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She followed the children to the door, wondering at her heavy heart.
What could it come from? There was nothing in life for her to fear of course, except for the children, and it was absurd to fear for them.
They were all safe; safe and strong and rooted deep in health, and little Mark was stepping off gallantly into his own life as the others had done. But she felt afraid. What could she be afraid of? As she opened the door, their advance was halted by the rush upon them of Paul's dog, frantic with delight to see the children ready to be off, springing up on Paul, bounding down the path, racing back to the door, all quivering eager exultation. "Ah, he's going _with_ the children!"
thought Marise wistfully.
She could not bear to let them leave her and stood with them in the open door-way for a moment. Elly rubbed her soft cheek against her mother's hand. Paul, seeing his mother shiver in the keen March air, said, "Mother, if Father were here he'd make you go in. That's a thin dress.
And your teeth are just chattering."
"Yes, you're right, Paul," she agreed; "it's foolish of me!"
The children gave her a hearty round of good-bye hugs and kisses, briskly and energetically performed, and went down the stone-flagged path to the road. They were chattering to each other as they went. Their voices sounded at first loud and gay in their mother's ears. Then they sank to a murmur, as the children ran along the road. The dog bounded about them in circles, barking joyfully, but this sound too grew fainter and fainter.
When the murmur died away to silence, there seemed no sound left in the stark gray valley, empty and motionless between the steep dark walls of pine-covered mountains.
Marise stood for a long time looking after the children. They were climbing up the long hilly road now, growing smaller and smaller. How far away they were, already! And that very strength and vigor of which she was so proud, which she had so cherished and fostered, how rapidly it carried them along the road that led away from her!
They were almost at the top of the hill now. Perhaps they would turn there and wave to her.
No, of course now, she was foolish to think of such a thing. Children never remembered the people they left behind. And she was now only somebody whom they were leaving behind. She felt the cold penetrate deeper and deeper into her heart, and knew she ought to go back into the house. But she could not take her eyes from the children. She thought to herself bitterly, "This is the beginning of the end. I've been feeling how, in their hearts, they want to escape from me when I try to hold them, or when I try to make them let me into their lives. I've given everything to them, but they never think of that. _I_ think of it! Every time I look at them I see all those endless hours of sacred sacrifice.
But when they look at me, do they see any of that? No! Never! They only see the Obstacle in the way of their getting what they want. And so they want to run away from it. Just as they're doing now."
She looked after them, yearning. Although they were so far, she could see them plainly in the thin mountain air. They were running mostly, once in a while stopping to throw a stone or look up into a tree. Then they scampered on like squirrels, the fox-terrier bounding ahead.
Now they were at the top where the road turned. Perhaps, after all, they _would_ remember and glance back and wave their hands to her.
Now they had disappeared, without a backward look.
She continued gazing at the vacant road. It seemed to her that the children had taken everything with them.
A gust of icy wind blew down sharply from the mountain, still snow-covered, and struck at her like a sword. She turned and went back shivering, into the empty house.
PART I
CHAPTER III
OLD MR. WELLES AND YOUNG MR. MARSH
_An Hour in the Life of Mr. Ormsby Welles, aet. 67_
March 15, 1920.
3:00 P.M.
Having lifted the knocker and let it fall, the two men stood gazing with varying degrees of attention at the closed white-painted old door. The younger, the one with the round dark head and quick dark eyes, seemed extremely interested in the door, and examined it competently, its harmoniously disposed wide panels, the shapely fan-light over it, the small panes of greenish old gla.s.s on each side. "Beautiful old bits you get occasionally in these out-of-the-way holes," he remarked. But the older man was aware of nothing so concrete and material. He saw the door as he saw everything else that day, through a haze. Chiefly he was concerned as to what lay behind the door... . "My neighbors," he thought, "the first I ever had."
The sun shone down through the bare, beautiful twigs of the leafless elms, in a still air, transparent and colorless.
The handle of the door turned, the door opened. The older man was too astonished by what he saw to speak, but after an instant's pause the younger one asked if Mr. and Mrs. Crittenden were at home and could see callers. The lean, aged, leather-colored woman, with shiny opaque black eyes, opened the door wider and silently ushered them into the house.
As long as she was in sight they preserved a prudent silence as profound as hers, but when she had left them seated, and disappeared, they turned to each other with lifted eyebrows. "Well, what was _that_, do you suppose?" exclaimed the Younger. He seemed extremely interested and amused. "I'm not so sure, Mr. Welles, about your being safe in never locking your doors at night, as they all tell you, up here. With that for a neighbor!"
The older man had a friendly smile for the facetious intention of this.
"I guess I won't have anything that'd be worth locking doors on," he said. He looked about him still smiling, his pleasant old eyes full of a fresh satisfaction in what he saw. The room was charming to his gaze, cheerful and homey. "I don't believe I'm going to have anything to complain of, with the folks that live in this house," he said, "any more than with any of the rest of it."
The other nodded. "Yes, it's a very good room," he agreed. After a longer inspection, he added with a slight accent of surprise, "An oddly good room; stunning! Look at the color in those curtains and the walls, and the arrangement of those prints over that Chippendale sewing-table.
I wonder if it's accidental. You wouldn't think you'd find anybody up here who could achieve it consciously."
He got to his feet with a vigorous precision of movement which the other admired. "Well, he's grown to be considerable of a man," he thought to himself. "A pity his father couldn't have lived to see it, all that aliveness that had bothered them so much, down at last where he's got his grip on it. And enough of it, plenty of it, oceans of it, left so that he is still about forty times more alive than anybody else." He looked tolerantly with his tired elderly amus.e.m.e.nt at the other, stepping about, surveying the room and every object in it.
The younger brought himself up short in front of a framed photograph.
"Why, here's a chateau-fort I don't know!" he said with an abrupt accent. He added, with some vehemence, "I never even heard of it, I'm sure. And it's authentic, evidently."
The older man sat perfectly still. He did not know what a shatto four was, nor had he the slightest desire to ask and bring the information down on him, given as the other would give it, pressingly, vividly, so that you had to listen whether you wanted to or not. Heaven knew he did not want to know about whatever it was, this time. Not about that, nor anything else. He only wanted to rest and have a little life before it was too late. It was already too late for any but the quietest sort. But that was no matter. He wouldn't have liked the other kind very well probably. He certainly had detested the sort of "life" he'd experienced in business. The quietest sort was what he had always wanted and never got. And now it really seemed as though he was going to have it. For all his fatigued pose in the old arm-chair, his heart beat faster at the idea. He hadn't got used to being free yet. He'd heard people say that when you were first married it was like that, you couldn't realize it.
He'd heard one of the men at the office say that for a long time, every time he heard his bride's skirts rustle, he had to turn his head to make sure she was really there. Well, he would like now to get up and look out of that window and see if his garden was really there. _His garden!_ He thought with a secret feeling, half pity and half shame, of those yellowed old seed catalogues which had come, varnished and brilliant and new, year after year, so long ago, which he'd looked at so hard and so long, in the evenings, and put away to get yellow and sallow like his face ... and his hopes. It must be almost time to "make garden," he thought. He had heard them saying at the store that the sap was beginning to run in the maple-trees. He would have just time to get himself settled in his house ... he felt an absurd young flush come up under his grizzled beard at this phrase ... "his house," his own house, with bookshelves, and a garden. How he loved it all already! He sat very still, feeling those savagely lopped-off tendrils put out their curling fingers once more, this time unafraid. He sat there in the comfortable old arm-chair at rest as never before. He thought, "This is the way I'm going to feel right along, every day, all the time," and closed his eyes.
He opened them again in a moment, moved subconsciously by the life-time habit of making sure what Vincent was up to. He smiled at the keen look of alert, p.r.i.c.k-eared attention which the other was still giving to that room! Lord, how Vincent did love to get things all figured out! He probably had, by this time, an exact diagram of the owners of the house all drawn up in his mind and would probably spend the hour of their call, seeing if it fitted. Not that _they_ would have any notion he was doing anything but talk a blue streak, or was thinking of anything but introducing an old friend.
One thing he wanted in his garden was plenty of gladioli. Those poor, spindling, watery ones he had tried to grow in the window-box, he'd forget that failure in a whole big row all along the terrace, tall and strong, standing up straight in the country sunshine. What was the address of that man who made a specialty of gladioli? He ought to have noted it down. "Vincent," he asked, "do you remember the address of that Mr. Schwatzk.u.mmerer who grew nothing but gladioli?" Vincent was looking with an expression of extreme astonishment at the sheet of music on the piano. He started at the question, stared, recollected himself, laughed, and said, "Heavens, no, Mr. Welles!" and went back into his own world.
There were lots of things, Mr. Welles reflected, that Vincent did _not_ care about just as hard as he cared about others.
In a moment the younger man came and sat down on the short, high-armed sofa. Mr. Welles thought he looked puzzled, a very unusual expression on that face. Maybe, after all, he hadn't got the owners of the house so well-plotted out as he thought he ought to. He himself, going on with his own concerns, remarked, "Well, the name must be in the Long Island telephone directory. When you go back you could look it up and send me word."
"Whose name?" asked Vincent blankly.
"Schwatzk.u.mmerer," said the other.
"_What_!" cried Vincent incredulously, and then, "Oh yes," and then, "Sure, yes, I'll look it up. I'm going back Thursday on the night train.
I won't leave the Grand Central without going to a telephone booth, looking it up, and sending it to you on a postcard, mailed there. It ought to be here on the morning mail Sat.u.r.day."
The older man knew perfectly well that he was being a little laughed at, for his absorption in gladioli, and not minding it at all, laughed himself, peaceably. "It would take a great deal more than a little of Vincent's fun," he thought, "to make me feel anything but peaceable here." He was quite used to having people set him down as a harmless, worn-out old duffer, and he did not object to this conception of his character. It made a convenient screen behind which he could carry on his own observation and meditation uninterrupted.
"Here comes somebody," said Vincent and turned his quick eyes toward the door, with an eager expression of attention. He really _must_ have been stumped by something in the room, thought Mr. Welles, and meant to figure it out from the owners of the house themselves.