Mr. Reid carefully avoided the reproduction of the details of Mrs. Gaskell's account of Branwell's life, what reference is made to him in the 'Monograph,'

after the period of his youth, is always in terms of reprobation, which have done nothing to discourage belief in the suppressed scandal.

Moreover, Mr. Reid revived some of the charges against Mr. Bronte, and painted a sinister portrait of him.

It was under these circ.u.mstances that Mr. F. H. Grundy, C.E., another friend of Branwell's, in his 'Pictures of the Past' (1879), endeavoured to do some justice to his memory, and declared, notwithstanding his great failings, that his abilities were of a very high order, and his disposition one that should be admired. I have found Mr. Grundy's materials of use in this work. But, unfortunately, this friend of Branwell's wrote from recollection, and made such great mistakes in the chronology of his life that his account did not give a true interpretation of actual circ.u.mstances. Mr. Grundy, too, had evidently refreshed his memory with a perusal of Mrs. Gaskell's volume, and so his information was considerably tinctured with that writer's misconceptions. This notice had the very opposite effect to that which was intended, and has since been largely used by writers whose purpose has led them to rank Branwell with the fallen.

In Miss Robinson's recently published 'Emily Bronte,' the scandal of Branwell's life, which Mrs. Gaskell laid before the reading world, has been reproduced, and her evil report of his character greatly increased. 'Why,' it might well be asked, 'should it be necessary to publish the records of a brother's misdeeds as a conspicuous feature in a sister's memoir? Why revive a scandal that has been so long suppressed?' Miss Robinson has, indeed, given her reason, in that Branwell's sins had so large a share in determining the bent of his sister's genius, that 'to have pa.s.sed them by would have been to ignore the shock which turned the fantasy of the "poems" into the tragedy of "Wuthering Heights,"' and here, probably, is the only adequate purpose that could have been found in doing so; but it is scarcely sufficient to explain why Miss Robinson has, almost from her first mention of Branwell Bronte to her remarks on his death, treated every act of his life with contumely, censure, and contempt, or that she has, in opposition to every previous opinion, represented his abilities as almost void. While Mr. Reid suggested that Emily Bronte, in writing her novel, must have obtained some of her impressions from her brother's conduct, Mr. Grundy had made a statement tending to show that Branwell had written a portion of the story himself. If Branwell's abilities were no better than Miss Robinson says they were, she has disposed of Mr. Grundy's a.s.sertion at once; but not the less does she employ other reasons for that end, and the degradation she has thought it necessary to show in Branwell, answers quite as much to prove the impossibility of his having written the work, as to picture the cause of brooding in Emily, under which she produced the tragedy of 'Wuthering Heights.'

With views similar to those with which Mrs. Gaskell wrote, Miss Robinson, in following the biographer of Charlotte, has fallen into the same errors. In order to make it clear that the part Branwell had in the production of 'Wuthering Heights,' by his sister, was subjective, this writer has found it necessary to show in his life much of what is worst in the characters of the story. So completely has Miss Robinson carried out this portion of her work, that Mr. Swinburne was led to say, in his notice of it, that 'Emily Bronte's tenderness for the lower animals ... was so vast as to include even her own miserable brother.'[22] But Miss Robinson has not succeeded so far without much unfairness to the victim of her theory, in omissions and errors of fact. I shall have occasion to treat at some length, later, Branwell's relationship both to 'Wuthering Heights' and 'The Tenant of Wildfell Hall.'

[22] 'Athenaeum,' June 16th, 1883, p. 762.

I hope, indeed, to be able to prove that Branwell was (as all who personally knew him aver him to have been) a man of great and powerful intellectual gifts, to relieve his memory of much of the obloquy that has been heaped upon it, and to clearly show the remarkable individuality of his character. I shall find it necessary, in doing so, to take exception to the portions of Mrs. Gaskell's 'Life of Charlotte Bronte' which deal with her brother, as to some extent I had to do to those which refer to Mr. Bronte. More especially, however, will it be necessary to deal with the fuller statements in the first edition of the work, and with their repet.i.tion and amplification in the more recent volumes of Mr. Reid and Miss Robinson.

I have thought it necessary to introduce these remarks in this place, in order that the reader, when he comes to the consideration of certain statements made by previous writers concerning Branwell, and his relationship with his sisters, may have a clear understanding of the views with which the works containing these statements have been written.

CHAPTER XI.